
This is an illustration that goes along with my first good published novel, Catch a Falling Star. I don’t talk about that novel in this blog very much anymore since, in order to actually promote that novel, I am under contract to have to spend hundreds of dollars more to use one of their many expensive promotional packages to get this “award winning” novel promoted in the way the publisher thinks it deserves. I wanted to use a picture like this for the cover of the book. They rejected that. Instead they gave me a silhouette picture of a girl flying a kite at night. That, of course, has nothing to do with the novel inside the book. These two, by contrast, are two of the most important characters from the book, both of them aliens. Farbick is the competent space pilot who gets himself shot and captured during the failed invasion of Earth. Davalon is the marooned tadpole, Telleron child, who gets himself adopted by a childless Earth couple. I definitely like my picture better than the one I got stuck with.

This picture is called, “Long Ago It Might Have Been.” It is a picture I drew in the late eighties, after my girlfriend/Reading-teacher colleague took a job in San Antonio and left me behind. Honestly, she wanted to marry me, and I never got around to telling her that the reason our love life was so difficult was because I had been sexually assaulted as a child, and though I was attracted to her, I hadn’t truly healed enough at that point to become a husband and father. I never told her about my terrible secret. She left. She got married and had more than one blond-haired little girl that probably looked just like her. The boy in this picture looks like a young me with blond hair. He wears a baseball jacket of the St. Louis Cardinals, my favorite team. He’s the child that might’ve been, if only I had grown to adulthood a little sooner.

This picture is even harder to explain without me looking like a real fool. After all, if you are a real fool, it’s rather hard to hide that fact. In that last picture, I depicted something that related to one of the two girlfriends that I had to juggle at the same time back in the eighties. You see, I had set my heart on winning over Mary Ann whom I had worked with in the same classroom as she was the teacher’s aide assigned to the Chapter I remedial program I was teaching. She’s the girlfriend I took on visits to the Austin area on weekends. She had a sister in Austin, the one who lived in the nudist apartment complex, where she stayed during those visits. My parents lived in Taylor, Texas at the time, a nearby suburb. We dated regularly. She knew my terrible secret. She was a divorcee and I knew her terrible secrets as well. Ginger, on the other hand, was looking for a mate, and she lived in the apartment next door. She’s the one who would’ve hopped into bed with me anytime I asked. And she made no bones about wanting me to be hers. Needless to say, I could’ve written a TV sitcom about the majority of my love-life back then. It could’ve starred Jack Ritter as me. And I ended up with neither of those two young ladies. The picture, of course. is in honor of the kids in the eighties calling my classroom Gilligan’s Island because they thought I looked like the Gilligan actor, Bob Denver.

This is, of course, a portrait of Millis the rabbit in his accelerated-evolution form as a rabbit-man from my novel The Bicycle-Wheel Genius. That book, obviously, is a science-fiction comedy with a lot of unexpected plot twists. But the story behind the picture is one of a boyhood spent as a town kid in a farm-town community. Unlike the other kids in the Iowa Hawkeyes 4-H club, I couldn’t raise a calf or a pen of hogs as my 4-H club project. So, instead, I got in as a keeper of rabbits. Of my two original rabbits, a buck and a doe, I had a black one and a white one. The white one was a New Zealand White, a purebred white rabbit with red eyes, because the entire breed was albino. I called the white rabbit, the buck, Ember-eyes because his eyes glowed like fire in the night under the flashlight beam. The doe was a black rabbit I called Fuzz. Out of the first litter of babies Fuzz had, eight of the ten were white And of the two black babies, one died in the nest, and the other passed away shortly after he got big enough to determine that he was a male rabbit. I won’t go into how you determine the sex of a juvenile rabbit. So, almost all of the rabbits I raised before I discovered what a Dutch-belted rabbit was, were white with red eyes.
So, it is my thesis for today that every picture I make has some kind of story behind it. It may be totally boring, but still technically a story. So, there.


























Over the Rainbow
Here is a notion that I find disturbing, compelling, and totally fascinating. The world portrayed to us through history, current media, and what is assumed to be common knowledge of the facts is all warped and incorrect. The people who make the world go round, like Glinda the Good Witch, Dorothy, and the Wizard in Oz are all lying to us.
What? You thought I was talking about something more than the Wizard of Oz? Well, you were right. You cannot consider the real meaning of the story Frank L. Baum wrote without realizing that it has more than one meaning.
You understand that in this story we are talking about a girl who becomes an interdimensional traveler. She visits a dimension which contains the Land of Oz (a place you cannot find anywhere on a map of the Earth) first by means of an interdimensional Kansas tornado, and later, after learning how to use them properly, finds her way back to her own dimension by magic-heel-clicking ruby slippers.
Not only that but after she learns of the whole rulership of Oz by witches and wizards, she allows herself to be recruited as an assassinator of evil witches by a supposed “good witch”. Again, she kills the first one by accident, then learns by trial and error how to kill the second one despite the witch’s winged-monkey minions.
Nothing in Oz is, of course, really what it seems to be. The Scarecrow, representing the rural farm worker, has been convinced he is an idiot know-nothing who doesn’t even have a brain. Yet, in the story, his were the plans that led the group to successfully overcoming obstacles. The Tin Man, representing the modern factory worker, has been told he doesn’t have a heart. Yet he is the one with the most empathy, willing to make any sacrifice necessary for the benefit of those he loves. And the Lion, symbolizing the military, is told he is cowardly, and he believes it, though he is willing to face grave danger and bravely takes on Dorothy’s enemies in spite of his paralyzing fear.
And we all know the Wizard, the man behind the curtain, is a humbug and a con man, trying to deceive others to stay in control of every situation and potential problem. (I am actually surprised his face is not orange and he doesn’t have tiny hands for signing executive orders,)
So I believe I have definitely shown there is a conspiracy behind the whole Wizard of Oz thing. It becomes obvious if you match up the signs, symbols, and clues. But the biggest thing of all is the obvious evidence of making everybody wear green sunglasses in the Emerald City. The cover-up is the greatest giveaway that there is when something odd is going on in Oz that they don’t want you to know about. It is the biggest clue that George W. Wizard is actually the instigator behind 9/11. The Scarecrow is also behind the back-engineering of alien spaceships at Area 51. The Tin Man is behind the chemtrails in the sky that are trying to undo the damage of global warming. And the Lion led the assassination team of CIA shooters who killed Kennedy. I know it all sounds crazy. But still… if we are willing to believe little Kansas girls can ride tornadoes into otherworldly dimensions…
And we all know who really voted Trump into office in 2016 and again in 2024.
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