I am reposting this old post from 2015 because I am in the same situation of not being able to write 500 words today.
Okay, I am justifying and vilifying today because yesterday I didn’t write 500 words… the first time in 2015… not in my blog, not in my novels, not even counting text messages. I had extenuating circumstances. I went to a movie, Disney’s Inside Out which made me laugh and made me cry like any good Disney/Pixar movie always does. Then I got a message that one of my children went into the hospital in Florida. And I have been down and out with a bad back, so I missed the Florida trip all together… (the child is fine, by the way, thanks for asking that in your head while reading this). But all of that stuff and nonsense is really just an excuse for a dastardly act of cowardice. I didn’t write a full 500 words. How dare I? This writing thing has now become my sacred mission from God. After all, I retired from the first sacred mission because poor health was God’s way of telling me, “MICKEY, IT IS TIME TO BE A WRITER.” Really! He talks to me in all capital letters just like that.
And you have probably noticed already that I am doing stream-of-consciousness writing for today’s post, a useful form of pre-writing that is known for producing lots of garbage to go along with the gemstones-in-the-rough. My mind is still boiling with emotional turmoil and upset and less-than-critical thinking… The reasons for that are understandable… I am guessing. … But I think the point is (if points are possible in this no-win game I am playing, and losing, called Old Age) that I am never really not writing. I have two novels in rough drafting at the same time. Both When the Captain Came Calling and Stardusters and Space Lizards are both on my task bar at this very moment. I add new inspirations for the next canto every time a new light bulb clicks on over my little furry head.
So the ideas are already there for several pieces of writing that I simply have to sit down and knock out on the keyboard. Potentially I have way more than a mere 500 words waiting to blossom and unfold like flowers into paragraphs of purple paisley prose. (Since this is as close as a writer can come to showing how he actually thinks, I guess I have also answered a question that many who try to read my writing have been wondering about… I really do think in loopty-loops with streamers attached and a knot in the tail.) Writing is not something I can ever be accused of not doing because writing and thinking are the same thing… the only difference between the 500 per day and the leventie-leven trillion in my head is your access to it in a form that is written down and edited (well, at least re-read for typos… I kinda like leaving the stuff and nonsense… and moldy bananas… in the final product because I can pass that particular form of goofiness off as humor). (And, yes, it just helped me pass 500 for today.)

























































Why We Doo
I remember when Scooby Doo, Where Are You? premiered on Saturday Morning Cartoons in 1969. I was thirteen and in the 7th grade. I had been six during the Cuban Missile Crisis of 1962, seven when Kennedy was assassinated in 1963, ten when I was sexually assaulted in 1966, and still twelve when Neil Armstrong walked on the Moon in the Summer of 1969. I was obsessed with monsters, horror comics, 20,000 Leagues Under the Sea, and the Pirates threatening Jim Hawkins in Treasure Island. I knew what fear was. And I was mad to find ways to combat the monsters I feared.
Don’t get me wrong. I was under no illusions that Fred, Daphne, Velma, Norville “Shaggy” Rogers and Scooby Doo were the answer to all my fears as viable heroes and heroines. They were goofballs, all of them, based on the characters I vaguely remembered from The Many Loves of Dobie Gillis. I was aware that Shaggy was just Maynard Krebs in cartoon form (the hippie character portrayed by Gilligan’s Island actor Bob Denver.)
One of the critical things about the show for me was the fact that there was a rational explanation for the monsters. They were men in masks, special effects and projector tricks, or remote-controlled mechanical things.
And the way you overcame them and saved the day was by having Shaggy and Scooby act as bait, cause the traps to get sprung at the wrong time, and then fall on the villains, trapping them under the butt of the talking dog.
Villains and horror could be overcome by laughing at them. They were more likely to be clowns than carnivores. And even if they were carnivores, the teeth were not real.
There was a universal truth in that. Danger and horror and fear were easier to handle when you could laugh in spite of those things.
And to top it all off, those meddling kids and their stupid talking dog were with me my whole life. Those cartoons got remade and spun off so many times that my kids learned to love them as much as I did. And those four meddling kids and that talking dog are still making new stories even now.
And that is why we do the Doo!
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Filed under autobiography, cartoon review, cartoons, commentary, humor, monsters, Uncategorized
Tagged as hanna-barbera, horror, Netflix, review, Scooby Doo