Category Archives: commentary

Finding My Voice

As Big MacIntosh welcomes more little ponies into my insanely large doll collection, I have been reading my published novel Snow Babies.  The novel is written in third person viewpoint with a single focus character for each scene.  But because the story is about a whole community surviving a blizzard with multiple story lines criss-crossing and converging only to diverge and dance away from each other again, the focus character varies from scene to scene.

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Big MacIntosh finds himself to be the leader of a new group of My Little Ponies.

In Canto Two, Valerie Clarke, the central main character of the story, is the focus character.  Any and all thoughts suggested by the narrative occur only in Valerie’s pretty little head.  Canto Three is focused through the mind of Trailways bus driver Ed Grosland.  Canto Four focuses on Sheriff’s Deputy Cliff Baily.  And so, on it goes through a multitude of different heads, some heroic, some wise, some idiotic, and some mildly insane.  Because it is a comedy about orphans freezing to death, some of the focus characters are even thinking at the reader through frozen brains.

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The ponies decide to visit Minnie Mouse’s recycled Barbie Dreamhouse where Olaf the Snowman is the acting butler.

That kind of fractured character focus threatens to turn me schizophrenic.  I enjoy thinking like varied characters and changing it up, but the more I write, the more the characters become like me, and the more I become them.  How exactly do you manage a humorous narrative voice when you are constantly becoming someone else and morphing the way you talk to fit different people?  Especially when some of your characters are stupid people with limited vocabularies and limited understanding?

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The ponies are invited to live upstairs with the evil rabbit, Pokemon, and Minions.

I did an entire novel, Superchicken, in third person viewpoint with one focus character, Edward-Andrew Campbell, the Superchicken himself.  That is considerably less schizophrenic than the other book.  But it is still telling a story in my voice with my penchant for big words, metaphors, and exaggerations.

The novel I am working on in rough draft manuscript form right now, The Baby Werewolf, is done entirely in first person point of view.  That is even more of an exercise of losing yourself inside the head of a character who is not you.  One of the first person narrators is a girl, and one is a werewolf.  So, I have really had to stretch my writing ability to make myself into someone else multiple times.

I assure you, I am working hard to find a proper voice with which to share my personal wit and wisdom with the world.  But if the men in white coats come to lock me away in a loony bin somewhere, it won’t be because I am playing a lot with My Little Ponies.

 

 

 

My best novel is free to own in ebook form for today and tomorrow. Buy it now with the link above. The offer is good until the end of the day on 12/14/2021.

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Old and Grumpy

Suppose being grumpy was a super power, and we could, as a grumpy old brotherhood of geezers, coots, and conservative uncles, could change things just by complaining about them.

No woman would ever leave a toilet seat down again. The Dunkin’ Donuts on Frankford Road would magically reopen and never run out of donuts again. And liver spots and wrinkles would suddenly be attractive to beautiful young women whether they were linked to fortunes or not.

But what if, in order to make better use of this unexplainable super power, we start telling old coots like the fool in the picture that they have to prove they will use this super power only for good, or we will raise their taxes? Or we would forbid them from ever eating bacon again? Either of those things would definitely motivate them.

Of course, the biggest problem with geezers, old coots, and conservative uncles that no one wants to sit next to at Thanksgiving is that they don’t generally get smarter and nicer with age. It is probably not wise to give them a super power that can alter reality. Yes, they are generally quite literally mean-spirited and unqualifiably dumb. And it isn’t really a matter of whether they could ever actually have a super power like that. The real problem is that they already have it. They proved it in 2016 when they elected a gigantic orange-faced Pillsbury Doughboy with mental flatulence to lead our government. And it wasn’t the dumb part that did it. It was the literally mean part. Trump is a walking, talking old coot-complaint given to us by mean old men to tell us, “We are unhappy geezers, coots, and conservative uncles who would rather blow up the government than lift a single tax dollar (especially from a rich dude) to try and fix it”.

What we truly need to do is harness a bit of that grumpy-old-man complaining power, a truly misunderstood and misused super power, to tackle problems like making public schools better, cleaning the environment, and electing smarter leaders (not the stupid ones who actually represent the majority of us). But of course, we will first have to turn off the spigots in the brewery of prejudice and ignorance that is Fox News, and brand all the greedy and stupid people with a red letter “R” for Trumpian Republican. That way, knowing who to vote for to make things better will become easier to the point that even us geezers, old coots, and conservative uncles can do it right.

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Nutzy Nuts

Things are not what they seem. Life throws curve balls across the plate ninety percent of the time. Fastballs are rare. And fastballs you can hit are even rarer. But if Life is pitching, who is the batter? Does it change the metaphor and who you are rooting for if the batter is Death?

If you think this means that I am planning on dying because of the bird flu pandemic, well, you would be right. Of course, I am always planning for death with every dark thing that bounces down the hopscotch squares of the immediate future. That’s what it means to be a pessimist. No matter what bad thing we are talking about, it will not take ME by surprise. And if I think everything is going to kill me, sooner or later I have to be right… though, hopefully, much later.

I keep seeing things that aren’t there. Childlike faces keep looking at me from the top of the stairs, but when I focus my attention there, they disappear. And I know there are no children in the house anymore since my youngest is now legally an adult. And the chimpanzee that peeked at me from behind the couch in the family room was definitely not there. I swear, it looked exactly like Roddy McDowell from the Planet of the Apes movies, whom I know for a fact to be deceased. So, obviously, it has to be Roddy McDowell’s monkey-ghost. I believe I may have mentioned before that there is a ghost dog in our house. I often catch glimpses of its tail rounding the corner ahead of me when my own dog is definitely behind me. And I am sure I shared the facts before that Parkinson’s sufferers often see partial visions of people and faces (and apparently dogs) that aren’t really there, and that my father suffers from Parkinson’s Disease. So, obviously it is my father and not me that is seeing these things… He’s just using my eyeballs to do it with.

But… and this is absolutely true even if it starts with a butt… the best way to deal with scary possibilities is to laugh at them. Jokes, satire, mockery, and ludicrous hilarity expressed in big words are the proper things to use against the fearful things you cannot change. So, this essay is nothing but a can of mixed nutz. Nutzy nuts. And fortunately, peanut allergies are one incurable and possibly fatal disease I don’t have. One of the few.

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Milt Caniff

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My 1967 Captain Action Steve Canyon action figure.

I have always been a deeply devoted fan of the Sunday funnies.  And one of the reasons I read the comics religiously was the work of Milt Caniff.  His comic strips, Terry and the Pirates, Male Call, and Steve Canyon set a standard for the age of action comics and adventure strips.

I read his comics in the 1960’s and 1970’s and always it was Steve Canyon.  But this, of course, was not his first strip.  I would discover in my college years the wonders of Terry and the Pirates.  When Caniff started the strip before World War II, he set it in China, but actually knew nothing about China.  So he did research.  He learned about people who became oriental hereditary pirate families and organizations.  He learned to draw authentic Chinese settings.  His comedy relief characters, Connie and the Big Stoop, were rather racist parodies of Chinamen and were among the reasons that the original strip had to mature into his later work in Steve Canyon.  But perhaps the most enduring character from the strip was the mysterious pirate leader known as the Dragon Lady.

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Steve Canyon is a fascinating study in the comic arts.  When he left the Terry and the Pirates strip in 1946, it went on without him.  It was owned by the Chicago Tribune-New York Daily News distribution syndicate, not Caniff himself.  Steve Canyon would change that.  He created it and owned it himself, making Caniff one of only two or three comics artists who actually owned their own creations.  Canyon started out as a civilian pilot, but enlisted in the Air Force for the Korean War and would remain in the Air Force for the remainder of the strip.  Some of the characters in the strip were based on real people.  His long-time friend Charlie Russhon, a former photographer and Lieutenant in the Air Force who went on to be a technical adviser for James Bond films was the model for the character Charlie Vanilla, the man with the ice cream cone.  Madame Lynx was based on the femme fatale spy character played by Illona Massey in the 1949 Marx Brothers’ movie Love Happy.  Caniff designed Pipper the Piper after John Kennedy and Miss Mizzou after Marilyn Monroe.

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I am not the only cartoonist who was taken with the work of Milt Caniff.  The effects of his ground-breaking work can be seen to influence the works of comic artists like Jack Kirby, Bob Kane, John Romita Sr., and Doug Wildey.  If you are anything like the comic book nut I am, than you are impressed by that list, even more so if I listed everyone he influenced.  Milt Caniff was a cartoonists’ cartoonist.  He was one of the founders of the National Cartoonists’ Society and served two terms as its president in 1948 and 1949.  He is also a member of the Will Eisner Comic Book Hall of Fame.

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Gray Morrow

Comic book artwork grabs me constantly and makes me wonder about the lives behind the pen and ink.  Artists basically draw themselves.  Whether you are drawing Tarzan, Buck Rogers, or Flash Gordon… when you draw them, you are drawing yourself.  My first encounter with Gray Morrow was when he drew Orion in Heavy Metal Magazine (the English version of the French Metal Hurlant).

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He was capable of drawing both the grotesque and the beautiful.  Violent action juxtaposed with soft and romantic moments filled with subtle colors and complex emotion.  I began thinking that Gray Morrow must be a complex and interesting human being.  I was soon to discover his other selves.  He was the artist behind the Buck Rogers strip starting in 1979.  He and Marvel writer Roy Thomas co-created the muck monster Man-Thing.

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He also worked on Tarzan, Flash Gordon, and The Illustrated Roger Zelazny.  Unfortunately he died in 2001 at age 67.  Luckily an artist puts himself into his work, and for that reason we still have Gray Morrow with us.  It is a kind of immortality.

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This cover from Monsters Unleashed gives you an idea of how well Gray Morrow could draw.

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Fools and Their Money

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I spent yesterday with the court appointed trustee, under oath, successfully declaring bankruptcy without losing the house or any other protected assets. I have sworn to pay off the amount owed to banks without further interest.  I will be aided by the court, protected from predators so that they don’t eat the corpse of my economic life.

Fools like me are soon parted from their money.  After all, this country’s government and this country’s economy are run by con men.  Cheats, criminals, grifters, thieves… they control the entire government now, and make the rules serve them and punish us.

And I suppose that’s the way it should be.  If money is your only source of happiness, you are going to become one of them.  A credit-manipulating predator and carrion-eater.  I had to go through this bankruptcy proceeding because I lost Bank of America’s lawsuit against me.  And if it weren’t for my bankruptcy case protecting me, they could come into my house and take whatever they wanted, including everything they wanted.  They could garnish my wages up to 100% for however many months it took for my pension check to pay off my debt.  Meanwhile my children would starve.  I would have nothing to live on.  It is within their rights to do it because they own the government and make the rules.  Charles Dickens didn’t even have it so bad.  At least in the debtor’s prison in Victorian London they fed you and kept you alive… mostly.

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But I did learn some important lessons for the future.  Let me share that hard-won wisdom with you now.

  1. Never buy anything on credit.  Save the money first, and then buy what you need once you have the total price.  Only fools agree to never-ending cycles of interest upon interest, compounding and confounding your pocketbook for perpetuity.  (Say that one three times fast!)
  2. Only buy what you need.  If you really need that shiny blue doohickimus to keep from going insane, then buy it… but save up the cash to pay for it in full.  And if owning that doodadimus preposterosous isn’t going to provide you with the key to real happiness, then forget about it, and glory in your new-found self-control.
  3. Banks are run by pirates.  They are in the business of stealing your money.  They charge fees for holding on to your money, while at the same time spending your money, and fees for counting your money, even when it’s not really there, and fees for looking at your money, though your money is only blips on a computer screen, and even fees for eventually… very gradually so you will not notice… stealing your money.  You have to give them your money at some point, because you will die or be killed if you don’t.  But taking your money by force, leaving you with no other choice but death, makes them pirates.
  4. Save money wherever you can.  Bury some in the back yard (but only metal money… gold bars being the least likely to turn into worthless soil filler).  You are probably going to need it in the future.  So don’t forget where you buried it.  And making maps only helps groups of nerdy kids find it in the future after an unlikely series of fantastic adventures that all occur after you have become a one-eyed skeleton.
  5. And don’t get sick, whatever you do.  It costs too much to get health care.  After you’ve paid an arm and a leg for health care services more than once, you are not going to be dancing any jigs.  Maybe rolling around like a watermelon with a head, but that’s about it.

So, that’s the wisdom I gained from going bankrupt, for what it’s worth (and it isn’t worth much, or they would’ve confiscated it at the creditor’s meeting yesterday).

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Cranky Old Coots Complain and Don’t Care

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Yes, I am a coot.  I became a coot in 2014 when I retired. I have the hair in the ears to prove it.  I sometimes forget to wear pants.  The dog is learning to hide from me on days when my arthritis makes me cranky.

So I am a practicer of the ancient art of being a cranky old coot.  I have opinions.  I share them with others foolishly. And I am summarily told to, “Shut up, you danged old coot!”  And, of course, I don’t shut up because that would be a violation of number five in the by-laws of cootism.  Obnoxiousness is our only reason for still being alive.

Lately, my group of coots on Facebook (who call themselves a “pack” like wolves, but, in truth, a group of coots is called an “idiocy”) are talking about politics… very loudly salted with firmly held opinions, beliefs, and bad words in several languages.  I mean, it’s texting each other on memes we disagree about, but we do it LOUDLY, like that, in all caps.  We also do it in such an infuriating manner because, if no one ever bothers to tell us to “Shut the hell up!”  we will begin to suspect we have actually died and gone to purgatory where we are still being obnoxious, but nobody knows we are doing it.  That is rubbing coot fur in the wrong direction.

The radical right (otherwise known as coot paradise) have been cooting up a storm about school shootings and gun control of late.  They have more or less turned their ire on me because, knowing I was a school teacher, they have seized on the Coot in Chief’s notion of arming teachers to protect schools.  Obviously, a majority of old coots agree that requiring a few “volunteer” teachers to conceal carry and learn how to handle a school shooter crisis situation with a gun instead of the way teachers are actually trained and practiced on handling such a situation, is the only economical way to defend schools from crazed lunatics with assault weapons.  Of course, it is definitely more economical than hiring full-time police officers to handle security because “volunteer” teachers does not mean that they are necessarily willing to do it, but rather that they are doing it without pay.  And of course, they shout at me things like, “Why don’t you just admit that you are too scared and unpatriotic to carry a gun as a teacher, and cowardly allow some female teacher with a big pistol to step in and do the job for you?”  That is a very coot thing to say, and is hard to adequately counter, because if you try to argue using logic other than coot-logic, like the notion that since a majority of teachers in this country are female, you are asking women who are fierce enough to do the job (and I have known more than a few who would take it on no matter how hopeless their prospects) to take a handgun that the principal bought at Walmart with money from the Coke machine in the hall and face down a suicidal maniac with an assault rifle, you will not even be heard over the cacophony of coot braying and chest-thumping, let alone be understood.

And, for some reason, coots love Trump.  Maybe because they feel he is truly one of them.  He is older than dirt.  He has an epically bad comb-over to hide his bald spot.  He says bad words very loudly in front of women, children, and everybody.  He says, “Believe me,” especially when telling lies.  And he’s not afraid to fart in public and blame it on the dog.  I admit to insulting Trump in front of them only because I like to see coot faces fold up in extra wrinkles, and coot heads turn various shades of angry red and apoplectic purple.

So, yes.  I am a coot.  Not proud to be one… that I can remember, but a coot nonetheless.

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The Cowboy Code

When I was a boy playing cowboys and Indians with cap pistols and rubber tomahawks, we all knew that cowboys had a code.  The guy in the white hat always shoots straight.  He knows right from wrong.  He only shoots the bad guy.  He even shoots the gun out of the bad guy’s hand if he can.  Westerns are about right and wrong, good and bad, and the unyieldingly good knights of plains.

And boys believe what they see on TV and in the movie theaters.  People who make television shows never lie, do they?  In fact, Wyatt Earp was based on a real guy who really lived and really shot the bad guys at the gosh-darn real OK Corral.

Daniel Boone was a real guy too.  He faced the opening up of new lands full of deadly dangers.  And when Fess Parker played him in 1964, wearing Davy Crockett’s coonskin hat, he walked the earth like a guardian angel, making everyone safe by the end of the episode.  He even knew which Indians were good and which were bad.  Mingo was always on Daniel’s side.  And when they spoke to each other about the dangers they faced, it was never about killing the people they feared.  It was about doing what is was right, about helping the community at Boonesboro to survive.  Being encouraging… looking forward to a more settled future created by following the cowboy frontier code.

So, I am left wondering what ever happened to the cowboy code?  I listen to Republican presidential candidates talking about dipping bullets in pig’s blood to kill Muslims, and building walls against Mexican immigrants, and why our right to carry assault rifles is sacred, and I wonder what happened.  Didn’t they experience the same education from the television versions of the Great American Mythology?  Didn’t they learn the code too?

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I am old enough now to know that cap guns are not real guns and you cannot solve problems by shooting somebody.  But that was never the point of the cowboy code.  We need straight-shooters again in our lives, not to shoot people, but to tell the unvarnished truth.  We need wise people who can tell who are the good Indians and who are the bad   We need them to shoot the weapons out of the bad guys’ hands.  And I know that’s asking for leaders to be larger than life and be more perfect than a man can actually be.  But Daniel Boone was a real man.  Myths and legends start with a fundamental truth.

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My Bookish Journey (Finale)

by Maxfield Parrish

Like every real, honest-to-God writer, I am on a journey. Like all the good ones and the great ones, I am compelled to find it…

“What is it?” you ask.

“I don’t know,” I answer. “But I’ll know it when I see it.”

“The answer?” you ask. “The secret to everything? Life, the universe, and everything? The equation that unifies all the theories that physicists instinctively know are all one thing? The treasure that pays for everything?”

Yes. That. The subject of the next book. The next idea. Life after death. The most important answer.

And I honestly believe that once found, then you die. Life is over. You have your meaning and purpose. You are fulfilled. Basically, I am writing and thinking and philosophizing to find the justification I need to accept the end of everything.

Leah Cim Reyeb is me, Michael Beyer written backwards.

And you know what? The scariest thing about this post is that I never intended to write these particular words when I started typing. I was going to complain about the book-review process. It makes me think that, perhaps, I will type one more sentence and then drop dead. But maybe not. I don’t think I’ve found it yet.

The thing I am looking for, however, is not an evil thing. It is merely the end of the story. The need no longer to tell another tale.

When a book closes, it doesn’t cease to exist. My life is like that. It will end. Heck, the entire universe may come to an end, though not in our time. And it will still exist beyond that time. The story will just be over. And other stories that were being told will continue. And new ones by new authors will begin. That is how infinity happens.

I think, though, that the ultimate end of the Bookish Journey lies with the one that receives the tale, the listener, the reader, or the mind that is also pursuing the goal and thinks that what I have to say about it might prove useful to his or her own quest.

I was going to complain about the book reviewer I hired for Catch a Falling Star who wrote a book review for a book by that name that was written by a lady author who was not even remotely me. And I didn’t get my money back on that one. Instead I got a hastily re-done review composed from details on the book jacket so the reviewer didn’t have to actually read my book to make up for his mistake. I was also going to complain about Pubby who only give reviewers four days to read a book, no matter how long or short it is, and how some reviewers don’t actually read the book. They only look at the other reviews on Amazon and compose something from there. Or the review I just got today, where the reviewer didn’t bother to read or buy the book as he was contracted to do, and then gave me a tepid review on a book with no other reviews to go by, and the Amazon sales report proves no one bought a book. So, it is definitely a middling review on a book that the reviewer didn’t read. Those are things I had intended to talk about today.

But, in the course of this essay, I have discovered that I don’t need to talk about those tedious and unimportant things. What matters really depends on what you, Dear Reader, got from this post. The ultimate McGuffin is in your hands. Be careful what you do with it. I believe neither of us is really ready to drop dead.

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My Bookish Journey

My journey as a writer actually began in grade school. I was writing Star Trek-like comics from the time I was in the fourth and fifth grade, ten and eleven years old. I called my comics Zebra Fleet, about the last fleet in the Star League on the distant, far reaches of the Milky Way Galaxy.

I started writing book-length stories in college, at Iowa State University. They weren’t all science fiction. They began to be more and more about the time and place where I grew up, Rowan, Iowa in the 1960s and 1970s They involved the people I knew there and then. My family, my friends, the people of Rowan, and random Iowegians. I based important characters on people I actually knew, mostly those I knew quite well. But I changed and swapped character details to hide their identities a little bit, and I gave them names that were mixed and matched and borrowed from the 1977 Ames, Iowa phone book. Dettbarn, Efram, Sumpter, Bircher, Clarke, MacMillan, White, and Murphy all came from there. Niland came from a famous alumni of the University of Iowa who played for the Dallas Cowboys.

In order to have food to eat and money to spend as an adult, I had to take my BA in English and add to it an MA in Education to get a job as a teacher. I took my closet full of nascent novels and moved to Texas where my dad’s job took my parents before I graduated college. There I added hundreds of characters who were perfect for Young Adult novels as I got to know real kids and learned about their real lives. I changed their names, details, and often cultures as I added them to my stories.

Other than a couple of shots in the dark as submissions of cartoons and manuscripts to publishers, I mostly kept my stories in the closet and focused more on teaching (which, to be fair, is also a form of story-telling.) I put my handful of rejection letters in the closet too.

But then, I got laid off for two years due to health and a wicked witch as a principal, and I spent my non-job-hunting time writing a novel about my science-fiction role-playing games with former students. It was called AeroQuest.

I managed to find a publisher for that book. But it was a bogus sort of experience. They paid me an advance of one dollar. Then they had me sign a seven-year contract in 2007. No editor or proofreader even worked for them. I basically had to edit and format the book myself. All they did is intentionally flub-up some titles and sections of text in the printed form. This was part of the master plan to get me to pay for an extensive fix to the mistakes they made. The only marketing they did was to send a notice for my over-priced paperback to the list of friends and relatives that they required me to make for them. Publish America is no longer in business. They were closed down by a class-action lawsuit from the authors they had tricked into paying them thousands of dollars for totally defective publishing services. Since I didn’t pay them any scam pennies, I didn’t get any of the money from the lawsuit. I only got my publishing rights back.

So, I went back to whole-heartedly teaching. Then, in 2012 I completed another manuscript that I thought was the best work that I had ever done. I submitted it to I-Universe publishers. They read it and loved it. As it turned out, they were in the process of being acquired by Penguin Books. They were the closest thing to a mainstream publisher that would entertain submissions by new and unproven authors like me.

They, of course, were offering a publishing package that included working with real editors and marketing personnel. But I had to go a bit into debt to swing the price. So, I was still paying someone to publish my book correctly. But, as a step in my author’s journey, it was invaluable. I got to work closely with an experienced editor who had previously worked for both MacMillan and Harcourt, two mainstream traditional publishers.

My book was given the stock cover you see here despite the cover requests I made and got approved. My original ask was apparently too expensive to print. There is no girl flying a kite in the story at all, let alone at night. It is a story about incompetent aliens trying to invade a small town in Iowa. I had requested a flying saucer with a kite flying behind it.

That first real publisher, though, made me into a real writer. The I-Universe marketeers got me listed as a winner of the Editor’s Choice Award. And they put that award and the Rising Star award on every paperback copy they printed. Everyone who read the book seemed to really like it. They set me up with this blog, space on their website for my book and bio, and they put me in touch with Barnes and Noble to talk about “meet the author” sessions to promote getting the book on their shelves. But a trip to the hospital with pneumonia and the end of the room on my Discover Card caused me to bring an end to my marketing campaign. I ended up with two five-star reviews and sixteen dollars-worth of royalties.

At this point in the story, temporarily stalled, I must start touting the part two of my essay for today. I should warn you, I have a lot more negative things to say about publishing next time.

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