
Suppose being grumpy was a super power, and we could, as a grumpy old brotherhood of geezers, coots, and conservative uncles, could change things just by complaining about them.
No woman would ever leave a toilet seat down again. The Dunkin’ Donuts on Frankford Road would magically reopen and never run out of donuts again. And liver spots and wrinkles would suddenly be attractive to beautiful young women whether they were linked to fortunes or not.

But what if, in order to make better use of this unexplainable super power, we start telling old coots like the fool in the picture that they have to prove they will use this super power only for good, or we will raise their taxes? Or we would forbid them from ever eating bacon again? Either of those things would definitely motivate them.

Of course, the biggest problem with geezers, old coots, and conservative uncles that no one wants to sit next to at Thanksgiving is that they don’t generally get smarter and nicer with age. It is probably not wise to give them a super power that can alter reality. Yes, they are generally quite literally mean-spirited and unqualifiably dumb. And it isn’t really a matter of whether they could ever actually have a super power like that. The real problem is that they already have it. They proved it in 2016 when they elected a gigantic orange-faced Pillsbury Doughboy with mental flatulence to lead our government. And it wasn’t the dumb part that did it. It was the literally mean part. Trump is a walking, talking old coot-complaint given to us by mean old men to tell us, “We are unhappy geezers, coots, and conservative uncles who would rather blow up the government than lift a single tax dollar (especially from a rich dude) to try and fix it”.

What we truly need to do is harness a bit of that grumpy-old-man complaining power, a truly misunderstood and misused super power, to tackle problems like making public schools better, cleaning the environment, and electing smarter leaders (not the stupid ones who actually represent the majority of us). But of course, we will first have to turn off the spigots in the brewery of prejudice and ignorance that is Fox News, and brand all the greedy and stupid people with a red letter “R” for Trumpian Republican. That way, knowing who to vote for to make things better will become easier to the point that even us geezers, old coots, and conservative uncles can do it right.
























Finding My Voice
As Big MacIntosh welcomes more little ponies into my insanely large doll collection, I have been reading my published novel Snow Babies. The novel is written in third person viewpoint with a single focus character for each scene. But because the story is about a whole community surviving a blizzard with multiple story lines criss-crossing and converging only to diverge and dance away from each other again, the focus character varies from scene to scene.
Big MacIntosh finds himself to be the leader of a new group of My Little Ponies.
In Canto Two, Valerie Clarke, the central main character of the story, is the focus character. Any and all thoughts suggested by the narrative occur only in Valerie’s pretty little head. Canto Three is focused through the mind of Trailways bus driver Ed Grosland. Canto Four focuses on Sheriff’s Deputy Cliff Baily. And so, on it goes through a multitude of different heads, some heroic, some wise, some idiotic, and some mildly insane. Because it is a comedy about orphans freezing to death, some of the focus characters are even thinking at the reader through frozen brains.
The ponies decide to visit Minnie Mouse’s recycled Barbie Dreamhouse where Olaf the Snowman is the acting butler.
That kind of fractured character focus threatens to turn me schizophrenic. I enjoy thinking like varied characters and changing it up, but the more I write, the more the characters become like me, and the more I become them. How exactly do you manage a humorous narrative voice when you are constantly becoming someone else and morphing the way you talk to fit different people? Especially when some of your characters are stupid people with limited vocabularies and limited understanding?
The ponies are invited to live upstairs with the evil rabbit, Pokemon, and Minions.
I did an entire novel, Superchicken, in third person viewpoint with one focus character, Edward-Andrew Campbell, the Superchicken himself. That is considerably less schizophrenic than the other book. But it is still telling a story in my voice with my penchant for big words, metaphors, and exaggerations.
The novel I am working on in rough draft manuscript form right now, The Baby Werewolf, is done entirely in first person point of view. That is even more of an exercise of losing yourself inside the head of a character who is not you. One of the first person narrators is a girl, and one is a werewolf. So, I have really had to stretch my writing ability to make myself into someone else multiple times.
I assure you, I am working hard to find a proper voice with which to share my personal wit and wisdom with the world. But if the men in white coats come to lock me away in a loony bin somewhere, it won’t be because I am playing a lot with My Little Ponies.
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