Category Archives: artists I admire

Toonerville, a Place I Once Lived In

There is a place so like the place where my heart and mind were born that I feel as if I have always lived there.  That place is a cartoon panel that ran in newspapers throughout the country from 1913 to 1955 (a year before I was born in Mason City, Iowa).  It was called Toonerville Folks and was centered around the famous Toonerville Trolley.

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Fontaine Fox was born near Louisville Kentucky in 1884.  Louisville, of course is one of the two cities that claims to be the inspiration for Toonerville.  Apparently the old Brook Street Line Trolley in Louisville was always run-down, operating on balls of twine and bailing wire for repair parts.  The people of Pelham, New York, however, point to a trolley ride Fox took in 1909 on Pelham’s rickety little trolley car with a highly enterprising and gossip-dealing old reprobate for a conductor.  No matter which it was, Fox’s cartoon mastery took over and created Toonerville, where you find the famous trolley that “meets all trains”.

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I didn’t learn of the comic strip’s existence until I was in college, but once I found it (yes, I am the type of idiot who researches old comics in university libraries), I couldn’t get enough of it.  Characters like the Conductor, the Powerful (physically) Katrinka, and the terrible-tempered Mr. Bang can charm the neck hair off of any Midwestern farm-town boy who is too stupid to regret being born in the boring old rural Midwest.

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I fancied myself to be just like the infamous Mickey (himself) McGuire.  After all, we have the same first name… and I always lick any bully or boob who wants to put up a fight (at least in my daydreams).

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So, this is my tribute to the cartoonist who probably did more to warp my personality and make me funny (well, at least easy to laugh at! ) than any other influence.  All of the cartoons in this post can be credited to Fontaine Fox.  And all the people in them can be blamed on Toonerville, the town I used to live in, though I never really knew it until far too late.

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Mennyms (A Book Review)

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This is the book I have really read, though I intend to acquire the rest.

Sylvia Waugh is a British writer of children’s books who has a lot in common with me.  She spent her career as a teacher of grammar.  In her late fifties she became a published author.  Her book series of the Mennyma is a charming fantasy adventure about dolls so loved by their owner, they actually come to life… and survive her…. and then have to make their way in a world that would be horrified by them and might easily seek to destroy them.

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Hopefully none of my dolls come to life after I croak. After years of collecting, they nearly outnumber humanity.

But rest assured, the dolls in this sweet-natured children’s book series would never prove evil.  The books are more fantasy-comedy than horror story.  In fact, they are impossibly far away from horror.

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The original book.

Joshua Mennym is the head of a family of life-size rag dolls.  He pretends to be a middle-aged man.  He generally keeps his distance from the general public, because, up close, his basic rag-doll-ness would stand revealed.  Rag dolls are not supposed to walk and talk, let alone have families and live in a home of their own.   His wife is Vinetta Mennym, also a rag doll.  Together they are parents to the ten-year old twins, Poopie, the boy, and Wimpey, the girl.

The teenage twins are Pilbeam and Soobie.  Pilbeam is the girl and constant companion of the elder teenage sister, Appleby.  Soobie is the boy and  blue.  Why their former owner, Kate Penshaw, made him with a blue head and blue feet and blue hands is a mystery both to the Mennyyms and to me.   It causes him to be the one most likely to cause exposure of the family secret because even at a distance he does not look like a “real people” person.

Baby Googles is the smallest of the family, constantly cared for by the nanny, Miss Quigley, who is also considered a Mennym because she is also a doll.

Grandpa Magnus Mennym lives in the attic with Grandma and takes care of the household bills.  He writes scholarly works on the English Civil War and publishes them for a modest income which comes through the mail.  Granny Tulip is also relied upon for her wisdom and experience whenever a problem with keeping the family secret comes up.

Each book in the series contains a different adventure revolving around the realistic comedy generated by impossible people trying so hard to be real.  I absolutely love the adventures, even the ones I haven’t read yet.  And I know that the only way you could possibly love these books too is if you share my loony love of the fantastically impossible that turns out to be real.  After reading these books, I fully intend to keep a very close eye on my own doll collection.

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Philip K. Dick

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There is a major drawback to being so smart that you can perceive the edges of infinity.  It makes you bedbug crazy.  I love the science fiction that populated the paperback shelves in the 50’s and 60’s when I was a boy.  I love the work of Philip K. Dick.  But it leads you to contemplate what is real… what is imaginary… and what is the nature of what will be.

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the robot Philip K. Dick who appeared at Comic Con and answered questions

There are numerous ways to investigate life.  But it is in the nature of imaginary people to try to find ways to make themselves real.  When the replicants in Bladerunner try to make themselves into real people, they must try to create memories that didn’t exist.  They try to mirror human life to the extent that they can actually fool the bladerunner into letting them live.  Of course, it doesn’t work.  They are not real.  (Bladerunner is the movie name of Do Androids Dream of Electric Sheep).

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It is like that for me as well.  Being an imaginary person is difficult.  You have to constantly invent yourself and re-invent yourself.  By the time you finally get to know yourself, you have to change again so that the anti-android factions don’t destroy you.  Although, I think I may not actually be an android.

Does that sound a bit crazy?  Well Philip K. Dick’s life story may in fact have led him down the path to really crazy.  In 1971 he broke up with his wife, Nancy Hackett.  She moved out of his life, and an amphetamine-abuse bender moved in.  In 1972, ironically the year I began reading Dick’s work, he fell in love at the Vancouver Science Fiction Convention.  That was immediately followed by erratic behavior, a break-up, and an attempted suicide overdosing on the sedative potassium bromide.  This, of course, led directly to his 1977 novel A Scanner Darkly.

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The story is about a police detective who is corrupted by a dangerous addictive drug that takes him down the rabbit hole of paranoia, and being assaulted by the perception of multiple realities simultaneously.  His novel Ubik from 1969 is a story of psychics trying to battle groups of other psychics even after they are killed by a bomb.  The crazy seems to have been building for a while.

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In 1974 he had a transcendental experience when a lady delivering medicine to his door wore a fish-shaped pendant which he said shot a pink beam into his head.   He came to believe the beam imparted wisdom and clairvoyance, and also believed it to be intelligent.  He would later admit to believing he had been reincarnated as the prophet Elijah.

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Imagination has its dangers.  It is a powerful thing able to transform reality.  Science fiction writers often use their imagination to shape what the future will actually make come into being.  But it can also turn your mind inside out.  A great science fiction writer like Philip K. Dick can contemplate the nature of reality and turn his own reality inside out.  It is a lesson for me, a lesson for all of us.  Wait, is that a pink beam of light I see?  No, I just imagined it.

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Filed under artists I admire, humor, imagination, science fiction, strange and wonderful ideas about life, surrealism

Black Humor

I think I know what you’re thinking. He’s just going to retell a bunch of Eddy Murphy, Richard Pryor, and Flip Wilson jokes from the 1970’s which his fuzzy old-coot memory will get wrong in slightly amusing ways. Or he’s got dementia now and has turned totally racist. Or both.

Well, maybe. I am old after all.

But, no. I am writing about that kind of humor where you laugh when someone in the story dies a horrible death in an unusually humorous way. Or most dead-baby jokes. Or the part of “The Producers” where “Springtime with Hitler” turns out to be a Broadway hit musical even though the two con men in charge were gambling on it being a failure.

Bad things can be funny, you know.

At least if you have a brain-damaged sense of humor like mine.

Kurt Vonnegut was a master of very dark black humor. In his novel, Cat’s Cradle, (Spoiler alert!) the world ends at the end of the novel because the mad scientist commits suicide by swallowing his invention, Ice Nine, freezing solid in a way that couldn’t be melted at room temperature or above, and then falling into the ocean, thus permanently freezing the entire planet Earth. Golly, what a laugh fest!

Black humor is, of course, highly dependent on dramatic irony and the fact that people smart enough to read and enjoy Vonnegut, usually are smart enough to realize if you read too much ironic humor you are not in danger of actually rusting from the brain outward.

I, of course, am a black humor aficionado of sorts. I thoroughly enjoyed all the torture, death, and deadly mistakes of Rowan Atkinson’s Blackadder. Of course, I had a ridiculously hard time gaining access to the show which originally aired on the BBC and didn’t appear on American TV channels until our household gave up television to save money due to ever-rising cable costs.

Fortunately, during the yearlong imprisonment of the Covid pandemic, I discovered the entire series available on Hulu which is cheap enough to stream on my laptop. Only in excess of 500,000 people had to die for me to get the chance to binge on all the historical reiterations of this amazingly dark show full of humorous English demise and occasional accidental murder.

So, that is what black humor is to me. As defined by Professor Wilson at Iowa State when I was assigned to read a novel by Saul Bellow and ended up reading three, Henderson the Rain King, Herzog, and The Adventures of Augie March. Of course, I am not sure which novel was the assignment. They were all deadly hilarious. And I am, after all, old enough to probably be demented and a closet racist. Is Saul Bellow Jewish? I ask because I am also forgetful.

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Is Mickey Icky?


This post is about writer doubt. And Stephen King. Do those two things go together? If they don’t then Mickey is an awful writer and does not know how to do what he does. It would mean Mickey is icky.
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I used to think Stephen King was a totally over-rated writer. Back in the early eighties I read Carrie, King’s first novel, and got halfway through Firestarter, and had to give up. Partly because the book was overdue at the library, and also because I found the books mechanical and somewhat joyless in the writing. I thought he suffered greatly in comparison to writers I was in love with at the time like Ray Bradbury and Thomas Mann. I began to tell others that King was somewhat icky.
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But King was obviously also somewhat successful. He began to get his books made into movies and people who don’t read discovered the evil genius of a man who tells stories to scare them and laces them with a bit of real humanity, real human feeling, and love.
I saw it first in Stand by Me. That movie, starring young Wil Wheaton as the Steven King autobiographical character, really touched my heart and really made for me a deep psyche-to-psyche connection to somebody who wasn’t just a filmmaker, but somebody who was, at heart, a real human being, a real story-teller.

Now, the psyche I was connecting to may very well have been Rob Reiner, a gifted story-teller and film-maker. But it wasn’t the only King movie that reached me. The television mini-series made from It touched a lot more than just the fear centers of my brain as well. And people whose opinions I respect began telling me that the books The Dark Tower Trilogy and Misery were also amazing pieces of literature.
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So I picked up a copy of Hearts in Atlantis at Half-Price Books and began reading a Stephen King novel for the first time since the 80’s. MY HOLY GOD! King is not a little bit icky. He is so NOT ICKY that it makes Mickey sicky to have ever thought King was even a little bit icky! Here is a writer who loves to write. He whirls through pages with the writer’s equivalent of ballet moves, pirouettes of prose, grand jetés of character building, and thematic arabesque penchées on every side of the stage. I love what I have discovered in a writer I thought was somewhat icky. Growth and power, passion and precision, a real love of both the words and the story. He may not know what he is doing. But I know. And I love it.
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And so, while I have been editing the first novel I ever wrote, Superchicken, to make it ready for self-publishing, I have begun to ask myself the self-critical question, “Is Mickey really icky when he writes?” My first novel is full of winces and blunders and head-banging wonders that make me want to throw the whole thing out. But I can’t throw it out. It is the baby in the first bathwater that I ever drew from the tap. The answer to the questions of Micky ickiness have yet to be determined, and not by me. I guess I have to leave it up to you.

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Filed under artists I admire, book reports, goofy thoughts, horror writing, humor, insight, irony, Mickey, NOVEL WRITING, Paffooney, strange and wonderful ideas about life

Happy Birthday, Carl Barks

Carl Barks was born on March 27th, 1901. So, Wednesday was his 123rd birthday. If you have no idea who I’m even talking about, then you were never a kid and a comic book fan in the 1960s. Carl Barks is both Uncle Scrooge’s father and Donald Duck’s stepfather.

Carl is a personal art hero of mine. I grew to adulthood on the adventures of his plucky ducks doing duck adventures in Duckburg. I have written about my devotion to Carl in this blog before. In fact, here is the link; https://catchafallingstarbook.net/2014/09/27/carl-barks-master-of-the-duck-comic/

That’s essentially true. A large part of my character as a junior high school English teacher was based on what I learned about mentoring from Scrooge McDuck and about teaching important facts from Gyro Gearloose.

Carl was not immune to criticism. Cartoonists get blow-back, a fact of life. But he overcame it with a wry sense of humor and interesting views of how you pursue goals in life. He had a firm sense of fair-play and justice. You could get actual morals to the stories in a Carl Barks’ duck cartoon.

The characters were not perfect. They all had glaring flaws, the heroes right along with the villains. Of course, the villains never learned to change their ways, while the heroes often learned to improve themselves by working on the weaknesses, and it wasn’t all about becoming a gazillionaire (a term I think Barks may have invented).

I even learned a good deal about adventure story-telling from Carl Barks’ comic books about Duck people doing ducky stuff that was really about people doing people-y stuff in the real world. Yes, people in the world around me are very Carl Barks’ ducky.

So, happy birthday, Carl. 121 years young. And he’s only been gone from our world since August of 2000. He still talks to me and teaches me through his Duck comics.

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Irreverence

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It is a difficult thing to be an atheist who believes in God.  Sometimes it takes an oxymoron to find the Truth.  And you often have to go heavily on the “moron” portion of the word.

The thing I find most distressing about faith is the fact that those who have it are absolutely convinced that if you don’t agree with them and whatever book of fairy tales they believe in and interpret for you, then you are not a True Believer and you do not have real Faith.

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I remember being told by a Mormon girl in one of my classes that I was her all-time favorite teacher, but she was deeply distressed that, because of my religion (I professed to be a Jehovah’s Witness at the time) I was doomed to burn in Hell forever.

Hey, I was raised in Iowa.  I have experienced minus 100 degree Fahrenheit windchill.  I am among those who think a nice warm afterlife wouldn’t necessarily be a bad thing.

But I am no longer actually a Jehovah’s Witness.  So I guess that helps with the whole Hell-burning thing.  The Witnesses are a religion that claims to understand the Bible is full of metaphorical truth, and yet insist that it is literally true.  They don’t believe in Hell, which, honestly, is not actually mentioned or explained in the Bible as we have it now.  But they do believe your prospects for eternal life on a paradise Earth are totally contingent on knocking on doors and telling other people that they must believe what you believe or experience eternal destruction.  I have stopped being an active Witness and knocking on doors because I got old and sick, and all the caring brothers and sisters in the congregation stopped coming around to visit because number one son joined the Marines, and the military is somehow evil hoodoo that cancels out any good you have done in the past.  Being a Jehovah’s Witness was really hard work with all the meetings (5 per week), Bible reading (I have read the entire Bible two and a half times), door-knocking, and praying, and you apparently can lose it all for saying, thinking, or doing one wrong thing.

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According to the Baptist preachers, Jehovah’s Witness elders, religious zealots, and other opinionated religious people I have known and dealt with in my life, if I do not believe what they believe and agree with them in every detail, then I do not know God and am therefore an atheist.  So, okay, I guess I am.   If I have to be an atheist to believe whole-heartedly that everyone is entitled to sincerely believe whatever the hell they want to believe, then I’ll wear that label.

On a personal note, my favorite verse of the Bible has always been 1 John 4:8,  “He that does not love has not come to know God, because God is love.”  That is why I claim to be an atheist who believes in God.  I know love.  I love all men, women, children, animals, sunrises, artwork, paintings of angels by Bouguereau… everything that is.  And I even love you if you exercise your freedom to tell me, “Your ideas are totally wrong, and you are going to burn in Hell, Mickey, you bad guy, you!”  Mark Twain always said, “I would choose Heaven for climate, but I would prefer Hell for company.”  I am not going to worry about it.  I will be in good company.  Some things are just bigger than me.  And trying to control things like that is nonsense. Sorta like this post.

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The Ultra-Mad Madness of Don Martin

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Born in 1931 and lasting in this crazy, mixed-up world until the year 2000, Don Martin was a mixy, crazed-up cartoonist for Mad Magazine who would come to be billed as “Mad Magazine’s Maddest Artist.”    His greatest work was done during his Mad years, from 1956 (the year I was born… not a coincidence, I firmly believe) until his retirement in 1988.  And I learned a lot from him by reading his trippy toons in Mad from my childhood until my early teacher-hood.

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His style is uniquely recognizable and easily identifiable.  Nobody cartoons a Foon-man like Don Martin.

The googly eyes are always popped in surprise.  The tongue is often out and twirling.  Knees and elbows always have amazingly knobbly knobs.  Feet have an extra hinge in them that God never thought of when he had Adam on the drawing board.

And then there is the way that Martin uses sound effects.  Yes, cartoons in print don’t make literal sounds, but the incredible series of squeedonks and doinks that Martin uses create a cacophony of craziness in the mind’s ear.

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And there is a certain musicality in the rhyming of the character names he uses.  Fester Bestertester was a common foil for slapstick mayhem, and Fonebone would later stand revealed by his full name, Freenbeen I. Fonebone.

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And, of course, one of his most amazingly adventurous ne’er-do-well slapstick characters was the immeasurable Captain Klutz!

Here, there, and everywhere… on the outside he wears his underwear… it’s the incredible, insteadable, and completely not edible… Captain Klutz!

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If you cannot tell it from this tribute, I deeply love the comic genius who was Don Martin, Mad Magazine’s Maddest Artist.  Like me he was obsessed with nudists and drawing anatomy.  Like me he was not above making up words with ridiculous-sounding syllables.  And like me he was also a purple-furred gorilla in a human suit… wait!  No, he wasn’t, but he did invent Gorilla-Suit Day, where people in gorilla suits might randomly attack you as you go about your daily life, or gorillas in people suits, or… keep your eye on the banana in the following cartoon.

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So, even though I told you about Bruce Timm and Wally Wood and other toon artists long before I got around to telling you about Don Martin, that doesn’t mean I love them more.  Don Martin is wacky after my own heart, and the reason I spent so much time immersed in Mad Magazine back in the 60’s, 70’s, and 80’s.

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About Bruce Timm

“Today I thought I would tell you about Bruce Timm.”

“Bruce Timm?  Who the heck is he?”

“You know. That artist with that style… you know, the Batman guy.”

“You mean he played Batman?”

“No.  He designed Batman; The Animated Series.”

“Oh, that guy… the guy who draws girls really good.”

“Yes, that’s the one.”

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“He gave all the DC heroes their modern, animated look… their style and flair.  He made them angular, immediately identifiable, and powerful.”

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“Yeah, I think he not only did the Batman cartoon, all film noir and retro-cool, but the Superman series that followed it, the Justice League, and all the cartoon series and movies that went along with those.”

“But that’s not all he did, either, is it?”

“No, there’s more.  He wanted to be a comic book artist, but before he got into animation, Marvel and DC turned him down.”

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“I heard he worked at Filmation for a while.”

“Yes, he got a chance to draw and design characters for Blackstar, Flash Gordon, He-Man and the Masters of the Universe, She-Ra; Princess of Power, and the Lone Ranger.

“Dang!  He was busy.  But only superhero stuff?”

“In 1989 he went to work for Warner Brothers.  He worked on Tiny Toon Adventures.”

“That Spielberg/Bugs Bunny thing?  The one with Buster and Babs Bunny?”

“Yeah, that one, believe it or not.”

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“Tell me more about the girls.  I want to hear about him drawing girls.  Wonder Woman in Justice League was hot.”

“Showing you is probably better than telling you.  Be prepared to cover your eyes, though.  He liked to draw the female figure nude and semi-naked.”

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Betty and Veronica from the Archie comics.

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“I like how he draws pretty girls.”

“You would.”

“He’s the artist you wish you could be, isn’t he?”

“Pretty much.  He’s about four years younger than me.  If I had gone the comic-book artist route instead of becoming a public school teacher, our careers might’ve been parallel.”

“Except he has talent.”

“Yeah, there’s that.”

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Naked Innocence

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To be clear, I will have to write a post called Naked Experience to go with this post.  It is a William Blake style of thing.  You know, that English Romantic Poet guy who was into drawing naked people even more than me?  The writer of Songs of Innocence and Experience?  You know, this stuff;

Well, maybe you don’t know.  But Blake gave the world the metaphor of the innocent lamb and the tyger of experience (tyger is his spelling, not mine, and it didn’t blow up the spell checker, even though it made the thing unhappy with me again).  There is a certain something I have learned about nakedness that I mean to innocently convey.  I learned it from anatomy drawing class and spending time with nudists.  Naked is not evil.  Naked is not pornography.  Nakedness, itself, is a very good thing.

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At this point the avid clothing-wearers among you are probably saying to yourself, “This guy is nuts!  If God had wanted us to be nude, then we wouldn’t have been born with clothes on.”  And I must admit, I cannot argue with logic like that.

But on a more serious note, I believe nudity is a fundamentally essential part of the nature of art.  After all, pictures of naked people are a central part of what people have been drawing since they first started etching them with charcoal on cavern walls.  And all art, including this blog, is about the human experience.  What it means to be human.  What it feels like to be alive on this Earth and able to feel.

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And there is nothing sinister and immoral in drawing nudes to portray that fact.  I am trying to show metaphorically the music of existence, the pace, the symmetry, the musical score…  It isn’t focused on the private bits, what some call the naughty parts, even when those things are present in the picture.  “How dare that naughty Mickey show the naked back end of that butterfly!  It ought to have pants on at least!”  Yes, I am making a mockery of that outrage itself.  I am not a pornographer.  These pictures were not created to engender any prurient interests.  These pictures are part of Blake’s lamb.  They will not bite you.  Though blue-nosed people who wish to control what others think may very well bite me for daring to say so.

I have posted a lot of writing and artwork on this blog that I held for the longest time to be completely private and personal.   I hardly ever showed any of it to anybody before I posted it here.  But I am old.  I no longer have secrets.  I am capable of telling you everything even though I have never met most of you in real life.  And I have no shame.  I have become comfortable with emotional and intellectual nudity.  And when I am dead, the body I have kept hidden from the world for so long will be no more.  It’s just a thought.  It’s a naked thought.  And it is completely innocent.

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