
Sometimes we all get a little tattered, a little weather-worn, especially during the winter.
I rescued the little Valentine Bear from the pile of items from my mother-in-law’s house, which was sold several springs ago. We still have all the rescued stuff on our patio, open to the weather, and the raccoons from the city park across the street.
I suspect he belonged to one of the two nieces who each lived for a time with Grandma. Sarooty Incaboody or Maroody Walladooty. One of them, though not both of them, and I haven’t given you their real names. Grandma had to move to San Antonio where there are more Filipino relatives to protect her from the weather. But less room for a lifetime of stuff that once belonged to her and my long-gone father-in-law. e lWell, she passed away too the winter before last
You can see his right ear is damaged and needs to be resewn with red thread. His fur is a little crusty from the rain this last week and the dirt blown by the cold winds from this week. He’s a mess, and I thought I better bring him in and fix him up before the park fairies do the whole Velveteen Rabbit thing to him. After all, we don’t need a baby polar bear wandering around the Dallas suburbs, do we? And someone once loved him enough to keep him. He deserves to be cared for in retirement as much as I do.
I myself am a bit tattered and weather-worn by this pandemic. Being trapped in the house all day every day deprives me of the physical activity that keeps my heart healthy and my diabetes under control. My mental health is a little ragged around the edges as well. In this house, we tend to get kinda snippy about money woes and unpaid bills. My wife and I now have separate finances. I was bankrupt, and she is counting on Armageddon to overcome her credit-card-debt monsters.

My answer to the crisis continues to revolve around books and writing and movies and documentaries. I retreat into stories and ideas, both in the form of fiction and well-researched nonfiction. I throw myself whole-souled into the promotion of my books by earning the necessary points from Pubby by reading and reviewing the books of others and spending the points on honest reviews from other writers reading my books. I have never reviewed so many books before. Especially new is the number of badly written books that I have to slog through and then review honestly in a way that doesn’t crush the spirit of the slow-learning writing masses. I think, so far, I have only driven one writer to quit the review exchange. And I have only received two cruel and unfair reviews of my work. Which is, of course, less than expected.

The least mind-bending activity I use to repair my psyche is fixing up and playing with dolls, as indicated by the photos I have used in this post.
In these pictures, you see five bargain-bin dolls and toys, two dolls purchased at Goodwill, and cleaned and dressed in a reclamation project. One repurposed aquarium decoration (the skull) and one Pinkie Pie that I bought with Christmas money at the full six-dollar price.
By doing these things, I have managed to avoid getting the flu and generally avoided depression and mental illness.






























How To Write A Mickian Essay
I know the last thing you would ever consider doing is to take up writing essays like these. What kind of a moronic bingo-boingo clown wants to take everything he or she knows, put it in a high-speed blender and turn it all into idea milkshakes?
But I was a writing teacher for many years. And now, being retired and having no students to yell at when my blood pressure gets high, the urge to teach it again is overwhelming.
So, here goes…
Once you have picked the silly, pointless, or semi-obnoxious idea you want to shape the essay around, you have to write a lead. A lead is the attention-grabbing device or booby-trap for readers that will draw them into your essay. In a Mickian essay, whose purpose is to entertain, or possibly bore you in a mildly amusing manner, or cause you enough brain damage to make you want to send me money (this last possibility never seems to work, but I thought I’d throw it in there just in case), the lead is usually a “surpriser”, something so amazingly dumb or off-the-wall crazy that you just have to read, at least a little bit, to find out if this writer is really that insane or what. The rest of the intro paragraph that is not part of the lead may be used to draw things together to suggest the essay is not simply a chaotic mass of silly words in random order. It can point the reader down the jungle path that he or she can take to come out of the other end of the essay alive.
Once started on this insane quest to build an essay that will strangle the senses and mix up the mind of the reader, you have to carry out the plan in three or four body paragraphs. This is where you have to use those bricks of brainiac bull-puckie that you have saved up to be the concrete details in the framework of the main rooms of the little idea-house you are constructing. If you were to number or label these main rooms, this one you are reading now would, for example, be Room #2, or B, or “the second body paragraph”. And as you read this paragraph, you should be thinking in the voice of your favorite English teacher of all time. The three main rooms in this example idea house are beginning, middle, and end. You could also call them introduction, body, and conclusion. These are the rooms of your idea house that the reader will live in during his or her brief stay (assuming they don’t run out of the house screaming after seeing the clutter in the entryway).
The last thing you have to do is the concluding paragraph. (Of course, you have to realize that we are not actually there yet in this essay. This is Room C in the smelly chickenhouse of this essay, the third body paragraph.) The escape hatch on the essay that may potentially explode into fireworks of thoughts, daydreams, or plans for something better to do with your life than a read an essay written by an insane former middle school English teacher at any moment, is a necessary part of the whole process. This is where you have to remind them of what the essay is basically about, and leave them with the thought that you want to haunt them in their nightmares later. The last thing that you say in the essay is the thing they are the most likely to remember. So you need to save the best for last.
So, here, finally, is the exit door to this masterfully mixed-up Mickian Essay. It is a simple, and straightforward structure. The introduction containing the lead is followed by three or four body paragraphs that develop the idea and end in a conclusion that summarizes or simply restates the overall main idea. And now you know why all of my former students either know how to construct an essay, or have several years left in therapy sessions with a psychiatrist.
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