Tag Archives: writing

The Ultra-Mad Madness of Don Martin

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Born in 1931 and lasting in this crazy, mixed-up world until the year 2000, Don Martin was a mixy, crazed-up cartoonist for Mad Magazine who would come to be billed as “Mad Magazine’s Maddest Artist.”    His greatest work was done during his Mad years, from 1956 (the year I was born… not a coincidence, I firmly believe) until his retirement in 1988.  And I learned a lot from him by reading his trippy toons in Mad from my childhood until my early teacher-hood.

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His style is uniquely recognizable and easily identifiable.  Nobody cartoons a Foon-man like Don Martin.

The googly eyes are always popped in surprise.  The tongue is often out and twirling.  Knees and elbows always have amazingly knobbly knobs.  Feet have an extra hinge in them that God never thought of when he had Adam on the drawing board.

And then there is the way that Martin uses sound effects.  Yes, cartoons in print don’t make literal sounds, but the incredible series of squeedonks and doinks that Martin uses create a cacophony of craziness in the mind’s ear.

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And there is a certain musicality in the rhyming of the character names he uses.  Fester Bestertester was a common foil for slapstick mayhem, and Fonebone would later stand revealed by his full name, Freenbeen I. Fonebone.

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And, of course, one of his most amazingly adventurous ne’er-do-well slapstick characters was the immeasurable Captain Klutz!

Here, there, and everywhere… on the outside he wears his underwear… it’s the incredible, insteadable, and completely not edible… Captain Klutz!

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If you cannot tell it from this tribute, I deeply love the comic genius who was Don Martin, Mad Magazine’s Maddest Artist.  Like me he was obsessed with nudists and drawing anatomy.  Like me he was not above making up words with ridiculous-sounding syllables.  And like me he was also a purple-furred gorilla in a human suit… wait!  No, he wasn’t, but he did invent Gorilla-Suit Day, where people in gorilla suits might randomly attack you as you go about your daily life, or gorillas in people suits, or… keep your eye on the banana in the following cartoon.

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So, even though I told you about Bruce Timm and Wally Wood and other toon artists long before I got around to telling you about Don Martin, that doesn’t mean I love them more.  Don Martin is wacky after my own heart, and the reason I spent so much time immersed in Mad Magazine back in the 60’s, 70’s, and 80’s.

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Filed under artists I admire, artwork, cartoon review, cartoons, comic book heroes, goofiness, humor, illustrations

Milt Caniff

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My 1967 Captain Action Steve Canyon action figure.

I have always been a deeply devoted fan of the Sunday funnies.  And one of the reasons I read the comics religiously was the work of Milt Caniff.  His comic strips, Terry and the Pirates, Male Call, and Steve Canyon set a standard for the age of action comics and adventure strips.

I read his comics in the 1960’s and 1970’s and always it was Steve Canyon.  But this, of course, was not his first strip.  I would discover in my college years the wonders of Terry and the Pirates.  When Caniff started the strip before World War II, he set it in China, but actually knew nothing about China.  So he did research.  He learned about people who became oriental hereditary pirate families and organizations.  He learned to draw authentic Chinese settings.  His comedy relief characters, Connie and the Big Stoop, were rather racist parodies of Chinamen and were among the reasons that the original strip had to mature into his later work in Steve Canyon.  But perhaps the most enduring character from the strip was the mysterious pirate leader known as the Dragon Lady.

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Steve Canyon is a fascinating study in the comic arts.  When he left the Terry and the Pirates strip in 1946, it went on without him.  It was owned by the Chicago Tribune-New York Daily News distribution syndicate, not Caniff himself.  Steve Canyon would change that.  He created it and owned it himself, making Caniff one of only two or three comics artists who actually owned their own creations.  Canyon started out as a civilian pilot, but enlisted in the Air Force for the Korean War and would remain in the Air Force for the remainder of the strip.  Some of the characters in the strip were based on real people.  His long-time friend Charlie Russhon, a former photographer and Lieutenant in the Air Force who went on to be a technical adviser for James Bond films was the model for the character Charlie Vanilla, the man with the ice cream cone.  Madame Lynx was based on the femme fatale spy character played by Illona Massey in the 1949 Marx Brothers’ movie Love Happy.  Caniff designed Pipper the Piper after John Kennedy and Miss Mizzou after Marilyn Monroe.

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I am not the only cartoonist who was taken with the work of Milt Caniff.  The effects of his ground-breaking work can be seen to influence the works of comic artists like Jack Kirby, Bob Kane, John Romita Sr., and Doug Wildey.  If you are anything like the comic book nut I am, than you are impressed by that list, even more so if I listed everyone he influenced.  Milt Caniff was a cartoonists’ cartoonist.  He was one of the founders of the National Cartoonists’ Society and served two terms as its president in 1948 and 1949.  He is also a member of the Will Eisner Comic Book Hall of Fame.

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Monster Movies

I am fascinated by the darker alleyways in the city of human thought.  I love monster movies, those love-story tragedies where the monster is us with one or more of our basic flaws pumped up to the absolute maximum.  We are all capable of becoming a monster.  There are consequences to every hurtful thing we have ever thought or ever said to other people, especially the people we love.

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The monster movies I love most are the old black-and-whites from Universal Studios.  But I can also seriously enjoy the monsters of Hammer Films, and even the more recent remakes of Frankenstein, The Mummy, and their silly sequels.  I am fascinated by the Creature from the Black Lagoon because it is the story of a total outsider who is so different he can’t really communicate with the others he meets.  All he can do is grab the one that attracts him and strike out at those who cause him pain.  It occurs to me that I am him when having an argument with my wife.  Sometimes I am too intelligent and culturally different to talk to her and be understood.  She gets mad at me and lashes out at me because when I am trying to make peace she thinks I am somehow making fun of her.  How do you convince someone of anything if they always think your heartfelt apology is actually sarcasm?  How do you share what’s in your heart if they are always looking for double meaning in everything you say?

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But other people can change into monsters too.  I am not the only one.  People who are bitter about how their life seems to have turned out can strike out at others like the Mummy.  Wrapped in restrictive wrappings of what they think should have been, and denied the eternal rest of satisfaction  over the way the past treated them, they attack with intent to injure, even just with hurtful words, because their past sins have animated them with a need to change the past, though the time is long past when they should’ve let their bitterness simply die away.

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And we might all of us fall into the trap of Victor Frankenstein’s monster, who never asked to be made.  He finds life to be an unmanageable nightmare with others constantly assaulting him with the pitchforks and torches of their fear and rejection.

13076_998843660144998_6984648371609353495_n But the thing about monster movies… at least the good ones, is that you can watch it to the end and see the monster defeated.  We realize in the end that the monster never really wins.  He can defeat the monstrous qualities within himself and stop himself.  Or the antidote to what ails him is discovered (as Luke did with Darth Vader).  Or we can see him put to his justifiable end and remember that if we should see those qualities within ourselves, we should do something about it so that we do not suffer the same fate.  Or, better yet, we can learn to laugh at the monstrosity that is every-day life.  Humor is a panacea for most of life’s ills.

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A bust of Herman Munster

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Filed under autobiography, humor, monsters, satire, surrealism, Uncategorized

Me, Myself, and Eye…

I am aware that nobody who looks at my blog ever clicks on my videos. This one, however, would be very useful if you are really going to read and engage with this essay. This self-reflection came into being as a response to watching this video. The video talks about how most people can’t stand to actually sit alone in a room with only themselves. And it has an impact. I have claimed in the past to being a devotee of the Theodore Roethke maxim, “Being, not doing, is my first love.”  But how does one go about becoming truly self-aware? How does one enumerate the concept of “being”? I believe I can do it, but it requires a bit of self-examination. How do I do it?  

Let me count the ways…

I put myself down on paper, through drawing or writing in English and look at the way it portrays me.

I find myself in both the written characters I create and the cartoon characters I draw. In Hidden Kingdom, my graphic novel, the Mouse and young Prinz Flute are both me. I can see myself both as the reluctant romantic hero and the snarky child-thing with a dangerous little bit of wisdom.

I learn to know more about my secret heart and what I truly think about the world I live in and react to by writing about what I think and the things that happen to me, both for good and ill. This blog is all about learning about myself, just as your blog is a mirror of who you really are. Consequently, I have no secrets left.

I not only reveal myself in this blog, but I also attempt to sing about myself in much the same way that Walt Whitman did in his poetry.

I live most of my life in my own imagination. It is a silly Willy Wonka world of images, songs, music, and dreams. It can all blow away in a moment when the sun comes out. It can also keep me in a light-obscuring cloud wrapped and safe, well away from the things I fear and the things that worry me. I came to realize I was repressing the memory of being sexually assaulted when I was ten through a dream when I was nineteen, re-living the event in a dream from which I awoke with a blinding flash of realization. I came to grips with the horror that mangled my childhood and young adulthood first by facing the fact that the nightmare had been real, and then by finding ways to overcome it. I became a teacher of young people in large part as a way to protect them and prevent such a thing from ever happening again to someone else.

I use my fictional stories about the girl Valerie Clarke to examine my relationships with my own daughter and a couple of old girlfriends from my youth.

I often worry that I don’t see real people as being real people. I tend to think of them from the first meeting onward as potential book characters, walking collections of details and quirks, conflicts and motivations. But I recognize too that that way of seeing with the author’s eye is not incorrect. People really are those things. There are rules and generalizations that everyone falls under at some point. It is not so much that I see real people as book characters as it is that I realize that book characters are as real as any other purportedly “real” people.

I am myself both the subject of my cartooning and fictionarooning, and the cartoon character of myself as well.

Mickey is not a real person. He is a cartoonist persona, a mask, a fake identity, and the lie I tell myself about who I actually am.

In this essay, I have attempted to explain to you who I think I am spending time with when I am alone in a room with myself. He is not such a terrible person to spend time with, this Mickey. Or else he really is truly awful, and I am lying about me and who I think I am when I am alone with me and have no other options. But probably not. I have been getting to know me for about 562 years, only exaggerating by 500, and I am not finished yet.

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Filed under autobiography, being alone, irony, Mickey, Paffooney

7 Reasons I Count My Lucky Stars

Yes, I am old

===== I probably won’t last 7 more years

=========== Soon I will get grumpy and forgetful and strange

And then I am going to die.

But my life, though it’s practically over, has been valuable.

And not just to me…

Or maybe you need to see 7 reasons why?

  1. I was good at the things I chose to do in life. More students, principals, and school administrators thought so than saw me as a terrible teacher. For 31 years. Plus three years of substitute teaching.
  2. I was never a vampire, zombie, ghost, or… if I was a werewolf in the 1990s. I am cured now.
  3. I never had a broken leg, never drove a car off a cliff, never sank a ship, and never was mauled by a zoo animal that escaped its cage with hunting me on its mind.
  4. No butterfly in China ever flapped its wings and caused a tornado that did anything more than damage the roof of a house I was in.
  5. I knock on wood daily.
  6. As a teacher, I lost a couple of critical battles… suicide and gun deaths, one case of AIDS, and one muscular dystrophy. And I cried at every single one of those final defeats. And yet, they all knew I was trying to help. And there’s a large number who live and love me still for what I was able to give them. The scales are heavy but balanced.
  7. And I am 69 now. 26 years of diabetes. 51 years of arthritis. 70 will probably be the last 7 I can manage if I can manage any more than now. But I woke up alive this morning, and every new day is a precious gift. Painful or not.

And you are probably saying to me in your head right now, “Mickey, this is not a poem. It has no rhyme or rhythm”. It isn’t anything more than a paragraph with a list attached.

“Ah!” I say. “But I am claiming my whole life was a poem. One big, giant, evil poem Lived with more than a little special sauce on the meat of the sandwich. And can you truly say,

This life was not the shortest, clearest, best way to say something so profound it shook the bones of the Universe?”

Susu, my imaginary granddaughter loved it. (She’s imaginary because she was only a possibility for a few weeks and never got born.) And she’d give you a big hug if only she could.

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The Sardonic Solliloquy

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The homeless man wandered onto center stage just as the spotlight went on.  He shaded his old eyes against the brightness and looked outward into the dark  theater.  It was probably some kind of mistake.

“Oh, so now it’s my turn to talk, eh?”

There was no response.

“Well, if you’re expecting something funny to come out of my mouth, good luck with that.  More than half of what I say that makes people laugh is the result of depression, ill health, and just plain ignorant stupidity.  And the other half of it is not meant to be funny, but is because I don’t always understand what I am saying.”

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There was an embarrassed chuckle somewhere in the darkness.

“I mean, you can’t expect too much from me. I’m a bum.  I have no money.  I have no job.  Not having any work to be bothered with is kinda good.  But the other thing kinda sucks.

And all the great comedians that used to stand on this stage and try to save the world through humor are dead now.  It’s true.  Robin Williams died recently.  George Carlin, Bill Hicks, Richard Pryor, and Bill Cosby are all long gone.”

There was some nervous laughter in the theater.

“Oh, I know, Cosby only thinks he’s dead.  But he kinda killed the character delivering the wisdom in the form of observational comedy, didn’t he.”

 

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“But most of them old boys tried to come up here and tell you the truth.  And the truth was so absolutely unexpectedly wacky and way out of bounds that you just had to laugh.  And the more wicked the humor, the more you just laughed.  You didn’t do anything about the problems they talked about.  But you sure did laugh.”

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“It seems like the more they told you the truth and the more you just laughed about it, the more old and bitter they got.  Sardonic?  You know that word?  Not sardines, fools, but sardonic.   Bitterly humorous and sadly funny.  Seems like a lot of them old boys got more and more bitter, more and more depressed up to the end.  More and more sardonic.”

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“I mean,  Carlin was calling you stupid right to your face at the end.  And you just laughed it off.”

The theater had grown eerily silent.

“But it ain’t all bad, is it?  I mean, at least you all can still laugh.  Only smart people get the jokes.  The ones Carlin moaned about were laughing because everybody else was laughing.  Those weren’t the ones we were talking to.  There’s still life out there somewhere.  Maybe intelligent life.  Maybe aliens ain’t located any intelligent life on Earth yet, but they’re still trying, ain’t they?”

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“You shoulda listened more carefully to what they were saying.  Life and love and laughter were bound up in their words.”

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“So I guess what I’m really saying is… just because I happened to get a rare chance to say it to you all… learn to listen better.  The voices are quiet now.  But the words are still there. And laughing at them is still a good thing.  But remember, you need to hear them too.”

The theater suddenly filled with the roar of a standing ovation.  The old man bowed.  And this was ironic because… the theater had always been empty.  No one at all was there now.

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Filed under comedians, humor, insight, poetry, quotes, strange and wonderful ideas about life, surrealism, Uncategorized, wisdom, word games

Boo Boo Testing

Blue and Mike in color

I miss being a teacher.  But even if I was suddenly healthy enough again to return to the classroom, I would have to think twice… or three times… or twelve times about it.  I know excellent teachers who are being driven out of the education field by the demands of the job in the current educational whirlpool of death and depression.  My own children are very bright and capable, but they face State of Texas mandated tests this next couple of weeks because that’s what we do in Texas, test kids and test kids and test them some more.  If we don’t stress them out and make them fail on the first round of testing, there will be at least two more to get the job done.  And believe me, the real reason for all the testing is to make kids fail.  It sounds harsh, and like one of my loony conspiracy theories, but the Republican legislature of this State has discussed in earnest how test results prove our schools are failing, and how we must certainly need to fund more private schools and schools for profit, and stop teaching kids on the taxpayer’s dime (although they don’t really care about my dimes, only the dimes of millionaires and billionaires which we have more of in Texas than we have ever had before).  Of course, these private schools they speak of will be for the children of well-to-do families, particularly white Anglo-Saxon protestant families.  Public schools will be okay for everyone else, preferably built next to for-profit prisons where the public-school kids will move after graduation.

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Arts and humanities-type class offerings are becoming increasingly rare.  We don’t teach them to be creative any more.  We have to focus on core subjects, Reading, Writing, History, Science, and Math.  And not the high-level stuff in any of those areas, either.  We test them on the minimum competency stuff.  But we make it harder every year.  Back in the 80’s it started when Governor Mark White let H. Ross Perot spearhead a school-reform drive that began with idiot-tests for teachers.  The Mad Dwarf of Dallas was convinced that the biggest problem with Texas Education was incompetent teachers.  But we didn’t test them on classroom management skills, or skill at motivating young learners.  We took basic English tests where the teachers weeded out were mostly black and Hispanic.  I helped one very gifted Science teacher pass the test which she nearly failed three times (the limit before contract non-renewal) since she was taking her teacher test in her second language, not her first.  When they finally got it through their heads they were only weeding out the good teachers with test anxiety, they changed the tests to make them harder.  They stopped giving life-time teaching certificates and made you prove that you were not an idiot every five years.

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It was Governor George W. Bush (a Forest Gump clone with DNA mixed in from Bullwinkle the Moose and Elmer Fudd) who decided that teachers needed to be weeded by demanding that their students perform to a certain level on standardized State tests.  If you watched the John Oliver video, you have a clear idea already of the value of that.  We worked hard for a number of years to do better on the alphabet tests.  The TAAS test became passable by most of the State, including the poorer districts, and so they replaced it with the TAKS test, a criterion-referenced test that they could provide all new and harder questions for every single year.  I sat on a test review board for two years as the representative of the Cotulla District in South Texas.  I got to see some of the horrendously difficult question before they were asked.  There were very real cultural discriminations among those questions.  Why should a Hispanic child in South Texas be required to know what “galoshes” are?  And when teachers began teaching to the tests well enough to get a majority of students passing, Emperor Rick Perry, the permanent Governor of Texas after Bush, decreed we needed STAAR Tests that students had to pass in order to graduate to the next grade level.  And, of course, we had to make them harder.

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When I started teaching exclusively ESL kids in high school (English as a Second Language) that special population was mostly exempt from taking the alphabet tests.  After all, it takes at least five years to gain proficiency in a second language even for the brightest among us, and all of those students had less than five years of practice speaking English or they weren’t qualified for the program.  But scores on the TAKS and then STAAR tests were generally too high.  So ESL and Special Education Students were required to take them too.  And, although the passing standards were lower for ESL students than they were for regular students, the passing standards were ratcheted up every single year.  And we eventually did worse than the expectation.  Our ESL Department got a lot of the blame for Naaman Forest High School in Garland, Texas losing its perennial recognized school status.  (We got the blame even though our scores were high enough to be rated exemplary on the sliding scale… it was actually the low socio-economic students in Math that lost us our yearly recognition… just so you know.)  The paperwork nightmares I had to fill out for our ESL Department were one of the reasons my health got so bad I had to retire.  Healthy teachers can’t take it any more either.  We are looking at a crisis in Education in Texas.  Teacher shortages in Math and Science are already apocalyptic.  We are intentionally doing away with Art, Band, Chorus, and other artsy-craftsy things… things that are good for the brain and the self-esteem and the creative problem-solving abilities of students.  Teaching has become a nightmare.

I hope you will take me seriously over my conspiracy-theories and lunatic teacher complaints.  I have been told too often that you can’t solve education’s problems by throwing money at it (though I do not remember the time they speak of when money was actually flying through the air).  I have been told too often that teaching isn’t a real job.  You just sit around all day and talk to kids and you have the summers off.  How hard can that be?  And I have been told too many times that Johnny can’t read, and it is apparently my fault as a Reading teacher… it can’t be anything politicians have done, right?  It certainly isn’t anything that politicians have done right!

God help me, in spite of all that, I really miss being a teacher.

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The Toy Tiger

This is Baby Tiger. My daughter named her shortly after learning to talk.

I have a certain mania about hoarding old toys. My toys. My children’s toys. Other toys like abandoned toys from Goodwill and ReSale stores and liquidation toys from the bargain bins in Walmart and Toys-R-Us.

You see, the dependence on the importance in my life of people who are not real began with my own perceptions when the lights first went on in my little attic. Yes, my parents and my grandparents were real people. And I sometimes admitted, when forced, that my little sister was too. But so was Tagger, my own stuffed toy tiger.

This is not Tagger. This is a rare Stieff collectible. Tagger was loved to pieces.

I definitely treated him as my best friend and greatest confidant. I told him my troubles, and he protected me from monsters in bed at night. He often was included when I played with my sisters and their dolls. He was wise and brave and caring, and he talked with a voice that sounded very much like mine. In fact, I often think he was such a part of me that, when I no longer needed him in bed with me to help me sleep, I internalized him and he became a part of me. He did not meet his physical end until my parents had to leave Iowa and move to Texas while I was in grad school. What my sister did with his physical form, I really never wanted her to tell me. The house had to be cleaned out, and stuffed toys from the attic did not fair well.

Baby Tiger came into our lives in October of 1995.

I had almost given up ever being married and having a family when, at the age of 37, I finally fell in love, and then had a family, first of two, and then of three by the end of 1995. On the day my oldest son was born, as the doctor had told me to go home and get some sleep, I went to Walmart and bought a toy tiger. He was not orange like my Tagger, but white. He was about the same size as Tagger, and significantly larger than my infant son. Truthfully, neither number one son or number two son actually played with him. They slept with him and used him as a pillow, but they never even gave him a name. It was my daughter, my youngest child, who took him over and made him into a her. She named her Baby Tiger, loved her, talked to her, carried her around everywhere, and miraculously never loved her to pieces to the point that we don’t still have her 24 years later. The photos of her prove the miracle.

I am not Calvin of Calvin and Hobbes fame. But I do understand the importance of toy tigers. They help to make you who you are. And while they are technically not real people, technically, you could argue, “Yes, they are too real!” and argue it very loudly. Of course, people will think you are a crazy fool if you do. But I doubt that changes anybody’s mind about Mickey.

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Grandma Frozenfield

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In order to understand this story, you have to have a little bit of background first… a solid sense of context, in order to avoid anyone feeling that I might be ridiculing someone in an unfair or unloving way.  So here’s a bit of context.  I was a teacher for 31 years.  I was considered a good teacher, in fact, a master teacher by something like 28 different principals and assistant principals, while only 3 felt like I was an incompetent mess, and two of those were eventually fired themselves.  I only got fired once.  So it can be safely assumed I know what incompetence in teaching is and can reliably identify it in others.  Further, incompetence in teaching does not make you a bad person.  Far too many people who believe they could be a good teacher have traits that would torpedo their own boat if they actually set sail on the sea of education.  So, even though Grandma Frozenfield was a horrible teacher, she was actually a very nice and caring person, and makes a wonderful character for stories that lovingly make fun of bad teaching.  And I should remind you, I don’t use real names when talking about people from my past so that their privacy is not violated by whatever my artist’s eye might reveal about them.  The portrait I added to this post does not even look like her.

Grandma Frozenfield was a mid-year emergency hire who filled the position of 8th grade math teacher during my first year of teaching.   She was already sixty-eight years old when she came to Cotulla, Texas, and she had five years of previous teaching experience in schools up north.  How she survived five years in schools more competently run than Texas schools in the 80’s, I will never be able to figure out.  She was able to hang on in our school for several years only because we were desperately strapped for warm bodies to teach Math classes in Texas junior high schools.  Only idiots and coaches ever took on the job willingly.

Grandma Frozenfield had seventeen dogs and ninety-nine cats at home.  That right there tells you something about which stereotype she easily fits into.  But she was also a woman of great mystery.  Her father had been a famous college professor in Minnesota.  She had inherited a number of very valuable books from him, and kept them in random boxes stacked in dusty corners of the old run-down house she bought in town.  She was actually quite bright, and though she would have spells of foggy thinking and confusion, she could capably discuss mathematics and physics and other sciences with me.  She had a daughter who showed up during her third year of teaching at our school, and the daughter had a cute little son of about seven years old.  Neither she nor her daughter had ever been married.  In fact, rumor had it the daughter was telling people she was adopted.  And her daughter and grandson disappeared from her life about four years after they started living with Grandma.

But the old lady was a spectacularly bad teacher.  As bright as she was, she could never talk to kids or relate to kids in ways that kids could understand.  She seemed to sincerely hate kids, calling them bad names in the classroom and telling them in detail how they would one day die in prison (a prediction that unfortunately came true for a couple of them).  She would come into the teacher’s workroom after class plastered with spitballs on her back and in her hair.

A couple of the sweeter and more pro-active girls in her classes tried to protect her a bit from vandals and explained lessons to others in class to mitigate the chaos a bit.

She did not engage with students.  Other than a few of the sweeter girls, she did not talk to them about anything but math.  They didn’t understand her, and so they didn’t like her.  She did not know how to monitor a classroom, so the infidels were on a rampage all the time in her room.  It would definitely have felt like being in Hell to be her, teaching in that classroom.  Why she ever wanted to be a teacher, she never said.  I know it was in her family history.  I know she was a caring, lovely individual.  But when she died of throat cancer at 77 it was a lonely and sad thing.  She had been forced to teach until two years before the end because of medical bills.  She was never happy as a teacher that I observed.  But she never missed a day without good reason, either.  Good people don’t necessarily make good teachers.  But she taught me things far beyond the 8th grade math she tried and failed to teach to students.  I don’t think of her often.  But I do think of her.  She and her 17 dogs and 99 cats are all gone now.  But not forgotten.

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The Bottle Imp Implementation

I gave you a list of places where my ideas for fiction come from, and in the end, I failed to explain the thing about the bottle imp. Yes, I do get ideas from the bottle imp. He’s an angry blue boggart with limited spell powers. But he’s also more than 700 years old and has only been trapped in the bottle since 1805. So, he has about 500 years of magical life experience to draw from and answer my idea questions. Admittedly it would be more helpful if he were a smarter imp. His name is Bruce, and his IQ in human terms would only be about 75. But, then, I don’t have to worry about misfired magic. If I asked him to, “Make me a hamburger,” he wouldn’t immediately change me into a fried, ground-beef patty because he is not smart enough to do that high of a level of magic spell.

But he is just barely intelligent enough to tell me a truthful answer if I asked him a question like, “What would happen if I put an alligator’s egg in a robin’s nest as a joke, and the robin family decided it was their own weird-looking egg and then tried to hatch it?” The answer would be truthful according to his vast knowledge of swamp pranks. And it would also be funny because he’s too dumb to know better. In fact, he told me about a mother robin who worked so diligently at hatching an alligator egg that a baby alligator was hatched. She convinced it that it was actually a bird. And when it came time for the baby birds to learn to fly, the baby alligator couldn’t do it… until she talked it into flapping madly with all four legs. Then, a mother’s love and faith in her child got an alligator airborne.

Yeah, that hasn’t proved to be a very useful story idea. I put it into a story I was writing during my seven years in high school, and then lost the manuscript. (I was a teacher, not a hard-to-graduate student.) But it was proof that you can get your writing ideas from a bottle imp.

So, if you decide to use bottle imps as an idea source for fiction, the next step is to find and acquire the right sort of bottle imp. I got mine from Smellbone, the rat-faced necromancer. I bought it for an American quarter and three Canadian loonies more than a dozen years ago. I found it at his Arcana and Horse-Radish Burger Emporium in Montreal. But I am not sure how that information helps you. Smellbone died in a firey magical-transformation accident involving an angry Wall-Street financier and a dill pickle. The whole Emporium went to cinders in an hour.

If you are going to try to capture the bottle imp yourself, which I strongly do not recommend, you are going to need a magical spell-resistant butterfly net, a solid glass jar, bottle, or brass urn. A garlic-soaked cork to fit the bottle. A spell scroll ready to cast containing at least one fairy-shrink spell. And an extremely limited amount of time to actually think about what you are doing.

Now I have told you how I get writing ideas from a bottle imp. Aren’t you glad I did not include this idea in the post about where ideas come from? After all, I am a fiction writer. I get my jollies from telling lies in story form. And bottle imps, especially angry blue bottle imps named Bruce, or Charlie, or Bill, are more trouble than they are worth. They can curse you with magical spells of infinite silliness and undercut your serious nature for a lifetime.

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