Tag Archives: paffooney

Just In Case You Haven’t Seen It…

My sisters and I as kids loved old movie musicals with dancing in them probably as much as any genre.  This video making the rounds on Facebook is something I have seen posted and re-posted and have personally watched at least five times already.  I have shared it twice on Facebook, and it continually gets re-shared, especially by friends my age or older.  Why does something like this go viral?  Well, Bruno Mars is a popular young Michael Jackson clone with an amazing musicality that appeals to all ages.  And the video is beautifully edited so that all the dancers from old movie musicals are actually in sync and appear to be dancing to the beat.  But the game-breaker for me is the fact that the dancers are all the old stars that used to fascinate me with their dance moves on PBS back in the 1970’s when old movie musicals got played on Friday, Saturday, and sometimes Sunday evenings.  I recognize Fred Astair, Gene Kelly, Buddy Ebsen, Donald O’Connor, Ginger Rogers, Judy Garland, Cyd Charisse, Mickey Rooney, Groucho Marx, the Ritz Brothers, and many more from the movies I loved like Anchors Away, Singing in the Rain, New York New York, and so many others I can’t even begin to name them all.  This mash-up brings back a whole lost world for me and gives me joy.  It connects the past with the energy of the present.  It gives me something to long for, to sigh for, and to fondly recall.  I want to see all those movies again.  But it wouldn’t be the same without my sisters there.

Blue Dawn

One has to wonder if all the time we spent on entertainment during our lifetime was a lost cause or not.  I have a rich tapestry of memories of other people’s lives, gained through movies, television, and books.  But has that enhanced my life?  Or has it taken away from my life’s work?  I know work puts food on the table and makes continued life possible.  But it also has to define the value of our lives.  I have never, though, lived a moment as a teacher when something I learned from movies or a book has actually interfered with delivering instruction.  And I can name innumerable times, looking back, when being able to recall entertainment experiences led to a unique teachable moment.  Those things can actually be the most important things we teach.  And what an entertainer in any medium manages to communicate to me validates their life’s work.

This flash mob concert makes me weep for joy every time I watch it.  It makes me realize what marvelous fulfillment there is in the act of committing a work of art.  How must poor demented and deaf Beethoven be soaring in spirit to have his work take so many people by surprise like this?  It gives me chills to think about that kind of immortality even though the composer is long since dead.  He is still giving astonishing gifts to little girls who put a coin in a hat.

You don’t even have to be Beethoven-levels of famous to create moments that will live forever in the memory of the universe.  I have watched this video of street performers across the world so many times I have it memorized and can sing along.  I have shared this video so many times that I expect others to tell me, “Just stop it already!”  But they never do.  We learn the value of art by being an audience… by being consumers of art.  And it gives me hope as well for my own artistic endeavors.  Making money is not the point.  Sharing my work with others… even long after my own personal time on earth is up… is the precious thing.  I am reminded of the culmination of the long and glorious career of Charlie Chaplin.  And the movie clip that gets circulated so often now after another tragedy like the one in Paris.  I dare you to listen to this speech and not be moved… to hear it out and not learn something important.

Thank you for letting me waste your time today.  I intended to commit no further evil in the world today, than to let you share a few of the things that everybody seems to be finding beautiful and worth the effort of sharing.

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The History of Government as I See It

Raygun RonnyIn the beginning, God made men naked and helpless.  He made women naked and in charge.  And then he tossed an apple to the women and said, “let there be evil and monsters and such.”  So, naked people began to huddle together in caves to get out of the storm.  They began to kill and eat other animals that didn’t eat them.  They began to wear the fur of whatever they killed and ate.  And then because Cain had a you-like-him-better-than-me fit, they began to kill (and hopefully not eat) each other.

So, the need for government came about as a matter of survival.  Cavemen put their thick heads together and decided that some guys were bigger and tougher and got more girls than the rest.  And some guys knew how to use their heads for something more than a place to keep their animal-skin hats.  So, when all the heads were put together, the smartest ones realized that if they made weapons for the big guys to kill other guys with more efficiently, then the big guys could protect all of “us” and kill all of “them” and we would all be safer and live better lives.  Of course, the big strong guys wanted to keep all the better girls and all the stuff they took from others, and they expected everyone they protected to give them more stuff.  Thus, taxes were born.  And when you had to count stuff and plan stuff and figure stuff out (like managing taxes and keeping track of who you need to hit because they haven’t paid) that task went to the scrawny guys with the big heads.  And so, Kings were born.  And queens were mostly the kings’ sisters, because, after all, the big guys still got all the best girls.  And as time went on, we had kings and their big guys and all the other “common” people.  But you couldn’t just kill (and hopefully not eat) all the “common” people, because they were useful too.  You could put them to work so they could pay more taxes and make more stuff for you and it made your life better if you had a lot of them working for you.  But some old king named Louie discovered you had to make the “common” people a little bit happy too because they outnumber you by a lot.  Unfortunately for Louie, he didn’t discover this until they cut his head off… some argument about eating cake or something.  So, some other smart guys with big heads got together and decided to make a new government.  It was really still the old government.  They just had the brilliant idea of re-naming everything and lying to the people.  Now, instead of kings and their big guys who got all the good girls, you had “elected representatives” who were actually the kings of old.  They just figured out how to lie to people and make them believe they worked for the “common man”.  And the big guys were re-named the “Military Industrial Complex”, or maybe it’s the Illuminati.  I’m not sure.  And then there’s a Pope, and possibly some alien beings from Roswell, and… okay, maybe I need to save the rest for the Tinfoil Hat Club when we meet every Wednesday evening and plot how we are going to “wake up, sheeple” and take over the world.  (Dues are fifty cents.  We are meeting again on Sunday because we think the world ends next Tuesday… or something.)

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I Go Pogo!

I gave you fair warning.  Pogo has been coming to Mickey’s Catch a Falling Star Blog for a while now.  So, if you intended to avoid it, TOO BAD!  You are here now in Okefenokee Swamp with Pogo and the gang, and subject to Mickey’s blog post about Walt Kelly and his creations.

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Walt Kelly began his cartoon hall-of-fame career in 1936 at Walt Disney Studios.  If you watch the credits in Pinocchio, Fantasia, and Dumbo, you will see Walt listed as an animator and Disney artist.  In fact, he had almost as much influence on the Disney graphic style as Disney had on him.  He resigned in 1941 to work at Dell Comics where he did projects like the Our Gang comics that you see Mickey smirking at here, the Uncle Wiggly comics, Raggedy Ann and Andy comics, and his very own creations like Pogo, which would go on to a life of its own in syndicated comics.  He did not return to work at Disney, but always credited Disney with giving him the cartoon education he would need to reach the stratosphere.

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Walt Kelly's Earth Day comic

Walt Kelly’s Earth Day comic

Pogo is an alternate universe that is uniquely Walt Kelly’s own.  It expresses a wry philosophy and satirical overview of our society that is desperately needed in this time of destructive conservative politics and deniers of science and good sense.

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Pogo himself is an every-man character that we are supposed to identify with the most.  He is not the driver of plots and doings in the swamp, rather the victim and unfortunate experiencer of those unexpectable things. Life in Okefenokee is a long series of random events to make life mostly miserable but always interesting if approached with the right amount of Pogo-ism.

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And Pogo was always filled with cute and cuddly as well as ridiculous.

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As a boy, I depended on the comic section of the Sunday paper to make sense of the world for me.  If I turned out slightly skewed and warped in certain ways, it is owing to the education I myself was given by Pogo, Lil Abner, Dagwood Bumstead, and all the other wizards from the Sunday funnies.  There was, of course, probably no bigger influence on my art than the influence of Walt Kelly.

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So what more can I say about Walt Kelly?  I haven’t yet reached the daily goal of 500 words.  And yet, the best way to conclude is to let Walt speak for himself through the beautiful art of Pogo.

Pogo and Mamzelle

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Rainy Saturday Blues (a poem about depression )

Blue Dawn

I must make a confession about crippling depression,

Cause today I have the blues.

It requires a concession of time for regression,

And dark days enveloping all views.

There is no progression in a working profession,

Cause clouds leave me missing all news.

I start the procession of blue notes in session,

And all melodies tend to be blues.

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Fantasia

Mickey

I learned a lot of what I know about cartooning by copying Disney characters.  Now, I know that this post could potentially get me into trouble, because  I am posting on a blog I use for marketing, an imitation Disney character, a very famous and very copyrighted character.  Disney has been known to sue school districts for showing Disney movies in class without expressed written permission.  They have become cruelly litigious since transforming from Uncle Walt’s Wonderful World of Color into an evil multi-national corporate media empire whose spokesperson is a mouse.  So I beg you to pardon my transgressions due to love and debt I have to the work in the title of this piece.  Consider this fan art, like the pictures I posted of the Phantom and Captain America (who is also now owned by Disney).

Fantasia is for me the Book of Life.

The movie starts with Bach’s masterpiece, Toccata and Fugue in D Minor This amazing piece reminds me of earliest childhood memories.  It begins with sound and the instruments that make it, becoming shapes and lines and movements and, eventually cloud forms.  It is the beginning of perception, like modern art itself, the raw energy and emerging forms that I began to perceive as an infant, but could not define or distinguish clearly.

Next comes  Nutcracker Suite by Pyotr Ilyich Tchaikovsky.  This is the explorations of nature and the magic of existence as a mere child.  It uses Tchaikovsky’s sugar-plum ballet music to depict hours of play and learning and investigation and wonder.  In it I see myself as a young child, viewing all the color and beauty through wide eyes.

Then comes The Sorcerer’s Apprentice by Paul Dukas.  In this piece, the child in me, like Mickey the apprentice, for the first time bites off more than I could chew.  I overstep my protective boundaries and get myself into a serious fix that has to be undone by the parent stepping in at the end, and not only fixing it, but delivering the consequences to my ignorant behind with a broom.  Of course, we all know I will do it again.  Every child does.  But next time I will get it right.

This is followed by Rite of Spring by Igor Stravinsky.  Here the child is child no longer.  I watch the amoeba become dinosaurs to harsh and dissonant music.  I learn about the world, growing and evolving, finding out that life is full of hard lessons.  Life and Death play out there struggle, and the learning concludes when you reached the parched and hopeless climax, the realization that everything, no matter how big or powerful, ends in death and failure.  Dust returns to dust.

The film then blossoms into The Pastoral Symphony by Ludwig van Beethoven.  This mythical landscape of cute cherubs and satyrs, bare-breasted centaurettes, and Greek Gods rendered in pastel hues represents the blooming of romance, lust, and love.  There is celebration, complete with Dionysus and his invention, wine.  There is courtship, attraction, and bonding.  When the cherubs pull the curtain closed on the centaur couple, we also know what is happening behind the curtain even if it weren’t for the cherub whose butt becomes a red heart.  And, of course, there is a great storm that comes along, both in the pastoral music and the action of the cartoon, representing the volatility and strife that occurs when we dare to love another.  It does, however, subside for life to continue refreshed.

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The next piece is  Dance of the Hours by Amilcare Ponchielli.  This comedy of ballerina ostriches and hippos, bubble-dancing elephants, and aggressively dancing gators, is the domestic, married life.  It is a comedy of graceful awkwardness, beauty and humor rolled into the same cake and cooked with irony and wit.  And, of course, just like real life, everything is eventually carried away by the wind… until the next dance.

And finally, Night on Bald Mountain by Modest Mussorgsky and Ave Maria by Franz Schubert is the end of life.  First comes the pain and suffering of death, ruled over by Chernabog the Devil.  He commands the torture and heartless ritual that I am subject to even now, in the twilight of life.  The flesh and the bones yield to his trans-formative whims.  We must all dance to his music until the striking of dawn.  Then he is defeated and the spirit soars, free of body and definable form to the rousing strains of Ave Maria.  We journey through the cathedral forest towards the everlasting light, and the movie, like my life, will be done.  But I do not despair, because life, like the movie itself, can be endlessly replayed and is eternal.

I was not able to see this movie for the first time until college, attending a screening at Iowa State.  When it came out on VHS in the 80’s, I bought two, one to keep and store safely, unopened, and one to watch until it fell apart.  I also bought the DVD when it came out with Fantasia 2000.  I cannot count how many times I have seen this movie.  I even showed it to my classes as I was about to retire, and didn’t secure written permission.  But it was only this week, feeling ill and terribly mortal again that I realized… Fantasia tells the story of my life.

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Monkey Mathematics

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(colored pencil, pen, & ink – entitled “Math Monkey” – by Leah Cim Reyeb (my name backwards))

It has been said that if you have an infinite number of monkeys with an infinite number of typewriters, and unlimited time, they will reproduce all the works of William Shakespeare.  Not only that, they will produce every other work of literature in every language on Earth that has ever been written… and that ever will be written, for all time.  Not only that, but every version of Hamlet that has one misspelled word, two misspelled words, three misspelled words… and so on to infinity.

I was having an argument recently with a boy from Brazil who insisted there was no God and Creator.  He claims to be an agnostic, but argues like an atheist.  He was trying to “save” me from my erroneous belief that there is an underlying intelligence and purpose to all of creation.  His intentions were good, but he failed to convince me before sailing off back to Sao Paulo.  Alas, I am unrelentingly still convinced that I am not wrong, as he apparently believed all school teachers are by definition.  Yes, it is written that way in the teenager’s guide to life, the universe, and everything.  “Teachers are clueless and only teach you the wrong stuff” – page two hundred and three, in Chapter Twelve, Adults are Always Wrong.  And, of course, I’m blaming it on the monkeys.  It’s always those danged monkeys and their typewriters.

I tried to explain that the whole infinite-monkeys thing is based on flawed math.  After all, math was invented by enraged Greeks who danced around naked in caves worshiping circles, squares, and right triangles.  Pythagoras must’ve really hated school kids.  He gave them all this froo-frah to learn about whole numbers, integers, algebra, and geometry and stuff, and then threw in theorems and equations to give them something to mind-numbingly practice at their desks in Math classes until they were no different from infinite-monkey typists. 

If you take a pile of bricks up to the top of a mountain and then throw them off, even if you throw them an infinite number of times, how often will they actually land in the configuration of the Parthenon?  …And the Parthenon with one brick out of place, and then two bricks, and …wasn’t the gol-danged Parthenon carved out of marble, not bricks?  If you believe all of reality is based on random chance, then you obviously are figuring that out with infinite-monkey math.  I’m not saying the Theory of Evolution is wrong.  That is ordered and principled in ways that fit Occam’s Razor and is probably just as correct as the Theory of Gravity (which we don’t fully understand, either, yet we don’t go flying off into space with each rotation of the Earth).

“Wait a minute!” screams the head monkey.  “Are you saying you believe in Evolution, or in Creation?”   (I am constantly hearing nearly-infinite monkeys screaming that nowadays.)

Shoot, I think both things are true.  You can’t deny what science offers proof for, fact or theory.  Yet, God speaks to me and comforts me, even though he doesn’t actually answer prayers.  The evidence of God is in all that he created, including the process of evolution, the monkeys, the typewriters (well… man-made is made by God too if he created man with inventive capabilities, right?), and even the voices in my silly head that I interpret as God talking.  Am I guilty of Infinite-monkey math?  I try not to be.  But I also try not to argue with Brazilian teenage agnostics about the existence of God.  Oh, well… can’t win ‘em all.

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Teacher! Ooh-Ooh! Teacher!

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I have the privilege of being a public school teacher.  Or maybe I should use the word “cursed”.   It is no easy thing to be a teacher in the modern world.  Regressive State governments like Texas mandate that teachers do more with less.  We have to have bigger classes.  We have to show higher gains on State tests.  We have to do more for special populations based on race, disability, language-learner status, and socio-economic status.  Of course, we give money to private schools to be “fair” to all, so a majority of the well-funded and advantaged students are removed from the public school system, even though studies show that their presence in classes benefits everyone.  When the majority of students are low-income in a single classroom, even the gifted minority perform less well.  When higher-income students are at least fifty per-cent of the class, then even the low-income and learning disabled make higher gains than the minority gifted in the first example class.  So, there’s my triple-downer bummer for this post.  You might think that I would agree with Republicans in this State that the lower classes are not worth investing in.  Nothing could be further from the truth.

The fact is, my fondest memories from thirty-one years as a public school teacher come from the downtrodden masses, the poor, the oddballs, the disadvantaged, and even the truly weird.

Okay, so here’s the funny and heart-warming part.  I have a Hispanic English Language Learner right now who looks at the beard I have grown and calls me, “my friend Jesus”.  I have to constantly remind him that, “If I were the son of God, my son, then I would be using lightning bolts for discipline a little more often.”  He grins at me and answers, “Yes, my Jesus.”  He’s a sneaky sort, more dedicated to games and messages on his i-phone than learning.  He is more into working with the girls in small groups so that he can come out appearing much smarter without putting out very much actual work.

I remember one particularly challenged boy who didn’t talk in class at all.  He could make sounds, however.  Constantly during classes with this student in them, there would be numerous “meows” and birdcalls.  Grunts and groans and whistles would fill the air.  Most of the noises came from him.  The ones that didn’t, came from those who imitated him.  It reached a point that I was having to teach a classroom full of Harpo Marxes .  When asked about it, he claimed he had a sore throat all the time and just couldn’t talk.  Many of his teachers thought he was merely sabotaging class so he wouldn’t have to do any work.  But just like when you put a harp in front of Harpo, this boy had hidden talents, and just was not being engaged on his own level.  He was really quite bright if you could learn to communicate with him in Harpo Marxian.

I had another student who read all the existing Harry Potter books forward and backwards, and inside out.  He even looked like the actor who played Harry in the movies, glasses and all.  He was treated like a radioactive being by his classmates, and although he was charming and funny and had a natural talent for manga-style drawings of people, nobody seemed to treat him like a friend. (The paffooney picture I drew for this post was inspired by him.)    He was a jovial loner.  I was able to tap into his natural abilities for the Odyssey of the Mind creativity contests we participated in during the early 2000’s.  I helped him find nerd friends who also knew all the words to the Spongebob Squarepants theme. 

I have a Chinese girl in class who shared the Spongebob boy’s fascination with manga-style art.  She’s a different bird all together.  She gets my jokes and thinks I am funny.  But she never laughs.  She never even cracks a smile.  She is so careful and complete in every assignment that it is very nearly painful to watch.  Grades are serious matters to her.  If her grade drops from 100 to 98, she wants to audit the teacher’s grade book to find out why.  She does everything in class in beautifully crafted Chinese writing, and then translates it all word-for-word into English.

I owe my teaching career to kids like these.  When I started my career in 1981 for $11,000 per year, I was employed by a school that had total disciplinary meltdown the year before.  I had to deal with hostility, impossible behavior-modification tasks, fire crackers in the classroom, student fights, bullying, and a language/cultural gap wider than the Grand Canyon.  That first year, I was planning to resign at the end of the year and try to figure out what else I could do with my life when a small Hispanic boy with a Scottish family name came up beside me on the playground one March day and said, “Mr. Beyer, I hope you know you are my favorite teacher.  You are the reason I liked school this year.”

I didn’t let him see that there were tears in my eyes.  I told him something about him being my favorite student.  And I gave up thoughts about giving up.  I lived the next thirty years of my career for him.

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Things You Probably Ought to Know about Mickey

As Mickey’s go, the one who is writing this is a moderately interesting example of the breed.  Still, there are things you probably ought to be made aware of.  A sort of precautionary thing…

First of all, this particular Mickey is an Iowegian.  That means he comes from Iowa, the State where the tall corn grows.  It is a prime reason why his jokes are corny and his ears have been popped (oh, and he does actually have two, unlike the picture Paffooney where only one is showing).  His fur is not actually purple.  If anything now, it is mostly silver-gray.  But the Paffooney is a magical portrait, and purple is the color of magic.  He has a goofy, and sometimes fatal grin.  You may not be able to prove that he has ever actually grinned someone to death, but it is likely he could always dig somebody up.

Another irrefutable fact about this Mickey, unlike many many Mickeys, is that he used to actually be a public school teacher.  He taught the little buggers for thirty-one years, plus two years as a substitute teacher.  He did twenty-four of those years in middle school… twenty-three of those in one school in South Texas.  His mostly Hispanic students managed to teach him every bad word in Spanglish… err, Texican… err, Tex-Mex… or is it Taco Bell?  Anyway, they taught him every bad word except for the word for cooties… you know, piojos.  He learned that word from an old girl friend.

A despicable thing about him… (you know despicable, right?  It’s that word that Sylvester the cat always uses) is that he actually likes kids.  That’s just not normal for someone who teaches them.  Teachers are supposed to hate kids, aren’t they?  But he never did.  It is true that he yelled at them sometimes, but he never did that because he hated them.  He did that only for fun.  And he actually apologized to kids sometimes when they got into behavioral trouble, because he said it was the teacher’s fault if kids are bad, and, besides, the kids are so surprised by that, that they forget all about the behavior and can be flammoozled into acting good.

The last and most wicked thing you need to know about Mickey is that he cartoons up a storm sometimes.  He loves to draw everything that is wacky and weird.  He has more goofball colored pencil tricks than a Charles Shultz and a Dr. Seuss rolled together in a sticky lump with a George Herriman stuck on top in place of a cherry.  He steals ideas and techniques from other artists and steals jokes from comedians, undertakers, and random juvenile delinquents.  He also puts together lists of wacky oddball details that don’t quite fit together and weaves it into purple paisley prose (somewhere in this whole messy blog thing he has also defined purple paisley prose and how to make it… in case you were curious.)

So there you have it.  The Truth about Mickey.  The sordid, simpering, solitary facts about Mickey.  The straight poop.  (wait a minnit!  How did poop get there?  Not again!  I thought I had cured that!)

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The Uncritical Critic Likes to Read Books Too!

I told you before that I make a lousy movie critic because I watch anything and everything and like most of it.  You don’t believe me?  You can look it up through this link; The Uncritical Critic

I hate to tell you this, but it is almost exactly the same for books too.

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The Paffooney is an illustration for a proposed collaboration on a children’s book.  My friend and fellow author Stuart R. West (Stuart’s Blogspot about Aliens) had a story about three kids taking a balloon ride when they accidentally gave the goldfish bubble gum to chew ignoring their mother’s warning that dire consequences would follow.  He decided the project was too ridiculous to follow through on, or at least my Paffooney power wasn’t up to making sense of his brilliant literature, and the book did not happen.  And I am sorry about that because I couldn’t wait to find out how it turns out.  I love weird and wild stories of all kinds.  And, unfortunately, I love them uncritically.

So, what kind of books would a goofy uncritical critic actually recommend? Let me lay some bookishness on ya then.

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Here is the review I wrote for Goodreads on Terry Pratchett’s The Amazing Maurice and His Educated Rodents.

I have always felt, since the day I first picked up a copy of Mort by Terry Pratchett, that he was an absolute genius at humor-and-satire style fantasy fiction. In fact, he is a genius compared to any author in any genre. He has a mind that belongs up there with Mark Twain, Charles Dickens, and William Faulkner… or down there as the case may well be. This book is one of his best, though that is a list that includes most of his Discworld novels.
Amazing Maurice is a magically enhanced cat with multiple magically enhanced mice for minions. And the cat has stumbled on a sure fire money-making scheme that completely encompasses the myth of Pied Piper of Hamlin. In fact, it puts the myth in a blender, turns it on high, and even forgets to secure the lid. It is funny, heartwarming, and changes the way you look at mice and evil cats.
This is a book to be read more than once and laughed at for the rest of your life.

You see what I mean?  I uncritically praise books that make me laugh and think deeply about things at the same time.  It is as if I don’t have any standards at all if something is brilliantly written and makes a deep and influential impression on me.

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Here’s another book that I love so much I can’t be properly critical when I reread it.  A Tale of Two Cities by Charles Dickens.  I cannot help but be taken in by the unrequited love the dissolute lawyer Sydney Carton had for the beautiful refugee from the French Revolution, Lucy Manette.  Tragic love stories melt my old heart.  And I can’t help but root for Charles Darnay as well, even though I know what’s going to happen in Paris at the Bastille because I have read this book three times and seen the Ronald Coleman movie five times.  I also love the comical side characters like Jerry Cruncher the grave-robber and hired man as well as Miss Pross, the undefeatable champion of Miss Lucy and key opposer to mad Madam Defarge.

I simply cannot be talked out of praising the books I read… and especially the books I love.  I am totally uncritical as a reader, foolishly only looking for things I like about a book.  Real critics are supposed to read a book and make faces that remind you of look on my little brother’s face when I had to help him use an outhouse for the first time.  (Oh, what a lovely smell that was!)  (And I mean that sarcastically!)  Real critics are supposed to tell you what they hated about the book and what was done in such a juvenile and unprofessional way that it spoiled all other books forever.  That’s right isn’t it?  Real critics are supposed to do that?  Maybe I am glad I’m not a real critic.

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Silly Tyger!

I think I posted this picture once before and told you it was inspired by William Blake’s poem The Tyger!  That is still true.  I wasn’t telling a lie, at least, I don’t believe I was.  So the poem goes like this;

The Tyger

BY WILLIAM BLAKE

Tyger Tyger, burning bright,
In the forests of the night;
What immortal hand or eye,
Could frame thy fearful symmetry?
In what distant deeps or skies.
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain,
In what furnace was thy brain?
What the anvil? what dread grasp,
Dare its deadly terrors clasp!
When the stars threw down their spears
And water’d heaven with their tears:
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger Tyger burning bright,
In the forests of the night:
What immortal hand or eye,
Dare frame thy fearful symmetry?
Tyger
The idea is that the Tyger represents some unknowable evil that we must fear and respect because it is beyond our understanding.  But the kid in the picture seems to be unafraid.  Was that a mistake?  Or was I really thinking this?
CalvinHobbes
Apologies to Bill Watterson for stealing his cartoon for this post.  I needed a more dangerous-looking Tyger than the one I had.

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