Tag Archives: fantasy

The Faerie Forcaste

Poppensparkle invited Twinklebottom to enter the upper room of Pippen’s Tower in the castle known as Cair Tellos. Poppy’s face revealed great concern as she led Twinkle to the coffee table in what her young husband constantly called Poppy’s Worry Spot.

“So, what’s on your mind today? Why did you so urgently need to see me?” Twinkle said.

“It’s the creator. He’s not been well. And that’s concerning at his advanced age.”

“You mean the Slow One who writes our story? The one our existence depends on? How old is he?”

“He says he is 568 years old, but he writes fiction, so he lies a lot. In faery years he’s 138, so I guess he is probably almost 70 in human years.”

“Goodness, Poppy! If he dies, we all disappear into nothingness.”

“Yes, that’s the way being a faery works. We depend on the fools who believe in us.”

“So, what is wrong with him?”

“In January, one of those two crowns on his molar teeth that broke off during the pandemic got seriously infected. He had both teeth yanked out by a psycho lady dentist who nearly pulled his skeleton out of his body during the extraction of the stubborn infected tooth. He had to take lots of antibiotics and was in a lot of pain. He had trouble eating.”

“That sounds horrible, but survivable. Old Slow Ones go through that sort of thing routinely. The old lady who has dementia and talks to me all the time had all her upper teeth pulled out and something called a denichurr put in its place.”

“Yes, but that wasn’t the end of his health troubles. In the middle of January, he had to pee out four small kidney stones. That hurt an awful lot, and he got seriously infected somehow. He has this weird colon problem called diverticulosis, a condition where the large intestine is full of unexpected pockets that collect extra feces that stops moving and can become infected too.”

“So, he was also full of shit.”

“Um, yes. He had to get a shot of a super-powerful antibiotic in his behind, given to him by a lady nurse. He also needed an antibacterial powder that he had to stir into water, drinking 80 ounces of water or more a day. And he had to take lots and lots of laxatives too. At least seven days worth.”

“So, he got to know the household porcelain well.”

“It makes me glad that faeries are differently made and never have to poop.”

“You and me both, Poppy. So, is he dying?”

“I don’t think so. But I wish I knew how to help. He’s a weird old guy, but likable and funny. And we need him to stay alive and tell our story.”

“I know a dark faery I can consult,” said Twinkle stupidly.”

“Oh, that’s a truly terrible idea!”

An hour later, Twinklebottom sat in Dangerheart’s underground tea room.

“…So, that’s what is wrong with Mickey the creator. Is there anything you can do to help?”

Dangerheart grinned evilly. “I was watching through my crystal ball as the old hag stuck the needle in his butt. I laughed long and hard about that.”

“It isn’t really a crystal ball. It’s a Slow One child’s shooting marble.”

“It lets me scry on foolish mortals like the creator though. And I love seeing him get embarrassed or put through pain. I’m only sorry I didn’t get to see the psycho dentist yank the infected molar out. That would’ve been a hoot.”

“Isn’t there something you can do to help?”

“Well, he already went to the emergency room on Friday and after they scanned him and poked him and took his blood, they found out the infection was gone. They couldn’t do anything more for him with their science stuff. The pee doctor gave him some expensive pills that turn your pee blue. Surely there is no evil magic that I could apply that would be any funnier than that.”

“You think we don’t need to worry about him anymore?”

“I wouldn’t say that. President Pumpkinhead Trump will probably take away his Medicare and that will probably kill him. That should be funny to watch.”

“So, you think we are all doomed? The world will not remember us after our storyteller dies, and we will all fade away into nothingness?”

“Of course, we’re doomed. And you sure use the word So a lot. Or was that sew?”

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Three Books at Once

No, this isn’t some kind of multiple-book book review.  This is an ungodly silly claim that I can actually read three books at once.  Silly, but true.

Now, I don’t claim to be a three-armed mutant with six eyes or anything.  And I am relatively sure I only have one brain.  But, remember, I was a school teacher who could successfully maintain a lesson thread through discussions that were supposed to be about a story by Mark Twain, but ventured off to the left into whether or not donuts were really invented by a guy who piloted a ship and stuck his pastries on the handles of the ships’ wheel, thus making the first donut holes, and then got briefly lost in the woods of a discussion about whether or not there were pirates on the Mississippi River, and who Jean Lafitte really was, and why he was not the barefoot pirate who stole Cap’n Crunch’s cereal, but finally got to the point of what the story was really trying to say.  (How’s that for mastery of the compound sentence?)  (Oh, so you could do better?  Really?  You were in my class once, weren’t you.)  I am quite capable of tracking more than one plot at the same time.  And I am not slavishly devoted to finishing one book before I pick up the next.

I like reading things the way I eat a Sunday dinner… a little meatloaf is followed by a forkful of mashed potatoes, then back to meat, and some green peas after that…  until the whole plate is clean.

Treasure Island by Robert Louis Stevenson is the meatloaf.  I have read it before, just as I have probably had more meatloaf in my Iowegian/Texican  lifetime than any other meat dish.  It’s pretty much a middle-America thing.  And Treasure Island is the second book I ever read.  So you can understand how easy a re-read would be.  I am reading it mostly while I am sitting in the high school parking lot waiting to pick up the Princess after school is out.

fbofw1Lynn Johnston’s For Better or Worse is also an old friend.  I used to read it in the newspaper practically every day.  I watched those kids grow up and have adventures almost as if they were members of my own family.  So the mashed potatoes part of the meal is easy to digest too.

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So that brings me to the green peas.  Green peas are good for you.  They are filled with niacin and folic acid and other green stuff that makes you healthier, even though when the green peas get mashed a bit and mix together with the potatoes, they look like boogers, and when you are a kid, you really can’t be sure.  Terry Pratchett and Stephen Baxter wrote this book The Long War together.  And while I love everything Terry Pratchett does, including the book he wrote with Neil Gaiman, I am having a hard time getting into this one.  Parts of it seem disjointed and hard to follow, at least at the beginning.  It takes work to choke down some of it.  Peas and potatoes and boogers, you know.

But this isn’t the first time I have ever read multiple books at the same time.  In fact, I don’t remember the last time I finished a book and the next one wasn’t at least halfway finished too.  So it can be done.  Even by sane people.

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Filed under book review, comic strips, education, goofy thoughts, humor, old books, philosophy, reading

RumikoTakahashi

Yesterday I used a Paffooney I had stolen to illustrate my gymnasium adventures, and in the caption I gave credit to the wonderful comic artist I shamelessly copied it from.  The second imitation Takahashi that I did yesterday is now displayed next to it above.  I am now compelled to explain about my goofy, sideways obsession with Anime and Manga, the cartoons from Japan.  I love the art style.  I have since I fell in love with Astroboy Anime as a child in Iowa.  Rumiko Takahashi is almost exactly one year younger than me.  As a cartoonist she is light years more successful than me.  She has been crafting pen and ink masterpieces of goofy story-telling longer than I have been a teacher.

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Her artwork is a primary reason I have been so overly-enamored of the Japanese Manga-cartoon style.  I love the big eyes, the child-like features of even adult characters, the weird poses and still-weirder comic art conventions of this culture from practically a different planet.  She has created comic series that are immensely popular in Japan, and have even put down sturdy roots in this country, especially with young adults since the 80’s.  She is the world’s number one best-selling female comics artist.

Just as we Westerners have to accept numerous ridiculous things to appreciate the stories told in American comics (for instance, brawny heroes running around in tights with their underwear on the outside of their pants, nearly naked ladies with super powers diving into battle next to men encased in armored suits, and talking animals), the Manga-minded must also practice a bizarre form of the willing suspension of disbelief.  In Ranma 1/2, the main character is a boy marshal artist who turns into a girl when splashed with cold water.  Much of the romantic comedy of that work revolves around boys and old men finding themselves in the bath house next to naked young girls.  For some reason that sort of naked surprise causes the boys to spout fountain-like nosebleeds.  In Inu-Yasha the whole thing is about fighting demons with swords.  Inu-Yasha himself is part demon.  Apparently part-demon is a good thing to be.  Japanese villains are spectacularly susceptible to fits of crying rage and tantrums.  And everybody looks more like American white people than orientals.  Oh, and there are talking animals.

Rumiko is a master of pen and ink.  Here is a sample of of her black and white work.

And she does color well too.

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The little people are a special style of Manga character called a Chibi, and all regular Manga characters can turn into one at any moment.

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And, of course, to read actual Manga you have to master reading backwards.  Americans read left to right.  The Japanese read right to left.  You have to open a Japanese book in a manner that seems both backwards and upside down.

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This illustration shows how American publishers flip Japanese comics to make them more accessible to American audiences.

So now, by uncovering the fact that I am addicted to and seriously affected by Japanese cartoons, you have one more bit of evidence to present to a jury in case you decide Mickey needs to be locked up and medicated for a while.  Japanese comics are a world of great beauty, but also a world unto themselves.  It is an acquired taste that has to be considered carefully.  And of all the many marvelous Manga makers, Rumiko Takahashi is the one I love the best.

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A Walk in the Park

We have across the street from our house an extensive green-belt park. It meanders through the city along a controlled and, often, brick-walled creek. It is really a portion of the city’s drainage system that prevents more of the horrible flooding that occurred in Texas cities in the 1980’s and 1990’s, As you can see, if you need to exercise for your heart-and-joint health, it is a perfect spot for a nice, long walk and think. So, today I am thinking about what I walked and thought about.

Mini-Wizards

I started my walk thinking about my current work in progress. It is called The Necromancer’s Apprentice. And it is a story about a fairy society filled with tiny, three-inch-tall magical people. They live in a castle-city made from a living, hollow willow tree. The city is under attack by an evil Necromancer (a death-wizard) who wants something unknown from the wizards in the city. Eli Tragedy is a sorcerer representing the good guys. He has two apprentices already, quiet Bob and chaotic Mickey the were-rat. And he captures the necromancer’s apprentice, and instead of killing her like his superiors want, he makes her into his own third apprentice. He’s a good wizard because he helps students learn and values them as people. The bad guy is the opposite. He is evil because he’s focussed on his own power and wealth, and he’s wasteful of the lives and suffering of others. So, in many ways, he is like a Republican politician in the real world.

The Great Books You Have Read Make You Who You Are

So, I began thinking about what the necromancer’s favorite great work of literature is. Obviously, it would be former Speaker of the House Paul Ryan’s favorite book, Atlas Shrugged. In that book, the hero John Galt asserts the notion that only certain people, creative types like himself and Ayn Rand and, presumably, Paul Ryan have the right to design the proper life for everybody. And they are capable of doing anything and getting away with it for the reason that it is in the best interests of everybody, even if it kills the poor and other lesser people.

This recognized classic book of fiction supporting a selfish philosophy is the reason why we have things like Reaganomics, Trump tax cuts, and border walls. The perfect explanation to certain readers of, “All the reasons why I should turn to evil.” It obviously is a book read and loved by not only Paul Ryan, but other important weasels in charge of everything like Senator Ted “Cancun” Cruz, Senator Mitch “Turtle Man” McConnell, and former Presidential Advisor Steve “The Human Sweat-stain” Bannon.

A good wizard (or Sorcerer) would have read and been influenced more probably by some of the great books of Uncle Boz, um, I mean, Charles Dickens. His is a much gentler and more generous philosophy which finds value in forlorn and mislaid individuals like Sydney Carton, Oliver Twist, Nicholas Nickleby, or Tiny Tim. I know these books of magic are the ones I choose to battle evil wizards in my own life.

So, if great books made me, perhaps I can write my great book with heroes influenced by Dickens and villains influenced by Ayn Rand.

The Final Turn of the Park’s Sidewalk

As I head homeward from my walk in the park, I have two things gained from the exercise. My legs and back are very tired. And my head is boiling over with things I need to write.down.

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Cissy Moonskipper Meets the Nebulons – Part 8

Retribution

The situation began to feel more hopeful as Princess Verumi took off to lecture Prince Porodor and make him regret being born.  Cissy’s small crew, with Wylo and Taro’s family decided to hunker down and await whatever was going to happen in the little white house.

“Do you think your cousin can get us freed from this mess?” Cissy asked Suki.

“Verumi has a very forceful personality.  But she hates Porodor nearly as much as he hates her.  Her rank in the clan is equal to his.”  Suki looked out the window nervously after answering.

Crocodile Guy shimmered back into visibility.

“The space whales are on our side,” he said.  “They have been talking about the situation amongst themselves.   They are very intelligent, maybe more so than me.  But they don’t have much in the way of mechanisms or powers to help us in any way.”

“Well, that’s a good thing,” said Cissy, understating the fact of it by a factor of a million.

“You really think the space whales are smarter than the average Nebulon?”  Suki asked Crocodile Guy.

“They have a collective intelligence.  Anything one whale learns is almost instantly known to all of them.  And they are discussing things all the time.  Only a few Nebulons with Psionic powers know that they talk like that.  And the mind-readers among your people generally keep their knowledge of whale talk to themselves.”

“That figures.  The warlords and royalty generally punish and limit that kind of power among our people.”  Suki frowned.

“Judging by their statements of philosophy and rationality, they are very wise, very empathetic, and possessed of an inner peace far greater than any I have encountered among any humanoid species in the galaxy,” Crocodile Guy said.

The group awaiting punishment engaged for a while in the Nebulonin games of Phokkocaraht and Akkohrahtia for the remainder of the afternoon.  The Earther nearest-equivalent games would be checkers and tiddlywinks.

Along about supper time Crocodile Guy had more news via whale observations.

“I am afraid things did not go well for Princess Verumi.  The whale saw her confront Porodor, become exceedingly angry, and she threw ceremonial dinnerware at his head.  He responded by yelling and having his honor guard throw their ceremonial halberds at her.  She received two flesh wounds and still managed to escape capture or being killed.  The guards are searching for her now, not realizing that the space whale is helping her hide from them.”  Crocodile Guy delivered it in a deadpan voice.

“Ooh!  I iz maddening up!” declared Friday.

Diznee, sensing the little Lupin’s distress, put her arms around the puppy girl’s neck to calm her down.

“The Prince has dispatched an execution squad to deal with all of us,” said Crocodile Guy.

“Oh, good grief!” said Cissy in answer.

“Can the whale hide us?”  Suki asked Crocodile Guy.

“It says to get the condemned into the tailward corners of the house.”

“Tahkaarac nah timbuhran,”said Taro.  “Ahckah na Saronac sah!”

“What did he say?” Cissy looked at Suki.

“He says we do what the whale says.  He and his family will deal with the squad and send them away.”

So, Cissy, Suki, Friday with Diznee around her neck, and Waylo took up positions along the tailward wall.  Taro, Sonno, and their sons put themselves in between the door and the wall where the prisoners stood.  A section of the floor bulged and grew like a blooming vegetable and formed itself into a new interior wall, concealing the prisoners, and shortening the room in ways that were barely discernable to anyone who hadn’t seen the transformation take place.  Crocodile Guy made himself disappear once again.

When the execution squad showed up, they confronted Taro with a lot of angry yelling in the clakkity-clack-ur-ack language of the Nebulons.  Suki didn’t translate and no one was even breathing loudly behind the partition.  Then they heard what could easily have been some sort of shooting and Taro’s voice was not heard again.  Friday hugged Diznee tightly to keep her silent.

There followed further thumping and dragging and scraping sounds, followed by utter silence as the executioners gathered things and left, presumably to find the escaped prisoners.

When the secret wall finally came down, only Crocodile Guy stood in the empty room with a stunned look on his holographic face.

“Taro sacrificed himself and his family to help us escape.”

Diznee now sobbed uncontrollably.

Suki looked grim.  “It is up to us to make sure his sacrifice was not for nothing.”

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The Uncritical Critic Likes to Read Books Too!

I told you before that I make a lousy movie critic because I watch anything and everything and like most of it.  You don’t believe me?  You can look it up through this link; The Uncritical Critic

I hate to tell you this, but it is almost exactly the same for books too.

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The Paffooney is an illustration for a proposed collaboration on a children’s book.  My friend and fellow author Stuart R. West (Stuart’s Blogspot about Aliens) had a story about three kids taking a balloon ride when they accidentally gave the goldfish bubble gum to chew ignoring their mother’s warning that dire consequences would follow.  He decided the project was too ridiculous to follow through on, or at least my Paffooney power wasn’t up to making sense of his brilliant literature, and the book did not happen.  And I am sorry about that because I couldn’t wait to find out how it turns out.  I love weird and wild stories of all kinds.  And, unfortunately, I love them uncritically.

So, what kind of books would a goofy uncritical critic actually recommend? Let me lay some bookishness on ya then.

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Here is the review I wrote for Goodreads on Terry Pratchett’s The Amazing Maurice and His Educated Rodents.

I have always felt, since the day I first picked up a copy of Mort by Terry Pratchett, that he was an absolute genius at humor-and-satire style fantasy fiction. In fact, he is a genius compared to any author in any genre. He has a mind that belongs up there with Mark Twain, Charles Dickens, and William Faulkner… or down there as the case may well be. This book is one of his best, though that is a list that includes most of his Discworld novels.
Amazing Maurice is a magically enhanced cat with multiple magically enhanced mice for minions. And the cat has stumbled on a sure fire money-making scheme that completely encompasses the myth of Pied Piper of Hamlin. In fact, it puts the myth in a blender, turns it on high, and even forgets to secure the lid. It is funny, heartwarming, and changes the way you look at mice and evil cats.
This is a book to be read more than once and laughed at for the rest of your life.

You see what I mean?  I uncritically praise books that make me laugh and think deeply about things at the same time.  It is as if I don’t have any standards at all if something is brilliantly written and makes a deep and influential impression on me.

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Here’s another book that I love so much I can’t be properly critical when I reread it.  A Tale of Two Cities by Charles Dickens.  I cannot help but be taken in by the unrequited love the dissolute lawyer Sydney Carton had for the beautiful refugee from the French Revolution, Lucy Manette.  Tragic love stories melt my old heart.  And I can’t help but root for Charles Darnay as well, even though I know what’s going to happen in Paris at the Bastille because I have read this book three times and seen the Ronald Coleman movie five times.  I also love the comical side characters like Jerry Cruncher the grave-robber and hired man as well as Miss Pross, the undefeatable champion of Miss Lucy and key opposer to mad Madam Defarge.

I simply cannot be talked out of praising the books I read… and especially the books I love.  I am totally uncritical as a reader, foolishly only looking for things I like about a book.  Real critics are supposed to read a book and make faces that remind you of look on my little brother’s face when I had to help him use an outhouse for the first time.  (Oh, what a lovely smell that was!)  (And I mean that sarcastically!)  Real critics are supposed to tell you what they hated about the book and what was done in such a juvenile and unprofessional way that it spoiled all other books forever.  That’s right isn’t it?  Real critics are supposed to do that?  Maybe I am glad I’m not a real critic.

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Cissy Moonskipper Meets the Nebulons Part 4

The First Encounter with Prince Porodor

The organic thing clinging to Cissy’s skin looked like a space suit, but felt like a herd of plooberbeasts was sucking on her body with their oily tongues.  She pulled at the armpits and crotch to try to adjust out the discomfort.

“I am told that if you pinch the Danjer suit too often, it turns your skin a darker blue,” Suki said.

Cissy looked down at herself and consciously tried to quell the urge to pinch it furiously.

They moved upward into the massive headspace of the space whale, following quietly as the head warrior led them to meet the prince.

Prince Porodor was standing in front of the inside wall of a space-whale eye.  The eyes functioned like windows on a spaceship.  You could look through it and see out into space.  But the whale could see through it because of a wide web of optic nerves that colored the skull walls around it with a spiderweb of nerve ganglia.  There was a transparent panel in the middle of the eye that picked up images from outside and inside the whale simultaneously.  It also framed the imperious-looking Nebulon leader like a halo.  He stared down at Cissy and her two companions like an angry king.

“We must decide if the Earther Humaniti lives or dies here.  The Lupin Stardog as well, though their fates may not match,” the prince said.

“Captain Cissy Moonskipper saved a large number of our clan members from slavery to a planet of Stardog pirates.  We owe her our lives and freedom.”  Suki’s expression was defiant, though her voice was calm and reasonable.

“We are at war with the Earthers and the Galtorr Fusions of the Imperium.  They owe us our freedom for violating our rights as star-farers.”  The prince gave a thumb-down gesture with his right hand.

“It is true they treat us unfairly, but they are not all the same, just as Nebulons are not all the same.  This one is different.  She is good and caring.  If we kill her after what she has done for us, we are being no better than the evil Earthers we war against.”

“True, Sister Suki.  But Nebulon Law will decide.  And who is Nebulon Law?”

“You are my prince.”

“We shall test her, then.  If she passes, she will live.  But the Lupin must be rendered into whale food.  We will tolerate no such vermin on this space whale.”

“This Lupin child is different, my prince.  She is the loyal pet of Cissy Moonskipper.  Without her to lead the way, we would not have been able to make our way out of Stardog slave pens.”

“Very well then.  The pet’s fate will be a sharing of the master’s fate.  They both die… or both will live.”

“Know this, then, my prince.  If Cissy is fated to die, you must kill me too.  I owe her a life debt that cannot be repaid if I allow her to die.”

The prince’s face looked disgusted and angry to Cissy.  But he nodded his agreement with Suki’s conditions.

“Suki, why is he saying everything in Galactic English?  He must know that both Friday and I understand what he’s saying.”

Cissy indicated Friday, quaking and shaking like she was standing on a machine for mixing sand and ferrous particles to make ferrocrete. 

“He wants you to understand.  He wants you to be afraid.”

“I don’t fear him.  I’m almost as tall as he is.  And I’m better looking too.”

“He can hear you.  But, in this case, that probably helps you.”

The prince snapped his fingers repeatedly.  “The racial testing!  Here and now.  Bring me the twins!”

The people watching this unfold, blue-skinned all, moved about to get out of the way.  A group of what were obviously Vorran women dressed in the orange gear of the Vorranac Clan led two naked male children into the headspace of the whale.  One was obviously a Nebulon with blue skin and yellow hair with the two red cheek spots on his face.  The other one was very peachy-pink colored, and looked for all the world like he was the same race as Cissy.  Though his hair was also blond.

“Hear this, Cissy Moonskipper, would-be savior of Nebulon slaves, these two children are alike in almost every way.  Tell, me… for the sake of your life and life of your pet… How are these two children different?”

Cissy looked at the two naked boys.  Same height.  Same basic facial features.  Same haircuts.  Same taciturn expressions.  She hadn’t failed to notice that the prince had called for twins.

“They are not different.  They are the same.”

The prince chuckled in a way that reminded Cissy of villains in holodramas.    “You are quite wrong, Cissy Moonskipper.  Look at these two brothers.  They are both the children of two Nebulons born in captivity and sired by a slave owner who was a white male Earther.  One, whose skin is blue and has the red radiation-absorbing organs on his face, bears the dominant genetic codes of the Nebulon race.  The other, his Earther-like brother, has only the recessive genes of his slave-owning Imperial father.”

“So, what does this mean?” Suki challenged.

“The test has been failed.”

“Why is this so?” Cissy demanded.  “Surely if they are twin brothers, they are equal in the sight of Nebulon lawmakers.”

“No,” growled the prince.  “Neither one is a citizen of this space whale because of their tainted blood.  But the one with the dominant Nebulon genes can live among us and serve us for his long Nebulonin lifetime.  The other one, even with the protections of a Danjer suit, will eventually sicken and die from the exotic radiations generated by the interior environments of a space whale.  We may as well subject him to the same sacrificial ritual that will be used to dispose of all of you.”

Cissy was stunned.

The head warrior stood before them.  “I will now take you to the place of feasting and leisure.  You will have stentoriac sekktons of time to eat, drink, and be happy.  Then we will assemble in the bowels to dissect and render you into food for the whale.”

“Stentoriac sekktons?” Cissy asked.

“You might want to think of it as three Earth days.  Seventy-two hours,” Suki said.

Friday buried her puppy face in Cissy’s side and let the tears flow.

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Dragons

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Dragons in the Dungeons and Dragons role-playing games are the central monsters of the story.  In our Eberron campaign they not only rule an entire mysterious continent, but they are credited with the very creation of the world and everything.  Not only monsters, but also gods, is a pretty big order for a   character to fill.

Skye, the Blue Dragon to the left above is a dragon who believes that human people are the most important part of fulfilling the Dragon Prophecy.  Therefore the characters can rely on him as an ally, and sometimes even a patron.  He is a blue chromatic dragon with lightning breath, and the Blue Dragon Aureon, his great great grandfather,  is an important leader of the god-dragons worshiped as the Sovereign Host.

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Phaeros, the great crested red dragon, is a servant of chaos who actively opposes all that is good.  He works with orcish dictators and priests of the Dark Six to accomplish vast swaths of damage, destruction, and war.

He is a big bad villain that has to come at the end of a campaign, because dragons are not only powerful fire-breathers with monstrous monster-damage capability, they also know far more magic than even the wisest of wizards.  My players have not crossed him yet, but if they start finding the missing dragon eggs, that will happen soon.

You may notice that my dragon pictures are mostly coloring-book pictures repeated with different colors, but in many ways dragons are like that.  They all have the cookie-cutter qualities of a dragon, but with different-colored personalities and powers and ideas of good and evil.

Penny Dragon

Pennie is a copper dragon with divided loyalties and the soul of a clown.  She never takes the adventure at hand too seriously.  But if she decides to help the player characters find the missing dragon eggs, no ally will prove stronger and more helpful than her.  And she knows things that the players need to learn from her to find the missing eggs.

So dragons come in many forms and personalities.

In fact, the search for the missing dragon eggs will be critically affected by the fact that the eggs have all five hatched and dragons instinctively protect themselves when young by using their polymorph self magic to become some other creature.  And someone has implanted the idea of using human form as the default even though the wormlings have never actually seen a human being in real life.

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This is a double portrait of Calcryx, both as a white dragon wormling and a young girl.

So, playing games with dragons is fun and archetypal story-telling, and I will continue to do it, even if it means getting burned now and again.

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Filed under Dungeons and Dragons, humor, Paffooney

Terry Pratchett, the Grand Wizard of Discworld

image borrowed from TVtropes.com

image borrowed from TVtropes.com

I firmly believe that I would never have succeeded as a teacher and never gotten my resolve wrapped around the whole nonsense package of being a published author if I hadn’t picked up a copy of Mort, the first Discworld novel by Terry Pratchett that I ever encountered.  I started reading the book as a veteran dungeon-master at D&D role-playing games and also as a novice teacher having a world of difficulty trying to swim up the waterfalls of Texas education fast enough to avoid the jagged rocks of failure at the bottom.  I was drinking ice tea when I started reading it.  More of that iced tea shot out my nose while reading and laughing than went down my gullet.  I almost put myself in the hospital with goofy guffaws over Death’s apprentice and his comic adventures on a flat world riding through space and time on the backs of four gigantic elephants standing on the back of a gigantic-er turtle swimming through the stars.  Now, I know you have no earthly idea what this paragraph even means, unless you read Terry Pratchett.  And believe me, if you don’t, you have to start.  If you don’t die laughing, you will have discovered what may well be the best humorist to ever put quill pen to scroll and write.  And if you do die laughing, well, there are worse ways to go, believe me.

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Discworld novels are fantasy-satire that make fun of Tolkien and Conan the Barbarian (written by Robert E. Howard, not the barbarian himself) and the whole world of elves and dwarves and heroes and dragons and such.  You don’t even have to love fantasy to like this stuff.  It skewers fantasy with spears of ridiculousness (a fourth level spell from the Dungeons of Comedic Magic for those fellow dungeon masters out there who obsessively keep track of such things).  The humor bleeds over into the realms of high finance, education, theater, English and American politics, and the world as we know it (but failed to see from this angle before… a stand-on-your-head-and-balance-over-a-pit-of-man-eating-goldfish sort of angle).

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Terry Pratchett’s many wonderful books helped me to love what is ugly, because ugly is funny, and if you love something funny for long enough, you understand that there is a place in the world even for goblins and trolls and ogres.  Believe me, that was a critical lesson for a teacher of seventh graders to learn.  I became quite fond of a number of twelve and thirteen year old goblins and trolls because I was able see through the funny parts of their inherent ugliness to the hidden beauty that lies within (yes, I know that sounds like I am still talking about yesterday’s post, but that’s because I am… I never stop blithering about that sort of blather when it comes to the value hidden inside kids).

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I have made it a personal goal to read every book ever written by Terry Pratchett.  And that goal is now within reach because even though he is an incredibly prolific writer, he has passed on withing the last year.  He now only has one novel left that hasn’t reached bookstores.  Soon I will only need to read a dozen more of his books to finish his entire catalog of published works.  And I am confident I will learn more lessons about life and love and laughter by reading what is left, and re-reading some of the books in my treasured Terry Pratchett paperback collection.  Talk about your dog-eared tomes of magical mirth-making lore!  I know I will never be the writer he was.  But I can imitate and praise him and maybe extend the wonderful work that he did in life.  This word-wizard is definitely worth any amount of work to acquire and internalize.  Don’t take my convoluted word for it.  Try it yourself.

borrowed from artistsUK.com

borrowed from artistsUK.com

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Filed under book review, humor, NOVEL WRITING

Books are Life, and Life is Books

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I just finished reading David Mitchell’s The Bone Clocks, his novel from 2014.  Just, WOW!  I guess this post is technically a book review… but not really.  I have to talk about so much more than just the book.

You can see in my initial illustration that I read this book to pieces.  Literally.  (And I was an English Major in college, so I LITERALLY know what literally means!)

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Look at this face.  Can you stop looking at the beautiful eyes?  I can’t.

I discovered Mitchell as a writer when I happened onto the book and movie pair of Cloud Atlas.  It enthralled me.  I read the book, a complex fantasy about time and connections, about as deeply and intricately as any book that I have ever read.  I fell in love.  It was a love as deep and wide as my love of Dickens or my love of Twain… even my love of Terry Pratchett.

It is like the picture on the left.  I can’t stop looking into it and seeing more and more.  It is plotted and put together like a finely crafted jeweled timepiece.

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And this new book is almost exactly like that.  It is a first- person narrative in six parts with five different narrators.  Holly Sykes, the central character, is the narrator of the first and last parts, in the past in the 1980’s, and in the future in 2043.  The titular metaphor of the bone clocks is about the human body and how it measures time from youth to old age.  And it is pictured as a clock ticking in practically all it’s forms, from a child who is snuffed out at eight years of age to horologists who have lived for a thousand years by being reincarnated with past lives intact.

Fantasy and photographic realism intertwine and filigree this book like a vast kaleidoscope of many colors, peoples, societies, and places.  At one point David Mitchell even inserts himself into the narrative cleverly as the narrator of part four, Crispin Hershey, the popular English novelist struggling to stay on top of the literary world.  He even indulges every writer’s fantasy and murders himself in the course of the story.

David Mitchell is the reason I have to read voraciously and write endlessly.  His works seem to contain an entire universe of ideas and portraits and events and predictions and wisdoms. And he clearly shows me that his universe is not the only one that needs to be written before the world ends.  Books are life, and life is in books.  And when the world as we know it is indeed gone, then they will be the most important thing we ever did.  Even if no one is left to read them.

And so, I read this book until it fell into pieces, its spine broken and its back cover lost.  To be fair, I bought it at a used book store, and the paperback copy was obviously read by previous owners cover to cover.  The pages were already dog eared with some pages having their corners turned down to show where someone left off and picked up reading before me.  But that, too, is significant.  I am not the only one who devoured this book and its life-sustaining stories.  Know that, if you do decide to read and love this book, you are definitely not the only one.  I’d lend you my copy.  But… well, it’s already in pieces.

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Filed under book review, education, insight, inspiration, strange and wonderful ideas about life