Tag Archives: cartoons

The Ultra-Mad Madness of Don Martin

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Born in 1931 and lasting in this crazy, mixed-up world until the year 2000, Don Martin was a mixy, crazed-up cartoonist for Mad Magazine who would come to be billed as “Mad Magazine’s Maddest Artist.”    His greatest work was done during his Mad years, from 1956 (the year I was born… not a coincidence, I firmly believe) until his retirement in 1988.  And I learned a lot from him by reading his trippy toons in Mad from my childhood until my early teacher-hood.

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His style is uniquely recognizable and easily identifiable.  Nobody cartoons a Foon-man like Don Martin.

The googly eyes are always popped in surprise.  The tongue is often out and twirling.  Knees and elbows always have amazingly knobbly knobs.  Feet have an extra hinge in them that God never thought of when he had Adam on the drawing board.

And then there is the way that Martin uses sound effects.  Yes, cartoons in print don’t make literal sounds, but the incredible series of squeedonks and doinks that Martin uses create a cacophony of craziness in the mind’s ear.

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And there is a certain musicality in the rhyming of the character names he uses.  Fester Bestertester was a common foil for slapstick mayhem, and Fonebone would later stand revealed by his full name, Freenbeen I. Fonebone.

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And, of course, one of his most amazingly adventurous ne’er-do-well slapstick characters was the immeasurable Captain Klutz!

Here, there, and everywhere… on the outside he wears his underwear… it’s the incredible, insteadable, and completely not edible… Captain Klutz!

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If you cannot tell it from this tribute, I deeply love the comic genius who was Don Martin, Mad Magazine’s Maddest Artist.  Like me he was obsessed with nudists and drawing anatomy.  Like me he was not above making up words with ridiculous-sounding syllables.  And like me he was also a purple-furred gorilla in a human suit… wait!  No, he wasn’t, but he did invent Gorilla-Suit Day, where people in gorilla suits might randomly attack you as you go about your daily life, or gorillas in people suits, or… keep your eye on the banana in the following cartoon.

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So, even though I told you about Bruce Timm and Wally Wood and other toon artists long before I got around to telling you about Don Martin, that doesn’t mean I love them more.  Don Martin is wacky after my own heart, and the reason I spent so much time immersed in Mad Magazine back in the 60’s, 70’s, and 80’s.

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Filed under artists I admire, artwork, cartoon review, cartoons, comic book heroes, goofiness, humor, illustrations

Life Inside

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There is a certain amount of frustration that comes with age and arthritis and limited ability to move.  A good share of the time I am stuck within my bedroom/studio.  Bad weather and weather changes, as well as the strains of housework, stiffen my back into immobility.  So, I am stuck exploring not the outside world, but the inner world of stories, pictures, and my own imagination.

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Of course, one has to beware of a life lived in imagination and isolation.  Some of it can be kinda wicked and dangerous.  Okay, maybe not, but definitely in danger of overwhelming goofiness.  As you can see, I take a bit of my artwork and use photo-shop to make even goofier arty things.  I experiment and stick stuff together just for the heck of it.

I suppose this is probably evidence a good psychiatrist could use to keep me locked up for a while.  But I’m kinda stuck anyway in my little room.

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Exploring the Mind of Mickey

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One really weird thing that teachers do is think about thinking.  I mean, how can a person actually teach someone else how to think and how to learn if they don’t themselves understand the underlying processes?  Now that I have retired from teaching and spend all my time feeling sorry for myself, I thought I would try thinking about thinking one more time at least.  Hey, just because I am retired, it doesn’t mean I can’t still do some of the weird things I used to do as a teacher, right?

This time I made a map to aid me in my quest to follow the twists and turns of how Mickey thinks and how Mickey learns.  Don’t worry, though.  I didn’t actually cut Mickey’s head in half to be able to make this map.  I used the magical tool of imagination.  Some folks might call it story-telling… or bald-face lying.

Now, a brain surgeon would be concerned that my brain maps out in boxes.  He would identify it as a seriously deformed brain.  It is not supposed to be all rectangular spaces and stairs.  It probably indicates a severe medical need for corrective surgery… or possibly complete amputation.  But we are not going to concern ourselves with trying to save Mickey from himself right now.  That is far too complex a topic to tackle in a 500-word daily post.  We are just discussing the basics of operation.

You see the three little guys in the control room?  They are an indication that not only did I steal an idea from the Disney/Pixar Movie Inside Out, but I apparently have too few guys doing the job up there compared to the movie version.  (It probably makes sense though that a young girl like the one in the movie has a much more sensible configuration in her brain than someone who was a middle school teacher for 24 years.  Seriously, that job can do a bit of damage.)  The three little guys are not actually Moe, Curly, and Larry, though that wouldn’t be far from descriptive accuracy.  They are Impulsive Ignatz, currently in the driver’s seat (or else I wouldn’t be writing this), Proper Percy the Planner, and Pompositous Felixian Checkerbob, the fact-checker and perfectionist (also labeled the inner nerd… I am told not everyone has one of these).  They are the three little guys that run around in frantic circles in my head trying to deal with a constant flow of input and output, trying to make sense of everything, and routinely failing miserably.

I shouldn’t forget the other two little guys in my head, Sleepytime Tim in the Dream Center, and little Batty up in the attic.  I have no earthly idea how either of them function, or what in the heck they are supposed to do.  But there they are.  The other three run up and down stairs all day, locating magic mushrooms and random knowledge in the many file cabinets, record collections, book stacks, and odd greasy containers that are stored all around in the many nooks and crannies of Mickey’s mind.  They collect stuff through the eyes and ears, and it is also their responsibility to chuck things out through the stupidity broadcaster at various inopportune times.  It is also a good idea for them to avoid the lizard brain of the limbic system in the basement.  It is easily angered and might eat them.

So now you should be able to fully understand how Mickey thinks.  (Or not… a qualifier I was forced to put in by Checkerbob.)

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Krazy Kat

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I told you before about a cartoonist from ancient ‘Toon Times” named Fontaine Fox.  He was a master, and I acknowledge him as one of my greatest inspirations.  But he was not the original master mentor for my teenage ‘Toon Training”.  That honor goes to the inestimable George Herriman.  He was the Krazy Kartoonist who died more than a decade before I was born, yet, through his Kreation, Krazy Kat, did more to warp my artistic bent into Krazy Kartooniana Mania than anybody else.  I discovered him first.  I found him through Komic books and the Kard Katalog at the local library.  I own a copy of the book I pictured first in this post.  It is the first Kartoon book I ever bought.  I couldn’t post a picture of my actual book here because I have read it so often in the past forty years that the Kover has Kome off.  It is now more of folder of loose pages than a book.

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Krazy Kat is a newspaper Komic strip that ran all around the world from 1913 to 1944.  Comics Journal would rate Krazy Kat as the greatest work of Komic art of the 20th Century.  Art critics hailed it as serious art, and it fits snugly into the surrealist movement of Salvador Dali and others.  It has been cited as a major influence on the work of other artists such as Will Eisner, Charles M. Schulz, Robert Crumb, Art Spiegelman, Bill Watterson, and Chris Ware.

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The centerpiece of the strip is a love triangle.  Krazy Kat the Kharacter is a feline who may be female or may be male but is definitely deeply in love with Ignatz Mouse.  The Krazed rodent hopped up on seriously stinky fromage (cheese to us non-French speakers), is Konstantly throwing bricks at Krazy’s head… obviously out of serious disdain, however, Krazy sees it as a confession of love.  Offisa Pup, the police watchdog, wants to jail the malevolent mouse for battery and protect the precious Kat, whom he obviously loves with an unrequited love.  Explanations are superfluous in the weird world of Krazy Kat.  How can I explain the charm, the humor, the good-natured violence of a strip such as this?  There are echoes of it in Tom and Jerry animated cartoons, but nothing like it really exists anywhere else.  Krazy has her own unique language, a language that you naturally learn to interpret as you read the strip.  Ignatz exhibits psychotic frustrations that he takes out on the world around him in our name, that we might experience hubris at his expense.  And what’s with that mysterious sack of “Tiger Tea” that Krazy carries about and keeps a Klosely guarded “sekrit”?

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I honestly hope you will give Krazy Kat a thorough “look-see”.  Because if you like Kartoons at all… and it doesn’t have to be the Krazy Kooky love of a seriously overdosed addict like me… you will fall desperately in love with this one.   It is a world of its own, a superbly superfluous abstract anachronism.  It is a surrealist’s dream of fun with puns and tons of buns… or something like that.  Simply put… read it and don’t like it… I dare you!

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Filed under art criticism, artists I admire, cartoons

The Rest of my Classroom Gallery

Here’s what’s left in my camera from school white boards and lessons.

Photo0107 Photo0110 Photo0112 Photo0118 Photo0123 Photo0126 Photo0127 Photo0133 Photo0137 Photo0139 Photo0144 Photo0146 Photo0149 Photo0142There you have it, the results of 31 years of doodling on the chalkboard (which became the dry erase board).  And yes, I did tell them the cartoon fairy drew all the pictures.  Especially when they were in my class for the second or third year when they asked, “Who does all the pictures on the board?”  And yes, I started doing this back in dinosaur days in white chalk on a green blackboard, followed by colored chalk, which later became a gray marker-board for washable marker, and finally became dry erase white board.  And I really bought my own chalk and markers too.  Teachers do that, you know.

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Toonerville, a Place I Once Lived In

There is a place so like the place where my heart and mind were born that I feel as if I have always lived there.  That place is a cartoon panel that ran in newspapers throughout the country from 1913 to 1955 (a year before I was born in Mason City, Iowa).  It was called Toonerville Folks and was centered around the famous Toonerville Trolley.

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Fontaine Fox was born near Louisville Kentucky in 1884.  Louisville, of course is one of the two cities that claims to be the inspiration for Toonerville.  Apparently the old Brook Street Line Trolley in Louisville was always run-down, operating on balls of twine and bailing wire for repair parts.  The people of Pelham, New York, however, point to a trolley ride Fox took in 1909 on Pelham’s rickety little trolley car with a highly enterprising and gossip-dealing old reprobate for a conductor.  No matter which it was, Fox’s cartoon mastery took over and created Toonerville, where you find the famous trolley that “meets all trains”.

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I didn’t learn of the comic strip’s existence until I was in college, but once I found it (yes, I am the type of idiot who researches old comics in university libraries), I couldn’t get enough of it.  Characters like the Conductor, the Powerful (physically) Katrinka, and the terrible-tempered Mr. Bang can charm the neck hair off of any Midwestern farm-town boy who is too stupid to regret being born in the boring old rural Midwest.

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I fancied myself to be just like the infamous Mickey (himself) McGuire.  After all, we have the same first name… and I always lick any bully or boob who wants to put up a fight (at least in my daydreams).

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So, this is my tribute to the cartoonist who probably did more to warp my personality and make me funny (well, at least easy to laugh at! ) than any other influence.  All of the cartoons in this post can be credited to Fontaine Fox.  And all the people in them can be blamed on Toonerville, the town I used to live in, though I never really knew it until far too late.

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Filed under art my Grandpa loved, artists I admire, cartoons, Toonerville

Fairy Tales and Dragons (with pointillism)

Going through my old drawing portfolio, I found my children’s book project from my undergrad college years.  I have no idea now looking at the illustrations what the story was even about.  I lost the actual story, and I never made a cover for it.  But here is a look at old hopes and dreams and a way of seeing the world that begins; Once Upon a Time…

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I have no earthly idea what the heck this story is even about, but I do like the pen and ink work, and probably couldn’t repeat it if I had to.

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Cartoon Board-Work

I admit it.  I was a goofy teacher.  Kids never knew for sure whether I was serious, joking, or halfway in-between.  I worked for hours sometimes preparing the chalkboard, or later, white board, for the days lesson, putting key points and reminders up in cartoon form.  I used characters, symbols, jokes, pokes, and silliness to get the idea across.  Principals and others who evaluated my teaching always wondered why my classroom sounded so raucous and wild from outside the door with kids laughing, music playing, and sometimes desks being shuffled and shoved around the room.  The perfect-classroom-is-a-quiet-classroom crowd always hated my teaching style.  But the ones who came in and participated, got involved in paying attention and watching the kids interact with the content loved it.  I am not bragging.  My lesson plans were a mess filled with booby traps, explosions waiting to happen, un-intended consequences (also called teachable moments), and brainstorms that threatened at any moment to electrocute somebody with lightning.  Teaching is a dangerous business.  But the point is, there is an art to teaching that brings out the artist in you.  I offer the following evidence;

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Penguin Proverbs

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You know how creepy penguins in cartoons can be, right?  The Penguins of Madagascar are like a Mission-Impossible Team gone horribly wrong and transformed into penguins.  The penguin in Wallace and Gromit’s The Wrong Trousers disguised himself as a chicken to perform acts of pure evil.  Cartoonists all know that penguins are inherently creepy and evil.

I recently learned a hard lesson about penguins.  You know the joke, “What’s black and white and red all over?  A penguin with a sunburn.”  I told that joke one too many times.  Who knew the Dallas metroplex had so many loose penguins lurking around?  They are literally everywhere.  One of them overheard me.  And apparently they have vowed a sacred penguin vow that no penguin joke goes unpunished.

As I walked the dog this morning, I spotted creepy penguin eyes, about three pairs, looking at me from behind the bank of the creek bed in the park.  When I went to retrieve the empty recycle bins from the driveway, there they were again, looking at me over the top of the neighbor’s privacy fence.

“Penguins see the world in black and white,” said one of the Penguins.

“Except for purple ones,” added the purple one.

“Penguins can talk?” I tried unsuccessfully to ask.

“Penguins only talk in proverbs,” said one of the penguins.

“But the purple one gives the counterpoint,” said the purple one.

“The wisdom of penguins is always cold and harsh,” said one of the penguins.

“Except on days like this when it’s hot,” said the purple one.

“You should always listen to penguins,” said one of the penguins.

“Of course, people will think you are crazy if you do,” said the purple one.

“People who talk to penguins are headed for a nervous breakdown,” said one of the penguins.

“Unless you are a cartoonist.  Then it is probably normal behavior,” said the purple one.

“Is this all real?” I tried unsuccessfully to ask.

“Everyone knows that penguins are real,” said one of the penguins.

“But there are no purple penguins in nature,” said the purple one.

So, I sat down to write this post about penguins and their proverbs with a very disturbing thought in my little cartoonist’s head…  Why am I really writing about penguins today?  I really have nothing profound to say about penguin proverbs.  Especially profound penguin proverbs with a counterpoint by a purple penguin.  Maybe it is all merely a load of goofy silliness and a waste of my time.

“Writing about penguins is never a waste of time,” said one of the penguins.

“And if you believe that, I have some choice real estate in the Okefenokee Swamp I need to talk to you about,” added the purple one.

 

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I Go Pogo!

I gave you fair warning.  Pogo has been coming to Mickey’s Catch a Falling Star Blog for a while now.  So, if you intended to avoid it, TOO BAD!  You are here now in Okefenokee Swamp with Pogo and the gang, and subject to Mickey’s blog post about Walt Kelly and his creations.

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Walt Kelly began his cartoon hall-of-fame career in 1936 at Walt Disney Studios.  If you watch the credits in Pinocchio, Fantasia, and Dumbo, you will see Walt listed as an animator and Disney artist.  In fact, he had almost as much influence on the Disney graphic style as Disney had on him.  He resigned in 1941 to work at Dell Comics where he did projects like the Our Gang comics that you see Mickey smirking at here, the Uncle Wiggly comics, Raggedy Ann and Andy comics, and his very own creations like Pogo, which would go on to a life of its own in syndicated comics.  He did not return to work at Disney, but always credited Disney with giving him the cartoon education he would need to reach the stratosphere.

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Walt Kelly's Earth Day comic

Walt Kelly’s Earth Day comic

Pogo is an alternate universe that is uniquely Walt Kelly’s own.  It expresses a wry philosophy and satirical overview of our society that is desperately needed in this time of destructive conservative politics and deniers of science and good sense.

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Pogo himself is an every-man character that we are supposed to identify with the most.  He is not the driver of plots and doings in the swamp, rather the victim and unfortunate experiencer of those unexpectable things. Life in Okefenokee is a long series of random events to make life mostly miserable but always interesting if approached with the right amount of Pogo-ism.

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And Pogo was always filled with cute and cuddly as well as ridiculous.

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As a boy, I depended on the comic section of the Sunday paper to make sense of the world for me.  If I turned out slightly skewed and warped in certain ways, it is owing to the education I myself was given by Pogo, Lil Abner, Dagwood Bumstead, and all the other wizards from the Sunday funnies.  There was, of course, probably no bigger influence on my art than the influence of Walt Kelly.

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So what more can I say about Walt Kelly?  I haven’t yet reached the daily goal of 500 words.  And yet, the best way to conclude is to let Walt speak for himself through the beautiful art of Pogo.

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