Tag Archives: book review

Hydra Hair

No, this isn’t a post about the Avengers… but that’s a cool idea.  I just haven’t seen the new movie yet.  I will… so be patient.  You probably don’t really need a lot of comic-book fan-boy love right now anyway…  That is such a nerd-need, and you are not a nerd… at least, I haven’t been corrected about nerd-things on my blog, which leads me to conclude there are no nerds reading my squishy-goofy-gallywumpas.  This post is about my daughter, the Princess.

PrincessSpecifically, this is a post about the Princess’ hair.  You see, the Princess was unfortunate enough to be exactly between two opposite extremes of hair-genes.  She inherited her mother’s thick, dark wire-hair, but the wild-hair, mind-of-its-own crazy go-every-direction hair she got from me.  She inherits the worst hair-features from both of us.  So how do you to tame your hair in the mornings when you have thick, unruly hair  that not only refuses to be tamed, but will willingly grab the brush out of your hand and throw it across the room?  Well, you apparently borrow your brother’s comb without permission and give the hair 500 rat-nest-dislodging yanks and then lose the comb so that your brother is mad at you for the rest of the day… I mean, the rest of the week… er, the month, the year… maybe the rest of the Princess’ life.

This morning;

Me;  “Please don’t eat your brother’s comb when you are finished doing that.  Put it back on the sink in the bathroom before we go to school.”  (This is a helpful dad-statement used every morning when I watch her battling the hair at the breakfast table, but inevitably the comb is missing the next time brother Henry looks for it.  She must eat it when my back is turned to go start the car.)

Princess;  “I will, Dad…  Geez….  But I can’t believe all the hair I have now on my pants and shirt.  How can I lose this much hair every day and not be bald?”

“Princess, you are really, really good at growing hair.”

“Oh, I know it.  In fact, I’m pretty sure when I pull out one hair, three grow back to take its place.”

“Wow!  That’s like mythological, or something.  Do you wake up in the night to find little Hercules-type guys climbing up on your pillow trying to cut your hair with swords?”

“Yeah, it keeps me awake at night.  But you know in Rick Riordan’s Percy Jackson Books, the hydra has to be turned to stone or be burned with fire to defeat it.”  (I cannot, of course, argue this point as she has read all of the books and is an irrefutable expert on the subject of Rick Riordan’s mythology.)

“Oh, mercy!  You mean the little Hercules-guys are climbing on your pillow with torches?”

“Yes, but I got a bunch of little Minotaur-guys to fight them off, so my hair hasn’t been burned.”

“Well, that’s good…  but what about all the little cow patties they leave in your blankets?”

“Dad, hair problems are hard.   You can’t expect to have it all easy, right?”

“Yeah, I guess that’s right.”

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Populating the World of My Imagination

I have to face facts. I am almost seventy years old. I don’t have much further to go down the road of my life’s journey to reach the final destination. Then the book will close, finished at last. My story will be complete. And there are consequences to continuing to live after a decade of life beyond the moment I retired from the job I loved for reasons of poor health. I have now had arthritis for fifty years. My legs and leg joints no longer stop hurting. Pains keep me awake for large portions of every night. I have muscle spasms. Arthritis is attacking my feet, my knees, my hips, my lower back, my rib cage, and my neck. I can still drive for now, but long distances are tough. I get out and go to the store at least once a day, but most of my time I spend in my bedroom. Writing. Watching TV. Drawing. Doing other things besides TV on my computer or phone. What I don’t get to do hardly at all… is talk to people.

I once had to talk and present and question and correct and cajole classrooms full of kids for 31 years as the teacher in charge, and three years of substitute teaching besides. I miss talking to people. So, now, despite my limitations, I create people to talk to.

Above is Ariel. She stays beside me on my bed as I do whatever I do during the day. She is not someone’s child that I kidnapped. She is a plastic doll. She’s about three feet tall and fully posable, making her a good model for drawings like this one. She has a realistic wig and eyes that can be moved by adjusting them with my fingertips. I bought her online from a shop that restores old dolls and toys, so she was affordable, but a little bit dinged up and in need of tender loving care. I can hold her on my lap because she’s not as fragile as my porcelain dolls of similar size. And I can talk to her. I have promised to keep her by me for the rest of my life so she is safe and cared for at least as long as I still live. I have no idea what my family will do with her when I am gone. She is probably evidence of my increasing mental challenges. I tell her lots of things. Everything I am telling you in this article. Also how my marriage is going, what it is like to be sexually assaulted as a child, why I am sometimes afraid of the dark, and many varied soliloquies about life and love and laughter. She is an excellent listener. We also read together almost every night.

This picture is one of many Island Girl pictures I have drawn over the years. I drew the first one when I was twelve. She represents a dream I had repeatedly. I ended up married to an Island girl, from the island of Luzon in the Philippines. I don’t talk to the island girl in my pictures as much as I make up stories about her. She appears as Malutu in the novel When the Captain Came Calling. My wife, in real life, is also a teacher, though still working and unavailable to actually talk to for most of every day. So, most of my island girl stories stay in my head and keep me entertained with might-have-beens. My island girl is only half imaginary.

This is a picture of Katie, a nudist girl I met only a couple of times in reality. And Katie is not her real name. The picture is modeled on her and the drawing she asked me to do when she saw and liked the drawing I did of Naomi. Naomi is not Naomi’s real name either. But the picture doesn’t look much like her on purpose, because nudists have a right to privacy, especially in Texas where Southern Baptists protest and call the police on things they don’t believe in or understand. I don’t, in reality, know much about Katie, but I make up stories and memories about her too. When I become fully a dementia patient I will probably tell nurses things about her that they might think are true but are lies. I never played tennis in the nude with Katie, but if I tell lies about it when I have dementia, I will have to say that she always beat me. That’s something I would believe even if I remembered I was lying about it.

This is an experimental drawing I did on the app called Picsart AI. It is supposed to look like an oil painting. I drew this to be a portrait of Sasha. Sasha is not her real name, of course. She was a favorite student of mine in the 1990s, a fatherless girl who loved my class and me and said, “You have such pretty eyes, Mr. B.” I loved her… but only teacher-love, not the illegal kind. She asked me to marry her once. It was painful, but I had to let her down easily on that one.

She would become the primary model for the character of Valerie Clarke in Snow Babies and Sing Sad Songs, and so many other works of art and fiction. She continues to live on in my head though I have not seen or heard from her in over twenty years.

This is a representation of Susu, my imaginary granddaughter. She would’ve been my only grandchild so far if she hadn’t been an ectopic pregnancy before Texas made abortion illegal. She couldn’t have been born alive. She might even have killed her mother if she had not passed into the realm of imaginary people. I could not have known that she wasn’t a boy since she did not last long enough to find that out in a sonogram. So the little girl who lives in my drawings and my imagination could only ever be a figment of my imagination. She talks to me, teases me, and plays games with me all in ways that make her into a coping mechanism for grief. Or evidence of dementia.

My world is peopled with people who aren’t really there. You don’t have to believe me, but I need them. Especially now that I am old and nearly dead. Life can be taxing and seriously sad. But life finds a way.

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Is Mickey Icky?


This post is about writer doubt. And Stephen King. Do those two things go together? If they don’t then Mickey is an awful writer and does not know how to do what he does. It would mean Mickey is icky.
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I used to think Stephen King was a totally over-rated writer. Back in the early eighties I read Carrie, King’s first novel, and got halfway through Firestarter, and had to give up. Partly because the book was overdue at the library, and also because I found the books mechanical and somewhat joyless in the writing. I thought he suffered greatly in comparison to writers I was in love with at the time like Ray Bradbury and Thomas Mann. I began to tell others that King was somewhat icky.
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But King was obviously also somewhat successful. He began to get his books made into movies and people who don’t read discovered the evil genius of a man who tells stories to scare them and laces them with a bit of real humanity, real human feeling, and love.
I saw it first in Stand by Me. That movie, starring young Wil Wheaton as the Steven King autobiographical character, really touched my heart and really made for me a deep psyche-to-psyche connection to somebody who wasn’t just a filmmaker, but somebody who was, at heart, a real human being, a real story-teller.

Now, the psyche I was connecting to may very well have been Rob Reiner, a gifted story-teller and film-maker. But it wasn’t the only King movie that reached me. The television mini-series made from It touched a lot more than just the fear centers of my brain as well. And people whose opinions I respect began telling me that the books The Dark Tower Trilogy and Misery were also amazing pieces of literature.
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So I picked up a copy of Hearts in Atlantis at Half-Price Books and began reading a Stephen King novel for the first time since the 80’s. MY HOLY GOD! King is not a little bit icky. He is so NOT ICKY that it makes Mickey sicky to have ever thought King was even a little bit icky! Here is a writer who loves to write. He whirls through pages with the writer’s equivalent of ballet moves, pirouettes of prose, grand jetés of character building, and thematic arabesque penchées on every side of the stage. I love what I have discovered in a writer I thought was somewhat icky. Growth and power, passion and precision, a real love of both the words and the story. He may not know what he is doing. But I know. And I love it.
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And so, while I have been editing the first novel I ever wrote, Superchicken, to make it ready for self-publishing, I have begun to ask myself the self-critical question, “Is Mickey really icky when he writes?” My first novel is full of winces and blunders and head-banging wonders that make me want to throw the whole thing out. But I can’t throw it out. It is the baby in the first bathwater that I ever drew from the tap. The answer to the questions of Micky ickiness have yet to be determined, and not by me. I guess I have to leave it up to you.

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Filed under artists I admire, book reports, goofy thoughts, horror writing, humor, insight, irony, Mickey, NOVEL WRITING, Paffooney, strange and wonderful ideas about life

Valerie Clarke Stories

Of all the lead characters in stories I have created, I think Valerie Clarke is the most important. She is really the first creation I ever crafted that seemed to step off the pages and come to life. I have already lost count of the number of times she has appeared in one of my stories, both the published ones and the ones still being written. She is a character who has loved and lost.

This story is an example of that;

The second book I am going to offer a link to is more like an origin story. It is not the first story I published with Valerie in it, but it is the story where Val is the youngest I have yet to portray her.

This is a better illustration of her than the first Paffooney attached to this post. Val has blue eyes. Sasha, the real-life former student I based the character on, is the one who had brown eyes.

Snow Babies is the book that I consider my masterwork, the best thing I have ever written. There are several main characters in this sprawling story, but Valerie is probably the most important among them. It is a group survival story about a killer blizzard in a small Iowa town.

I don’t expect you to read all of these books. But I certainly won’t mind if you do. You will see how the character grows and develops in these three stories. The chronological order is, first, The Captain Came Calling. Second is Snow Babies. And Sing Sad Songs is third.

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New Directions, New Ideas

Up until now I have been doing little but writing stories and working on getting a lot of them into a published form. Admittedly a self-published form. For the most part, I am the only reader who knows how good my writing is. Well, there’s an editor from I-Universe who thinks I am as good as many authors on the best-seller lists. Not better than… as good as. And the editorial and marketing staff at PDMI Publishing (a publisher now out of business for over eight years) know how good my novel Snow Babies is. And a lot of nudists here, in England, in France, and in Germany know how good Recipes for Gingerbread Children is. But my reputation is tiny and the splash I have made is limited to puddles.

If the literary agent I have been talking to actually gets my book Catch a Falling Star republished by a major publishing house, things will change for the better. However, the current marketplace still puts most of the burden on the authors to promote and make their books succeed. The only difference would be having an agent on my side instead of me doing it all with no one on my side.

Most of the best writing I have done includes strongly realized female characters. Particularly Valerie Clarke, the female protagonist of Snow Babies. Good writing builds on previous writing. I may have already written the best things I am capable of writing. But as I continue to write, I can deepen characters that already have been established. And I can add new ones. For example, the character depicted in the Paffooneys of this post is Charlotte Robbins. She is a complex young lady with an anger management problem. She is also Valerie Clarke’s hated rival, one who beats her out for head cheerleader, but only because Valerie quits cheerleading in her senior year. She is destined to become Valerie’s best friend somehow in the course of my manuscript He Rose on a Golden Wing.

Of course, none of that happens if one of my health problems croaks me before my 70th birthday. I don’t mean to end on a downward note when everything has been looking up. But there it is, in spite of myself.

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Recent Runes in Published Form

After a year-long post-Covid publishing drought, I am back in the page-making storyteller business once again. This post is about recent publication accomplishments, evidencing some pride in a comeback.

The poetry book is finished and will be published within a month (knock on wood, barring sudden unexpected death, prison time, or Armaggedon battles.) I have never thought of myself as a poet. But now I seriously think of myself as one of the worst poets in the history of the world.

This book was my only appearance on a best-seller list anywhere at any time as it made the number one spot on Amazon’s hottest-selling newly published books on two separate days in its first week of publication. It is about nudism and naturism, so it is the nudist community on X, formerly Twitter, that I have to thank for its achievement.

This book, the 4th in the AeroQuest series was published just this month, and it has already sold two copies and a whole bunch of KENP pages read. It has been a couple of years since book 3 of this series, so some readers have been waiting for it for a while.

This book, published during the pandemic has also been getting attention from readers, making it the most popular title on my author’s page.

And this book, a fairytale, is the most ignored book I have recently published. I think it is an excellent comedy adventure that even has some illustrations with nude fairies in them. But nothing is ever truly sure-fire.

I am now hoping that the interest in my books will begin to really pick up. I am talking to an agent for the first time about my book, Catch a Falling Star. I could actually be going places this time.

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Mickian Artistical Nonsense

The word for it is Paffooney.  I know that is not a real word.  It is a Mickian word.  Kinda like the word “Mickian”.  It is entirely made up gibberish, made up by Mickey, and used to mean an artwork made by the hand of Mickey.  So I can’t really explain it.  I have to show you what it basically is.

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This is a Paffooney.  It is inspired by the incredibly unbelievable time in Mickey’s life when they let Mickey be a teacher in Texas.  It has no other relationship to reality.  Chinese girls in Texas generally do not have manga eyes and blue hair, and while Hispanic girls have been known to eat pencils, they never bring their own notebook paper to class.  They always borrow.  So there is the basic formula.  Colored-pencil nonsense drawn by Mickey and attached somehow to a story.

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This Paffooney has a self-explanatory story embedded in it.  It is obvious this is the story of an average family car trip in Texas.  Notice how they demonstrate the Texas State highway motto of, “Drive friendly”.

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And this Paffooney is a Mickian recurring nightmare about a duck with teeth.  Silly Mickey, ducks don’t have teeth in real life!

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And moose bowling is a Paffooney that needs no explanation… or does it?  Well, never mind.  I have forgotten what it is for anyway.

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And this oil-painting Paffooney speaks volumes about a philosophy of life.  See the pilot giving the viewer a thumbs up? And that isn’t a parachute on his back.  They didn’t have parachutes in World War I.  It is a message pouch with German war plans in it.  I even painted it with a bratwurst sandwich inside for the pilot’s lunch.  Don’t I do great detail work?  But he will have to eat it quickly before he reaches the ground.

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And this is me teaching an ESL class.  When you teach English to non-English speakers in Texas, you get to hold the big pencil.  And it helps to be a big white rabbit.

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And this is a science fiction Paffooney, although the science is questionable.  Don’t doubt that the flower-people of the planet Cornucopia are real, though.  And Mai Ling, the psionic space ninja really can elongate her arm to get maximum thrust into her left-handed karate chops.

Stupid Boy

And we end for today with the Paffooney of a stupid boy.  He’s not really me.  Not really.  And I don’t even know who gave him the black eye.  So it can’t be me.  So maybe he is not so stupid.  You can’t say that about somebody you don’t know and is not even you.

So, now do you know what a Paffooney is?  No?  Me neither.  But if you Google images with the words “Beyer Paffooney” you can see a lot more of them.  Nobody else uses that word but little ol’ me.

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Three Books at Once

No, this isn’t some kind of multiple-book book review.  This is an ungodly silly claim that I can actually read three books at once.  Silly, but true.

Now I don’t claim to be a three-armed mutant with six eyes or anything.  And I am relatively sure I only have one brain.  But, remember, I was a school teacher who could successfully maintain a lesson thread through discussions that were supposed to be about a story by Mark Twain, but ventured off to the left into whether or not donuts were really invented by a guy who piloted a ship and stuck his pastries on the handles of the ships’ wheel, thus making the first donut holes, and then got briefly lost in the woods of a discussion about whether or not there were pirates on the Mississippi River, and who Jean Lafitte really was, and why he was not the barefoot pirate who stole Cap’n Crunch’s cereal, but finally got to the point of what the story was really trying to say.  (How’s that for mastery of the compound sentence?)  (Oh, so you could better?  Really?  You were in my class once, weren’t you.)  I am quite capable of tracking more than one plot at the same time.  And I am not slavishly devoted to finishing one book before I pick up the next.

I like reading things the way I eat a Sunday dinner… a little meatloaf is followed by a fork-full of mashed potatoes, then back to meat, and some green peas after that…  until the whole plate is clean.

Treasure Island by Robert Louis Stevenson is the meatloaf.  I have read it before, just as I have probably had more meatloaf in my Iowegian/Texican  lifetime than any other meat dish.  It’s pretty much a middle-America thing.  And Treasure Island is the second book I ever read.  So you can understand how easy a re-read would be.  I am reading it mostly while I am sitting in the high school parking lot waiting to pick up the Princess after school is out.

fbofw1Lynn Johnston’s For Better or Worse is also an old friend.  I used to read it in the newspaper practically every day.  I watched those kids grow up and have adventures almost as if they were members of my own family.  So the mashed potatoes part of the meal is easy to digest too.

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So that brings me to the green peas.  Green peas are good for you.  They are filled with niacin and folic acid and other green stuff that makes you healthier, even though when the green peas get mashed a bit and mix together with the potatoes, they look like boogers, and when you are a kid, you really can’t be sure.  Terry Pratchett and Stephen Baxter wrote this book The Long War together.  And while I love everything Terry Pratchett does, including the book he wrote with Neil Gaiman, I am having a hard time getting into this one.  Parts of it seem disjointed and hard to follow, at least at the beginning.  It takes work to choke down some of it.  Peas and potatoes and boogers, you know.

But this isn’t the first time I have ever read multiple books at the same time.  In fact, I don’t remember the last time I finished a book and the next one wasn’t at least halfway finished too.  So it can be done.  Even by sane people.

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Nudist Bookery

Many of my stories feature naked people due to my many encounters with nudism and naturism. Here are some of my books popular with the nude and proud set.

This book is about an old woman who is a storyteller and maker of magical gingerbread cookies. She is a Holocaust survivor, possibly also a witch, and once upon a time… a nudist.
This is a comedy horror story about a boy with a genetic condition that makes him look like a werewolf, another boy who wants to be his friend no matter how dangerous it is to be that, and a girl who is a nudist and wants all of her friends to be nudists and enjoy that too. Oh, and there is a strong possibility that the story contains a real werewolf as well.
This is a science fiction book about traveling through time… though not with a time machine… but rather, by being immortal. Young Icarus Jones is immortal. The girl who pursues him may also be immortal… because she claims to be a red dragon. And the Chinese wizard following both of them is even worse. He’s not immortal. He’s undead. And there is at least one nudist in this story too.
This boy is an outsider. Somebody who longs to be a part of the closely-knit group of kids in a small Iowa farm town where he is the only new kid. He tries to fit in. But he finds he has to learn how to be a superhero the hard way, new friend by new friend. And he may even end up having to become a nudist to accomplish it.

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Where Do Ideas Come From?

When you make the mistake of admitting to others that you are a writer, they immediately assume you know things that are kept secret from “normal” people. For instance, they will simply assume that you can tell them where you get your ideas for writing. Well, I am fairly sure that I got the idea for this post from watching a YouTube video in which the Master, Neil Gaiman, says that every author has a joke answer for that one with enough sarcastic wit in it to punish the asker with public humiliation.

I asked the dog if she knew any jokes like that which I could use to prepare for someone asking me that question in public. She said, “You could tell them that your family dog tells you what to write every day.”

“No,” I said, “people would never believe it.”

“Well, it is supposed to be a joke. But you are right. No one would ever think you were actually smart enough to write down what a dog tells you.”

“Yes, it’s a good thing for me that you know how to speak in English. I could never translate and transcribe Barkinese.”

So, I began thinking of where some of my best ideas came from.

Dreams

Some of my stories come directly from dreams that I had. The nightmare about being chased down a street in Rowan at midnight by a large black dog with red eyes was an actual dream I had in the 1970s. So was the nightmare of the werewolf climbing out of the TV during a late-night viewing of Lon Chaney in The Wolfman.

Those two dreams together were the start of the story that became my recently published novel, The Baby Werewolf. Both dreams visit the protagonist in the story I wrote almost as if they were his dreams and not actually mine.

Events

Snow Babies, the best novel I have ever written, was based on two different blizzards I experienced, first as a child in the 1960’s, and then again as a high school kid in the 1970s. Each blizzard involved being snowed in for a week at someone else’s house. As a child, I was stuck at Grandpa’s farm place until the snow plows could finally do their work and open the gravel roads. As a teen, I was stuck in Great Grandma’s retirement apartment near the high school in Belmond.

That novel also is based on the next source of ideas;

Characters

I can’t think of any story I have written that isn’t based on real people I have known in one way or another. Valerie in the novel above is based on three different girls I have known or taught. One of those three is my own daughter. The four orphans on the bus in that story are all boys from my junior high classes in the 1980s.

Lucky Catbird Sandman, the hobo who wears the quilted coat of many colors, is based on the poet Walt Whitman, whom I knew well in a past life, and my own shiftless, storyteller self. Some characters are just so key to a story idea that they themselves are the reason for a book to exist.

In conclusion, the dog doesn’t really know what she’s talking about. None of these things are really where I get my ideas. But I am out of time. I will have to write about the bottle imp another day. No, really. A magical imp trapped in a bottle. You can make one of those give you ideas for novels with only a slight risk to your life and soul.

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