Who am I?
Why do I do the things that I do?
No man is an island. John Donne the English poet stated that. And Ernest Hemingway quoted it… and wove it into his stories as a major theme… and proceeded to try to disprove it. We need other people. I married an island girl from the island of Luzon in the Philippines. She may have actually needed me too, though she will never admit it.
When I was a young junior high school teacher in the early eighties, they called me Mr. Gilligan. My classroom was known as Gilligan’s Island. This came about because a goofball student in the very first class on the very first day said, “You look like Gilligan’s Island!” By which he meant I reminded him of Bob Denver, the actor that played Gilligan. But as he said it, he was actually accusing me of being an island. And no man is an island. Thank you, Fabian, you were sorta dumb, but I loved you for it.
You see, being Gilligan on Gilligan’s Island was not a bad thing to be. It was who I was as a teacher. Nerdy, awkward, telling stories about when I was young, and my doofy friends like Skinny Mulligan. Being a teacher gave me an identity. And Gilligan was stranded on the Island with two beautiful single women, Mary Ann and Ginger. Not a bad thing to be. And I loved teaching and telling stories to kids who would later be the doofy students in new stories.
But we go through life searching for who we are and why we are here. Now that I am retired, and no longer a teacher… who am I now? We never really find the answer. Answers change over time. And so do I.
During my middle-school teaching years I also bought and read copies of The Prince and the Pauper, Roughing It, and Life on the Mississippi. I would later use a selection from Roughing It as part of a thematic unit on Mark Twain where I used Will Vinton’s glorious claymation movie, The Adventures of Mark Twain as a way to painlessly introduce my kids to the notion that Mark Twain was funny and complex and wise.
Catch a Falling Star 
The Art of Being Mickey
I have published my eighth novel in the last six years. (This is, of course, a re-post of an old essay.) Sure, it is through mostly self-publishing of novels that no one but me has ever read. Catch a Falling Star and Snow Babies both had a professional editor, one who had worked for Harcourt and one who worked for PDMI. Magical Miss Morgan has had a proofreader who made numerous stupid mistake errors that I had to change back to the original meticulously by hand. But all three of those novels won an award or were finalists in a young adult novel contest. I do have reason to believe I am a competent writer and better even than some who have achieved commercial success.
But what is the real reason that I am so intent on producing the maximum amount of creative work possible in this decade? Well, to be coldly objective, I am a diabetic who cannot currently afford insulin. I have been betrayed by the for-profit healthcare system that treats me as a source of unending profit. I am like a laying hen in the chicken house, giving my eggs of effort away to a farmer who means to eat my very children if time and circumstance allows. I am the victim of six incurable diseases and conditions that I got most likely as a result of exposure to toxic farm chemicals in the early 70’s. I am also a cancer survivor from a malignant melanoma in 1983, and for three years now I have not been able to get the preventative cancer tests I am supposed to be receiving every year for the rest of my life. My prostate could very well be cancerous as I write this. If that is so, it will kill me unawares, because I don’t even want to know about having a disease I can’t possibly afford to fight all over again.’
So, the basic reason I am going through the most productive and creative period of my entire life is because I have a great rage to create before I die and I could be dying as soon as tonight. All of the countless stories in my head clamoring to be written down before it is too late cry out to me desperately for my immediate attention.
I will, then, continue to write stories and draw cartoons and other Paffoonies for as long as I am still able, and possibly even afterward. I have, after all, threatened repeatedly to become a ghostwriter after I die. And, yes, I understand when you scream at my essay that that is not what a ghostwriter is. But if a woman can channel the ghost of Franz Schubert and finish his unfinished symphony…(https://en.wikipedia.org/wiki/Rosemary_Brown_(spiritualist))
—then I should also be able to tell my stories from beyond the grave. I have been percolating them in my head and writing and drawing them in whole or in part since 1974. I have too much time and too many daydreams wrapped up in them to let it all just evaporate into the ether. In summation, I am claiming stupidly that my novels, crack-brained and wacky as they are, are somehow destined to exist, either because of me or in spite of me. So just be happy that I write what I write, for there is an art to being Mickey, and I am the one artist and writer who is the best Mickey possible if truly there ever was a real Mickey.
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