How To Write A Mickian Essay

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I know the last thing you would ever consider doing is to take up writing essays like these.  What kind of a moronic bingo-boingo clown wants to take everything he or she knows, put it in a high-speed blender and turn it all into idea milkshakes?

But I was a writing teacher for many years.  And now, being retired and having no students to yell at when my blood pressure gets high, the urge to teach it again is overwhelming.

So, here goes…

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Once you have picked the silly, pointless, or semi-obnoxious idea you want to shape the essay around, you have to write a lead.  A lead is the attention-grabbing device or booby-trap for readers that will draw them into your essay.  In a Mickian essay, whose purpose is to entertain, or possibly bore you in a mildly amusing manner, or cause you enough brain damage to make you want to send me money (this last possibility never seems to work, but I thought I’d throw it in there just in case), the lead is usually a  “surpriser”, something so amazingly dumb or off-the-wall crazy that you just have to read, at least a little bit, to find out if this writer is really that insane or what.  The rest of the intro paragraph that is not part of the lead may be used to draw things together to suggest the essay is not simply a chaotic mass of silly words in random order.  It can point the reader down the jungle path that he or she can take to come out of the other end of the essay alive.

Once started on this insane quest to build an essay that will strangle the senses and mix up the mind of the reader, you have to carry out the plan in three or four body paragraphs.  This is where you have to use those bricks of brainiac bull-puckie that you have saved up to be the concrete details in the framework of the main rooms of the little idea-house you are constructing.  If you were to number or label these main rooms, this one you are reading now would, for example, be Room #2, or B, or “the second body paragraph”.  And as you read this paragraph, you should be thinking in the voice of your favorite English teacher of all time.  The three main rooms in this example idea house are beginning, middle, and end.  You could also call them introduction, body, and conclusion.  These are the rooms of your idea house that the reader will live in during his or her brief stay (assuming they don’t run out of the house screaming after seeing the clutter in the entryway).

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The last thing you have to do is the concluding paragraph.  (Of course, you have to realize that we are not actually there yet in this essay.  This is Room C in the smelly chickenhouse of this essay, the third body paragraph.)  The escape hatch on the essay that may potentially explode into fireworks of thoughts, daydreams, or plans for something better to do with your life than a read an essay written by an insane former middle school English teacher at any moment, is a necessary part of the whole process.  This is where you have to remind them of what the essay is basically about, and leave them with the thought that you want to haunt them in their nightmares later.  The last thing that you say in the essay is the thing they are the most likely to remember.  So you need to save the best for last.

So, here, finally, is the exit door to this masterfully mixed-up Mickian Essay.  It is a simple, and straightforward structure.  The introduction containing the lead is followed by three or four body paragraphs that develop the idea and end in a conclusion that summarizes or simply restates the overall main idea.  And now you know why all of my former students either know how to construct an essay, or have several years left in therapy sessions with a psychiatrist.

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Edwin Arlington Robinson, the Sardonic Poet

Born in Maine a boy, when his parents wanted a girl,

They took a full six months before they gave his name a whirl,

And they drew Edwin from a hat drawn by a man from Arlington Maine

And the remainder of his life, “Edwin Arlington Robinson,” gave the poor boy a pain.

And as he grew into a man of letters, he wrote some fine poems at school,

But the woman he most loved in life married his brother, a fool.

And so, he showed a pessimist, in poetry ever mocking and darkly cruel.

And Pulitzers he won three times, the man could write a jewel.

To write such poems as Robinson’s, you must learn what “sardonic” means,

And suffer a lot in crisply-writ verse that tastes mostly like baked beans.

……………………………..

Okay, I know this evil Mickey poem does not do E.A. Robinson justice. He was a fine master of verse-craft. It has been said (by an Iowa State American Literature professor, so I know it must be true) that Robinson, when asked what he did one day, said, “I studied my poem all day, and then added a comma.”

Surprised by the answer, the questioner then asked what he did the next day. ”I studied the poem all day again, and took the comma out.”

Recently I read his book of poetry called The Children of the Night. It is a fine book of sardonic poems (here meaning; poems that are mocking, pessimistic, and cynical… in case you didn’t look up “sardonic.”) He often writes in this book poems about Thomas Hardy and the poems written by Matthew Arnold and other dusty old writers of the late and early 20th centuries. So, I have given old E.A. the same honor in Mickey’s book of poems as he gave them.

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Exploring the Mind of Mickey

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One really weird thing that teachers do is think about thinking.  I mean, how can a person actually teach someone else how to think and how to learn if they don’t themselves understand the underlying processes?  Now that I have retired from teaching and spend all my time feeling sorry for myself, I thought I would try thinking about thinking one more time at least.  Hey, just because I am retired, it doesn’t mean I can’t still do some of the weird things I used to do as a teacher, right?

This time I made a map to aid me in my quest to follow the twists and turns of how Mickey thinks and how Mickey learns.  Don’t worry, though.  I didn’t actually cut Mickey’s head in half to be able to make this map.  I used the magical tool of imagination.  Some folks might call it story-telling… or bald-face lying.

Now, a brain surgeon would be concerned that my brain maps out in boxes.  He would identify it as a seriously deformed brain.  It is not supposed to be all rectangular spaces and stairs.  It probably indicates a severe medical need for corrective surgery… or possibly complete amputation.  But we are not going to concern ourselves with trying to save Mickey from himself right now.  That is far too complex a topic to tackle in a 500-word daily post.  We are just discussing the basics of operation.

You see the three little guys in the control room?  They are an indication that not only did I steal an idea from the Disney/Pixar Movie Inside Out, but I apparently have too few guys doing the job up there compared to the movie version.  (It probably makes sense though that a young girl like the one in the movie has a much more sensible configuration in her brain than someone who was a middle school teacher for 24 years.  Seriously, that job can do a bit of damage.)  The three little guys are not actually Moe, Curly, and Larry, though that wouldn’t be far from descriptive accuracy.  They are Impulsive Ignatz, currently in the driver’s seat (or else I wouldn’t be writing this), Proper Percy the Planner, and Pompositous Felixian Checkerbob, the fact-checker and perfectionist (also labeled the inner nerd… I am told not everyone has one of these).  They are the three little guys that run around in frantic circles in my head trying to deal with a constant flow of input and output, trying to make sense of everything, and routinely failing miserably.

I shouldn’t forget the other two little guys in my head, Sleepytime Tim in the Dream Center, and little Batty up in the attic.  I have no earthly idea how either of them function, or what in the heck they are supposed to do.  But there they are.  The other three run up and down stairs all day, locating magic mushrooms and random knowledge in the many file cabinets, record collections, book stacks, and odd greasy containers that are stored all around in the many nooks and crannies of Mickey’s mind.  They collect stuff through the eyes and ears, and it is also their responsibility to chuck things out through the stupidity broadcaster at various inopportune times.  It is also a good idea for them to avoid the lizard brain of the limbic system in the basement.  It is easily angered and might eat them.

So now you should be able to fully understand how Mickey thinks.  (Or not… a qualifier I was forced to put in by Checkerbob.)

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The Uncritical Critic Watches Another Quirky Movie

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Yesterday was a weird day.  If you looked carefully at the mental map I made of Mickey’s head the other day, you realize that Uncle Slappy’s Big Box of Weirdness occupies a key position in the top center.  I had a traffic accident in the parking lot of Long Middle School yesterday morning, banging bumpers with a lady named Vilma.  The sun was in my eyes, and she started to go, then suddenly stopped for no reason I could see.  No damage was done to anything but my pride.  My wife put her parents, Tatang and Inang, on an airplane yesterday bound for the Philippine Islands, going home for a visit.  Afterwards, my wife was feeling mortal, betting me that she was going to die before me even though I have the head start of six incurable diseases and surviving cancer once already.  There are no symptoms for her impending heart attack, so I will probably win that bet.  But the point is, it was a weird time yesterday to stumble weirdly over a weird and wacky movie on Netflix called Moonrise Kingdom.  It is a Romeo and Juliet sort of story about two twelve-year-olds who fall in love at first sight, and though their families try to keep them apart, they end up together.  Thankfully it is not a Shakespearian Tragedy where everybody dies at the end, though Sam is struck by lightning and the big storm nearly drowns all the boy scouts.  It is more like a Shakespearian Comedy where everybody gets married at the end, though the twelve-year-olds don’t get married at the end… rather, they are married by the middle.

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Wes Anderson is the genius director behind movies like;

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None of which I have seen, but now have to watch ALL of them sooner or later.  Kinda like the mad quest to see every Tim Burton movie ever made.  I am one of the few idiots out there who think Dark Shadows was a truly wonderful movie, and along with Edward Scissor-hands, one of the finest things Johnny Depp has ever done.

In Moonrise Kingdom Anderson uses tracking shots at the beginning that shift quickly from one room to the next in a way that invokes an old-time slide show.  The story is set in 1965 in Maine, and is filled with all kinds of iconic references to things we 60’s kids all vividly recall.

The movie also tells the love story of Sam and Suzy with a painter’s sense of iconic pictures that focus you on important plot points and themes.

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And there are numerous quotable bits that make the movie what we teachers refer to as a text-rich environment, complete with phony kids’ books and maps and notes.

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The all-star cast is pretty good, too.

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This is now one of my new favorite movies.  It is a happy-ending-type fairy tale with no fairies in it.  It is full of ineffectual and incompetent adults who have rules of behavior like grown-ups and motivations like goofy kids… just like real life.  The plot is driven by the notion that anything you do in life is a mistake, and mistakes have consequences, but you have to do them anyway because, well… that’s life.

Am I telling you that you should watch this movie too?  Well, you should… but, no.  I am simply gushing about this quirky movie because I like it, and yesterday was a very weird day.

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Filed under goofiness, humor, movie review, strange and wonderful ideas about life, surrealism

At the Beach in My Imagination

It is cold and wet here in Texas. It makes me go somewhere else in my mind. I choose a beach in the cooler parts of Summer. A nude beach like the UFO Beach at South Padre Island.

It is interesting with digital art tools how you can make more than one picture with the various layers you create to make a digital artwork.

While it is a nude beach in my imagination, I really like this swimsuit I created… and it is an underaged girl I am drawing. You can never be too careful.

The crying boy who was the goal of my many-layered picture is crying because the story I wrote today breaks my heart to tell. It was not only at the nude beach but was about families who lost a family member in a school shooting. The incident in the story is fictional, but the story was inspired by the Uvalde tragedy. I have to cry one more time. Sorry about that.

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Krazy Kat

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I told you before about a cartoonist from ancient ‘Toon Times” named Fontaine Fox.  He was a master, and I acknowledge him as one of my greatest inspirations.  But he was not the original master mentor for my teenage ‘Toon Training”.  That honor goes to the inestimable George Herriman.  He was the Krazy Kartoonist who died more than a decade before I was born, yet, through his Kreation, Krazy Kat, did more to warp my artistic bent into Krazy Kartooniana Mania than anybody else.  I discovered him first.  I found him through Komic books and the Kard Katalog at the local library.  I own a copy of the book I pictured first in this post.  It is the first Kartoon book I ever bought.  I couldn’t post a picture of my actual book here because I have read it so often in the past forty years that the Kover has Kome off.  It is now more of folder of loose pages than a book.

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Krazy Kat is a newspaper Komic strip that ran all around the world from 1913 to 1944.  Comics Journal would rate Krazy Kat as the greatest work of Komic art of the 20th Century.  Art critics hailed it as serious art, and it fits snugly into the surrealist movement of Salvador Dali and others.  It has been cited as a major influence on the work of other artists such as Will Eisner, Charles M. Schulz, Robert Crumb, Art Spiegelman, Bill Watterson, and Chris Ware.

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The centerpiece of the strip is a love triangle.  Krazy Kat the Kharacter is a feline who may be female or may be male but is definitely deeply in love with Ignatz Mouse.  The Krazed rodent hopped up on seriously stinky fromage (cheese to us non-French speakers), is Konstantly throwing bricks at Krazy’s head… obviously out of serious disdain, however, Krazy sees it as a confession of love.  Offisa Pup, the police watchdog, wants to jail the malevolent mouse for battery and protect the precious Kat, whom he obviously loves with an unrequited love.  Explanations are superfluous in the weird world of Krazy Kat.  How can I explain the charm, the humor, the good-natured violence of a strip such as this?  There are echoes of it in Tom and Jerry animated cartoons, but nothing like it really exists anywhere else.  Krazy has her own unique language, a language that you naturally learn to interpret as you read the strip.  Ignatz exhibits psychotic frustrations that he takes out on the world around him in our name, that we might experience hubris at his expense.  And what’s with that mysterious sack of “Tiger Tea” that Krazy carries about and keeps a Klosely guarded “sekrit”?

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I honestly hope you will give Krazy Kat a thorough “look-see”.  Because if you like Kartoons at all… and it doesn’t have to be the Krazy Kooky love of a seriously overdosed addict like me… you will fall desperately in love with this one.   It is a world of its own, a superbly superfluous abstract anachronism.  It is a surrealist’s dream of fun with puns and tons of buns… or something like that.  Simply put… read it and don’t like it… I dare you!

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The Barbie Shelf

Goofy-guy doll collector, me, will now give you a grand tour of the Barbie Shelf.  This is a place in my home that was originally created by the previous owners of the house.  It was a place in the upstairs play room apparently meant for the things that needed to be kept out of little girls’ reach.  Maybe pampers and baby wipes.  Cleaning supplies.  And possibly toys that were not to be broken immediately and had to be regulated.  I don’t know why else you would grace a playroom with a shelf up near the ceiling and above the only door into the room.  It was, however, perfect for the plastic people who were destined to take it over as their own.

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It begins above the bedroom door.  My wife has a thing about keeping her dolls mint in box.  She has more of an eye to their value as collectible investments.  The fashion Barbie nestled above the door in her box is a recreation of a 1962 doll that was reissued in 1999.  You can also see the Teacher Barbie that the Princess once de-boxed and played with.  And there you can also see the start of the Wizard of Oz collection.  There are little munchkin dolls and the Ken doll dressed as the Cowardly Lion in the picture.

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In front of Dorothy and Glinda from Oz, you see some of the recycled Goodwill Barbies that I bought naked and abandoned, cleaned and dressed, washed and tried to brush out their hair.  One of them had some marker on her face that had to be soaked off with secret sauce to restore a more human look.  The one in the middle is a 1980’s Asian Barbie.  There is also a Cowgirl Barbie wearing an extra gun belt from a CA Lone Ranger set.

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The kids are protected by Eustace the purple pottery dragon who was fired in my mother’s kiln during the height of her doll-making hobby and painted by me.  The kids here include a tiny Tommy doll, three Skippers from the early 70’s, and Hermione from Harry Potter and the Sorcerer’s Stone.  You can see the Scarecrow and the Tin Man in the back, and there’s also Goodwill Barbie that for some odd reason has purple hair.

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Ricky (a 1960’s boy toy for Skipper) sits with Ashley Olsen between more recycled Goodwill Barbies.  1980’s Skipper is trying to push poor roller-skate Barbie off the shelf.

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My newest My Little Pony in mutant almost human form, Rainbow Dash the Equestria girl, is the blue doll in the middle here.  Mary-Kate Olsen can be seen in the Blue dress.  All you can see of Britney Spears here are her legs and feet, probably a safety feature of this tour.  The topless ballerina Barbie is wearing a jacket, but I could not close it on her extra large Barbie mammaries.  Princess Jasmine, my daughter’s somewhat beat-up favorite begins Disney Princess Row.

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Li Shang is still mint in box, but Mulan isn’t even on the shelf any more.  Some of Mom’s dolls got played with by the Princess.  Mulan lost her hair.  There is one American Girl doll here, bought at a yard sale for 25 cents, but I found a dress to fit her at Walmart in a sale bin.  Unfortunately I can’t name her correctly yet and she is barefoot like most of the Goodwill dolls.

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Almost to the end of the shelf, you can now see Apple Jack and Twilight Sparkle, my other two mutant pony girls, discovered at an After-Christmas Sale at Toys-R-Us.  They are standing on Grandma Beyer’s home bingo set from the 1930’s, and Disney Princesses are lined up behind them.

20150112_145808At the tail end of the shelf you will see Twilight Sparkle again to take the focus off poor 1980’s nudist Skipper (I robbed her of her clothes for one of the older, more rare Skippers that are worth a bit more to collectors).  Seated between is Asian Rock n Roll Barbie (Leah actually).  You may have noticed I am careful not to over-identify any of the members of the collection.  I got taken to task on E-Bay about descriptions of which Barbie was which once.  There are people out there much more rabid about doll collecting than I.  The difference between a 1980’s Butterfly Tattoo Barbie and an Anniversary Edition Malibu Barbie can get you challenged to a duel… with rapiers… in France.  I had to talk him into balloons and blunderbusses (an idea borrowed from Those Magnificent Men in their Flying Machines), and I lost.  I had to settle for the price offered even though my own research suggested I was not wrong.  (Well, okay, maybe I didn’t really go through with the duel thing, but the argument was just as intense and just as silly as that.)

So that is my long-winded essay on the essentials of the Barbie Shelf.  I will be looking at it a lot for the next few years since it is in the room I am using as my bedroom.  (Not in perfect health, I needed a room that I could completely seal up at night in order to breathe better.)  I really didn’t think I could pull off 500 words about this one goofy shelf in the house, but I now realize that I have nearly reached 900.

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Digital Depictions of Cute Mini-Divas

There are a number of young, little dancing girls on Instagram and TikTok. And I have been daily practicing my digital art skills as I try to draw as much as possible before my arthritis takes my ability to draw away from me. What better thing to draw?

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Dippy Dogs Must Die! (a Talking-Animal Short Story)

Pepe n Skaggs

My name is Skaggs.  I am a cat.  It is as simple as that.  I have to tell you, life is not very fair to cats.  In my last life I was an alley cat.  I lived on rats that bred and thrived under the water tower in the alley behind the small-town post office.    I was basically happy.  You have heard the old expression, “happy as a cat”, right?  I could kill and eat any rat I wanted at any time, no matter how big of a Mickey he thought he was.  I was good at ripping out rat guts and breaking mouse spines.  I was the baddest cat in the whole damn town.

But I had to share my alley with a dog.  That Barky Bill was an insane killer canine that the owner of the local restaurant and bar kept chained behind his Main Street building to keep the rats away from the restaurant garbage.   I hated that dog with a hate as great as a vampire has for the sun.   (What’s that you say?  You didn’t know that cats knew about vampires?  Silly human, how little you know about the things that should truly scare you in the world.  Cats, vampires, and Barky Bill are far more complicated issues in the world than you realize.)  Anyway, needless to say, I teased that dog on a heavy chain leash for the better part of three years when one day, to my utter horror, I discovered he was loose at the same time that I was totally focused on catching and eating a beautiful gold-colored squirrel.  I was so sure that the squirrel would be the finest thing that any cat had ever eaten, that I didn’t even notice, mainly because I had that squirrel right between my paws, toying with it before devouring it, that the dog was pouncing.  Barky Bill bit clean through my neck.  It was so shocking that even as I was being transported to life number seven, my severed head watched in confusion and fright as that ugly, smelly dog ate my finely tuned rat-catching body.

So, having been a bad, bad Leroy Brown sort of cat, I was sentenced to a next life with a crazy cat lady.   Miss Velma Proddy owned at least fifty cats.  I was reborn in an underwear drawer in her back bedroom, the one she kept for the company that she never had.   My mother was the cat called Pinkie, even though she was a milk-white cat.    My father was Proddy’s favorite, a tomcat called Tom Selleck.    He would’ve killed and eaten me soon after I was born because my mother was not a very dominant fighter and alpha cats like Tom could always sense when a cat filled with pure evil is born.   But Proddy was having none of that.  She rounded up all the kittens and raised them in a blanket box in the corner of the kitchen near the stove.  I owe that woman everything, which is why I don’t understand why she had to go and buy Pepe.

Pepe is more of a malnourished rat than a dog.   Like a lot of Chihuahuas he trembles a lot, and he blinks at you with those big round eyes of his.   Proddy thinks that everything he does is so cute.  She carries him around like a prize possession or a human baby or something.  In my past life I was a white cat like my mother.  (Everyone knows that when a cowboy wears a white hat, it means he’s a good guy, but when a cat has white fur, it means that it is evil.)  In this, my seventh incarnation, owing to the fact that my father was a gray tiger cat, I was a sort of white cat with gray tiger stripes.  It meant I thought like a tiger.  Pepe looked like a rat to me.  Pepe was prey.  Pepe was meat.  I was going to eat him.

“You tell this story so scary, Señor Skaggs,” says Pepe, “you make me so afraid!”

“Shut up, stupid dog.  I’m telling this.  And you are not afraid.  Remember what happened that time I tried  to drown you in the toilet?”

“Si.  I remember well.  That time with the super-fancy drinking bowl.”

“I saw you trying to hold on to the plastic toilet seat and dip your tiny little tongue into the water that was too far below you to reach.  Only your hind legs and stupid little tail were even visible.”

“Si!  And you jumped up to smack me on my cute little behind and push me in.  I remember.”

“But I was surprised that such a little dog could react so fast and leap so far.”

“Si, Señor.  I jumped right on that handle and flushed it.”

“Just as I fell into the water.  That would’ve been the start of number eight if Proddy hadn’t come along right then.”.

“Oh, you make me laugh so hard, Señor.  And she was so mad at you for playing with the toilet!”

“And you remember the time I almost got you with that pot of boiling water and hard-boiled eggs?”

“Si, Señor.  You got up on the kitchen counter right next to the stove.  I was sitting on the floor in front of the stove sniffing up all the smell of the bacon.  You tried to push the pot off the stove.”

“I still haven’t figured out how you planned it.  The bald spots I have all around my front paws are still there from my fur catching on fire.  You must’ve been sitting in the precise spot on the floor where I couldn’t knock the pot down on you without passing my paws through the flames.”

“You owe that one to Señora Proddy too.  She had that fire extinguisher next to the stove.  That saved you from being cooked cat-burgers.  And you looked so funny when she almost drowned you in that white foamy stuff.  Oh, you make me laugh so hard Señor.”

Well, I am guessing that I made my point by now.  This little underfed rat of a dog is more evil than I am!  The harder I try to kill and eat him, the more I suffer for it.  And I still don’t know how he does it!  He makes my life miserable.  He needs to die.

“Oh, you make me laugh so hard, Señor!”

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Filed under humor, Paffooney, short story

Living a Naked Life

I was born in a blizzard many years ago,

A fact that does not make a nudist, you know,

But I wasn’t born with clothes on, a fact that is clear,

So, the fight of my life has been a thing that I fear.

For when you are naked and wearing no clothes,

The world can attack you, to danger exposed.

No armor gives you safety or turns away stabs.

And nothing protects you from wicked Life’s jabs.

The world can now see you with its angry-eyed glare,

And no secrets will keep you from judgments unfair.

I was born in a blizzard and now I am old

But now when I’m naked I’m not immune to the cold.

But I have seen people who love to be naked,

And smiles on bare faces are never quite faked.

They face life and nature without any clothes

And even are claiming they feel not exposed.

And I would live that way without any fears,

And I have missed out on many nude years,

Hiding and abiding in closets with tears,

Is not who I will be as the Grim Reaper nears.

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