
My name is Skaggs. I am a cat. It is as simple as that. I have to tell you, life is not very fair to cats. In my last life I was an alley cat. I lived on rats that bred and thrived under the water tower in the alley behind the small-town post office. I was basically happy. You have heard the old expression, “happy as a cat”, right? I could kill and eat any rat I wanted at any time, no matter how big of a Mickey he thought he was. I was good at ripping out rat guts and breaking mouse spines. I was the baddest cat in the whole damn town.
But I had to share my alley with a dog. That Barky Bill was an insane killer canine that the owner of the local restaurant and bar kept chained behind his Main Street building to keep the rats away from the restaurant garbage. I hated that dog with a hate as great as a vampire has for the sun. (What’s that you say? You didn’t know that cats knew about vampires? Silly human, how little you know about the things that should truly scare you in the world. Cats, vampires, and Barky Bill are far more complicated issues in the world than you realize.) Anyway, needless to say, I teased that dog on a heavy chain leash for the better part of three years when one day, to my utter horror, I discovered he was loose at the same time that I was totally focused on catching and eating a beautiful gold-colored squirrel. I was so sure that the squirrel would be the finest thing that any cat had ever eaten, that I didn’t even notice, mainly because I had that squirrel right between my paws, toying with it before devouring it, that the dog was pouncing. Barky Bill bit clean through my neck. It was so shocking that even as I was being transported to life number seven, my severed head watched in confusion and fright as that ugly, smelly dog ate my finely tuned rat-catching body.
So, having been a bad, bad Leroy Brown sort of cat, I was sentenced to a next life with a crazy cat lady. Miss Velma Proddy owned at least fifty cats. I was reborn in an underwear drawer in her back bedroom, the one she kept for the company that she never had. My mother was the cat called Pinkie, even though she was a milk-white cat. My father was Proddy’s favorite, a tomcat called Tom Selleck. He would’ve killed and eaten me soon after I was born because my mother was not a very dominant fighter and alpha cats like Tom could always sense when a cat filled with pure evil is born. But Proddy was having none of that. She rounded up all the kittens and raised them in a blanket box in the corner of the kitchen near the stove. I owe that woman everything, which is why I don’t understand why she had to go and buy Pepe.
Pepe is more of a malnourished rat than a dog. Like a lot of Chihuahuas he trembles a lot, and he blinks at you with those big round eyes of his. Proddy thinks that everything he does is so cute. She carries him around like a prize possession or a human baby or something. In my past life I was a white cat like my mother. (Everyone knows that when a cowboy wears a white hat, it means he’s a good guy, but when a cat has white fur, it means that it is evil.) In this, my seventh incarnation, owing to the fact that my father was a gray tiger cat, I was a sort of white cat with gray tiger stripes. It meant I thought like a tiger. Pepe looked like a rat to me. Pepe was prey. Pepe was meat. I was going to eat him.
“You tell this story so scary, Señor Skaggs,” says Pepe, “you make me so afraid!”
“Shut up, stupid dog. I’m telling this. And you are not afraid. Remember what happened that time I tried to drown you in the toilet?”
“Si. I remember well. That time with the super-fancy drinking bowl.”
“I saw you trying to hold on to the plastic toilet seat and dip your tiny little tongue into the water that was too far below you to reach. Only your hind legs and stupid little tail were even visible.”
“Si! And you jumped up to smack me on my cute little behind and push me in. I remember.”
“But I was surprised that such a little dog could react so fast and leap so far.”
“Si, Señor. I jumped right on that handle and flushed it.”
“Just as I fell into the water. That would’ve been the start of number eight if Proddy hadn’t come along right then.”.
“Oh, you make me laugh so hard, Señor. And she was so mad at you for playing with the toilet!”
“And you remember the time I almost got you with that pot of boiling water and hard-boiled eggs?”
“Si, Señor. You got up on the kitchen counter right next to the stove. I was sitting on the floor in front of the stove sniffing up all the smell of the bacon. You tried to push the pot off the stove.”
“I still haven’t figured out how you planned it. The bald spots I have all around my front paws are still there from my fur catching on fire. You must’ve been sitting in the precise spot on the floor where I couldn’t knock the pot down on you without passing my paws through the flames.”
“You owe that one to Señora Proddy too. She had that fire extinguisher next to the stove. That saved you from being cooked cat-burgers. And you looked so funny when she almost drowned you in that white foamy stuff. Oh, you make me laugh so hard Señor.”
Well, I am guessing that I made my point by now. This little underfed rat of a dog is more evil than I am! The harder I try to kill and eat him, the more I suffer for it. And I still don’t know how he does it! He makes my life miserable. He needs to die.
“Oh, you make me laugh so hard, Señor!”
How To Write A Mickian Essay
I know the last thing you would ever consider doing is to take up writing essays like these. What kind of a moronic bingo-boingo clown wants to take everything he or she knows, put it in a high-speed blender and turn it all into idea milkshakes?
But I was a writing teacher for many years. And now, being retired and having no students to yell at when my blood pressure gets high, the urge to teach it again is overwhelming.
So, here goes…
Once you have picked the silly, pointless, or semi-obnoxious idea you want to shape the essay around, you have to write a lead. A lead is the attention-grabbing device or booby-trap for readers that will draw them into your essay. In a Mickian essay, whose purpose is to entertain, or possibly bore you in a mildly amusing manner, or cause you enough brain damage to make you want to send me money (this last possibility never seems to work, but I thought I’d throw it in there just in case), the lead is usually a “surpriser”, something so amazingly dumb or off-the-wall crazy that you just have to read, at least a little bit, to find out if this writer is really that insane or what. The rest of the intro paragraph that is not part of the lead may be used to draw things together to suggest the essay is not simply a chaotic mass of silly words in random order. It can point the reader down the jungle path that he or she can take to come out of the other end of the essay alive.
Once started on this insane quest to build an essay that will strangle the senses and mix up the mind of the reader, you have to carry out the plan in three or four body paragraphs. This is where you have to use those bricks of brainiac bull-puckie that you have saved up to be the concrete details in the framework of the main rooms of the little idea-house you are constructing. If you were to number or label these main rooms, this one you are reading now would, for example, be Room #2, or B, or “the second body paragraph”. And as you read this paragraph, you should be thinking in the voice of your favorite English teacher of all time. The three main rooms in this example idea house are beginning, middle, and end. You could also call them introduction, body, and conclusion. These are the rooms of your idea house that the reader will live in during his or her brief stay (assuming they don’t run out of the house screaming after seeing the clutter in the entryway).
The last thing you have to do is the concluding paragraph. (Of course, you have to realize that we are not actually there yet in this essay. This is Room C in the smelly chickenhouse of this essay, the third body paragraph.) The escape hatch on the essay that may potentially explode into fireworks of thoughts, daydreams, or plans for something better to do with your life than a read an essay written by an insane former middle school English teacher at any moment, is a necessary part of the whole process. This is where you have to remind them of what the essay is basically about, and leave them with the thought that you want to haunt them in their nightmares later. The last thing that you say in the essay is the thing they are the most likely to remember. So you need to save the best for last.
So, here, finally, is the exit door to this masterfully mixed-up Mickian Essay. It is a simple, and straightforward structure. The introduction containing the lead is followed by three or four body paragraphs that develop the idea and end in a conclusion that summarizes or simply restates the overall main idea. And now you know why all of my former students either know how to construct an essay, or have several years left in therapy sessions with a psychiatrist.
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