Leftovers in January

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You reach a point after a hard month has lingered long where you have to eat the leftovers and accept what is.  I face challenges in the new year at least as large as the challenges of 2017.  When faced with such a situation, I need pie.

So here are some of the things left in my January file for use in this blog.  The only reason they are here is because I haven’t used them yet and the ideas have not been knitted together for any rational purpose.

This will be a crazy quilt blog post.  But crazy quilts keep you just as warm in winter as any other kind.

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My newest Facebook friend is the daughter of my wife’s cousin.   I have only known her as the sweet-faced little smiler at Filipino-American family gatherings who sometimes gets my attention by squirting me in the ear with a water gun.  Her father is from Greece and teaches Math in San Antonio.  Her mother, like my wife, is from the Philippines.  I won’t tell you her real name, but we used to call her “Sweetie” because she resembled the little pink Tweety-bird character from Tiny Toons Adventures.

I have also spent considerable time writing to and for nudists I have connected with through their various websites and on Twitter.  These two lovely works of nude art were shared with me on Twitter.  I have collected a number of nude pictures from Twitter nudists that I can’t use on WordPress because I am still entirely too modest to be the unrestrained naked person that some nudists are.  I can’t really claim to be a complete nudist myself.  But I do have stories to tell about naked people, and I have been working on them diligently.

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Of course, I still miss being a teacher.  I was a teacher of English for 31 years.  I taught reading and writing in English to over 2,000 kids.  I also learned how to stare in Klingon.  It is a useful skill for keeping students in line and keeping them from becoming a disappointment to the empire.  I miss teaching kids, especially talkative kids.  Far fewer people talk to me during a day of retirement than used to talk to me in a single class at school.  Those interactions were precious.

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And several things are just too confusing for my old brain to explain.

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But I do like this picture I found on Facebook of Tom Baker, the 4th Doctor, playing with multiple kittens.  I don’t know why, but it makes me happier.

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New Pictures Finished Today

Yes, I used the AI Mirror program as a digital art editor to put my original drawing over a photo background. I still have to put black on the birch trees, but otherwise, I finished this today in half an hour.

I finished the finger-crossing picture from yesterday, finally getting the hand right despite the complications of the white halo effect (needed to separate the white highlights and dark lines from the background house of brown and mostly white. It’s a comic book thing.

My favorite thirty-minute drawing of the day, “The Haunting Stare of Jenna Ortega.” Yes, I know it doesn’t look like her. No dimples and blue eyes instead of brown. But honestly, I did it from a photo of her.

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Where Do We Go From Here, My Dear?

Where do we go from here, my dear?

Where do we go from here?

Whisper it now in my queer little ear,

Is it someplace near?

My fingers are crossed in the rear, my dear.

I’m hoping the world has beer,

And Ideas are all quite clear, my dear,

Cause the future may cause great fear.

This is what you must hear, my dear,

My plan is to be more of a man this year,

I’ll play the game better than all of my peers,

And that’s where we’re going from here.

***Note*** There is lots of repetition here in this poem, internal rhyme, and echoing phrases, I even used the same basic picture, and changed it with digital art tools into three slightly different pictures. Economy of words, spare use of actual ideas, and extreme economy of actual effort… It is truly terrible poetry.

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The Philosophy of Bad Poetry

I do write poetry. But I must admit, I am not a serious poet.  I am a humorist at heart, so I tend to write only goofy non-serious poems like this one;

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So here is a poem that rhymes but has too much “but-but-but” in it.  A poem about pants should not have too many “buts” in it.  One butt per pair, please.  So this is an example of spectacularly bad poetry.  Why do we need bad poetry?  Because it’s funny.  And it serves as a contrast to the best that poetry has to offer.

As a teacher I remember requiring students to memorize and recite Robert Frost’s poem, “The Road Not Taken”.  Now this sort of assignment is a rich source of humorous stories for another day.  Kids struggle to memorize things.  Kids hate to get up in front of the class and speak with everybody looking at them.  You get a sort of ant-under-a- magnifying-glass-in-the-sun sort of effect.  But in order to truly get the assignment right and get the A+,  you have to make that poem your own.  You have to live it, understand it, and when you reach that fork in the road in your own personal yellow wood, you have to understand what Frost was saying in that moment.  That is the life experience poetry has a responsibility to give you.

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Hopefully I gave that experience to at least a few of my students.

Bad poetry makes you more willing to twirl your fingers of understanding in the fine strands of good poetry’s hair.  (Please excuse that horrible metaphor.  I do write bad poetry, after all.)

But all poetry is the same thing.  Poetry is “the shortest, clearest, best way to see and touch the honest bones of the universe through the use of words.”  And I know that definition is really bad.  But it wasn’t written on this planet.  (Danged old Space Goons!)  Still, knowing that poetry comes from such a fundamental place in your heart, you realize that even bad poetry has value.  So, I will continue writing seriously bad poetry in the funniest way possible.  And all of you real poets who happen to read this, take heart, I am making your poetry look better by comparison.

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A Pensive Portrait for Today

Time for something thoughtful… and quiet.

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Scientifical Dog-Poop Theories

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I have been taking note of the Republican approach to science as displayed repeatedly in Congress.  I decided that this is the kind of science that can best explain the dog-poop phenomena, since it is, ultimately, about how the data feels more than measuring and quantifying and dealing with, you know, those fact thingies.

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You see, the problem comes in with the fact that my dog, Jade, is producing dog poop at record levels, and it is all becoming rather a burden.   Now the dog-poop literature, (yes it does exist, since dog lovers write about anything and everything to do with dogs), says that it is not uncommon for a healthy young dog to poop as much as 5 times a day.  But my dog seems to poop exactly one time more per day than the number of times you take her for a walk.  If we go out five times, she poops six.  If I take her out in the middle of the night for a sixth time, she poops seven.  What the heck?

My wife really hates the dog because she poops on the carpet so much.  (The dog, not my wife.  My wife is satisfactorily house-broken.)  There are places on the living room carpet she marked as a puppy five years ago where she insists on re-pooping practically every night.  No matter how often we scrub the carpet and box her ears, still, brown spots and poop lumps to greet us almost every morning.  Maybe she does it because my wife tells her how much she hates her and the dog wants to get even.  But that is the opposite of what the dog says.  She loves Mommy because Mommy gives the dog soup bones.  Somehow, it seems the dog believes she is giving us all a gift by pooping on the carpet and filling the house with her personal scent.  She poops for us because she loves us.

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Here Jade Beyer is busy using Henry’s computer. She has her own Facebook page and everything.

I drew the diagram at the start of this article to better explain my Republicanized theories of dog poop and dog love.  You will notice that, based on observations of total output, I have theorized that dogs must be almost completely hollow.  They don’t apparently store poop in their legs, but the rest of their dog bodies appear to be hollow poop-tubes that store nearly infinite amounts of poo.  Dogs also apparently have some kind of instant-poop-maker at the base of the throat so that anything they eat, dog food, my missing left socks, my son’s retainer, dead rats, whatever was growing behind the rice bag in the pantry, and whatever people food they can steal, is instantly transformed into poop.  Need to poop on the floor because dad didn’t give you any of the bacon at breakfast?  Eat a sock.  Fill up with instant poop ammo.  The poop on the floor will prove how much you love dad and why he should give you bacon more.

So, now that I have studied the poop problem, what solutions could there be?

Well, I have threatened the dog to use corks and other sorts of plugs, but that wouldn’t solve the problem so much as merely delay it.  And I dread the impending explosion in the living room that such a plan suggests to a vivid imagination like mine.  I have thought about feeding her less, but it seems she can still use the puppy beg-eye to such good effect that she could subsist entirely on people food conned out of my son and daughter.  So, I will use a Republican congressional solution.  Since their response to poverty is to give more money to rich people, and the solution to climate change is to cut pollution restrictions, then obviously I need to feed my dog MORE!  I need to cram it down her greedy little throat if necessary.  That will fix it.  Or bring about fat, exploding dogs all the sooner.

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Shakespeare is NOT Bacon

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(The graphic above should say “Empiricism,” not “Empirism.”  Ir is a typo.

Yes, Sir Francis Bacon is at least as interesting and obscure as William Shakespeare.  But let me assure you, I can confidently state, “Shakespeare is NOT Bacon!”  He is not eggs either… or any other breakfast food.  Sir Francis Bacon was the breakfast, the first meal in the great Elizabethan banquet of literature, poetry, and culture.  And William Shakespeare is a more important main course, the royal dinner, as it were.  But it has to be acknowledged that Bacon was essential to the very existence of William Shakespeare.  Breakfast always comes before dinner.

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In 1845 a female author by the name of Delia Bacon (nothing suspicious about that coincidence, by the way) put forward an idea that William Shakespeare’s plays were actually written by a group of men under the leadership of Sir Francis Bacon.  She thought the group intended to inculcate into English culture an advanced system of politics and philosophy which they themselves could not take credit for publicly.  She would later write a book in 1857 called The Philosophy of the Plays of Shakspere Unfolded which advanced the notion that the plays were written for Baconian purposes beyond mere theatrical entertainment.  Numerous people, including the American poet Ralph Waldo Emerson supported her in her quest to find proof, sending her to England to research the crazy conspiracy theories she founded by noting ciphers in the plays, and in the essays of Bacon, that led her to believe all she had to do was dig up the gravestone of Shaksper in the chapel at Stratford to find written proof in Bacon’s own hand that he was, in fact, the author or primary motivator of the plays of William Shakespeare.  She spent one cold and creepy night in the chapel, just her and her spade and her crow bar, along with the bones of the Stratford guy, trying to work up the courage to do a bit of grave-robbing… and failing.    It is a good story, but very poor archaeology.  She was denounced by the literary historians and establishment figures who supported the Stratford guy.  They said her scholarship was sloppy, her cipher analysis goofy and unfounded, and her conclusions more questionable than a pig in theatrical make-up.  (My words, not theirs.  English critic George Henry Townsend was entirely too stuffy and boring to simply be quoted here.)

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Now, I, of course, strongly disagree with the Bacon lady.  As I said in the very title, “Shakespeare is NOT Bacon.”  But I do think there was merit in sniffing out old Frankie’s scent and fingerprints on the whole Shakespeare/Shaksper thing.  The Stratford guy was not Shakespeare either.  When he died in 1616 there was no public outcry at the loss of England’s most popular poet and playwright.  Even King James who was Shakespeare’s number one fan and constant audience member, didn’t mourn the passing of the actor/theater-owner/businessman from Stratford.

Francis Bacon, on the other hand, was a powerful intellect, educated in the ways of science, the law, and government in the Elizabethan age.  Bacon gathered other men of powerful intellect and accomplishment at Gray’s Inn to hold debates about things philosophical and things scientifical.  It is not unreasonable to imagine that the man who really wrote the plays attributed to Shakespeare sat at that table and participated in those debates.  And Sir Frankie had good reason to keep lots of this business a secret.  There exists evidence that though he was apparently happily married to a fourteen-year-old girl, he did a little bit of swaying toward the other gender too, a thing not too popular with the average Anglican Englishman.  He also dabbled a bit in the occult (think witches in Macbeth sort of thing).   And his essays indicate a strong correlation to the philosophies and ideals of the German Rosicrucian Movement.  In 1593 during a Roman Catholic plot against Queen Elizabeth, Frankie managed to take a position on the investigation that totally offended the old virgin queen.  He was on the outs with Liz for the rest of her difficult and anger-management-challenged life.  He did rise to prominence under her successor, James I, but never-the-less managed to die amidst total ruin and scandal.  There is a lot in Frankie’s life to indicate that he had a direct influence on the content of Shakespeare’s plays.  Some of the characters in the plays may actually be, at least in part, based on Frankie himself.  But  this guy never hung out with the Stratford guy that anyone knows of.

So, if Shakespeare is NOT Bacon, or eggs either… and the Stratford guy isn’t Shakespeare, then who is?  Come on!  You knew I had a lot more to say about this crazy conspiracy thing, right?

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Portraits With Big Eyes

I have long been an artist addicted to large, luminous eyes. I have long been accused of drawing too much like I am a Japanese anime or manga artist. Point taken. I was first inspired to draw characters like the ones in Astroboy which I was addicted to in the 1960s.

I know the big eyes can be overdone. They make a character like Big-eyed Benny above look positively alien. E.T. phone home style of stuff. But they can also be extra expressive. And many child faces do indeed have eyes that are more like a doe deer than a human. These lend a vulnerable quality of open-faced cuteness, an endearing quality that activates parental instincts.

And, some of these drawings that I do, portraits made from faces in the Walmart catalog or from Instagram, are actually started with a tracing layer laid atop the photograph. Here the eyes may have been exaggerated a little because I can’t help myself, but they are basically the same as the subject of the portrait. This girl does goofy comedy and dances on Instagram and has a really infectious grin that I can’t even begin to draw accurately.

But the result of this big-eyed obsession of mine all comes down to the fact that I have been retired from teaching now for an entire decade. I retired in 2014. And I miss working with kids. So much it hurts. Maybe I can’t make them laugh and learn anything anymore. But I can remember them as an artist. Drawing comes more from the heart than it does from the pen anyway.

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The Heart of Shakespeare

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Despite my skepticism about the accepted wisdom in regard to the historical William Shakespeare, I do deeply love the body of work that is Shakespeare.  My most favorite play is The Tempest, the final play in the canon.  I also have read and loved As You Like It, Romeo and Juliet, Hamlet, A Midsummer Night’s Dream, The Merchant of Venice, Henry V, Richard III, Julius Caesar, Macbeth, Othello,  and King Lear.  I know that is not all of the plays, but that is probably more than most people have read.  And of course, as an English major in college, and later as a teacher, I have actually analyzed, compared, studied, and taught some of these plays.  So, the Shakespeare I know is the Shakespeare of the writer’s own mind, his communicated wit and wisdom, imagination and intellect.

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And I do not have any disdain or disrespect to give the Stratford guy.  To say that, in the Elizabethan world, the actor son of a tradesman with only a grammar school education could not have been the mind behind the literary masterworks is foolish.  The Stratford guy owned and operated the Globe theater at a time when “the play was the thing”.  All of London society, rich and poor, gloried in the theater, and Shakespeare did for Elizabethan plays what Babe Ruth did for baseball.  He was a good enough business man to make himself a decent fortune.  Although, apparently, this world-shaking author didn’t spend any of his money on owning books, which in my experience is extremely rare among writers.  His life, bound up in an urban existence that never traveled outside of the country also somehow produced great works that were set in places in Europe, especially Italy, that described those settings in accurate detail.  As a working actor, he also apparently had the time to study law and somehow learn the inner workings of the royal courts of more than one country.  And the plots were not original.  He took existing stories that already were a part of European literature and lore and wove them into rich tapestries of human striving, laughable foibles, and a deep understanding of basic human character.  But I do have doubts that the businessman and actor from Stratford was the real writer of the plays.

I have already told you that I don’t believe Sir Francis Bacon was secretly Shakespeare.  Christopher Marlowe wasn’t either.  And I have unsuccessfully made a case against Shakspere, the Stratford guy.  So who could possibly be the real William Shakespeare?  Well, I am not going to be able to make a decent case for him in the 100 words that I have left to end this essay with.  So there has to be more to come.  (And stop screaming obscenities at the computer screen.  I am going to reveal the name before the end of this essay.  And I promise not to make my case for him in coming days too boring and horrible.)  I have to show why I believe that the true heart of Shakespeare could only have beaten within the body of Edward deVere, the Earl of Oxford.

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Shakespeare Knows Fools

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The fact that Shakespeare was a master of the art of creating and mocking fools does not really help decide the question of who Shakespeare really was.  A stage actor who owned a theater in Elizabethan times and apparently focused on being the bit player, the butler, the second man on the castle wall in the great plays, would certainly know enough of flim-flam, being a con man, or artfully throwing turds at kings and queens in ways that get rewarded rather than beheaded.  But a nobleman who has unpopular and unwelcome-but-probably-wise insights into the back-stabbing-goings-on of the royal court of England would equally be capable of putting the most memorable of critiques of humanity into the mouth of the fool or the clown in the great stage-play of life.  Even the most depressing and violent of Shakespearean tragedies is enhanced and made pointed by the presence of the fool and the comic relief.  In some ways, everything that Shakespeare wrote was a comedy.

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Whoever Shakespeare was, he shared Mark Twain’s overall assessment of “That damned human race” and often declared all men fools in the eyes of the playwright.  Puck’s observation on humanity is delivered about not only Bottom and the other poor players who carry on their vain attempts at performing Pyramus and Thisbe while Bottom magically wears the head of an ass, but also the easily fooled lovers who mistake their true loves for one another, and even the clueless mortal King Theseus of Athens.

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In the play within a play, Nick Bottom wants to be not only his own role, Pyramus the romantic lead, but argues that he should be Thisbe, the lion, and Pyramus all at once, making a satire of human nature and its overreaching ways that we could only pray Donald Trump will one day watch and magically understand.  In fact, Shakespeare’s entire body of work is an extended investigation of foolishness versus wisdom, and with Shakespeare, the verdict always goes to the fool.

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The plays of William Shakespeare are filled with fools doing foolish things… and fools being accidentally wise. (Think Jacques in As You Like It giving his famous “All the world’s a stage” soliloquy in which he elucidates the seven ages of man.)  There are fools too who prove to be wise.  (Think of the ironic advice given by the jester Touchstone in As You Like It, or the pithy commentary of King Lear’s fool).  The fools in Shakespeare’s work are not merely the comedy relief, but the main point that Shakespeare makes about humanity.

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Whoever the man was who wrote the plays of Shakespeare, he was someone who had a deep understanding of the basic irony underlying all of human life.  And someone with that vital sense of the bittersweet, a philosophy of life that encompasses the highest heights and lowest depths that a soul can reach, is someone who has suffered as well as known great joy, someone who has experienced loss as often as profit, and has known real love as well as real hatred.  It is the fool that Shakespeare shakes us by the neck with to make us recognize the fool in all of us which makes the plays resonate so deeply within us.  It is watching the path of the fool unfolding that makes us shake our head and say to ourselves, “Yes, that is what life is really like.”

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