“Today I thought I would tell you about Bruce Timm.”
“Bruce Timm? Who the heck is he?”
“You know. That artist with that style… you know, the Batman guy.”
“You mean he played Batman?”
“No. He designed Batman; The Animated Series.”
“Oh, that guy… the guy who draws girls really good.”
“Yes, that’s the one.”
“He gave all the DC heroes their modern, animated look… their style and flair. He made them angular, immediately identifiable, and powerful.”
“Yeah, I think he not only did the Batman cartoon, all film noir and retro-cool, but the Superman series that followed it, the Justice League, and all the cartoon series and movies that went along with those.”
“But that’s not all he did, either, is it?”
“No, there’s more. He wanted to be a comic book artist, but before he got into animation, Marvel and DC turned him down.”
“I heard he worked at Filmation for a while.”
“Yes, he got a chance to draw and design characters for Blackstar, Flash Gordon, He-Man and the Masters of the Universe, She-Ra; Princess of Power, and the Lone Ranger.”
“Dang! He was busy. But only superhero stuff?”
“In 1989 he went to work for Warner Brothers. He worked on Tiny Toon Adventures.”
“That Spielberg/Bugs Bunny thing? The one with Buster and Babs Bunny?”
“Yeah, that one, believe it or not.”
“Tell me more about the girls. I want to hear about him drawing girls. Wonder Woman in Justice League was hot.”
“Showing you is probably better than telling you. Be prepared to cover your eyes, though. He liked to draw the female figure nude and semi-naked.”
Betty and Veronica from the Archie comics.
“I like how he draws pretty girls.”
“You would.”
“He’s the artist you wish you could be, isn’t he?”
“Pretty much. He’s about four years younger than me. If I had gone the comic-book artist route instead of becoming a public school teacher, our careers might’ve been parallel.”
Today’s sermon is a further attempt by Mickey to say something coherent about religion. I am trying to be a humor writer, and religion is a difficult topic to commit acts of humor against. People do not take it well when you put the heat of thoughtful questions to the personal mythology that they adhere to. They are afraid it might all burn away and leave them with nothing. It is the main reason nobody plays George Carlin’s comedy albums in church. And my atheist friends and acquaintances always get upset when I slip and make a statement like, “Atheism is a religion too. After all, it is a difficult act of sincere faith to believe in nothing.”
But religion is important enough to being human that it merits some daily and, at the minimum, weekly attendance to the fundamental ideas of it. After all, what is the reason we always have had and still have some form of religion?
Religion serves an important function in the lives of human beings. It is the guiding principal that keeps us from wigging out, being self-destructive, or going on a killing spree. Religion sniffs out the borders of our behavior. It gives us a sense of where the lines are that you should not cross. Of course, by itself, religion is not enough to save us from ourselves. It only provides the warning. The girl who hears the admonition from the pastor to not have sex before getting married can still go ahead and have four children before reaching the age of eighteen. Religion does not (or rather, it should not) provide the punishment for crossing the line. It just gives us the warning about the consequences.
I like the metaphor that Joseph Campbell always used in his insightful books about mythology. He suggests that if our lives are the hardware, our shared myths are like the software that makes it operate properly.
Our religious software has to be used with caution, however. Because, just as George Carlin so often used to gleefully shout, “Religion can be stupid enough to really hurt you.” It is hard to deny the truth of that statement with things like the Westboro Baptist Church, the Spanish Inquisition, Salem Witch Trials, and the Methodist Church Ladies who saw your kid running around naked in the yard.
But there is a reason that some religious extremes are dangerous and counter to the basic purposes of religion. There is reason why more atheists are generated by the Catholics, Baptists, and other fundamentalist religions than by more tolerant sects like the Midwestern Methodists and the New-Age Crystal-wavers. Intolerance. If you are too insistent that your religious way is the only path, and all others burn in Hell, then you have taken religion too far into its own dark corners and scary, deep crevices.
There are many acceptable forms of religion that have many good things to offer. I have never been bullied by a true believer of the Buddhist faith. Christians, if they are tolerant, believe in a religion founded on love and forgiveness. Nudists are sun-worshipers who believe in positive body images, communion with nature, and freedom of self-expression. Quackatoons believe in the power of Donald-Duck cartoons to make you wise and capable of laughing at anything. Okay, I haven’t actually established that last religion in the real world. But it could happen, in the very near future. We are going to need it if Donald Trump (not Donald Duck) gets reelected in November.
But the simple point of all this is simply that… we need religion. There is a spiritual aspect to all human thinking, and especially when interacting with others. We need to keep it simple enough for even the most simple people among us to guide their lives and their children’s lives with it. And yet, we need to also be tolerant enough to suffer fools like me to think they are atheists who believe in God.
So, to put it in simple terms, “Here endeth the lesson.”
So, how do you follow up a thing like starting a new religion like Quackatoonity? Should you follow it up?
I mean, this is Art Day. And I need a theme for Art Day. How about, “Art with no ducks in it?” Well, Ducks are always watching from somewhere. So, I guess that’s a no-go.
Of course, I could always try to prove the “toon” part is real. I am a cartoonist. I do do cartoons. (Haha! He said, “doodoo!” Shows you the level of humor he will sink to.)
This cartoon is a bit creepy and definitely surreal. This was done more than a decade before I even met my wife. But the two boys seem to be four years apart in age, just like my real-life sons. They do not, however, have visible horns on their heads. This is supposed to be surreal, not photographic.
So, there’s a weird cartoon story for today’s Art Day post on a New Day. And nowhere in sight will you find a duck in it… OH, NO! THERE’S A DUCK IN IT!!! How does Donald do that?
The criminal was led into the courtroom in chains and forced to sit in a box made of metal bars so his influence would not reach out and harm anyone by drawing their sympathy in.
“Mr. Prosecutor,” said the learned judge, “what terrible crime has the perpetrator been charged with?”
“The alleged perpetrator!” objected the defense attorney, a mousy old man who looked like a cross between Santa Clause and Robert E.Lee because of his white beard, stern face, and a twinkle in his eye.
“Shut up please, Mr. Badweather. You will have your turn to speak.” The judge banged his gavel smartly to emphasize the shut-up-ness of his overruling.
“Your honor,” said the prosecutor, “Mister Pennysnatcher Goodlaughs stands accused of being a clown.”
“The people of the State of Texas, home of the free, land of the brave, and place where cowboys can hang their hat on the antlers of a moose they shot in Canada, will prove that Mr. Goodlaughs did willfully, and with malice of forethought, commit acts of supposed humor in order to make people laugh. And we will further prove that in a time of very serious things, he intentionally made light of very serious matters and the very serious men who try to turn those serious things to their exclusive… err, sorry, I mean… everyone’s benefit.”
“Your honor,” said the defense attorney, looking like a cross between Mark Twain and Colonel Sanders, “I would like to request a new venue for this trial. My client will not get a fair trial here.”
“Sir, your stupid request is rejected on the grounds that Mr. Goodlaughs cannot get a fair trial anywhere. We are all conservatives, and are therefore incapable of having a sense of humor. Continue, Mr. Prosecutor.”
“We will show numerous instances of Mr. Goodlaughs putting paint on his face to hide his true features or assume the identity of a character not his own. He has repeatedly used false noses, large shoes, and floppy hats to exaggerate his flaws and scare young children. He repeatedly wears polka-dotted clothing to simulate terrible taste and ridiculous lack of fashion-sense. He employs pratfalls and slapstick humor in his performances, things that, if any school-age child would imitate the behavior, might lead to serious injury or even death. And he has even dared to make fun of our glorious leaders, implying that they make mistakes and may even have hurt people. That they act without thinking about anything but their own pocketbooks. In other words, this clown has knowingly made jokes in order to get people to not take things seriously.”
“Your honor, I object to this jury. I object to the fact that it is made up of fifty percent rednecks and fifty percent kangaroos! My client demands a new, more impartial jury!” cried the defense attorney, looking like a cross between Captain Kangaroo and Ronald Reagan.
“Has anybody noticed?” asked the judge, “that this attorney looks like he could influence this jury unfairly? He looks like two people who could lead the two halves of this jury to the wrong conclusion. Bailiff! Take the defense attorney out back and execute him by firing squad.”
After the entire courtroom heard the gunshots go off, the judge then turned to the prisoner.
“It seems, Mr. Goodlaughs, that the defense’s opening statement is now entirely up to you. Do you have anything to say in your own defense?
“I do, your honor. Ladies and gentlemen, kangaroos and Reagan Republicans of the jury, I submit to you that I have never actually been a circus clown, or wore face paint. Not that I wouldn’t if the opportunity presented itself. I merely claim the right to laugh at anything I think is funny… or can be made funny. Whether I am being what you call a clown, a humorist, a cartoonist, a comedian, a fool, a village idiot, or a witty fellow, I believe I have the right to make light of anything. Life is always better when you can laugh. Especially if you can laugh at yourself.”
“I’ve heard enough,” said the judge. “What say you, jury?”
“Guilty!”
“Yes. And I preemptively waive the prisoner’s right to appeal. Sir, you are guilty, and you shall be executed immediately.”
Everyone in the courtroom breathed a long-awaited sigh of relief.
The classic line from the visionary poet Theodore Roethke;
**** This is a look back at an essay from 2017****
But the truth is, before you can BE you must first BECOME.
I know what you are probably thinking. “What is this idiot rambling on about now?”
Well, sometimes you simply have to spout a lot of love and hoo-haw and just pretend it means something. That is the core, I think, of what philosophy is all about.
But maybe a list of what I have already become will get the idea knitting itself together. You know, a list of the things I can already just BE.
I have already become college educated. I have a BA in English and an MAT in Education (Master of the Art of Teaching). Those letters my college years bestowed upon me are only an “N” short of being an anagram for BATMAN. So I have almost become BATMAN.
I have also finished becoming a teacher. In fact, I have spent 31 years becoming a teacher. I have gotten so teacherfied over the years that I am actually now becoming a retired teacher. I haven’t learned the art of retired teacher yet. It is still gonna take a bit of practice to start getting it right. But I can get a kid to sit down and shut up with just a look. I can read the mind of a glum-faced student and know we are about to have a bad day. And I always know when to tell a really awful joke so that the students know their only hope of keeping their lunch down and retaining their sanity is to ask me to please get back to today’s lesson. So I can BE that, at least in theory. I am still BECOMING retired.
Why-ever would I draw myself as a naked boy? I have inexplicably weird urges sometimes.
I am a living, breathing human being. I have been that now for sixty years and eight months. I have practiced it enough that I can BE that without even thinking about it. Well, not now, just most of the time I don’t have to think about it.
But I did make a huge mistake fairly recently in applying for a chance to be a blogger for an AANR-affiliated website. Yes, that’s right, the American Association for Nude Recreation. I signed on to write about being a nudist.
I am asked to write a review of the nearest naturist park, the Bluebonnet Naturist Park in Alvord, Texas. I am hoping to find a day for a day-visit that won’t find a lot of people there. Ummm. How did I get roped into BECOMING a nudist? Is it too late to back out now? Or would that be UNBECOMING?
But most of all, I have labored long and hard at BECOMING a real writer. I have two books already published. Aeroquest and Catch a Falling Star. You can find them both on Amazon or Barnes and Noble. But don’t buy Aeroquest. Those cheap burgle-binkies don’t deserve to make any more money off of me. I have another book coming out soon from Page Publishing, Magical Miss Morgan. It is a book I am really proud of, though these foofy publishers have done nothing to help it and a lot to mess it up for me.
But, I must admit, I have just finished reading Mitch Albom’s masterpiece, The Magic Strings of Frankie Pesto. It is a miraculous, engaging read that made me laugh and made me cry and made me fall in love with the story. And it is so far beyond what I can do that I must write a review on it, maybe tomorrow, and gush praises all over it. I can only dream of BEING a writer like that. It proves to me that I have a lot more BECOMING to work on. Sorry, Ted, I am just not there yet.
Rowan, Iowa… Not the place I was born, but the place where I got to be a stupid kid, and have the lessons of the good and god-fearing life hammered into my head hard enough to make a dent and make it stay with me for more than half a century. I got to go to grade school there. I learned to read there, especially in Miss Mennenga’s third and fourth grade class. Especially in that old copy of Treasure Island with the N.C, Wyeth illustrations in it, the one Grandma Aldrich kept in the upstairs closet in their farm house. I got to see my first naked girl there. I learned a lot of things about sex from my friends there, and none of them were true. I played 4-H softball there, and made a game-saving catch in center field… in the same game where my cousin Bob hit the game-winning home run. But those were things kids did everywhere. It didn’t make me special. There was no real magic in it.
Being a farm-kid’s kid taught me the importance of doing your chores, every day and on time. If you didn’t do them, animals could get sick, animals could die, crops could be spoiled, the chickens could get angry and petulant and peck your hands when you tried to get the eggs. Cows could get grumpy and kick the milk bucket. Cats could vow revenge if you didn’t direct a spray or two at their little faces as they lined up to watch you milk the cows. And you never knew for sure what a vengeful cat might do to you later, as cats were evil. They might jump on the keyboard during your piano recital. They might knock the turkey stuffing bowl off the top of the dryer when Mom and Grandma and several aunts were cooking Thanksgiving Dinner. And I know old black Midnight did that on purpose because he got to snatch some off the floor before it could be reached by angry aunts with brooms and dustpans. And all of it was your fault if it all led back to not doing your chores, and not doing them exactly right.
But, even though we learned responsibility and work ethic from our chores, that was not the real home-town magic either. I wasn’t technically a real farm kid. Sure, I picked up the eggs in the chicken house at Grandpa and Grandma Aldrich’s farm more than once. And I did, in fact, help with milking machines and even milking cows by hand and squirting cats in the faces at Uncle Donny’s farm. I walked beans, going up and down the rows to pull and chop weeds out of the bean fields at Uncle Larry’s farm. I drove a tractor at Great Uncle Alvin’s farm. But I didn’t have to do any of those things every single day. My mother and my father both grew up on farms. But we lived in town. So, my work ethic was probably worth only a quarter of what the work ethic of any of my friends in school was truly worth. I was a bum kid by comparison. Gary G. and Kevin K, both real farm kids and older than me, explained this to me one day behind the gymnasium with specific examples and fists.
Being a farm kid helped to forge my character. But that was really all about working hard, and nothing really to do with magic.
I truly believe the real magic to be found in Rowan, Iowa, my home town, was the fact that it was boring. It was a sleepy little town, that never had any real event… well, except maybe for a couple of monster blizzards in the 60’s and 70’s, and the Bicentennial parade and tractor pull on Main Street in 1976, and a couple of costume contests in the 1960’s held in the Fire Station where I had really worked hard on the costumes, a scarecrow one year, and an ogre the next, where I almost won a prize. But nothing that changed history or made Rowan the center of everything.
And therein lies the magic. I had to look at everything closely to find the things and strategies that would take me to the great things and places where I wanted to end up. I learned to wish upon a star from Disney movies. I learned about beauty of body and soul from the girls that I grew up with, most of them related. And I invented fantastical stories with the vivid imagination I discovered lurking in my own stupid head. I embarrassed Alicia Stewart by telling everyone that I could prove she was a Martian princess, kidnapped and brought to Earth by space pirates that only I knew how to defeat. And I learned to say funny things and make people laugh… but in ways that didn’t get me sent to the principal’s office in school. Yes, it was the magic of my own imagination. And boring Iowa farm towns made more people with magic in them than just me. John Wayne was one. Johnny Carson was one also. And have you heard of Elijah Wood? Or the painter Grant Wood? Or the actress Cloris Leachman?
Yep. We were such stuff as dreams were made on in small towns in Iowa. And that is real magic.
I firmly believe that I would never have succeeded as a teacher and never gotten my resolve wrapped around the whole nonsense package of being a published author if I hadn’t picked up a copy of Mort, the first Discworld novel by Terry Pratchett that I ever encountered. I started reading the book as a veteran dungeon-master at D&D role-playing games and also as a novice teacher, having a world of difficulty trying to swim up the waterfalls of Texas education fast enough to avoid the jagged rocks of failure at the bottom. I was drinking ice tea when I started reading it. More of that iced tea shot out my nose while reading and laughing than went down my gullet. I almost put myself in the hospital with goofy guffaws over Death’s apprentice and his comic adventures on a flat world riding through space and time on the backs of four gigantic elephants standing on the back of a gigantic-er turtle swimming through the stars. Now, I know you have no earthly idea what this paragraph even means, unless you read Terry Pratchett. And believe me, if you don’t, you have to start. If you don’t die laughing, you will have discovered what may well be the best humorist to ever put quill pen to scroll and write. And if you do die laughing, well, there are worse ways to go, believe me.
Discworld novels are fantasy-satire that make fun of Tolkien and Conan the Barbarian (written by Robert E. Howard, not the barbarian himself) and the whole world of elves and dwarves and heroes and dragons and such. You don’t even have to love fantasy to like this stuff. It skewers fantasy with spears of ridiculousness (a fourth-level spell from the Dungeons of Comedic Magic for those fellow dungeon masters out there who obsessively keep track of such things). The humor bleeds over into the realms of high finance, education, theater, English and American politics, and the world as we know it (but failed to see from this angle before… a stand-on-your-head-and-balance-over-a-pit-of-man-eating-goldfish sort of angle).
Terry Pratchett’s many wonderful books helped me to love what is ugly, because ugly is funny, and if you love something funny for long enough, you understand that there is a place in the world even for goblins and trolls and ogres. Believe me, that was a critical lesson for a teacher of seventh graders to learn. I became quite fond of a number of twelve and thirteen year old goblins and trolls because I was able see through the funny parts of their inherent ugliness to the hidden beauty that lies within (yes, I know that sounds like I am still talking about yesterday’s post, but that’s because I am… I never stop blithering about that sort of blather when it comes to the value hidden inside kids).
I have made it a personal goal to read every book ever written by Terry Pratchett. And that goal is now within reach because even though he is an incredibly prolific writer, he has passed on within the last year. He now only has one novel left that hasn’t reached bookstores. Soon I will only need to read a dozen more of his books to finish his entire catalog of published works. And I am confident I will learn more lessons about life and love, and laughter by reading what is left, and re-reading some of the books in my treasured Terry Pratchett paperback collection. Talk about your dog-eared tomes of magical mirth-making lore! I know I will never be the writer he was. But I can imitate and praise him and maybe extend the wonderful work that he did in life. This word-wizard is definitely worth any amount of work to acquire and internalize. Don’t take my convoluted word for it. Try it yourself.
I have never been an attention-seeker. In the Elysian Fields of modern society, I have never really been the honeybee. I have always been the flower. I had a reputation in high school for being the quiet nerd who ends up surprising you immensely in speech class, at the science fair, or at the art show. I was the one they all turned to when everybody in the conversation had already had their chance to strut and pontificate and say dumb things, and they were finally ready to get the solution to the problem being discussed, or the best suggestion on where to begin to find it.
When I became the teacher of the class instead of the student, I had to make major changes. I had to go from being patient, quiet, and shy to being the fearless presenter, forceful, sharp as an imparter of knowledge, and able to be easily understood, even by the kids whom you couldn’t legally call stupid, but were less than smart, and not in a pleasant Forrest Gump sort of way.
Shyness is only ever overcome by determination and practice. The standard advice given is to picture your audience naked so that you are not intimidated by them. But if your audience is seventh graders, you have to be extra careful about that. They are metaphorically naked all the time, ready at a moment’s notice to explode out of any metaphorical clothing they have learned to wear to cover the things that they wish to keep to themselves about themselves. And while you want them to open up and talk to you, you don’t want the emotional nakedness of having them sobbing in front of the entire class, or throwing things at you in the throes of a mega-tantrum over their love-life and the resulting soap operas of betrayal and revenge. And you definitely don’t want any literal nakedness in your classroom. (Please put your sweat pants back on, Keesha. Those shorts are not within the limits of the dress code.) Calling attention to yourself and what you have to say, because you are being paid to do so, is a critical, yet tricky thing to do. You want them looking at you, and actually thinking about what you are saying (preferably without imagining you naked, which they will do at any sort of unintentional slip or accidental prompting.) The ones who ignore you are a problem that has to be remedied individually and can eat up the majority of your teaching time.
I trained myself to be fairly good at commanding the attention of the room.
But now that I am retired, things have changed. I can still command attention in the room, which I proved to myself by being a successful substitute teacher last year. But I no longer have a captive audience that I can speak to five days a week in a classroom. Now my audience is whoever happens to see this blog and is intrigued enough by the title and pictures to read my words.
Now that I am retired and only speaking to the world at large through writing, I am ignored more than ever before. Being ignored is, perhaps, the only thing I do anymore. It is the new definition of Mickey. Mickey means, “He who must be ignored. Not partially, but wholly… and with malice.”
I put my blog posts on Facebook and Twitter where I know for a fact that there are people who know me and would read them and like them if they knew that they were there. But the malevolent algorithms on those social media sites guarantee that none of my dozens of cousins, old school friends, and former students will see them. Only the single ladies from Kazakhstan and members of the Butchers Union of Cleveland see my posts. Why is this? I do not know. Facebook and Twitter ignore me when I ask.
My books, though liked by everybody who has actually read and responded to them, are lost in a vast ocean of self-published books, most of which are not very good and give a black eye to self-published authors in general. I recently got another call from I-Universe/Penguin Books publishers about Catch a Falling Star, the one book I still have with them. They are concerned that my book, which is on their Editor’s Choice list, is not performing as well as their marketing people think it should. But to promote it, I would have to pay four hundred dollars towards the marketing campaign, even though they are already subsidizing it by fifty percent. They tell me they believe in my book. But apparently not enough to pay for 100% of the promotion.
I have decided to invest in a review service that will cost me about twenty dollars a month. But my confidence is not high. The last time I paid somebody to review a book, they reviewed a book with the same title as mine from a different author. That service still owes me money.
But the only reason it is a problem that I am being thoroughly ignored these days is that an author needs to be read to fulfill his purpose in life. Maybe pictures of pretty girls in this post will help. But, even if they don’t, well, I had their attention once upon a time. And since my purpose as a teacher is already fulfilled, perhaps that will be enough for one lifetime.
Catch a Falling Star 
The Case for the Clown
The criminal was led into the courtroom in chains and forced to sit in a box made of metal bars so his influence would not reach out and harm anyone by drawing their sympathy in.
“Mr. Prosecutor,” said the learned judge, “what terrible crime has the perpetrator been charged with?”
“The alleged perpetrator!” objected the defense attorney, a mousy old man who looked like a cross between Santa Clause and Robert E.Lee because of his white beard, stern face, and a twinkle in his eye.
“Shut up please, Mr. Badweather. You will have your turn to speak.” The judge banged his gavel smartly to emphasize the shut-up-ness of his overruling.
“Your honor,” said the prosecutor, “Mister Pennysnatcher Goodlaughs stands accused of being a clown.”
“The people of the State of Texas, home of the free, land of the brave, and place where cowboys can hang their hat on the antlers of a moose they shot in Canada, will prove that Mr. Goodlaughs did willfully, and with malice of forethought, commit acts of supposed humor in order to make people laugh. And we will further prove that in a time of very serious things, he intentionally made light of very serious matters and the very serious men who try to turn those serious things to their exclusive… err, sorry, I mean… everyone’s benefit.”
“Your honor,” said the defense attorney, looking like a cross between Mark Twain and Colonel Sanders, “I would like to request a new venue for this trial. My client will not get a fair trial here.”
“Sir, your stupid request is rejected on the grounds that Mr. Goodlaughs cannot get a fair trial anywhere. We are all conservatives, and are therefore incapable of having a sense of humor. Continue, Mr. Prosecutor.”
“We will show numerous instances of Mr. Goodlaughs putting paint on his face to hide his true features or assume the identity of a character not his own. He has repeatedly used false noses, large shoes, and floppy hats to exaggerate his flaws and scare young children. He repeatedly wears polka-dotted clothing to simulate terrible taste and ridiculous lack of fashion-sense. He employs pratfalls and slapstick humor in his performances, things that, if any school-age child would imitate the behavior, might lead to serious injury or even death. And he has even dared to make fun of our glorious leaders, implying that they make mistakes and may even have hurt people. That they act without thinking about anything but their own pocketbooks. In other words, this clown has knowingly made jokes in order to get people to not take things seriously.”
“Your honor, I object to this jury. I object to the fact that it is made up of fifty percent rednecks and fifty percent kangaroos! My client demands a new, more impartial jury!” cried the defense attorney, looking like a cross between Captain Kangaroo and Ronald Reagan.
“Has anybody noticed?” asked the judge, “that this attorney looks like he could influence this jury unfairly? He looks like two people who could lead the two halves of this jury to the wrong conclusion. Bailiff! Take the defense attorney out back and execute him by firing squad.”
After the entire courtroom heard the gunshots go off, the judge then turned to the prisoner.
“It seems, Mr. Goodlaughs, that the defense’s opening statement is now entirely up to you. Do you have anything to say in your own defense?
“I do, your honor. Ladies and gentlemen, kangaroos and Reagan Republicans of the jury, I submit to you that I have never actually been a circus clown, or wore face paint. Not that I wouldn’t if the opportunity presented itself. I merely claim the right to laugh at anything I think is funny… or can be made funny. Whether I am being what you call a clown, a humorist, a cartoonist, a comedian, a fool, a village idiot, or a witty fellow, I believe I have the right to make light of anything. Life is always better when you can laugh. Especially if you can laugh at yourself.”
“I’ve heard enough,” said the judge. “What say you, jury?”
“Guilty!”
“Yes. And I preemptively waive the prisoner’s right to appeal. Sir, you are guilty, and you shall be executed immediately.”
Everyone in the courtroom breathed a long-awaited sigh of relief.
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