Category Archives: autobiography

Making Portraits

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My biggest regret as a cartoonist and waster of art supplies is the fact that I am not the world’s best portrait artist.  I can only rarely make a work of art look like a real person.  Usually the subject has to to be a person I love or care deeply about.  This 1983 picture of Ruben looks very like him to me, though he probably wouldn’t recognize himself here as the 8th grader who told me in the fall of 1981 that I was his favorite teacher.  That admission on his part kept me from quitting and failing as a first year teacher overwhelmed by the challenges of a poor school district in deep South Texas.

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My Great Grandma Hinckley was really great.

My great grandmother on my mother’s side passed away as the 1970’s came to an end.  I tried to immortalize her with a work of art.  I drew the sketch above to make a painting of her.  All my relatives were amazed at the picture.  They loved it immensely.  I gave the painting to my Grandma Aldrich, her second eldest daughter.  And it got put away in a closet at the farmhouse.  It made my grandma too sad to look at every day.  So the actual painting is still in a closet in Iowa.

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There were, of course, numerous students that made my life a living heck, especially during my early years as a teacher.  But I was one of those unusual teachers (possibly insane teachers) who learned to love the bad kids.  Love/hate relationships tend to endure in your memory almost as long as the loving ones.  I was always able to pull the good out of certain kids… at least in portraits of them.

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When kids pose for pictures, they are not usually patient enough to sit for a portrait artist.  I learned early on to work from photographs, though it has the disadvantage of being only two-dimensional.  Sometimes you have to cartoonify the subject to get the real essence of the person you are capturing in artiness.

But I can’t get to the point of this essay without acknowledging the fact that any artist who tries to make a portrait, is not a camera.  The artist has to put down on paper or canvas what he sees in his own head.  That means the work of art is filtered through the artist’s goofy brain and is transformed by all his quirks and abnormalities.  Therefore any work of art, including a portrait that looks like its subject, is really a picture of the artist himself.  So, I guess I owe you some self portraits to compare.

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Yeah, that’s me at 10… so what?

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Filed under art criticism, artwork, autobiography, humor, kids, Paffooney, self portrait, strange and wonderful ideas about life

Mickey’s Secret Identities

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Yes, there is very definitely a possibility that there is more than one me.

If you look carefully at the colored pencil drawing above, you will see that it is titled “The Wizard of Edo” and signed by someone called Leah Cim Reyeb.  A sinister sounding Asian name, you think?  I told college friends that my research uncovered the fact that he was an Etruscan artist who started his art career more than two thousand years ago in a cave in France.  But, of course, if you are clever enough to read the name backward, you get, “beyeR miC haeL”.  So, that stupid Etruscan cave artist is actually me.

It turns out that it is a conceit about signing my name as an artist that I stole from an old episode of The Dick Van Dyke Show and have used for well over two decades through college and my teaching career.

And of course, the cartoonist me is Mickey.  Mickey also writes this blog.  Mickey is the humorist identity that I use to write all my published novels and blog posts since I published the novel Catch a Falling Star.

Michael Beyer is the truest form of my secret identity.  That was my teacher name.  It was often simplified by students to simply “Mr. B”.  I was known by that secret identity for 31 years.

Even more sinister are my various fictional identities occurring in my art and my fiction.  You see one of them in this Paffooney.  The name Dr. Seabreez appears in Catch a Falling Star as the Engineer who makes a steam engine train fly into space in the 1890’s with alien technology.  He appears again in The Bicycle-Wheel Genius as a time-traveler.

The young writer in the novel Superchicken, Branch Macmillan, is also me.  As is the English teacher Lawrance “Rance” Kellogg used in multiple novels.

So, disturbing as it may be to realize, there is more than one name and identity that signifies me.  But if you are a writer of fiction, a cartoonist, an artist, or a poet, you will probably understand this idea better.  And you may even have more than one you too.

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Filed under autobiography, foolishness, humor, irony, Paffooney, strange and wonderful ideas about life

Humble Pie

The difference between who you want to be and who you are is humbling.

The recipe for humble pie requires good, clear eyesight.

And you need a reliable mirror that only shows the flaws in the reflected image, not in the mirror itself.

And you need to look at every detail in the whole of you. Even the secret things that you tend to conceal from everybody, especially yourself.

And writing a novel, if you do it right, is a form of baking humble pie.

The good and the not-so-good is reflected in reviews, which are often written with mirrors that have flaws.

But what you see, if you are honest with yourself, can show you that, even though you are far from perfect, you are exactly what you are supposed to be.

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Re-Minders

Lately I have been having memory troubles. You know what I mean, when you walk through a doorway with a definite purpose in mind.and then, on reaching the other room, you have no earthly idea what that purpose was. It happens to me regularly. In fact, I can even start writing a sentences, and then I… What was I talking about? Oh, yes. I need to practice writing some more spectacularly bad poetry, before I forget how to do it.

Why did I use this picture? I don’t know. I have forgotten.

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Sometimes…

My mind slips out of my left ear…

And I can’t remember things.

So, I have to search under the table…

To find my mind…

And then I remember that that’s not how a mind works.

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Forgetfulness

Tell me now, before I forget…

What was I supposed to remember?

Was it something religious, important, and good…

That comes towards the end of December?

Was I supposed to buy something for somebody then?

I wrote a note to myself in September…

Oh, gosh! How could I ever forget that?

Now the fire is nothing but embers.

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Finding Fairies in my Hair

Why do I have elflocks all snarled up in my hair?

Surely some fairies have been twisting it up there.’

But if I can catch one and make him confess,

He claims I don’t comb it, and that’s why it’s a mess.

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Doofy Me

If I forget everything I ever knew,

Would it be possible that I am still smarter than you?

Old Socrates said he knew nothing at all.

And so he asked questions from Winter through Fall.

I hope I retain enough brain to remember

That everyone needs to wear clothes in December.

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Yep, I still obviously remember how to write spectacularly bad poetry. It is my contribution to literature. Virtually all poets will be able to say, “At the very least, I am a better poet than Beyer.”

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Filed under autobiography, goofy thoughts, humor, Paffooney, poem, poetry

Irreverence

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It is a difficult thing to be an atheist who believes in God.  Sometimes it takes an oxymoron to find the Truth.  And you often have to go heavily on the “moron” portion of the word.

The thing I find most distressing about faith is the fact that those who have it are absolutely convinced that if you don’t agree with them and whatever book of fairy tales they believe in and interpret for you, then you are not a True Believer and you do not have real Faith.

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I remember being told by a Mormon girl in one of my classes that I was her all-time favorite teacher, but she was deeply distressed that, because of my religion (I professed to be a Jehovah’s Witness at the time) I was doomed to burn in Hell forever.

Hey, I was raised in Iowa.  I have experienced minus 100 degree Fahrenheit windchill.  I am among those who think a nice warm afterlife wouldn’t necessarily be a bad thing.

But I am no longer actually a Jehovah’s Witness.  So I guess that helps with the whole Hell-burning thing.  The Witnesses are a religion that claims to understand the Bible is full of metaphorical truth, and yet insist that it is literally true.  They don’t believe in Hell, which, honestly, is not actually mentioned or explained in the Bible as we have it now.  But they do believe your prospects for eternal life on a paradise Earth are totally contingent on knocking on doors and telling other people that they must believe what you believe or experience eternal destruction.  I have stopped being an active Witness and knocking on doors because I got old and sick, and all the caring brothers and sisters in the congregation stopped coming around to visit because number one son joined the Marines, and the military is somehow evil hoodoo that cancels out any good you have done in the past.  Being a Jehovah’s Witness was really hard work with all the meetings (5 per week), Bible reading (I have read the entire Bible two and a half times), door-knocking, and praying, and you apparently can lose it all for saying, thinking, or doing one wrong thing.

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According to the Baptist preachers, Jehovah’s Witness elders, religious zealots, and other opinionated religious people I have known and dealt with in my life, if I do not believe what they believe and agree with them in every detail, then I do not know God and am therefore an atheist.  So, okay, I guess I am.   If I have to be an atheist to believe whole-heartedly that everyone is entitled to sincerely believe whatever the hell they want to believe, then I’ll wear that label.

On a personal note, my favorite verse of the Bible has always been 1 John 4:8,  “He that does not love has not come to know God, because God is love.”  That is why I claim to be an atheist who believes in God.  I know love.  I love all men, women, children, animals, sunrises, artwork, paintings of angels by Bouguereau… everything that is.  And I even love you if you exercise your freedom to tell me, “Your ideas are totally wrong, and you are going to burn in Hell, Mickey, you bad guy, you!”  Mark Twain always said, “I would choose Heaven for climate, but I would prefer Hell for company.”  I am not going to worry about it.  I will be in good company.  Some things are just bigger than me.  And trying to control things like that is nonsense. Sorta like this post.

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Andre Norton, Sci-Fi Royalty

It began for me in 1977 with this wrap-around cover illustration. I knew there were a lot of this guy’s books on the shelves of the college bookstore along with works by Robert E. Howard, Roger Zelazney, and Theodore Sturgeon. And I knew this guy had also written paperback books under the name “Andrew North”, a name I had seen on the twenty-five cent novels in the drugstore where you could buy the really good pulp fiction novels only slightly used.

I had never before bought one of his books. And the book money I had for the fall quarter at Iowa State was supposed to all go towards the book-list given to me as a Junior-level English major. But the naked kid on the cover had a wired-up collar around his neck. And I had only recently recovered long-suppressed memories of being a victim of a sexual assault. I had to have it. I had to know what that illustration had to do with the story inside.

So, I bought a book that I judged by its cover.

And it was not the wrong thing to do.

The main character was a boy named Jony, the naked boy on the cover of the book. He is taken by alien beings as a study specimen along with his mother, the pregnant woman on the back of the wrap-around illustration. The story starts with Jony in a cage, treated like an animal. His mother, also a study specimen has been mated to a Neanderthal-like humanoid specimen who cannot speak, and she has given birth to twins, a boy, and a girl. They are kept in separate cages by their inhuman captors.

Jony manages a mass escape, taking his mother and his younger siblings with him, and releasing as many of the other study specimens as he can. Luckily they escape onto a very earth-like planet. But unluckily, the mother is in very poor health and dies soon after escaping. Jony is then responsible for his little brother and sister in a wilderness that is not empty of others. Luckily, the others they first run afoul of are the bear-like ursine aliens who share their need to not be recaptured by the zoo-keeper aliens.

It was a perfect novel for me. I identified strongly with the main character, who had been violated in a very personal way by monsters. And then had to build a new life in a world full of potential other-monsters. Andre Norton shared my pain and helped me overcome it.

But she also fooled me big-time. She was not a he.

She was a librarian and editor of pulp fiction who wrote enough sci-fi and fantasy in the 50’s, 60’s, and 70’s to finally become a full-time author.

She was already on book number 29 when she retired from being a librarian to write full time.

And I would go on to own and read several of her other books, which were good, but never quite lived up to that first one I read. Of course, that may have been because of the timing and circumstance that led me to a book that I actually needed to read. That book set me on the road to recovery from my personal darkness. And it may have sparked in me the need to eventually become a nudist. And more important than that, it may have led me to a lifelong need to teach reading.

Andre Norton was a real writer. And she made me one too. Though I never knew who she really was until after I bought that book because of the picture on the cover. And I never got around to properly thanking her for all of that… Until this very moment.

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Dvorák’s Scherzo in the Nude

Another opportunity to visit the nudist park has passed without me being able to seize the day and do what I really wanted to do this weekend.  It was, however, a different set of reasons than last time.  Last time I was determined to go on a Saturday when more nudists would actually be present.  I got sick and it rained that Saturday.  So I set my sights on Labor Day weekend.

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This weekend the hurricane that ravaged Houston changed my plans.  You see, the storm also ravaged Port Arthur and the distribution points that local gas stations rely on for new shipments on a weekly basis.  I did not see the gas shortage coming in time.  The lines at gas stations and two hour waits for gas mostly all happened before I was ready to cope with it.  So I was not prepared to make the trip when the time came.  Gas stations are limited to selling chewing gum and promising that more gas would be available by the middle of next week.

If you haven’t realized it yet from these details that could only have happened in the past (2017,) this is a repost of one of my more popular posts from the past.  But it is still relevant in that I cannot go to the nudist park again this summer for health reasons and the fact that my car is taking longer than normal to be repaired.

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Yes, the boy in the picture is me naked as I might’ve been in a more sylvan youth than the one I actually had.

So I am left to sit here in my bedroom studio in the nude writing this and listening to Dvorák’s Scherzo Capriccioso on YouTube.

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A scherzo is, perhaps, the perfect metaphor for an essay like this one.  Most of what I write are really scherziplay (or scherzi if I hadn’t goofed on that typo in the definition) if you analyze them closely.  Sprightly and humorous idea flows (at least, they make me laugh) that wax thoughtful and slightly serious at certain points.  This one, the capriccioso, the capricious and mercurial idea that I have somehow turned into a nudist, is my attempt to make sense of the nonsensical, the whims and flimsy that led me to be a naked old man.

You may have noticed in my artwork a tendency to associate nudity with childlike innocence.  (At least, you should have noticed if I have any ability at all as a writer and artist to guide your perceptions.)   There is no sense at the nudist park that it is about sexuality and impending orgies.  Those things are completely against the rules and have no place among actual nudists.  You go to a nudist park and it is just you and your towel for sitting on talking to a bunch of naked people who are just as fat and old and saggy and baggy as you are, each with their own towels for sitting on.  Nobody uses more than their first names and more than that is not necessary.  Nudists are more open and honest than most people you meet in social situations.  They literally are not hiding anything.  And I have discovered that I fit right in there.  It seems like the most natural thing in the world.  I really enjoyed my brief time nude amongst the nudists.

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Once I got past the initial embarrassment that anyone would feel in that new-nudist situation, I came to the conclusion that I have always been a nudist.  Having been born a nudist, my parents and grandparents trained me not to be one, and being sexually assaulted at ten gave added horror to being naked around others that it took a lifetime to overcome.  But naked is how we were created.  There is a reason that Adam and Eve didn’t wear clothes in Eden.

I didn’t get to go back to the nudist park this holiday weekend.  I will never convince my wife and kids to go with me either.  In fact, I myself may never have another opportunity to go back there.  But listening to Dvorak’s Scherzo has confirmed in me that I am a nudist and always have been.  Sorry if I have frightened you with my naked ideas, but maybe you should listen to a scherzo naked and test whether you are one too.

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Coca-Cola Mind Control

If you’ve read very much of my goofy little blog, you’ve probably run across the fact that I am something of a conspiracy theorist and strange-twist believer… sometimes referred to as a tinfoil-hat-wearer, or that old uncle you don’t want your kids sitting next to at the Thanksgiving dinner table.  And I’ve got another one for you.  I discovered while obsessing about nostalgia and old ads in the Saturday Evening Post, that the Coca-Cola company is probably  responsible for warping my mind as a child.

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My plan in revealing this hideous conspiracy is to take a look at ads and illustrations that I saw as a kid addicted to reading Saturday Evening Post every week at Grandpa and Grandma Aldrich’s farm.  I will scour them for hidden meanings and try to reveal to you the insidious plot underlying these mind-altering illustrations.  Keep in mind that you should probably take everything I say in this article with a grain of salt.  No, really, salt can protect you from subtle mind-control messages.

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And, yes, I realize that not all the messages are that subtle.  Sometimes they shout at you, “Drink Coke and you will have more sex!”  And you have to remember we are trying to avoid that kind of mind control.  We have to fight every instance of ad companies trying to take control over us by exploiting our baser animal urges.

So, let me take a momentary interlude, a break if you will.  I have this big glass of Diet Coke I just bought at QT, and…

Well, that was good!

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Coca-Cola has been at this for a while.  This ad from the  1940’s is apparently attempting to win World War II through choice of soft drinks.  Look at this feisty brew the soldier is about to quaff.  It is actually struggling in the cup to get out and go bite some German soldier’s face off.  Any American soldier who can choke this stuff down is tough enough to take on the Axis powers, Napoleon after Hitler dug him up and used Frankenstein’s scientific breakthroughs to re-animate him, and even several countries we weren’t actually at war with.  Even Rush Limbaugh and his weird lesbian-farmer-subsidies theory can’t compete with Coke on this level of propaganda wars.

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I also think Coca-Cola ads may have something to do with why I became a Cardinals fan when I lived in a place full of Cubs and Twins fans.  I admit, I added the dialogue and the commentary, but I used to do the same thing in my head when I was eight and the Cardinals went to the World Series… and the Cubs could not win it all even with Ernie Banks on their team.  The Cardinals beat the Yankees in 7 games!

I blame Coca-Cola.  Especially their ad department.  Cause the generic manager is telling the generic Oubs player to “Relax… take it easy.”  But the Cardinals won because Bob Gibson had that laser-intensity stare that bored holes through Mickey Mantle’s bat!  (It is Oubs, not Cubs, by the way.  Look at the big “O” on his jersey.)

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And you can’t tell me that the Coca-Cola ad seen here, the one with the white-haired goblin child casting a spell on you with his crazy eyes and pointing at your dark, delicious master isn’t seriously trying to mess with children’s minds.  There used to be a big five-foot-tall metal sign with this very picture on it in the one and only alley in Meservey, Iowa.  The one time I went to the barber there to get my hair cut I had to sit in that barber chair and stare at this evil thing staring back at me from the alley across the street.  It warped me.  For one thing, I never went back to that barber shop again… at least until I was in college and the sign was gone.

So, I seriously believe Coca-Cola was messing with my mind as a child.  They did it through subversive ad illustrations in Saturday Evening Post Magazine.  And if I’m completely crazy now, I blame them.  You don’t see that kind of thing going on today, do you?  Well, I mean, we should be very worried.  Because it probably means they have gotten better at it.

 

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The Real Magic in that Old Home Town

Rowan, Iowa… Not the place I was born, but the place where I got to be a stupid kid, and have the lessons of the good and god-fearing life hammered into my head hard enough to make a dent and make it stay with me for more than half a century. I got to go to grade school there. I learned to read there, especially in Miss Mennenga’s third and fourth grade class. Especially in that old copy of Treasure Island with the N.C, Wyeth illustrations in it, the one Grandma Aldrich kept in the upstairs closet in their farm house. I got to see my first naked girl there. I learned a lot of things about sex from my friends there, and none of them were true. I played 4-H softball there, and made a game-saving catch in center field… in the same game where my cousin Bob hit the game-winning home run. But those were things kids did everywhere. It didn’t make me special. There was no real magic in it.

Being a farm-kid’s kid taught me the importance of doing your chores, every day and on time. If you didn’t do them, animals could get sick, animals could die, crops could be spoiled, the chickens could get angry and petulant and peck your hands when you tried to get the eggs. Cows could get grumpy and kick the milk bucket. Cats could vow revenge if you didn’t direct a spray or two at their little faces as they lined up to watch you milk the cows. And you never knew for sure what a vengeful cat might do to you later, as cats were evil. They might jump on the keyboard during your piano recital. They might knock the turkey stuffing bowl off the top of the dryer when Mom and Grandma and several aunts were cooking Thanksgiving Dinner. And I know old black Midnight did that on purpose because he got to snatch some off the floor before it could be reached by angry aunts with brooms and dustpans. And all of it was your fault if it all led back to not doing your chores, and not doing them exactly right.

But, even though we learned responsibility and work ethic from our chores, that was not the real home-town magic either. I wasn’t technically a real farm kid. Sure, I picked up the eggs in the chicken house at Grandpa and Grandma Aldrich’s farm more than once. And I did, in fact, help with milking machines and even milking cows by hand and squirting cats in the faces at Uncle Donny’s farm. I walked beans, going up and down the rows to pull and chop weeds out of the bean fields at Uncle Larry’s farm. I drove a tractor at Great Uncle Alvin’s farm. But I didn’t have to do any of those things every single day. My mother and my father both grew up on farms. But we lived in town. So, my work ethic was probably worth only a quarter of what the work ethic of any of my friends in school was truly worth. I was a bum kid by comparison. Gary G. and Kevin K, both real farm kids and older than me, explained this to me one day behind the gymnasium with specific examples and fists.

Being a farm kid helped to forge my character. But that was really all about working hard, and nothing really to do with magic.

I truly believe the real magic to be found in Rowan, Iowa, my home town, was the fact that it was boring. It was a sleepy little town, that never had any real event… well, except maybe for a couple of monster blizzards in the 60’s and 70’s, and the Bicentennial parade and tractor pull on Main Street in 1976, and a couple of costume contests in the 1960’s held in the Fire Station where I had really worked hard on the costumes, a scarecrow one year, and an ogre the next, where I almost won a prize. But nothing that changed history or made Rowan the center of everything.

And therein lies the magic. I had to look at everything closely to find the things and strategies that would take me to the great things and places where I wanted to end up. I learned to wish upon a star from Disney movies. I learned about beauty of body and soul from the girls that I grew up with, most of them related. And I invented fantastical stories with the vivid imagination I discovered lurking in my own stupid head. I embarrassed Alicia Stewart by telling everyone that I could prove she was a Martian princess, kidnapped and brought to Earth by space pirates that only I knew how to defeat. And I learned to say funny things and make people laugh… but in ways that didn’t get me sent to the principal’s office in school. Yes, it was the magic of my own imagination. And boring Iowa farm towns made more people with magic in them than just me. John Wayne was one. Johnny Carson was one also. And have you heard of Elijah Wood? Or the painter Grant Wood? Or the actress Cloris Leachman?

Yep. We were such stuff as dreams were made on in small towns in Iowa. And that is real magic.

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The Secret Identity of Super-Mickey

Cartoon villains take note; Super-Mickey’s secret identity is Filbert Hazelnut. I make that revelation without worry. After all, Mickey is not really me. So, if the Messmaster, Badnose the Clown, or Daniel Quilp are going to try to apply the Mickian version of Kryptonite, not laughing at the jokes, in order to slay Super-Mickey, Filbert is immune to that. I am too for that matter. If you are a school teacher who uses humor in the classroom, you soon learn that only the smartest kids actually understand the jokes, and half of them are just too cool to laugh when the teacher wants them to. (Although they will tell you years later that they still use concrete details in their writing because you said that if you routinely whack the reader in the head with verifiable concrete examples, they will be totally stunned enough to believe you know what you are writing about. That was, you must understand, a concrete detail I just whacked you with to help you remember what it is, not to make you laugh… even though it was a joke… but you are permitted to laugh if you want to.)

The basic point of this essay is Mickey is not really me. I never went by that name as a kid.

I was always called Michael, sometimes Mike (though they were usually talking about the Other Mike when anybody said Mike in school back then… circa 1963 to 1969). In high school I was given the nickname Superchicken after the Saturday Morning cartoon on the George of the Jungle Show. In college I was given the rhyming nickname Spike by my college freshman roommate because he ludicrously thought I was the opposite of a Spike, like calling a huge football player Tiny Tim, or a midget Big Bad John.

When I started teaching school, they called me Gilligan because I was thin and they wanted to pretend I was a hopeless stumbling fool (Which I was at times my first two years, just as all beginner teachers are.) My classroom became known as Gilligan’s Island on the day in third period when I made the comment, “Gilligan is lucky enough to be the only really eligible bachelor on the same island with Ginger the movie star and cute little Mary Ann. I would find out later that same day that three eighth grade girls in that very class had huge crushes on me and were fighting over which one was Mary Ann and which one was Ginger and, unsurprisingly, which one was the other girl.

And, of course, Rudolfo Hernandez tried to get everybody to call me Batman because I bought a used Ford Torino with fins on the back. But to promote the nickname, Rudy came to class wearing a Halloween Batman mask and afterwords had to learn to live with being called Battyman himself. (I wish i could take credit for calling him that first, but I am sure I did not. I distinctly remember it coming from a girl in his class that made fun of him for every stupid thing he did because she apparently adored him. I just reinforced it about a thousand times.)

Mickey is a name that I have only ever been called by me myself. It was a name I signed some of my cartoons with (using The Little Fool, Le Petit Fou, Leah Cim Reyeb, and Dr. Seebreez on the rest.) It also became the name I use to refer to myself on this blog when I talk about myself in the third person like a crazy person.

I have given myself other pseudo-pen-names in my writing. Googol Marou, as the only first-person narrator of the AeroQuest series, speaks with my voice as the primary storyteller in the tale. In Norwall, the fictionalized version of Rowan, Iowa in most of my other books, Branch McMillan, the writer-character, is actually me. (Like Charles Dickens switched his initials to write the semi-autobiographical David Copperfield, I created that one by switching the M and the B.

Of course, the many me-characters in my fiction books are also basically me. Superchicken is me. Milt Morgan is a combination of me and the Other Mike. Brent Clarke is the football-player me combined with two other football teammates. Certain parts of Todd Niland’s story are really about things that happened to me, and things I was afraid of at his age.

In some ways Tim Kellogg and Dorin Dobbs are me too, though both of those characters are actually based on my eldest son. It is possible, I suppose, that you could consider my actual son to be a me-character too, as people do live on through their own children.

But, while Mickey might be me more than I care to admit, Super-Mickey’s secret identity is definitely Filbert Hazelnut.

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