

I am fascinated by the darker alleyways in the city of human thought. I love monster movies, those love-story tragedies where the monster is us with one or more of our basic flaws pumped up to the absolute maximum. We are all capable of becoming a monster. There are consequences to every hurtful thing we have ever thought or ever said to other people, especially the people we love.

The monster movies I love most are the old black-and-whites from Universal Studios. But I can also seriously enjoy the monsters of Hammer Films, and even the more recent remakes of Frankenstein, The Mummy, and their silly sequels. I am fascinated by the Creature from the Black Lagoon because it is the story of a total outsider who is so different he can’t really communicate with the others he meets. All he can do is grab the one that attracts him and strike out at those who cause him pain. It occurs to me that I am him when having an argument with my wife. Sometimes I am too intelligent and culturally different to talk to her and be understood. She gets mad at me and lashes out at me because when I am trying to make peace she thinks I am somehow making fun of her. How do you convince someone of anything if they always think your heartfelt apology is actually sarcasm? How do you share what’s in your heart if they are always looking for double meaning in everything you say?

But other people can change into monsters too. I am not the only one. People who are bitter about how their life seems to have turned out can strike out at others like the Mummy. Wrapped in restrictive wrappings of what they think should have been, and denied the eternal rest of satisfaction over the way the past treated them, they attack with intent to injure, even just with hurtful words, because their past sins have animated them with a need to change the past, though the time is long past when they should’ve let their bitterness simply die away.

And we might all of us fall into the trap of Victor Frankenstein’s monster, who never asked to be made. He finds life to be an unmanageable nightmare with others constantly assaulting him with the pitchforks and torches of their fear and rejection.
But the thing about monster movies… at least the good ones, is that you can watch it to the end and see the monster defeated. We realize in the end that the monster never really wins. He can defeat the monstrous qualities within himself and stop himself. Or the antidote to what ails him is discovered (as Luke did with Darth Vader). Or we can see him put to his justifiable end and remember that if we should see those qualities within ourselves, we should do something about it so that we do not suffer the same fate. Or, better yet, we can learn to laugh at the monstrosity that is every-day life. Humor is a panacea for most of life’s ills.




















































How To Write A Mickian Essay
I know the last thing you would ever consider doing is to take up writing essays like these. What kind of a moronic bingo-boingo clown wants to take everything he or she knows, put it in a high-speed blender and turn it all into idea milkshakes?
But I was a writing teacher for many years. And now, being retired and having no students to yell at when my blood pressure gets high, the urge to teach it again is overwhelming.
So, here goes…
Once you have picked the silly, pointless, or semi-obnoxious idea you want to shape the essay around, you have to write a lead. A lead is the attention-grabbing device or booby-trap for readers that will draw them into your essay. In a Mickian essay, whose purpose is to entertain, or possibly bore you in a mildly amusing manner, or cause you enough brain damage to make you want to send me money (this last possibility never seems to work, but I thought I’d throw it in there just in case), the lead is usually a “surpriser”, something so amazingly dumb or off-the-wall crazy that you just have to read, at least a little bit, to find out if this writer is really that insane or what. The rest of the intro paragraph that is not part of the lead may be used to draw things together to suggest the essay is not simply a chaotic mass of silly words in random order. It can point the reader down the jungle path that he or she can take to come out of the other end of the essay alive.
Once started on this insane quest to build an essay that will strangle the senses and mix up the mind of the reader, you have to carry out the plan in three or four body paragraphs. This is where you have to use those bricks of brainiac bull-puckie that you have saved up to be the concrete details in the framework of the main rooms of the little idea-house you are constructing. If you were to number or label these main rooms, this one you are reading now would, for example, be Room #2, or B, or “the second body paragraph”. And as you read this paragraph, you should be thinking in the voice of your favorite English teacher of all time. The three main rooms in this example idea house are beginning, middle, and end. You could also call them introduction, body, and conclusion. These are the rooms of your idea house that the reader will live in during his or her brief stay (assuming they don’t run out of the house screaming after seeing the clutter in the entryway).
The last thing you have to do is the concluding paragraph. (Of course, you have to realize that we are not actually there yet in this essay. This is Room C in the smelly chickenhouse of this essay, the third body paragraph.) The escape hatch on the essay that may potentially explode into fireworks of thoughts, daydreams, or plans for something better to do with your life than a read an essay written by an insane former middle school English teacher at any moment, is a necessary part of the whole process. This is where you have to remind them of what the essay is basically about, and leave them with the thought that you want to haunt them in their nightmares later. The last thing that you say in the essay is the thing they are the most likely to remember. So you need to save the best for last.
So, here, finally, is the exit door to this masterfully mixed-up Mickian Essay. It is a simple, and straightforward structure. The introduction containing the lead is followed by three or four body paragraphs that develop the idea and end in a conclusion that summarizes or simply restates the overall main idea. And now you know why all of my former students either know how to construct an essay, or have several years left in therapy sessions with a psychiatrist.
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