Tag Archives: humor

Coca-Cola Mind Control

If you’ve read very much of my goofy little blog, you’ve probably run across the fact that I am something of a conspiracy theorist and strange-twist believer… sometimes referred to as a tinfoil-hat-wearer, or that old uncle you don’t want your kids sitting next to at the Thanksgiving dinner table.  And I’ve got another one for you.  I discovered while obsessing about nostalgia and old ads in the Saturday Evening Post, that the Coca-Cola company is probably  responsible for warping my mind as a child.

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My plan in revealing this hideous conspiracy is to take a look at ads and illustrations that I saw as a kid addicted to reading Saturday Evening Post every week at Grandpa and Grandma Aldrich’s farm.  I will scour them for hidden meanings and try to reveal to you the insidious plot underlying these mind-altering illustrations.  Keep in mind that you should probably take everything I say in this article with a grain of salt.  No, really, salt can protect you from subtle mind-control messages.

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And, yes, I realize that not all the messages are that subtle.  Sometimes they shout at you, “Drink Coke and you will have more sex!”  And you have to remember we are trying to avoid that kind of mind control.  We have to fight every instance of ad companies trying to take control over us by exploiting our baser animal urges.

So, let me take a momentary interlude, a break if you will.  I have this big glass of Diet Coke I just bought at QT, and…

Well, that was good!

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Coca-Cola has been at this for a while.  This ad from the  1940’s is apparently attempting to win World War II through choice of soft drinks.  Look at this feisty brew the soldier is about to quaff.  It is actually struggling in the cup to get out and go bite some German soldier’s face off.  Any American soldier who can choke this stuff down is tough enough to take on the Axis powers, Napoleon after Hitler dug him up and used Frankenstein’s scientific breakthroughs to re-animate him, and even several countries we weren’t actually at war with.  Even Rush Limbaugh and his weird lesbian-farmer-subsidies theory can’t compete with Coke on this level of propaganda wars.

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I also think Coca-Cola ads may have something to do with why I became a Cardinals fan when I lived in a place full of Cubs and Twins fans.  I admit, I added the dialogue and the commentary, but I used to do the same thing in my head when I was eight and the Cardinals went to the World Series… and the Cubs could not win it all even with Ernie Banks on their team.  The Cardinals beat the Yankees in 7 games!

I blame Coca-Cola.  Especially their ad department.  Cause the generic manager is telling the generic Oubs player to “Relax… take it easy.”  But the Cardinals won because Bob Gibson had that laser-intensity stare that bored holes through Mickey Mantle’s bat!  (It is Oubs, not Cubs, by the way.  Look at the big “O” on his jersey.)

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And you can’t tell me that the Coca-Cola ad seen here, the one with the white-haired goblin child casting a spell on you with his crazy eyes and pointing at your dark, delicious master isn’t seriously trying to mess with children’s minds.  There used to be a big five-foot-tall metal sign with this very picture on it in the one and only alley in Meservey, Iowa.  The one time I went to the barber there to get my hair cut I had to sit in that barber chair and stare at this evil thing staring back at me from the alley across the street.  It warped me.  For one thing, I never went back to that barber shop again… at least until I was in college and the sign was gone.

So, I seriously believe Coca-Cola was messing with my mind as a child.  They did it through subversive ad illustrations in Saturday Evening Post Magazine.  And if I’m completely crazy now, I blame them.  You don’t see that kind of thing going on today, do you?  Well, I mean, we should be very worried.  Because it probably means they have gotten better at it.

 

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The Uncritical Critic Likes to Read Books Too!

I told you before that I make a lousy movie critic because I watch anything and everything and like most of it.  You don’t believe me?  You can look it up through this link; The Uncritical Critic

I hate to tell you this, but it is almost exactly the same for books too.

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The Paffooney is an illustration for a proposed collaboration on a children’s book.  My friend and fellow author Stuart R. West (Stuart’s Blogspot about Aliens) had a story about three kids taking a balloon ride when they accidentally gave the goldfish bubble gum to chew ignoring their mother’s warning that dire consequences would follow.  He decided the project was too ridiculous to follow through on, or at least my Paffooney power wasn’t up to making sense of his brilliant literature, and the book did not happen.  And I am sorry about that because I couldn’t wait to find out how it turns out.  I love weird and wild stories of all kinds.  And, unfortunately, I love them uncritically.

So, what kind of books would a goofy uncritical critic actually recommend? Let me lay some bookishness on ya then.

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Here is the review I wrote for Goodreads on Terry Pratchett’s The Amazing Maurice and His Educated Rodents.

I have always felt, since the day I first picked up a copy of Mort by Terry Pratchett, that he was an absolute genius at humor-and-satire style fantasy fiction. In fact, he is a genius compared to any author in any genre. He has a mind that belongs up there with Mark Twain, Charles Dickens, and William Faulkner… or down there as the case may well be. This book is one of his best, though that is a list that includes most of his Discworld novels.
Amazing Maurice is a magically enhanced cat with multiple magically enhanced mice for minions. And the cat has stumbled on a sure fire money-making scheme that completely encompasses the myth of Pied Piper of Hamlin. In fact, it puts the myth in a blender, turns it on high, and even forgets to secure the lid. It is funny, heartwarming, and changes the way you look at mice and evil cats.
This is a book to be read more than once and laughed at for the rest of your life.

You see what I mean?  I uncritically praise books that make me laugh and think deeply about things at the same time.  It is as if I don’t have any standards at all if something is brilliantly written and makes a deep and influential impression on me.

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Here’s another book that I love so much I can’t be properly critical when I reread it.  A Tale of Two Cities by Charles Dickens.  I cannot help but be taken in by the unrequited love the dissolute lawyer Sydney Carton had for the beautiful refugee from the French Revolution, Lucy Manette.  Tragic love stories melt my old heart.  And I can’t help but root for Charles Darnay as well, even though I know what’s going to happen in Paris at the Bastille because I have read this book three times and seen the Ronald Coleman movie five times.  I also love the comical side characters like Jerry Cruncher the grave-robber and hired man as well as Miss Pross, the undefeatable champion of Miss Lucy and key opposer to mad Madam Defarge.

I simply cannot be talked out of praising the books I read… and especially the books I love.  I am totally uncritical as a reader, foolishly only looking for things I like about a book.  Real critics are supposed to read a book and make faces that remind you of look on my little brother’s face when I had to help him use an outhouse for the first time.  (Oh, what a lovely smell that was!)  (And I mean that sarcastically!)  Real critics are supposed to tell you what they hated about the book and what was done in such a juvenile and unprofessional way that it spoiled all other books forever.  That’s right isn’t it?  Real critics are supposed to do that?  Maybe I am glad I’m not a real critic.

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Silly Tyger!

I think I posted this picture once before and told you it was inspired by William Blake’s poem The Tyger!  That is still true.  I wasn’t telling a lie, at least, I don’t believe I was.  So the poem goes like this;

The Tyger

BY WILLIAM BLAKE

Tyger Tyger, burning bright,
In the forests of the night;
What immortal hand or eye,
Could frame thy fearful symmetry?
In what distant deeps or skies.
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain,
In what furnace was thy brain?
What the anvil? what dread grasp,
Dare its deadly terrors clasp!
When the stars threw down their spears
And water’d heaven with their tears:
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger Tyger burning bright,
In the forests of the night:
What immortal hand or eye,
Dare frame thy fearful symmetry?
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The idea is that the Tyger represents some unknowable evil that we must fear and respect because it is beyond our understanding.  But the kid in the picture seems to be unafraid.  Was that a mistake?  Or was I really thinking this?
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Apologies to Bill Watterson for stealing his cartoon for this post.  I needed a more dangerous-looking Tyger than the one I had.

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The Ultra-Mad Madness of Don Martin

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Born in 1931 and lasting in this crazy, mixed-up world until the year 2000, Don Martin was a mixy, crazed-up cartoonist for Mad Magazine who would come to be billed as “Mad Magazine’s Maddest Artist.”    His greatest work was done during his Mad years, from 1956 (the year I was born… not a coincidence, I firmly believe) until his retirement in 1988.  And I learned a lot from him by reading his trippy toons in Mad from my childhood until my early teacher-hood.

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His style is uniquely recognizable and easily identifiable.  Nobody cartoons a Foon-man like Don Martin.

The googly eyes are always popped in surprise.  The tongue is often out and twirling.  Knees and elbows always have amazingly knobbly knobs.  Feet have an extra hinge in them that God never thought of when he had Adam on the drawing board.

And then there is the way that Martin uses sound effects.  Yes, cartoons in print don’t make literal sounds, but the incredible series of squeedonks and doinks that Martin uses create a cacophony of craziness in the mind’s ear.

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And there is a certain musicality in the rhyming of the character names he uses.  Fester Bestertester was a common foil for slapstick mayhem, and Fonebone would later stand revealed by his full name, Freenbeen I. Fonebone.

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And, of course, one of his most amazingly adventurous ne’er-do-well slapstick characters was the immeasurable Captain Klutz!

Here, there, and everywhere… on the outside he wears his underwear… it’s the incredible, insteadable, and completely not edible… Captain Klutz!

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If you cannot tell it from this tribute, I deeply love the comic genius who was Don Martin, Mad Magazine’s Maddest Artist.  Like me he was obsessed with nudists and drawing anatomy.  Like me he was not above making up words with ridiculous-sounding syllables.  And like me he was also a purple-furred gorilla in a human suit… wait!  No, he wasn’t, but he did invent Gorilla-Suit Day, where people in gorilla suits might randomly attack you as you go about your daily life, or gorillas in people suits, or… keep your eye on the banana in the following cartoon.

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So, even though I told you about Bruce Timm and Wally Wood and other toon artists long before I got around to telling you about Don Martin, that doesn’t mean I love them more.  Don Martin is wacky after my own heart, and the reason I spent so much time immersed in Mad Magazine back in the 60’s, 70’s, and 80’s.

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Toonerville, a Place I Once Lived In

There is a place so like the place where my heart and mind were born that I feel as if I have always lived there.  That place is a cartoon panel that ran in newspapers throughout the country from 1913 to 1955 (a year before I was born in Mason City, Iowa).  It was called Toonerville Folks and was centered around the famous Toonerville Trolley.

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Fontaine Fox was born near Louisville Kentucky in 1884.  Louisville, of course is one of the two cities that claims to be the inspiration for Toonerville.  Apparently the old Brook Street Line Trolley in Louisville was always run-down, operating on balls of twine and bailing wire for repair parts.  The people of Pelham, New York, however, point to a trolley ride Fox took in 1909 on Pelham’s rickety little trolley car with a highly enterprising and gossip-dealing old reprobate for a conductor.  No matter which it was, Fox’s cartoon mastery took over and created Toonerville, where you find the famous trolley that “meets all trains”.

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I didn’t learn of the comic strip’s existence until I was in college, but once I found it (yes, I am the type of idiot who researches old comics in university libraries), I couldn’t get enough of it.  Characters like the Conductor, the Powerful (physically) Katrinka, and the terrible-tempered Mr. Bang can charm the neck hair off of any Midwestern farm-town boy who is too stupid to regret being born in the boring old rural Midwest.

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I fancied myself to be just like the infamous Mickey (himself) McGuire.  After all, we have the same first name… and I always lick any bully or boob who wants to put up a fight (at least in my daydreams).

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So, this is my tribute to the cartoonist who probably did more to warp my personality and make me funny (well, at least easy to laugh at! ) than any other influence.  All of the cartoons in this post can be credited to Fontaine Fox.  And all the people in them can be blamed on Toonerville, the town I used to live in, though I never really knew it until far too late.

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Filed under art my Grandpa loved, artists I admire, cartoons, Toonerville

On Fridays I’m Supposed to Be Funny

Being a daily blogger who has now reached 421 consecutive days with at least one post on WordPress and at least one Tweet on Twitter (linking it to this blog,) I am attempting to impose order and structure on the content of this humor blog.

Mondays are for self-reflection, Tuesdays are for my on-going novel writing, Wednesdays are for what ever is current or topical to complain about, Thursdays are about teaching something (or stories about teaching something to somebody in the past,) Fridays are supposed to be funny business, Saturdays are about artwork, and Sundays are for major themes and big ideas.

So, you can see, I blow the structure apart regularly every single week. I almost never do it according to plan.

But that doesn’t excuse the fact that I am supposed to be Funny on Fridays. You see, not only is Funny on Friday an alliteration, a poorly-connected form of ironic humor, but Friday is named after the Norse goddess Frigga, the goddess of love, marriage, fertility, family, and civilization. There is no Norse goddess of humor. But humor is obviously always about sex, the toilets backing up, kids defying their parents in order to do something foolish, how terrible your mother-in-law really is, laws that Republicans pass that screw up your life, and sex again… all those things Frigga was the goddess of.

And I have now come to the realization that I have arrived at my Laughing Place. I am now retired from a job I loved that provided me with numerous little anecdotes about the funny things that happen to teachers. You know, things like a kid that destroyed the hallway drinking fountain by head-butting it, the kid who could make his entire head turn purple by tightening every muscle in his rubber face, the boys who held fart contests for an entire month in 1984, the winner of the contest winning a week of in-school suspension, and the loser winning the exact same prize, and many other such stories that most of the girls were smart enough not to become the main characters of.

I have also managed to reach a point in life where I don’t have to worry about money (at least not the way I used to worry, being more than thirty thousand dollars in debt.) After five years of paying off a Chapter 13 Bankruptcy and inheriting a farm as a third-part-owner of farmland where we rent the land and don’t do the work ourselves. I am no longer in debt. And the evil pirate bankers are no longer circling my home like vultures. So, I am in my Laughing Place because debt-free farmland ownership is my brier patch. The evil pirate bankers threw me in, and it turned out it was a good place for the rabbit which is me. Now I can laugh and laugh. And I might as well do it on Fridays.

So you can now rely on me to try and frequently fail to follow the schedule and be funny on Fridays.

According to the plan laid out in this old post, this should be a self-reflection post… hence, Monday.

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The Case for the Clown

The criminal was led into the courtroom in chains and forced to sit in a box made of metal bars so his influence would not reach out and harm anyone by drawing their sympathy in.

“Mr. Prosecutor,” said the learned judge, “what terrible crime has the perpetrator been charged with?”

“The alleged perpetrator!” objected the defense attorney, a mousy old man who looked like a cross between Santa Clause and Robert E.Lee because of his white beard, stern face, and a twinkle in his eye.

“Shut up please, Mr. Badweather. You will have your turn to speak.” The judge banged his gavel smartly to emphasize the shut-up-ness of his overruling.

“Your honor,” said the prosecutor, “Mister Pennysnatcher Goodlaughs stands accused of being a clown.”

“The people of the State of Texas, home of the free, land of the brave, and place where cowboys can hang their hat on the antlers of a moose they shot in Canada, will prove that Mr. Goodlaughs did willfully, and with malice of forethought, commit acts of supposed humor in order to make people laugh. And we will further prove that in a time of very serious things, he intentionally made light of very serious matters and the very serious men who try to turn those serious things to their exclusive… err, sorry, I mean… everyone’s benefit.”

“Your honor,” said the defense attorney, looking like a cross between Mark Twain and Colonel Sanders, “I would like to request a new venue for this trial. My client will not get a fair trial here.”

“Sir, your stupid request is rejected on the grounds that Mr. Goodlaughs cannot get a fair trial anywhere. We are all conservatives, and are therefore incapable of having a sense of humor. Continue, Mr. Prosecutor.”

“We will show numerous instances of Mr. Goodlaughs putting paint on his face to hide his true features or assume the identity of a character not his own. He has repeatedly used false noses, large shoes, and floppy hats to exaggerate his flaws and scare young children. He repeatedly wears polka-dotted clothing to simulate terrible taste and ridiculous lack of fashion-sense. He employs pratfalls and slapstick humor in his performances, things that, if any school-age child would imitate the behavior, might lead to serious injury or even death. And he has even dared to make fun of our glorious leaders, implying that they make mistakes and may even have hurt people. That they act without thinking about anything but their own pocketbooks. In other words, this clown has knowingly made jokes in order to get people to not take things seriously.”

“Your honor, I object to this jury. I object to the fact that it is made up of fifty percent rednecks and fifty percent kangaroos! My client demands a new, more impartial jury!” cried the defense attorney, looking like a cross between Captain Kangaroo and Ronald Reagan.

“Has anybody noticed?” asked the judge, “that this attorney looks like he could influence this jury unfairly? He looks like two people who could lead the two halves of this jury to the wrong conclusion. Bailiff! Take the defense attorney out back and execute him by firing squad.”

After the entire courtroom heard the gunshots go off, the judge then turned to the prisoner.

“It seems, Mr. Goodlaughs, that the defense’s opening statement is now entirely up to you. Do you have anything to say in your own defense?

“I do, your honor. Ladies and gentlemen, kangaroos and Reagan Republicans of the jury, I submit to you that I have never actually been a circus clown, or wore face paint. Not that I wouldn’t if the opportunity presented itself. I merely claim the right to laugh at anything I think is funny… or can be made funny. Whether I am being what you call a clown, a humorist, a cartoonist, a comedian, a fool, a village idiot, or a witty fellow, I believe I have the right to make light of anything. Life is always better when you can laugh. Especially if you can laugh at yourself.”

“I’ve heard enough,” said the judge. “What say you, jury?”

“Guilty!”

“Yes. And I preemptively waive the prisoner’s right to appeal. Sir, you are guilty, and you shall be executed immediately.”

Everyone in the courtroom breathed a long-awaited sigh of relief.

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Cissy Moonskipper Meets the Nebulons, Part 3

Putting on the Danjer Suits

Suki, as a Nebulon herself, led the way out of the spaceship into the oral cavity of the great space whale. Cissy, an Earther humanoid, and Friday, a Lupin child, both came tentatively after, fully aware that they were probably the reasons why there was an air of suspicion and dislike among the Clan Vorranac Nebulons. Crocodile Guy wisely stayed invisible and inside the spaceship, an option open to him alone as an artificially intelligent hologram made of light and computer data.

“So, are you going to welcome us? Cissy saved a large number of our clan brothers and sisters from Lupin pirates. And the Lupin child was saved and adopted by her as well. (This is translated from the Nebulonin Language to save you from having to learn Nebulonin.)” Suki glared angrily at the completely expressionless Nebulon warriors.

“The xenomorphs must be put into Danjer suits immediately,” said the lead warrior with no significant expression on his blue face.

“He says that we must dress you in Danjer suits immediately. It is for your protection.”

“Explain, please,” Cissy said.

“You see these two special organs that all Nebulons have?” Suki said, pointing to the two red spots on her otherwise blue cheeks. “These special skin organs allow the absorption and dispersing of exotic radiations that are part of a space whale’s internal functions. Without them, living inside a space whale can kill you. Danjer suits will prevent that from happening to the two of you so you don’t die.”

“Well, that does seem important.” Cissy smiled at Suki. A smile that would later seem inappropriate.

The three crewmen of the Happy Luck followed the warriors into a smaller enclosure.

“Paskuah sah fonatouh auol tanac.” The lead warrior pointed at a bench with three piles of quivering sludge on it, one blue, one gold, and one pink.

“He says we should disrobe and put these on.” Suki smiled as she picked up the blue sludge. In her hand, it transformed into a reasonable facsimile of a space suit.

“Euw, dat is ay-live!” Friday said with her muzzle curled up in a snarl.

“It is a living creature. It functions as a space suit. It feeds on the dirt, sweat, and oil from your body, automatically keeps you clean, and provides force fields, proper pressure levels, and an atmosphere for you to breath. It also processes and protects you from radiation.” Suki demonstrated how easily it went on her body and turned into what looked like a high-tech space suit. It was alive, but you couldn’t tell that by looking at it.

Cissy shucked off the suit she had been wearing. She stood there naked for a few moments, staring at the golden quivering mass. She knew that some of the warriors had to be males, watching her with who knows what in their hearts. But she wasn’t sure about the whole thing.

Friday was only wearing her Lupin fur, so when she picked up the pink mass, it quickly swooped onto her small body and fairly sizzled as it changed. It turned into a rather cute outfit that fit a Lupin child perfectly. “I iz purtee nowz!” Friday giggled. “Ann it teekulls!”

So, Cissy put the golden one on too. And it swiftly turned into an admirable starship uniform worthy of a captain. She also felt surprisingly pleased.

Then the lead warrior said, “Now we will go before the Prince to decide who lives and who dies. (Translated for you again so you don’t have to work at it… free of charge.)”

“What did he say, Suki?”

“Well, um… it needs a lot of context.”

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Dragons

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Dragons in the Dungeons and Dragons role-playing games are the central monsters of the story.  In our Eberron campaign they not only rule an entire mysterious continent, but they are credited with the very creation of the world and everything.  Not only monsters, but also gods, is a pretty big order for a   character to fill.

Skye, the Blue Dragon to the left above is a dragon who believes that human people are the most important part of fulfilling the Dragon Prophecy.  Therefore the characters can rely on him as an ally, and sometimes even a patron.  He is a blue chromatic dragon with lightning breath, and the Blue Dragon Aureon, his great great grandfather,  is an important leader of the god-dragons worshiped as the Sovereign Host.

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Phaeros, the great crested red dragon, is a servant of chaos who actively opposes all that is good.  He works with orcish dictators and priests of the Dark Six to accomplish vast swaths of damage, destruction, and war.

He is a big bad villain that has to come at the end of a campaign, because dragons are not only powerful fire-breathers with monstrous monster-damage capability, they also know far more magic than even the wisest of wizards.  My players have not crossed him yet, but if they start finding the missing dragon eggs, that will happen soon.

You may notice that my dragon pictures are mostly coloring-book pictures repeated with different colors, but in many ways dragons are like that.  They all have the cookie-cutter qualities of a dragon, but with different-colored personalities and powers and ideas of good and evil.

Penny Dragon

Pennie is a copper dragon with divided loyalties and the soul of a clown.  She never takes the adventure at hand too seriously.  But if she decides to help the player characters find the missing dragon eggs, no ally will prove stronger and more helpful than her.  And she knows things that the players need to learn from her to find the missing eggs.

So dragons come in many forms and personalities.

In fact, the search for the missing dragon eggs will be critically affected by the fact that the eggs have all five hatched and dragons instinctively protect themselves when young by using their polymorph self magic to become some other creature.  And someone has implanted the idea of using human form as the default even though the wormlings have never actually seen a human being in real life.

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This is a double portrait of Calcryx, both as a white dragon wormling and a young girl.

So, playing games with dragons is fun and archetypal story-telling, and I will continue to do it, even if it means getting burned now and again.

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Magnificent Maisey on the Mound

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Okay, I am taking over this danged silly old blog today to talk about something important!  Baseball!!!  Yeah, and even more important, I wanna talk about how girls can be good at baseball.

My name is Maisey Moira Morgan.  I am a left-handed pitcher for the Carrollton Cardinals.  That’s a boys’ Little League team, in case ya didn’t know.  I ain’t the only girl in boys’ Little League, but I am the only girl on the Cardinals’ team.  The only girl pitcher.  The only WINNING girl pitcher.  I woulda been an undefeated winning girl pitcher if Tyree Suggs hadn’t dropped that fly ball in the bottom of the ninth inning out in right field two weeks ago.  I ended my season at 3 wins and 1 loss.

You see, the thing is, I know the secret to striking out boys at the plate.  First of all, I am a left-handed pitcher.  Those danged boys are all used to seeing the ball flung at ’em from the right side.  Ninety-nine and two-tenths per cent of all pitchers in our league are right-handed.  So are most of the batters.  So that futzes them up right there.  And on top of that, Uncle Milt taught me to throw a knuckle-ball two years ago.  That is one amazingly hard pitch to hit square if you do it right.  You curl your fingers on the ball and give a little sorta push-out with your fingertips as you let it go.  And you try really hard to make the ball not spin as you push it towards the batter.  It can do amazing things after it leaves my hand.  Uncle Milt swears that he saw one of my pitches double-dip and then corkscrew as it went across the plate low in the strike zone.  A mere boy can’t really get a good swing at a pitch if it flutters around like a crazy bug with butterfly wings.

But that ain’t even the real secret to my baseball success.  You see, them danged boys all think they can step up to the plate and put their bat on any ball thrown at ’em by a mere girl.  They are not afraid of me, even the third time they get up to bat after striking out twice before.  My uniform is not exactly sexy, but all I really have to do is wiggle my behind a little and smile at them, and they don’t even seem to be thinking about hitting the ball any more.  I get an even bigger smile on my sweet little face when strike three flutters past ’em.  I always take ’em by surprise.

I expect to be the first woman pitcher in the major leagues one day.  Remember my name.  Maisey Moira Morgan.  Future Hall of Famer.

(Disclaimer; Maisey might actually have a hard time claiming her place in the Baseball Hall of Fame, not because the major leagues don’t have any women in them, but because she is an entirely fictional human being, only existing in Mickey’s stupid little head.)

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