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Philip K. Dick

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There is a major drawback to being so smart that you can perceive the edges of infinity.  It makes you bedbug crazy.  I love the science fiction that populated the paperback shelves in the 50’s and 60’s when I was a boy.  I love the work of Philip K. Dick.  But it leads you to contemplate what is real… what is imaginary… and what is the nature of what will be.

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the robot Philip K. Dick who appeared at Comic Con and answered questions

There are numerous ways to investigate life.  But it is in the nature of imaginary people to try to find ways to make themselves real.  When the replicants in Bladerunner try to make themselves into real people, they must try to create memories that didn’t exist.  They try to mirror human life to the extent that they can actually fool the bladerunner into letting them live.  Of course, it doesn’t work.  They are not real.  (Bladerunner is the movie name of Do Androids Dream of Electric Sheep).

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It is like that for me as well.  Being an imaginary person is difficult.  You have to constantly invent yourself and re-invent yourself.  By the time you finally get to know yourself, you have to change again so that the anti-android factions don’t destroy you.  Although, I think I may not actually be an android.

Does that sound a bit crazy?  Well Philip K. Dick’s life story may in fact have led him down the path to really crazy.  In 1971 he broke up with his wife, Nancy Hackett.  She moved out of his life, and an amphetamine-abuse bender moved in.  In 1972, ironically the year I began reading Dick’s work, he fell in love at the Vancouver Science Fiction Convention.  That was immediately followed by erratic behavior, a break-up, and an attempted suicide overdosing on the sedative potassium bromide.  This, of course, led directly to his 1977 novel A Scanner Darkly.

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The story is about a police detective who is corrupted by a dangerous addictive drug that takes him down the rabbit hole of paranoia, and being assaulted by the perception of multiple realities simultaneously.  His novel Ubik from 1969 is a story of psychics trying to battle groups of other psychics even after they are killed by a bomb.  The crazy seems to have been building for a while.

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In 1974 he had a transcendental experience when a lady delivering medicine to his door wore a fish-shaped pendant which he said shot a pink beam into his head.   He came to believe the beam imparted wisdom and clairvoyance, and also believed it to be intelligent.  He would later admit to believing he had been reincarnated as the prophet Elijah.

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Imagination has its dangers.  It is a powerful thing able to transform reality.  Science fiction writers often use their imagination to shape what the future will actually make come into being.  But it can also turn your mind inside out.  A great science fiction writer like Philip K. Dick can contemplate the nature of reality and turn his own reality inside out.  It is a lesson for me, a lesson for all of us.  Wait, is that a pink beam of light I see?  No, I just imagined it.

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Having Written a Book of Evil Poetry

For four more days, you can go to Amazon and get an ebook of Evil Poetry for free. It needs to be read by somebody. So far, I have only given away one free book with a fifth of the promotion already gone.

I may not have much time left to get any kind of success with my writing. Hopefully, this poetry book will help. I believe I am a truly terrible poet. But it can’t be denied that there is evil power in poetry. It can bring the dead back to life. It can make you see images and metaphors that are totally foreign and exotic to your mind, but were conceived in the mind of a terrible poet. It may literally be evil to let Mickey write poetry for other people to read, But I have gone ahead and composed this book of verse regardless of how many scalps grow white overnight and how many innocent readers are transformed into addicts, compulsive poetry writers, and little yellow birds. The link at the beginning will, for a few days, take you to Amazon where you can get an ebook copy for free.

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Creepy’s Haunted House

“Hey, howdy, Pearla! Fancy meeting you out here, outside the new house I am going to haunt. You wanna come along and help me ghostify a few terrified human-types?”

“Oh, no, Creepy. Look at all the lights on in there. People might actually see me. And I am not wearing any ghost clothes. I don’t want humans to see me naked.”

“Ghosts is supposed to be naked, Pearla. Didn’t you ever read those Casper the Friendly Ghost comic books when you were a living kid?”

“Yes, I did.”

“Did you ever see Casper or the Ghostly Trio wearing any pants?”

“Well, no. “

“That’s it then. They all walk around naked all the time in that comic book. Every issue. No ghost clothes!”

“Wendy the Witch is never naked.”

“Yes, but she ain’t a ghost. The uniform for kid witches is funky red pajamas. But I’ll bet she goes naked as soon as she dies.”

“Do kids in comic books ever die?”

“Well, where did Casper and Spooky and Poil come from if they don’t? They are ghosts.”

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Yes, I admit it. I was a weird kid. I loved Casper comics because I thought they were practicing nudism. It didn’t bother me that they had no genitals. When you are a kid, genitals are pretty much a nightmare waiting to happen. We might live better lives if we died as kids and became ghosts with no genitals. Of course, civilization would end sooner if everybody did it. I had weird thoughts as a kid. Maybe due to the fact that I was victimized at age ten. But weird thoughts are creative thoughts. And I can create my way out of anything.

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A Silly Side-Note and Picture Paffooney

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I was trying to figure out a way to cheat today and post something that didn’t take a lot of time and effort, but appealed to an audience looking for humor, art, poop jokes, cute kids, or inspiration, or whatever the heck else people make the mistake of looking at my blog for.  I came up with this amalgam.  Amalgam is a good word.  It means different things all mashed up together to make something new.  You will note I took several old things I have already done and mushed them together into a single bizarre Paffooney picture of mostly pink and blue.  I promise that I will work harder tomorrow to do whatever it is that I actually do… and for today… well, it isn’t totally bad.  I usually do very similar stuff, but with way more words.

Here is a close-up of the prose-poem in case you don’t want to make the effort it takes to click on the picture and blow it up a bit;

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Notes from the 70’s; the Master Plan

I have wanted to be a writer and cartoonist from childhood onward.  I didn’t really begin in earnest until the last few years of my teaching career with retirement looming directly ahead.  Now I have made the leap off the cliff.  I retired a year ago.  I did everything short of bankruptcy to put my accounts in order, and transformed myself into a starving artist.  I have a full retirement from Texas, subject to a grandfather clause (no relation to the Santa Clause) that allows me to receive enough money to live on for the rest of my life (thanks to the trick of being a teacher back before George W. Bush and Rick Perry came along to pillage Texas education and reduce what they pay those lazy, lousy teachers for their lifetimes of service).  Of course, I must try to limit my expenditures as much as possible, because… well, it is a teacher’s pension.

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But my plan from the 70’s, begun in high school and carried out through college and my teaching career has allowed me to stay on track to create something massive and complex.  My story ideas have been collected over time and are all based on a very simple rule… “Everything is connected.”  Every story I now labor to put into prose mentions other stories and has story fishhooks in it to catch readers and pull them into something else.  Most of my work is set in farm-town Iowa in the 1970’s, 1980’s, and 1990’s.  I made them all a part of the 20th Century on purpose because the personalities the characters are all based on were a part of my life then.  Certain elements run through all the stories.  Let me explain a few.

1.  Some characters appear in many stories (sometimes as a main character, and more often as a supporting character.  The French boy who sings karaoke beautifully and makes his cousin’s bar business a success by entertaining people there appears in two stories that happen at about the same time.  Both of those stories are still waiting to be written.  Tim Kellogg appears in my stories from the time he is but a twinkle in his parents’ eyes until he becomes the leader of the infamous boys’ gang of liars called the Norwall Pirates.

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giant bat2.  Most of the stories are centered around members of the Norwall Pirates.  They are a group of small town boys dedicated to adventure, telling lies, and seeing girls naked.  Much of the magic, science fiction, fantasy elements, and just plain hallucinations in my stories are the fault of boys who tell stories and lies so well that sometimes they believe them themselves.

3.  Character arcs that begin in one book will often continue in another.  Sometimes I go back in time and explain something that happened much earlier.  The Pirate’s club first appears in my novel Catch a Falling Star set in 1990.  The origin of the club is told about in Superchicken, a novel I have blogged about, but not yet published.  That story happens in 1974.  Valerie Clarke is introduced in the novel PDMI Publishing LLC is currently working on, Snow Babies,  which takes place in Winter of 1984.  She is the leader of the Pirates in the finished, but not yet submitted novel The Bicycle-Wheel Genius.  That story spans 1988 to 1991.

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4. Much of my nuttiness was originally created in the 1970’s.  Even though the stories were given a setting much later, all the illustrated Paffoonies I have dropped into this post were drawn in 1977 and 1978.  I keep these cartoon character model sheets in one of my magical tomes, the Norwall Book, a loose-leaf binder full of drawings and junk carefully preserved in plastic page-protector sheets.

So, this is all the proof that my leap off that cliff into retirement will either make a very big splash or hit the rocks very hard.  It will be very something.  And I hope to live to see it… especially to get all of the stories I can possibly finish written and published… with a ghost of a hope that my own drawings, cartoons, and illustrations will count for something.  So, now my plan is revealed.  Let the enemies plan their counter-moves, and may the devil not move the water at the bottom of the cliff.

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Populating the World of My Imagination

I have to face facts. I am almost seventy years old. I don’t have much further to go down the road of my life’s journey to reach the final destination. Then the book will close, finished at last. My story will be complete. And there are consequences to continuing to live after a decade of life beyond the moment I retired from the job I loved for reasons of poor health. I have now had arthritis for fifty years. My legs and leg joints no longer stop hurting. Pains keep me awake for large portions of every night. I have muscle spasms. Arthritis is attacking my feet, my knees, my hips, my lower back, my rib cage, and my neck. I can still drive for now, but long distances are tough. I get out and go to the store at least once a day, but most of my time I spend in my bedroom. Writing. Watching TV. Drawing. Doing other things besides TV on my computer or phone. What I don’t get to do hardly at all… is talk to people.

I once had to talk and present and question and correct and cajole classrooms full of kids for 31 years as the teacher in charge, and three years of substitute teaching besides. I miss talking to people. So, now, despite my limitations, I create people to talk to.

Above is Ariel. She stays beside me on my bed as I do whatever I do during the day. She is not someone’s child that I kidnapped. She is a plastic doll. She’s about three feet tall and fully posable, making her a good model for drawings like this one. She has a realistic wig and eyes that can be moved by adjusting them with my fingertips. I bought her online from a shop that restores old dolls and toys, so she was affordable, but a little bit dinged up and in need of tender loving care. I can hold her on my lap because she’s not as fragile as my porcelain dolls of similar size. And I can talk to her. I have promised to keep her by me for the rest of my life so she is safe and cared for at least as long as I still live. I have no idea what my family will do with her when I am gone. She is probably evidence of my increasing mental challenges. I tell her lots of things. Everything I am telling you in this article. Also how my marriage is going, what it is like to be sexually assaulted as a child, why I am sometimes afraid of the dark, and many varied soliloquies about life and love and laughter. She is an excellent listener. We also read together almost every night.

This picture is one of many Island Girl pictures I have drawn over the years. I drew the first one when I was twelve. She represents a dream I had repeatedly. I ended up married to an Island girl, from the island of Luzon in the Philippines. I don’t talk to the island girl in my pictures as much as I make up stories about her. She appears as Malutu in the novel When the Captain Came Calling. My wife, in real life, is also a teacher, though still working and unavailable to actually talk to for most of every day. So, most of my island girl stories stay in my head and keep me entertained with might-have-beens. My island girl is only half imaginary.

This is a picture of Katie, a nudist girl I met only a couple of times in reality. And Katie is not her real name. The picture is modeled on her and the drawing she asked me to do when she saw and liked the drawing I did of Naomi. Naomi is not Naomi’s real name either. But the picture doesn’t look much like her on purpose, because nudists have a right to privacy, especially in Texas where Southern Baptists protest and call the police on things they don’t believe in or understand. I don’t, in reality, know much about Katie, but I make up stories and memories about her too. When I become fully a dementia patient I will probably tell nurses things about her that they might think are true but are lies. I never played tennis in the nude with Katie, but if I tell lies about it when I have dementia, I will have to say that she always beat me. That’s something I would believe even if I remembered I was lying about it.

This is an experimental drawing I did on the app called Picsart AI. It is supposed to look like an oil painting. I drew this to be a portrait of Sasha. Sasha is not her real name, of course. She was a favorite student of mine in the 1990s, a fatherless girl who loved my class and me and said, “You have such pretty eyes, Mr. B.” I loved her… but only teacher-love, not the illegal kind. She asked me to marry her once. It was painful, but I had to let her down easily on that one.

She would become the primary model for the character of Valerie Clarke in Snow Babies and Sing Sad Songs, and so many other works of art and fiction. She continues to live on in my head though I have not seen or heard from her in over twenty years.

This is a representation of Susu, my imaginary granddaughter. She would’ve been my only grandchild so far if she hadn’t been an ectopic pregnancy before Texas made abortion illegal. She couldn’t have been born alive. She might even have killed her mother if she had not passed into the realm of imaginary people. I could not have known that she wasn’t a boy since she did not last long enough to find that out in a sonogram. So the little girl who lives in my drawings and my imagination could only ever be a figment of my imagination. She talks to me, teases me, and plays games with me all in ways that make her into a coping mechanism for grief. Or evidence of dementia.

My world is peopled with people who aren’t really there. You don’t have to believe me, but I need them. Especially now that I am old and nearly dead. Life can be taxing and seriously sad. But life finds a way.

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Black Humor

I think I know what you’re thinking. He’s just going to retell a bunch of Eddy Murphy, Richard Pryor, and Flip Wilson jokes from the 1970’s which his fuzzy old-coot memory will get wrong in slightly amusing ways. Or he’s got dementia now and has turned totally racist. Or both.

Well, maybe. I am old after all.

But, no. I am writing about that kind of humor where you laugh when someone in the story dies a horrible death in an unusually humorous way. Or most dead-baby jokes. Or the part of “The Producers” where “Springtime with Hitler” turns out to be a Broadway hit musical even though the two con men in charge were gambling on it being a failure.

Bad things can be funny, you know.

At least if you have a brain-damaged sense of humor like mine.

Kurt Vonnegut was a master of very dark black humor. In his novel, Cat’s Cradle, (Spoiler alert!) the world ends at the end of the novel because the mad scientist commits suicide by swallowing his invention, Ice Nine, freezing solid in a way that couldn’t be melted at room temperature or above, and then falling into the ocean, thus permanently freezing the entire planet Earth. Golly, what a laugh fest!

Black humor is, of course, highly dependent on dramatic irony and the fact that people smart enough to read and enjoy Vonnegut, usually are smart enough to realize if you read too much ironic humor you are not in danger of actually rusting from the brain outward.

I, of course, am a black humor aficionado of sorts. I thoroughly enjoyed all the torture, death, and deadly mistakes of Rowan Atkinson’s Blackadder. Of course, I had a ridiculously hard time gaining access to the show which originally aired on the BBC and didn’t appear on American TV channels until our household gave up television to save money due to ever-rising cable costs.

Fortunately, during the yearlong imprisonment of the Covid pandemic, I discovered the entire series available on Hulu which is cheap enough to stream on my laptop. Only in excess of 500,000 people had to die for me to get the chance to binge on all the historical reiterations of this amazingly dark show full of humorous English demise and occasional accidental murder.

So, that is what black humor is to me. As defined by Professor Wilson at Iowa State when I was assigned to read a novel by Saul Bellow and ended up reading three, Henderson the Rain King, Herzog, and The Adventures of Augie March. Of course, I am not sure which novel was the assignment. They were all deadly hilarious. And I am, after all, old enough to probably be demented and a closet racist. Is Saul Bellow Jewish? I ask because I am also forgetful.

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Word Salad and Idea Casserole

In a world filled with interesting and engaging ideas, I get frustrated with the constant barrage of word salad on social media tossed at me by conservative friends.  As Trump seems to be coming closer and closer to ending his administration with his own chaotic behavior, those who supported him are tossing more and more flavorless lettuce and rotted vegetables in the mix.  I have to resist the urge to throw the same thing back at them.  I do not resist such salad-making well.  Witness my attempts to alter this stupid meme from a friend;

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I admit, I kinda barfed half-digested word salad all over this one.  I get tired of debating the issues only to be insulted like this and then accused of only insulting Trump and avoiding what they call the “Real Issues”, like Hillary giving a gazillion per cent of our uranium wealth to the Russians and Obama being the one guilty of colluding with Russians.

But, enough of that.  It is time to make something healthier out of words and ideas.  I have a lot of things on my mind, and I want to get a lot of them said before I die.  So let me make some idea casserole, cooking a whole lot of very different ideas into one multivitamin dish.

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  • Trump, for all the damage he’s done, will end up being good for us if we can just survive his administration to the end.  Scar tissue is always tougher than the surrounding flesh when the wound heals.  Repairing the damage he has done will leave us stronger, wiser, and more able to cope with the root causes of the Trump phenomenon.
  • My friends and family who supported the whole Trump mess primarily to hurt people whom they feel are smarter than them and so more stuck-up and self-important than them, will eventually get back to leading more productive lives than they did before.  And they will continue not to credit the ones who actually made that happen the way they didn’t credit Obama for healing the blunders of Bush.
  • I will get back to writing gentler, non-political-type humor novels.

  • I have my novel Superchicken half-way through the final edit to publish it on Amazon Kindle.  You can see I have been playing with cover ideas.  I plan to write Sing Sad Songs next.  Also I have two more novel ideas that I will add to this casserole as separate ingredients.  And I have The Bicycle Wheel Genius, Recipes for Gingerbread Children, and The Baby Werewolf finished and ready to edit as well.
  • Here’s new idea number one; The Boy Who Lived Forever is a fantasy novel about Icarus Jones coming to stay with the Jones family of Norwall.  He has survived a house fire that killed his parents and now must evade the dragon that pursues him while trying to figure out what is wrong with him health-wise.  Could he be dying?  Or did he survive the fire because he somehow can’t die?
  • Here’s new idea number two; Kingdoms Under the Earth is a fantasy novel about Blueberry Bates, a troubled young girl, falling seriously ill, and the measures her boyfriend, Mike Murphy, and her friends have to take in a realm made of magic and fever dreams to save her.

The truth is I really can’t do anything about politics and government beyond expressing my beliefs and voting my conscience.  I need to concentrate on telling stories.  It is the one thing that still gives my life meaning through the pain, illness, and suffering.  I am not dead yet.  And, not being dead, I need to be writing.

 

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Is Mickey Icky?


This post is about writer doubt. And Stephen King. Do those two things go together? If they don’t then Mickey is an awful writer and does not know how to do what he does. It would mean Mickey is icky.
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I used to think Stephen King was a totally over-rated writer. Back in the early eighties I read Carrie, King’s first novel, and got halfway through Firestarter, and had to give up. Partly because the book was overdue at the library, and also because I found the books mechanical and somewhat joyless in the writing. I thought he suffered greatly in comparison to writers I was in love with at the time like Ray Bradbury and Thomas Mann. I began to tell others that King was somewhat icky.
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But King was obviously also somewhat successful. He began to get his books made into movies and people who don’t read discovered the evil genius of a man who tells stories to scare them and laces them with a bit of real humanity, real human feeling, and love.
I saw it first in Stand by Me. That movie, starring young Wil Wheaton as the Steven King autobiographical character, really touched my heart and really made for me a deep psyche-to-psyche connection to somebody who wasn’t just a filmmaker, but somebody who was, at heart, a real human being, a real story-teller.

Now, the psyche I was connecting to may very well have been Rob Reiner, a gifted story-teller and film-maker. But it wasn’t the only King movie that reached me. The television mini-series made from It touched a lot more than just the fear centers of my brain as well. And people whose opinions I respect began telling me that the books The Dark Tower Trilogy and Misery were also amazing pieces of literature.
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So I picked up a copy of Hearts in Atlantis at Half-Price Books and began reading a Stephen King novel for the first time since the 80’s. MY HOLY GOD! King is not a little bit icky. He is so NOT ICKY that it makes Mickey sicky to have ever thought King was even a little bit icky! Here is a writer who loves to write. He whirls through pages with the writer’s equivalent of ballet moves, pirouettes of prose, grand jetés of character building, and thematic arabesque penchées on every side of the stage. I love what I have discovered in a writer I thought was somewhat icky. Growth and power, passion and precision, a real love of both the words and the story. He may not know what he is doing. But I know. And I love it.
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And so, while I have been editing the first novel I ever wrote, Superchicken, to make it ready for self-publishing, I have begun to ask myself the self-critical question, “Is Mickey really icky when he writes?” My first novel is full of winces and blunders and head-banging wonders that make me want to throw the whole thing out. But I can’t throw it out. It is the baby in the first bathwater that I ever drew from the tap. The answer to the questions of Micky ickiness have yet to be determined, and not by me. I guess I have to leave it up to you.

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