Tag Archives: books

Exploring the Mind of Mickey

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One really weird thing that teachers do is think about thinking.  I mean, how can a person actually teach someone else how to think and how to learn if they don’t themselves understand the underlying processes?  Now that I have retired from teaching and spend all my time feeling sorry for myself, I thought I would try thinking about thinking one more time at least.  Hey, just because I am retired, it doesn’t mean I can’t still do some of the weird things I used to do as a teacher, right?

This time I made a map to aid me in my quest to follow the twists and turns of how Mickey thinks and how Mickey learns.  Don’t worry, though.  I didn’t actually cut Mickey’s head in half to be able to make this map.  I used the magical tool of imagination.  Some folks might call it story-telling… or bald-face lying.

Now, a brain surgeon would be concerned that my brain maps out in boxes.  He would identify it as a seriously deformed brain.  It is not supposed to be all rectangular spaces and stairs.  It probably indicates a severe medical need for corrective surgery… or possibly complete amputation.  But we are not going to concern ourselves with trying to save Mickey from himself right now.  That is far too complex a topic to tackle in a 500-word daily post.  We are just discussing the basics of operation.

You see the three little guys in the control room?  They are an indication that not only did I steal an idea from the Disney/Pixar Movie Inside Out, but I apparently have too few guys doing the job up there compared to the movie version.  (It probably makes sense though that a young girl like the one in the movie has a much more sensible configuration in her brain than someone who was a middle school teacher for 24 years.  Seriously, that job can do a bit of damage.)  The three little guys are not actually Moe, Curly, and Larry, though that wouldn’t be far from descriptive accuracy.  They are Impulsive Ignatz, currently in the driver’s seat (or else I wouldn’t be writing this), Proper Percy the Planner, and Pompositous Felixian Checkerbob, the fact-checker and perfectionist (also labeled the inner nerd… I am told not everyone has one of these).  They are the three little guys that run around in frantic circles in my head trying to deal with a constant flow of input and output, trying to make sense of everything, and routinely failing miserably.

I shouldn’t forget the other two little guys in my head, Sleepytime Tim in the Dream Center, and little Batty up in the attic.  I have no earthly idea how either of them function, or what in the heck they are supposed to do.  But there they are.  The other three run up and down stairs all day, locating magic mushrooms and random knowledge in the many file cabinets, record collections, book stacks, and odd greasy containers that are stored all around in the many nooks and crannies of Mickey’s mind.  They collect stuff through the eyes and ears, and it is also their responsibility to chuck things out through the stupidity broadcaster at various inopportune times.  It is also a good idea for them to avoid the lizard brain of the limbic system in the basement.  It is easily angered and might eat them.

So now you should be able to fully understand how Mickey thinks.  (Or not… a qualifier I was forced to put in by Checkerbob.)

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Chuck Dickens and the Origins of Writing

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Don’t make the mistake of thinking I have any earthly idea where writing comes from or how it began.  I am only talking personal history here, nothing grander or more meaningful.  This post is only self-referential hoo-haw, which is a fancy way of interpreting “conceited crap”.

So, the truth is, I am writing about Charles Dickens because he is the author I most want to become.  True, I rant on and on about Twain and his humor.  And a good deal of my artwork owes everything to Disney, but everything I am good at in writing is based on Dickens.

The first actual Dickens novel that I read was accomplished during my extended illness as a high school sophomore.  I read in bed, both at home and in the hospital, from my library copy of The Old Curiosity Shop.  I was enthralled by the journey and subsequent tragedy of Little Nell.  I thoroughly loathed the villain Daniel Quilp and was roundly thrilled by his well-deserved fatal comeuppance.  It was my first encounter with the master of characters.  I followed that reading with a biography of Dickens that revealed to me for the first time that his characters were based on real people.  Mr. Micawber in David Copperfield was actually Dickens’ own father.  Little Nell was the cousin he dearly loved who died in his arms.    The crafty Fagin was a caricature of a well-known fence named Soloman, a Jew of infamous reputation, but not without his redeeming quality of caring for the orphaned poor.  So it is that I have chosen to make my silly stories about real people in much the same way Dickens did.  If you are now worried that since you know me, you may end up in my books, never fear.  I change names and splice characters together.  You will have to make an effort to recognize yourself.  And, besides, nobody reads my books anyway.

I also like the way Dickens uses young characters and follows them over time as they grow and change.  Oliver Twist was the first child protagonist in English literature.  David Copperfield, Nicholas Nickleby, and Pip in Great Expectations are also like that.  David Copperfield, in fact, is Chuck’s own fictionalized self.  I fully intend to do the same.  It is the reason my books fall into the Young Adult category.  I also intend to employ the same kind of gentle, innocent humor that Dickens used.  I mean to portray things that are funny in a disarming, absurdist way rather than resorting to attack humor and bad words.

There it is, then, my tribute to Charles Dickens, a writer who makes me be who I am and write what I write.  I am not supposed to do Christmas posts because of my avowed religion, but you can consider this to be as close as I can come.  The author of A Christmas Carol… it doesn’t get much more Christmassy than that.

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Christmas Woe

Why is Ariel dressed in armor? Well, the American people reelected the malevolent and vengeful Pumpkinhead. He plans to hurt us all deeply for giggles and profits. Honestly, he was merely a corrupt criminal leader in his first administration. And then he committed treason and we failed to execute him, so he merely stewed for four years. The number of deeply racist, angry, and evil poor folks have also been stewing and becoming worse, ready to anoint him and back him as he visits cruelty and death on everybody they hate. The near future is not Disneyland.

I pixelated this 80’s style of a computerized portrait of Ariel using AI Mirror.

So, Ariel is the only one I can depend on not to change for the worse. Things will become horrible financially, and socially, and we may even starve to death. Climate change will devastate civilization. The Pumpkinhead will loot and pillage, blame and punish, and make our lives Hell as the world crashes to an end.

Ariel, of course, is made of plastic. (I did not cut her hair. I gave her a ponytail with a scrunchy.) That is why she will not change until the world burns down. I am not superstitious and tempted to believe the Bible’s Armageddon prophecy is coming true. Because I do not believe in salvation and an afterlife. We get the life we need and deserve, and then the universe is done with us, and our part in the greater story is done. But I take comfort in the fact that the book does not close. The story goes on without me. Therein lies eternity.

The facts are depressing, but it will be quite an experience. And the Pumpkinhead does not live forever, either.

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Living in the Spider Kingdom

Life seems to be getting harder and harder. And I realize that a big part of that perception is the fact that my health is deteriorating quickly. This is a humor blog, but it has been getting more and more serious and more and more grim as the grim reaper becomes more and more a central character in my own personal story.

My perception of reality, however, is best explained by a passage in a novel that spoke to me in college. It comes from the novel, the Bildungsroman by Thomas Mann called Der Zauberberg, in English, The Magic Mountain. In the scene, Hans Castorp is possibly freezing to death, and he hallucinates a pastoral mountainside scene where children are happily playing in the sunshine. Possibly Heaven? But maybe not. As he goes into a stone building and finds a passage down into the ground, he sees wrinkled, ugly, horrible hags gathered around a child’s corpse, eating it. And this vision explains the duality at the center of the meaning of life.

For every good thing, there is an equal and opposite bad thing that balances it out. There is no understanding what perfection and goodness mean without knowing profanity and evil. Just as you can’t understand hot without cold nor light without darkness. And you don’t get to overturn the way it is. You try your hardest to stay on the heads side of the coin knowing that half the time life falls to tails.

So, what good does it do me to think about and write about things like this? Well, it makes for me a sort of philosophical gyroscope that spins and dances and helps me keep my balance in the stormy sea of daily life. I deal with hard things with humor and a sense of literary irony. I make complex metaphors that help me throw a rope around the things that hurt me.

We are living now in the Spider Kingdom. Hard times are here again. The corrupt and corpulent corporate spiders are spinning the many webs we are trapped in. As metaphorical as it is, we wouldn’t have the government we currently have and be suffering the way we are if that weren’t true.

But no bad thing nor no good thing lasts forever. The wheel goes round and round. The top of the wheel reaches the bottom just as often as the bottom returns to the top. So, it will all pass if we can only hold out long enough.

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Practicing Swimming in Place

Miranda’s Selfie in Hawaii

I don’t begrudge Miranda for having her extended vacation in Hawaii. After all, she lost both of her parents in a plane crash. And even if she did inherit twenty million dollars, and the people who actually take care of her are still with her because she has always been raised by her nanny and the household staff, she is still dealing with a terrible loss that most teenagers don’t have to deal with. Also, there’s the fact that her life is entirely fictional. I need a vacation from my life too. I have dealt with the harm done me by Donald Trump, Covid, Bankruptcy, and ill health for eight years already. Now I have been given the gift of four more Trump years. What the heck? I voted against the Pumpkinhead. Why didn’t that work?

My writing time has become unsustainable. I am barely getting anything new done day by day.

But I have gone back and reread some of my own best writing. And as much as any good author always feels like his work, even his best work, is little more than a pile of crap, I have discovered that some of my crap-tastic creations are really pretty good.

Have you read this one, for instance?

So, when Miranda gets back from Hawaii, we’ll see what happens next. I want to finish some of what I already started. I also want to tell Miranda’s story and bring her to life as well. That’s only fair after I killed off her parents in my imagination. Such a devastating crash!

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The Art of Being Mickey

I have published my eighth novel in the last six years. (This is, of course, a re-post of an old essay.) Sure, it is through mostly self-publishing of novels that no one but me has ever read. Catch a Falling Star and Snow Babies both had a professional editor, one who had worked for Harcourt and one who worked for PDMI. Magical Miss Morgan has had a proofreader who made numerous stupid mistake errors that I had to change back to the original meticulously by hand. But all three of those novels won an award or were finalists in a young adult novel contest. I do have reason to believe I am a competent writer and better even than some who have achieved commercial success.

But what is the real reason that I am so intent on producing the maximum amount of creative work possible in this decade? Well, to be coldly objective, I am a diabetic who cannot currently afford insulin. I have been betrayed by the for-profit healthcare system that treats me as a source of unending profit. I am like a laying hen in the chicken house, giving my eggs of effort away to a farmer who means to eat my very children if time and circumstance allows. I am the victim of six incurable diseases and conditions that I got most likely as a result of exposure to toxic farm chemicals in the early 70’s. I am also a cancer survivor from a malignant melanoma in 1983, and for three years now I have not been able to get the preventative cancer tests I am supposed to be receiving every year for the rest of my life. My prostate could very well be cancerous as I write this. If that is so, it will kill me unawares, because I don’t even want to know about having a disease I can’t possibly afford to fight all over again.’

So, the basic reason I am going through the most productive and creative period of my entire life is because I have a great rage to create before I die and I could be dying as soon as tonight. All of the countless stories in my head clamoring to be written down before it is too late cry out to me desperately for my immediate attention.

I will, then, continue to write stories and draw cartoons and other Paffoonies for as long as I am still able, and possibly even afterward. I have, after all, threatened repeatedly to become a ghostwriter after I die. And, yes, I understand when you scream at my essay that that is not what a ghostwriter is. But if a woman can channel the ghost of Franz Schubert and finish his unfinished symphony…(https://en.wikipedia.org/wiki/Rosemary_Brown_(spiritualist))

—then I should also be able to tell my stories from beyond the grave. I have been percolating them in my head and writing and drawing them in whole or in part since 1974. I have too much time and too many daydreams wrapped up in them to let it all just evaporate into the ether. In summation, I am claiming stupidly that my novels, crack-brained and wacky as they are, are somehow destined to exist, either because of me or in spite of me. So just be happy that I write what I write, for there is an art to being Mickey, and I am the one artist and writer who is the best Mickey possible if truly there ever was a real Mickey.

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Oh Brother, Where Art Thou? (a review by the Uncritical Critic)

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I love musicals.  What can I say?  I am a surrealist as an artist, and so I am dedicated to combining the disjointed and bizarre to make something that makes you laugh, or makes you cry, or makes you go, “Huh?  I wonder why?”  So when, in the middle of a sometimes serious but mostly comic story of escaped convicts on the lam in the Great Depression Era South, people suddenly burst into song… I love it!

And this movie is filled with creative stuff and biting social satire about religion, politics, crime and punishment, love and sex, desire and disappointment, and, most of all, the need to escape from it all if only for a moment to share a good, old-fashioned song.

The main character is Ulysses Everett McGill (played by George Clooney), so naturally the sirens overpower him and turn one of his crew into a frog.  This is because this story is based on the Odyssey by Homer.  Only the Trojan War is replaced by a chain gang singing spirituals as they break rocks, the cyclops is a Bible salesman and Ku Klux Klan member with a patch over one eye, and when Ulysses returns to Ithica, he defeats his wife’s suitors with a song.  How can you not love a story as creative as that?

The whole movie is shot in color-corrected sepia tones to give it an old-photograph, old-timey feel.  John Turturro and Tim Blake Nelson are masterful in the role of McGill’s two idiot hayseed friends.

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Again, I remind you, as a completely uncritical critic, I have no intention of trying to tell you what is wrong with this movie.  I loved it.  I will watch it again.  I am writing this review only because I feel moved to tell you how much I loved it and why.  So if you don’t approve of that, well, don’t shoot me.   Put me on a chain gang and give me a chance to sing.

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Prudes and Prejudices (Part 2)

Who is really qualified to judge people? The Bible says only God makes that judgment. But who tells us what God’s judgment actually is? Especially if Nietzsche is right about God being dead?

Prudes

Not long ago I posted a short-short story about me wanting to see girls get naked while we were kite flying, and then, by verbal tricks backfiring, I ended up being the only one flying the kite while naked. I look back on that story now with laughter about my own personal foibles. But if I am completely honest, the church ladies with gray hair, wagging fingers, and tongues that are even waggier… Well, I am glad that the ones I knew as a boy are all now dead and can’t possibly read that story and shame me all over again.

And I know that I draw an awful lot of pictures and write an awful lot of stories that involve naked children. As a survivor of a traumatic sexual assault when I was ten (a thing that happened after the kite story was already in the past) there is a level of discomfort over recognizing that trend in myself. Not because I became a sexual predator of children. I clearly did not. I still am determined to prevent such things from happening in any way I can, though in retirement I no longer have access to children to talk with to find out about bad things that may be happening in their lives.

Derfentwinkle and Anneliese are in my current work in progress, and they are fairies both.

I write stories in which some kid characters are naked at times. Sometimes because of curiosity and developing sexuality, sometimes because of growing up in a nudist household, sometimes in their dreams, taking baths, and many other normal functions where clothing is optional. In The Baby Werewolf novel, I included a character who was trying to exploit a young nudist girl to make child pornography. He was the kind of predator I have always resolved to be against, and the book is intended to make readers aware of that kind of dangerous person and recognize where the opportunities to avoid such people lie.

And some of the nude young characters I create like the two fairy girls depicted in the illustration from The Necromancer’s Apprentice merely represent the liberating feeling you can get from embracing your own nude self, a thing my attacker deprived me of during childhood through trauma and fear.

I, as an adult human being, fully accept readers’ rights to be critical of my work and make prudish judgements about my writing. I don’t like that one critic of The Baby Werewolf who said things about my work being creepy for the wrong reasons (it is a horror story after all) and suggesting that maybe I as the author am bad and villainous instead of feeling that way about the villain of the story. It was fiction, not my personal life story. The villain character is not me.

But prudes being prudish and judgmental can do more damage than just hurting an author’s feelings.

I have had two students that I know of who were transexual.

One was raised a boy because he was born with a penis, but in grade school was discovered to have a womb and ovaries. I didn’t know such a condition existed until I saw an episode of Marcus Welby MD in the 70’s about a young boy who had to transition because he was actually a girl. The child in my class was from a poor Hispanic family that didn’t understand the problem and couldn’t really afford to deal with it. The prudes, judgemental as always, were not kind. This he/she hermaphrodite was forced to grow up as a flamboyantly gay male even though he was capable of physically changing into a woman who could conceive a child. I followed his development for as long as I was able. I did spend one long and awkward evening talking to him/her about his/her crush on me. I could’ve gotten the prude finger-wag over that strange conference too, if anybody had bothered to care about that poor child. I certainly wasn’t going to kiss him, and I had to send him home at the end of that discussion because of what he/she wanted from me. I suspect there were other men who took advantage of him/her. But I wasn’t close enough to help him in any real way. And I lost touch soon after he/she left my class. Based on that bizarre discussion we had, I have no confidence at all that the poor child is still alive. Nobody seemed to care about this child That is the most tragic of things teachers sometimes have to deal with.

The other trans student I had in class for a year was a girl as far as she was concerned. It was not a question open for debate. She was quiet and a good student. She only had a couple of friends, but they were good friends and stood by her. At the time she was in my middle school class, she already had breasts thanks to hormone therapy. By now she has probably transitioned by surgical means. Her life was a lot easier than the boy with ovaries. But prudes in Texas abound and provide a lot of sour fruit.

I personally find it offensive that anyone would deny either of these two people the use of whatever restroom was comfortable for them.

What gives the typical prude the right to pass judgement on anyone else’s behavior? Prudes can cause repression of natural behaviors for the benefit for no one but themselves. I find prudishness to be reprehensible. But the rub is… being judgemental about that makes me a prude too.

I try never to be judgemental. I would much rather accept everyone for who they are, or who they think they are, than rely on what I think they are. And I do listen when others judge me. I have changed things in my books and drawings because of observations by others. And I take everything seriously… especially comedy.

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A Walk in the Park

We have across the street from our house an extensive green-belt park. It meanders through the city along a controlled and, often, brick-walled creek. It is really a portion of the city’s drainage system that prevents more of the horrible flooding that occurred in Texas cities in the 1980’s and 1990’s, As you can see, if you need to exercise for your heart-and-joint health, it is a perfect spot for a nice, long walk and think. So, today I am thinking about what I walked and thought about.

Mini-Wizards

I started my walk thinking about my current work in progress. It is called The Necromancer’s Apprentice. And it is a story about a fairy society filled with tiny, three-inch-tall magical people. They live in a castle-city made from a living, hollow willow tree. The city is under attack by an evil Necromancer (a death-wizard) who wants something unknown from the wizards in the city. Eli Tragedy is a sorcerer representing the good guys. He has two apprentices already, quiet Bob and chaotic Mickey the were-rat. And he captures the necromancer’s apprentice, and instead of killing her like his superiors want, he makes her into his own third apprentice. He’s a good wizard because he helps students learn and values them as people. The bad guy is the opposite. He is evil because he’s focussed on his own power and wealth, and he’s wasteful of the lives and suffering of others. So, in many ways, he is like a Republican politician in the real world.

The Great Books You Have Read Make You Who You Are

So, I began thinking about what the necromancer’s favorite great work of literature is. Obviously, it would be former Speaker of the House Paul Ryan’s favorite book, Atlas Shrugged. In that book, the hero John Galt asserts the notion that only certain people, creative types like himself and Ayn Rand and, presumably, Paul Ryan have the right to design the proper life for everybody. And they are capable of doing anything and getting away with it for the reason that it is in the best interests of everybody, even if it kills the poor and other lesser people.

This recognized classic book of fiction supporting a selfish philosophy is the reason why we have things like Reaganomics, Trump tax cuts, and border walls. The perfect explanation to certain readers of, “All the reasons why I should turn to evil.” It obviously is a book read and loved by not only Paul Ryan, but other important weasels in charge of everything like Senator Ted “Cancun” Cruz, Senator Mitch “Turtle Man” McConnell, and former Presidential Advisor Steve “The Human Sweat-stain” Bannon.

A good wizard (or Sorcerer) would have read and been influenced more probably by some of the great books of Uncle Boz, um, I mean, Charles Dickens. His is a much gentler and more generous philosophy which finds value in forlorn and mislaid individuals like Sydney Carton, Oliver Twist, Nicholas Nickleby, or Tiny Tim. I know these books of magic are the ones I choose to battle evil wizards in my own life.

So, if great books made me, perhaps I can write my great book with heroes influenced by Dickens and villains influenced by Ayn Rand.

The Final Turn of the Park’s Sidewalk

As I head homeward from my walk in the park, I have two things gained from the exercise. My legs and back are very tired. And my head is boiling over with things I need to write.down.

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Nudist Notions

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This nudist camp is entirely fictional.  The actual camp in Clear Lake is a Methodist Youth Camp.

I have learned a lot more about nudists in the last few months than I probably ever wanted to know.  The book I wrote about a boy being invited to go camping with the family of a girl he liked, and then finding out it was a nudist camp, was written as rough draft back in the late 1980’s about life experiences I had in the early ’80’s.  Some things I learned back then have proven to still be true.  Some things have changed.  The things that have changed, are mostly about me.

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Nudist families in touch with nature are beautiful in ways I can’t explain.  It’s not the clothes the wear.

Naturists are happier than normal people.  They shed a lot of their hang ups and worries with their clothes.  Sunshine and cool breezes on bare skin have a healthy psychological effect.  I know this from having experimented myself.  Socially nudists are able to comfortably “live in their skin”.  Their confidence in self translates into sensible nude social behavior.  It is not about sex.  Sex is private behavior to a nudist, not public.  When nudists interact, the conversations occur eye to eye, not eye to somewhere else.  And the acceptance of how others look when naked is a critical factor in nude social interaction being beneficial.  Most nudists are not beautiful or ugly.  They are a spectrum of everything in between.  And they don’t talk about body parts or make comparisons.  Nudist men talk about sports teams and vehicle repair and politics the same way the guys in overalls at the Nutrena Feed and Farm Store.  Nudist women talk about… well, the stuff women talk about in the secret language of women that guys like me don’t understand.

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Sherry Cobble at the Sunshine Club

So those things about the nudist community have not changed over time.  True in the 1960’s is true today.  The thing most of you don’t realize is that there are lot more nudists in the world than you are reasonably ready to admit.  And the nudist community has a lot more old naturists than you probably thought possible.  Naked wrinkles and beer bellies are a thing.

What I have learned about myself by joining the nudist community (though only once at only one of the several nudist camps available in sunny Texas) is that the nakedness and thoughts about nakedness in my novels is there for a reason, and it will not go away.  I am trying to be a Young Adult novelist, which means my novels are basically aimed at a junior high and high school audience.  I have to dance a carefully straight line between the need to be honest with naked reality and Amazon’s prohibition of adult content in YA novels.  Sherry Cobble luring young boys into going camping naked with her family is on that borderline.  It is not sexual content.  But it is naked content and the barriers have been physically set aside.  The humor caused by sexual tension can’t cross the line into bawdy or lewd or pornographic.  Nor would I want it to.

But people who write fiction do it not because it’s fun.  It is necessary.  We have lived lives that leave us damaged in ways that can only be fixed through fiction.  The world has to be reshaped in words by people who can’t live with the world the way it was.  The truth is, I was sexually assaulted when I was a child, one traumatic event that clouded and warped my self-confidence, my sex life, and my self-concept.  Healing has been a life-long process.  In fiction, it means characters having to deal with the naked truth and make peace with it.  This I believe I have done in so many different ways as a teacher, a husband, a father, and a story-teller, that it simply has to be shared.  I will publish Superchicken on Amazon soon, and hopefully Edward-Andrew’s nudist adventure will pass the Amazon test.  I have some nutty nudist notions in my nerdy old noodle, but in a novel, they can all be made new.

This post was originally published in November of 2017.

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