Tag Archives: art

Why I am full of Art

I started drawing with crayons and pencils sometime before I was five. I started telling stories around age seven and thoroughly scared my sisters and girl cousins. I became an exiled alien living in secret on Earth in second grade. I won an art contest in my fourth-grade class during fire-prevention week. That got me interviewed on television by Channel 3, KGLO TV from Mason City. From a very early age, I was a sponge, soaking up colors and shapes and weird connections, beautiful things, scary things, and taxidermied jackalopes that cost twenty-five cents to look at. And it filled me up to overflowing and spilled out on drawing paper and took up most of the pages of the spiral notebooks I was supposed to be using for school.

What came out of me was art.

I can’t claim to be a professional artist. I have to admit that most of the money I have made in life was earned by being a school teacher, babysitting in the monkey house and taming other people’s house apes for over three decades. I may have sold a hundred books as an author, but less than two hundred. I have never made a dime just for drawing or painting and making visual art pictures. Any art published in media by me has been for nothing more than exposure to the publication’s audience. So, can I truly claim to be an artist?

My entire life has been lived for art. I became one of the world’s all-time worst poets. I became one of the’ best story-tellers that nobody ever reads. And I enthralled over two thousand kiddoes as a teacher who told stories and intentionally made kiddoes laugh in class and try to tell stories themselves.

Why am I full of art? That’s what I WAS BORN TO BE.

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How It Should Be… According to Mickey

A 1951 Schwinn Spitfire like mine in 1963 when the world was golden.

My bicycle was red. It was red and looked just like the ones that Captain Kangaroo had in his commercials that we watched on a black-and-white TV every day before we walked or rode our bicycle to school, across town a whole long seven blocks away. After school I could ride it out a whole mile and a half to Jack’s farm with Bobby and Richard and Mark the preacher’s kid to go skinny dipping in the cold creek in Jack’s South pasture. Jack was younger than any of us except Bobby. And it was a golden age.

Spiderman comic books and Avengers comic books cost twelve cents to own, but they were forbidden. And as much as we sneaked them and passed them around until they fell apart, usually in Bobby’s hands, we never knew that Dr. Wertham had gone to Congress to make our parents believe that comic books would make us gay and violent. He was a psychiatrist who wrote a book, so even if you didn’t believe him, you had to worry about such things.

I believed in Santa Claus until 1967. And after I found out, I only despaired a tiny little bit, because I began to understand you have to grow up. And adults can lie to you, even if they don’t do it to be mean. And the world is a hard place. And the golden age ended in November of 1963 when JFK was assassinated.

In June of 1968 I rode my bicycle out to the Bingham Park woods, Once there, I took off all my clothes and put them in the bicycle basket, and then I rode up and down the walking paths through the trees with nothing between me and God but my skin. I had a serious think about how life should be. All the while I was terrified that someone might see me. I was naked and vulnerable. A mere two years before that I had been sexually assaulted and was terrified of older boys, especially when I was naked and vulnerable. But I was a fan of the St. Louis Cardinals and Bob Gibson. They were repeated World Series winners. And they beat the Yankees in the series in 1964. And more important than that, cardinals were the little red songbirds who never flew away when the winter came. You don’t give up in the face of hardship. You face the trouble. No matter how deep the snow may pile up.

And in 1969, the first man to walk on the moon showed that a Star Trek world was in reach of mankind. Star Trek was on every afternoon after school. I watched a lot of those episodes at Verner’s house on his family’s black-and-white TV. The Klingons were always bested or beaten because the crew of the Enterprise outsmarted them. You can solve the problems of the universe with science. I know this because of all the times Mr. Spock proved it to me not just by telling me so, but by showing me how you do it. And what you can achieve is greatly enhanced if you work together like Spock and Kirk and Bones… and sometimes Scotty always did.

So, what is the way it should be? What did Mickey decide while naked in the forest like a Dakota Sioux shaman on a spirit-quest?

JFK’s 108th birthday was on May 29th. Dr. Wertham has been dead for 44 years. Bob Gibson was 85 when he passed away in October of 2020. Captain Kirk turned 94 in March of this year.

The Golden age is long gone. There is no single set of rules that can clearly establish how it should be now. But I like those ideas of how it should be that I established for myself while naked on a Schwinn Spitfire in a forest long ago.

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People Art

All art on this planet (with the possible exceptions of paintings by monkeys and elephants, and the songs of whales and dolphins) is about people. What is art, if it is not a reflection of who and what we are?

“Tell me a story with our people in it.”

I am the man from the setting sun who comes from the past to deliver the future.

Every bit of art I do now is done as my own mortality, the end of my own story, is soon to reach the final page. I have lived six decades complete and have begun to live the seventh. I am close to the sunset. But I have wisdom to share from a lifetime of struggle, and reversals, and successes, and joy. And in a dark time when it appears the world could actually be ending, I wish to do the only thing I can to help, provide pictures and stories that might prove useful to you.

“We are beautiful as the day is ending, because the day was worth living in.”
“Magic, like lightning, infuses the sky with that which makes us wonder. What is it? How do I use it?”
What we are is based on what we were. Our hopes for the future have their foundation in our past. We only have to see it and identify it. Then we can build on it.
Why am I obsessed with naked people? Because naked people are exactly what you see. Naked hides nothing, and honesty is like sunshine, the more we walk in it, the healthier we become.
Laughter is an essential part of who we need to be and how we deal with where we need to go. Laugh at mistakes, and chuckle with satisfaction as you correct them.
Life is like Moose Bowling because… in order to knock down all the pins, you have to learn how to throw a moose!
Art exists because it simply has to exist. My art exists because I exist. So, my art exists because you all made the mistake of allowing me to exist.

So, all art is about people. Even the art with no people in it. That art, at least, has a creator who was most probably a people… or a monkey… or an elephant.. or a… well, you get the idea, don’t you?

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Surreal Self-Portraits

What you see is basically me.

It is said by somebody who wasn’t basically me that any time an artist draws a picture of someone, or paints a picture of someone, or twizzles a twizzle-snoot of someone… they are basically making a picture of themselves.

So, this Paffooney that I paffooned of a purple mouse in a Don Martin-esque style, is supposed to be Mickey the cartoonist. And Mickey is supposedly, basically me.

And here I am as Muck Man, the superhero. It is me because the super power he has is his horrible, non-adorable, and unrelenting stench. The horrible smell of him renders villains and bad people unconscious or worse… sometimes straight to the hearse. And using his olfactory assaults on evil as a way to make something terrible into something with a -someness of awe, makes him indubitably, indelibly basically me.

“Long Ago It Might Have Been”

And here is a picture of a boy who might’ve been my son if only I had been given enough good sense to fall in love with that first blond young lady who first had thoughts about making babies with me. I didn’t. I’m stupid. And now she has only girls. That makes it a picture too of basically me.

And this little not-me was me all along, and as the boy who sees colors, it’s really not wrong. Synesthetic they call it in a name that’s not long, but is resoundingly deep like the words of a song.

And you might argue this one and say that it’s true… “This one is too pretty to be a picture of you.” But you would be wrong on this basis, you see…

The monster inside me is basically me

And here I am all magic and purple, and I just blew the rhyme again, so this isn’t another danged verse. I drew this picture of Milt Morgan from an old school picture of me.

I often say the character in the stories is based on the Other Mike, the other boy I grew up with who was named Mike in my little home town.

But he thought like me, he acted a lot like me. He even looked like me, at least a little bit. So, if I am portraying him, I am depicting basically me.

And this is the naked me, as a nudist back in childhood in Rowan, Iowa, which I never was… not like this… but still am. Because I am a writer. And writers always write about their naked selves, showing the whole world what saner and more prudish people keep secret. If they were truly smart and wanted to keep their secrets to themselves, artists would never draw or paint or write about or twizzle about themselves. In fact, they would make no art at all.

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Ray Bradberry Pie

Yes, yes, I know it is supposed to be Ray Bradbury, not berry.  But now that the master has gone, I don’t want to think of him as bury which is too grave a term.  He was a master of metaphor and rhythm and image in writing.  His work is much more berry-flavored, and if you really intensively read a novel like Dandelion Wine, you can very easily get drunk on the richly fermented contents of his beautiful writing.

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angel by Adolphe-William Bouguereau (1825-1905)
angel by Adolphe-William Bouguereau (1825-1905)

Mental Pie

I’d like to offer you a piece of my mind,

Though not a lecture, rant, or complaint,

But rather a piece of mental pie.

Its taste will be very sweet, you will find,

As I’m constantly thinking in ink and paint,

That gives you wings and allows you to fly.

You see, I think the literary mind does not have to sink to mundane and dark and dreary thoughts and ideas to accomplish lofty goals.  Often it is the special dollop of sugary metaphorical conceit that makes a Ray Bradbury or Mark Twain or Kurt Vonnegut to soar through the astral plane of ideas.  I know that’s cartoony thinking, and somewhat loony besides, but I am often frustrated when it seems that the only “realism” modern readers and audiences accept is what is gritty and bloody and depressingly painful.  Oh, I get it.  Douglas nearly dies in the course of Dandelion Wine.  Tom Sawyer and Huck Finn and Billy Pilgrim all suffer as much as we laugh in order to make their points in the novels they inhabit.  But the misfortune makes the moment of taking flight that much sweeter.  And it is in the language.  The loving description of everyday things and everyday events that become extraordinary through extra-close examination.  Sometimes silliness and humor and logical reason are not enough, and we have to speak in poetry.  We put in metaphors as peaches and plums.  Sensory details are raspberries and strawberries.  Sing-song rhythms and elegant pacing makes the batter whole and delicious.  And I know this whole post makes no earthly sense.  But sometimes you write for earthly reasons… and sometimes you try to reach heaven.  That is what Ray Bradberry Pie is made of.

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The Blue Man

The Blue Faun who represents the lovely melancholy sensuality that informs my wordy little life.
The Blue Faun who represents the lovely melancholy sensuality that informs my wordy little life.

When I was in Iowa last, and had a chance to see the younger of my two sisters, Mary Ann, she told me flat out that she really liked my most recent blog posts and that I should give up all together on my gloomy pessimistic ones.  This, of course, was confusing to me because all my blog posts are relentlessly gloomy and never make anyone smile, so I did not know for certain what she was responding to.

As I have shared on more than one occasion, I suffer from six incurable diseases and am a cancer survivor.  I don’t plan on living more than decade further at my most optimistic, and I told you recently that I am a confirmed pessimist.  At worst, I could be dropping dead from stroke or heart attack as soon as I post this silly sour old post.  I will be absolutely delighted to live long enough to finish another novel or two and maybe even see them published.   I keep close track of my remaining hours because each one is rare and precious to me, even the ones that are quite painful and hard.  So gloomy is as gloomy does.  I am constantly celebrating that I have lived this long already.  How depressing is that?  … the celebrating every day thing, I mean?

And of all the people who suspect I might be a fish sticks and custard sort of person, Mary Ann is not one of them.  She watches Doctor Who and knows that that is exactly what I am.  I am goofy and scatter-brained and a barely contained barrel of weird energy and misplaced enthusiasm. I do stuff like fill my bedroom Barbie shelf with bizarre and kitschy little 12-inch people.

The Barbie Shelf
The Barbie Shelf

I appreciate melancholy and being blue, because the hollows of the valleys of depression make you appreciate the giddy heights so much more.  And I do realize that I am stringing big words and goopy metaphors together to sound all literary and brooding… but that’s what real geniuses whom I am trying to emulate do to reach the highest heights.  They run down through the valley at the fastest possible pace to build up enough speed to shoot up the side of the mountain on the other side.  It is a Wiley Coyote trick for using cartoon physics in your own favor.  It is the reason I am still tending the flower wagon, trying to coax zinnias into blossoming during the depressingly renewed Texas drought.  It is the reason I keep adding to my collection of sunrises.  The dark blue pieces of the puzzle of life provide the contrast that help you define the puzzle picture of the brightest sunshine and light.

The blossoms in the flower wagon reached a new record number today, despite the heat.
The blossoms in the flower wagon reached a new record number today, despite the heat.
Sunrise on a school day when I don't have to go to school because I am retired.
Sunrise on a school day when I don’t have to go to school because I am retired.

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Double Character Study; Mike Murphy and Blueberry Bates

Mike Murphy and Blueberry Bates are recurring characters in my hometown novels.  So far they have appeared in The Bicycle-Wheel Genius and Magical Miss Morgan, both of which are now published and available through Amazon.

The Bicycle-Wheel Genius is now available on Amazon through this link;

https://www.amazon.com/Bicycle-Wheel-Genius-Michael-Beyer/dp/1982984023/ref=sr_1_1?ie=UTF8&qid=1544204666&sr=8-1&keywords=michael+beyer+books+bicycle-wheel+genius

Magical Miss Morgan is available through this link;

https://www.amazon.com/Magical-Miss-Morgan-Michael-Beyer-ebook/dp/B0797GTRPV/ref=sr_1_39?ie=UTF8&qid=1544202254&sr=8-39&keywords=michael+beyer+books

The first book documents their star-crossed romance, beginning as ten-year-olds and following through until they are going on thirteen.  Blueberry is a girl with a terrible secret.  She is not like other girls and has to protect this secret, which will only become harder and harder to contain as time goes on.  She lives with her father who barely notices her, an aunt, her father’s sister, who knows the secret and punishes Blueberry for it, and her two older sisters who cherish her and dote on her, and probably are the only reason she is still alive.  Her mother, unfortunately, died when she was a baby.  But both books she appears in so far are comedies.   I will not go into the possible tragedies lying wait in ambush for her in her distant future.  The tragedies are simply not funny enough to be a part of everything.  Like many of my characters, she is based on people from my own life and experience.  She is a combination of a girl I once loved and a boy I once taught.  If that’s not confusing enough, I can add that Blueberry loves to draw, a detail that comes about because she is also partly based on me.  She particularly loves to draw pictures of Mike Murphy.  She might have drawn the next Paffooney (if she were a real person and not just some made-up girl that only lives in my weird old imagination).

Blue and her beau

Mike Murphy is a Norwall Pirate.  Not just any Pirate, but their best athlete, tree-climber, and wild-story believer.   He does everything the Pirate leader, Tim Kellogg, (the grand and glorious and mostly notorious Pirate leader) thinks up for him to do.  He believes every lie Tim tells him, and faithfully defends the Pirates and their leader, even when it gets him detention (again!) from their favorite teacher, Miss Francis Morgan.  He starts out running away from Blueberry, as any red-blooded, normal American boy would.  But he eventually lets her catch him, as any red-blooded, normal American boy would at about that age, the middle of the wonder years.  He becomes her best friend and greatest white-knight-sort-of protector, even though he is torn between that and loyalty to Tim and the Pirates and the lies they tell.

I am now planning a third book that will allow these two characters to adventure together.  I will call this novel Kingdoms Under the Earth.  It will begin with Blueberry being kidnapped by evil flu fairies that take her away to the dark parts of the fairy world under the surface of this world in a feverish coma. Mike Murphy must decide to follow her and rescue her, which he will do via the bad advice of a fairy friend, kissing Blueberry on the lips, contracting her disease, and sharing in her comatose suffering.  Then Mike’s best friend, Tim Kellogg, and his big sister Dilsey both agree that they must follow also to help rescue both Blueberry and Mike.  It will be a great adventure through illness, imagination, and the many hidden kingdoms of fairy magic that lie directly under our world.

Now, I suppose you are wondering why I am giving you details about characters in a book, or rather books, that I haven’t even finished writing yet.  Well, if you are dedicated enough to reading my loopy and boring old posts to get this far, it is probably safe to tell you that I don’t really know either.  I also want to find out.  What do the next sentences say?  Oh, yes.  Mike Murphy already exists as a Pirate in my published book Catch a Falling Star.  He is an established character that I have to twist and tweak into fitting into new stories.  Blueberry has been prancing around in my imagination and drawing colored-pencil Paffoonies since the 1970’s, but I am only now weaving her into the stories I have in me and are burning with a red-hot flame to get told.  So I’m not completely crazy to do this.  Only about ninety percent… right?

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Native Americans Invade My Artwork

I don’t know if you’ve seen enough of my colored-pencil Paffooneys to tell this, but for an old white guy, I draw a lot of Native Americans and am rather deeply in love with American Indian images.  You may have seen this dream painting I posted before.

Magicman

The girl in the painting is a combination of this warrior’s daughter and myself.  I was naked in the dream and a female, facing this huge ghost-stag.  The dream came while I was reading Hanta Yo by Ruth Beebe Hill.  Maybe that book was the beginning of my Native American obsession.  Who knows?  I am a crazy dreamer.  But that wonderful book turned me on to the rich spiritual life that the Dakota people lived.  I identified with it so completely that I dreamed myself into their culture.  I was also struck by the manner in which a Native American culture handles education.  The grandfather is in charge of the boy’s learning.  He teaches by story-telling.  Here you see the grandfather in Sky Lodge teaching his grandson.  The girls would learn very different things from their mothers and grandmothers.

Skye lodge

I am also entranced by the life of the people expressed in dance and ritual.  Dance has deeper meaning than we white guys normally assign to it.  Dances could be magical.  Of course, the notion of a “rain dance” is the result of too much simplification in movie scripts and ignorant popular white culture.  Dance could connect you to the Earth, the Sky, and the Spirit World.  That’s what this most recent Paffooney shows.

Pueblo Bonito

So, you can see, I don’t really understand the concept of moderation when it comes to my obsessions in the world of colored pencil art.  Hanta Yo!  Clear the Way!  In a sacred manner I come!

child of fire

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Being and Artistry

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Being an artist is a matter of genetics, luck, and loads of practice.  I began drawing when I was only four or five years old.  I drew skulls and skeletons, crocodiles and deer on everything.  My kindergarten and first grade teachers were constantly gritting their teeth over the marked-up margins of every workbook and worksheet.  I drew and colored on everything.  I eventually got rather good, drawing in pencil, crayon, ink, and as you see here, colored pencil.  I loved to draw the people and things around me.  I also drew the things of my imagination.  I drew my best girl, Alicia, and I drew the half-cobra half-man that lived in the secret cavern under our house.  I drew a picture of the house across the underpass from Grandma Mary’s house.  I drew cardinals, and I drew Snoopy cartoons.  I drew my sports heroes in football and hockey, Donny Anderson and Gordie Howe.  I drew monsters with fangs and fuzzy animals with huge soulful eyes.  I still draw and it’s mostly the same things that I drew when I was a child.  I will post more of the drawings here in the near future to dazzle you with my talents and ridiculous sense of the absurd.

Scand

I inherited art talent from my father’s side of the family.  He could always draw fairly well, though he only used the talent to draw things he meant to build or create in his workshop.  He was a practical man who loved to tinker and make things work in a useful manner.  He had no love or need for that which is fanciful and fantastic.  I suspect, though, that he encouraged my artistical flights of fancy because it spoke to an unfulfilled portion of his own creative instinct.  My Great Aunt Viola was also an artist.  She loved to paint flowers on porcelain and create delicate beauty in items like plates and vases.  Her art was more fanciful than my Dad’s art, but it still had a certain Midwestern practicality at its roots. 

I hoped early on to be a cartoonist or comic-book artist.  I loved to draw wildly imaginative things.  The first cartoons I created were all about outer space.  I wrote stories and drew pictures of Zebra Fleet, a Star-Trek-like space force that kept peace in an area of space inhabited by dog-headed humanoids.  It was fanciful and goofy at the same time.  Since then I tried my hand at a Cowboys and Indians cartoon strip, built around the massacre of Custer’s command at the Little Bighorn.  I researched the Indians of the Dakotah, Crow, Shoshone, and Hidatsa Tribes for my cartoon.  I learned to love drawing feathers, totems, magic men, shamans, shirt men, and lovely Indian girls.  Nowadays I draw the adventures of weird little Toons from Animal Town and the various strange places in Fantastica.  Teenage Panda Girls go out for cheerleading and fail, seeking to wreak revenge on Animal Town.  Hairy Bear is a Grizzly with a tiny body and a huge reputation earned by fantastical hair growths and the ability to make large hair-pieces.  The Four Bares are a family of bears who live at Newt’s Naturist camp and turn Animal Town upside down when they insist on their right as top-of-the-food-chain predators to go anywhere they like naked.  If you are lucky, I will never be a published cartoonist.  I made a serious stab at it.  I came close in two different job interviews and one major submission, but I have arthritis, and it attacked my hands at just the right time to make me a school teacher instead of a cartoonist.

Drawing has become for me a hobby and a lifestyle all about the color and the symbol.  I try to cram as much story and meaning into every figure or picture I do.  Each drawing is precious, and I must squeeze as much as I can from each one, because drawing has become so hard to do and is such a rare thing.  I lean towards the blue in my cartoons.  There is a certain Blue Period about my melancholy work and life.  Things turn out wrong at the end of my stories and there is no happily ever after.  When the nighttime comes, I have to go to sleep with the urge to draw more.  I’ll draw more in the next life, or maybe in my dreams.

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Spotted Trains

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I have had a practically life-long fascination with trains.  Where did that come from?  It came from a Methodist minister who once upon a time saved my life.

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Reverend Louis Aiken (in the cowboy hat) was a lover of HO model trains, as well as country music… and, of course, God.

My best friend growing up was a PK, a preacher’s kid.  And as we hung out and played games and got into imaginatively horrible trouble, we invariably wound up in the basement of the parsonage where his father kept his HO train layout.   I learned lessons of life in that basement in more than one way.  I have to explain all of that somewhere down line.  But for now, I have to limit the topic to what I learned about trains.  They are a link to our past.  They are everywhere. And they do far more for us than merely make us cuss while sitting and endlessly waiting at the railroad crossing.

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When visiting Dows, we absolutely had to stop and take pictures at the train station.

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This is, by my best guess, an SD40 locomotive parked at the restored train station in Dows, Iowa.

Spotting trains to take pictures of, gawk at, and totally make cow-eyes over has become a way of life to me.  When visiting Iowa, especially Mason City, Iowa, we always have to stop at the engine on display in East Park.

When I was a kid, this old iron horse was not fenced in to protect it from kids, weather, and other destructive forces.  Now, however, it is fully restored and given its own roof.  This is a 2-8-2 steam engine with two little wheels in front, eight big wheels in the middle, and two little wheels at the back (not counting wheels on the coal tender).  I have ridden on trains pulled by such a behemoth.  I love to watch the monkey gears grind on the sides of the wheels forcing steam power into the surge down the tracks.  And I can’t help being a total train nut.  Of course I don’t deny being more than one kind of nut.  But being a mixed nut is another post for another day.

 

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