Internet memes apply to me. It says it in the name. In fact, it says it twice. “Me+me = meme”.
This one is uncanny. I revere Mark Twain. Apparently I walk in his shoes enough that I am imitating everything he did except becoming wealthy and famous.
And maybe I am not as good of a writer as he was. Maybe. But I am heck at living an unhappy life and going bankrupt in the process.
And this is not the only meme that uncannily defines my life.
They put a stupid, orange-faced man in charge of the government because they wanted to tell Mickey, “F*** You! You are not better than me just because you are smarter than me. We are going to burn it all down to get revenge for your superiority!” And they are laughing and enjoying it now as the flames get hotter, even though their houses are on fire too. But stupid people aren’t really winning the game. There are evil people lurking in the background waiting to exploit and make money. They are winning. They hate Mickey too.
Of course, I never said anything about being better than them. Mickey is smart, but humble. I suffer from the wildfires anyway.
But if you know where to find it, there is helpful wisdom in memes. Short, pithy wisdom, but wisdom never the less.
The “Me”” of the memes can be hurtful at times, saying things out of anger or fear. But he can also be uplifting, making hearts sing and soar. There is magic and power in words… if they are the right words, delivered in the right way.
Sometimes people need be appreciated and built up rather than torn down. Some groups have been hurting more than others. Having been a teacher, I know this is particularly true. Teachers need to hear thank yous.
And I find memes to be a useful way to gain that temporary feel-good nugget of wisdom. I think it is probably a chicken nugget of wisdom. You know, bite-sized pieces of white meat protein to fortify you against the cold and the darkness. And it is important to turn away from the angry and the fearful memes. Going positive instead of negative is a bit of an antidote to the illnesses that infect social media. And I know Facebook is evil, but we are sorta stuck with it, so we might as well use it for good as it uses us and our data for evil.
So, I have shared several memes with you today because that is me…me. I do stuff like that. And you can’t tell me I am doing it wrong.
![Clofillia, Josphine [Madame Clofullia, P.T. Barnum's "Bearded Lady of Geneva"]. Daguerreotype by Thomas M. Easterly, 1853. Photographs and Prints Collections. Missouri History Museum. Easterly 321. NS 17387. Scan © 2008, Missouri History Museum.](https://i0.wp.com/catchafallingstarbook.net/wp-content/uploads/2018/04/beardedlady.jpg?w=273&h=154&ssl=1 "beardedlady")
Sunday with Salvador
Today I am waxing on about the wonderful, mad, mad, mad genius of surrealist art, Salvador Dali. He was born in 1904 and died in 1989. And that’s really about all that I want to tell you about the physical parameters of his boundlessly creative life. He was alive in this world until I was already thirty-three. So, I got to see him on television and watch video biographies of him and his incredible artwork. Ones that included interviews. And if I get into his public persona, that will eat up the rest of his essay. Instead, I need to talk about his art, and how it modifies and magnifies what I am meant to be.
His most famous painting is the one that most clearly burned the image of melting clocks into our collective memory. He claimed, and others pretend to see it too, that it is a reaction to Einstein’s Theory of Relativity. But when I look at it with the melting mask of Dali himself in the center, I see the artist’s perception of time in the spaces within which creativity moves. Time melts and has no meaning when you are painting and writing from an endless roiling flow of new ideas and notions. Time becomes as irrelevant in that context as the ants on the pocket-watch or the dead tree from which one deflated clock-skin hangs, There is no past or future, only the creative now.
And in that creative now, the artist sees himself. But if you look too closely, the self vanishes into the picture, the currently considered, fascinating work of art.
You see the boy with the hoop and wearing a sailor suit? That symbol, he always claimed, was his lost brother, the one who died before he was born. The one whose death made his parents decide to have another child. Without that brother, Salvador would probably never have existed at all.
And do you see the disappearing bust of Voltaire? Or when you look closely at the slave market in the background, is it simply no longer there? Things that disappear… things that become other things… tricks of perception, the fooling of the viewer’s eye… These are what the artist actually wants you to see. Not the well-portrayed physical reality, but the ghost of the shadow of an idea that’s hard to define.
And then there is the idea of war. Two world wars that took place in the prime of his painterly life.
Life does crazy things to the sensitive, suffering artist, and it shows in his work if not in his public personality.
And consider the artist’s notion of birth and life and death. Narcissus suffers for the sin of love of himself. He becomes petrified with age, a narcissus flower growing from his head, now an egg, the symbol of birth and rebirth.
And here is an exploded portrait of his beloved wife Gala.
All the elements float eternally in the air.
And you can see inside each thing.
Inside the home is the wife and mother.
Inside the mother is the child.
Inside the child is the loaf of bread that keeps him alive.
Does the bread, then, stand in for God himself?
Dali and his work is not simple. It is deeply, incongruously complex. But that is surrealism. That is how it works. Without getting into other complex symbols and such Dali-esque puzzles like burning giraffes, eggs, and Venus De Milo with bureau drawers in her torso, that is how Salvador spends his Sunday with me. An artist beyond time and space, long dead, but still speaking to me. And teaching me beautiful, untold things and stories of things.
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Filed under art criticism, artists I admire, artwork, autobiography, commentary, surrealism
Tagged as art, dali, painting, Salvador Dali, surrealism