Category Archives: Paffooney
Making Faces for Art Day
Talking to Nobody
I entered the classroom silently. Death doesn’t have to make any sound when it enters a room, but I remember many times when I entered a classroom in a fully enraged-lion roar. Probably too many times.
This time it was a small lesson to a small class. Little Mickey, ten years old, was sitting there in a front-row desk. He was wearing that stupid purple derby hat that he always wore in his imagination. And he was wearing nothing else besides.
I gave him that old death-eye stare of disapproval. He grinned and shrugged. “Hey, I like to write about nudists, okay? They tell the truth more than most people.”
I simply nodded.
Sitting the next row over, in the front seat also, middle-aged Mickey was slumped in his seat like the cynical, world-weary teacher-thing he actually was. I nodded disapprovingly at him too. “I know, I know,” he said. “My time is running out. I have to get started on my writing plan for real this time. My stories will never get written if I don’t.”
The third seat in the third row contained Old Coot Mickey with his wrinkled clothes, his long Gandalf-hair, and his frizzy author’s beard. He grinned his goofy grin at me and nodded at me cheekily. “I’ve got fourteen novels written and published now. Taint my fault that nobody ever reads ’em. They are mostly good stories, too.”
I rolled my eyes at the dark ceiling.
On the chalkboard I wrote out. Today’s Lesson Is…
“I know! I know!” shouted little Mickey, naked except for his purple hat. “The next novel is A Field Guide to Fauns. It is all about nudists in a nudist camp. I am definitely down with that!”
“Is that really a good idea, though?” asked middle-aged Mickey. “I think I was meant to be a writer of Young Adult novels, like the ones I taught so often in class. I know how those books are structured. I know their themes and development inside and out. I know how to write that stuff.”
“But the little naked guy has it right. You have ta be truthful in novels, even as you tell your danged lies.” Old Coot Mickey made his point by punctuating it with a wrinkled hand thumping on the top of his desk. “You have written novels with characters forcing other characters to make porn films in The Baby Werewolf, and sexual assault of a child in Fools and Their Toys, and lots of naked folks, and betrayal and death… All of that is the kinda stuff kids really want ta read. And them stories don’t glorify that stuff neither. Stories can help fight agin that stuff.”
“Remember, that stuff is hard to write about because I actually went through some of that stuff in my own life. It’s possible for even a fiction book to be just too real for a YA novel.” Middle-aged Mickey had entered fighting mode with his fists on his hips.
“But the underlying truth is why you had to write those stories to begin with. You have truth to tell… But in fiction form,” argued little Mickey.
“And horrible experiences turn into beautiful survival stories and heroes’ journeys with time and thoughtfulness and art,” said Old Coot Mickey.
I agreed with all three of me. I nodded and smiled.
“But you are Death, aren’t you?” asked middle-aged Mickey.
“And you’ve come to take away at least Old Coot Mickey!” declared little Mickey.
“You’ve got me all wrong,” I answered all three of me. “I am not Death. I am Nobody.“
Faun Art
I have completed work on a novel called A Field Guide to Fauns. In it, I will make use of one of the most central metaphors in all of my art and writing. The mythological figure of the faun is usually portrayed as a young boy or youth, nude, and potentially having goat horns, goat legs, a deer’s tail, and/or pointed ears. It represents sensuality, connections to nature, and a willingness to partake in enjoyments without hiding anything.
Fauns were defined in art long before I came along. The Marble Faun was a book by Nathaniel Hawthorne that I read in college. I looked endlessly in libraries after that for pictures of Praxiteles’s masterpiece from all angles. I would eventually be inspired to make the picture above by a picture made in print by Maxfield Parrish printed in Collier’s Magazine. I have been fascinated for years by fauns. And I began drawing them repeatedly.
As a teenager, I had a faun as an imaginary friend. His name was Radasha. He made it his business to lecture me about sex and nudity, morals, religion, and what was wrong with me. At the time I was repressing the memory of being the victim of a sexual assault, a very painful and traumatic experience that I did not allow myself to remember and admit was real until I was twenty-two. Radasha turned out to be a coping method who helped me heal, and helped me realize that just because it was a homosexual assault, that did not make me a homosexual.
Fauns would come to dominate my artwork through the eighties. I drew Radasha multiple times. I would use the image to express things I feared and fought with and won victories over .
I would come to learn that there were fauns in real life to be found. The portrait above is of Fernando, a favorite student from my first two years as a teacher. He is portrayed as a faun. The cardinal on his shoulder is a symbol of courage and endurance, a bright red bird that never flies away when the winter comes.
Devon Martinez is the main character of my novel in progress. He is an artist like I am. He is fifteen at the time of the novel, and faced with living the rest of his childhood in a nudist community. He doesn’t consider himself a faun to begin with. But that changes during the course of the novel.
Here is the first illustration done for the novel. It is supposed to be a picture drawn by Devon himself.
So, as always with Saturday artwork, there is more to come.
Filed under artwork, NOVEL WRITING, Paffooney
An Autobiography of Mickey
Last night I watched again Part I of Ken Burns’ Mark Twain. I think it reminds me of who I am as a writer. No, I am not being all big-head arrogant and full of myself. I devoured certain writers as a youth, consumed them whole. Charles Dickens was my first passion, followed by J.R.R. Tolkien, and then Mark Twain. Of all of them, Samuel Clemens is the most like me. He was from the Midwest, born and raised in Missouri along the Mississippi River. I am from the Midwest, born and raised in Iowa along the Iowa River. He endured hardship and tragedy as a youth, losing his little brother in a riverboat accident, and he dealt with it by humor. I endured a sexual assault from an older boy, and dealt with it by… well, you get the picture. We are alike, him and I. We both draw upon the place we grew up, the people we have known, and the events of our youth to create stories.
It is a pretty big responsibility to follow in his footsteps, and I will probably never live to see the success and the wealth that came to him. But I have a responsibility to the people I knew and the time that gave rise to me to tell their story. I need to build a network of stories that resonate the truth of existence that I have been witness to. A big responsibility… and I probably will not live up to it. But I have to try.
Being a writer is somewhat like being cursed. The words burn inside, needing to get out, needing to be heard. I have stories that need to be told, and they will be told, even if only to file away in the closet again. Like Mark Twain, I am good at feeling sorry for myself. And the Mickey part of me, the writer part of me, is just like Mark Twain, a writer persona, and not the real man himself. I am simply the container for something that has to exist and has to tell stories. It is not a bad thing to be. But the more I get to know it, the more I would not wish the destiny on others.
Forgive how sad and bunglingly boorish this post is. But sometimes there are thoughts I simply have to think. And as a writer, I am bound to write down the silly things that I think.
Filed under autobiography, humor, Paffooney, Uncategorized
Star Wars Aliens, Mickified
I spent a good deal of my time as a game master for the Star Wars role-playing game in creating alien characters that fit the movies, the books I read in the Star Wars series, and the game materials. In this post, I will give you a mini-gallery of the aliens I drew for the game.
Chee Mobok was a space trader who had a problem with his own ego. He believed that he was a genius at language and could speak any language he had heard a handful of words from.
The Galactic Common speakers were always laughing at the things he said.
Huttese speakers like Jabba the Hutt were always trying to kill him for saying precisely the wrong thing.
Hethiss was the Jedi Master when my son’s Jedi character was still a padawan learner.
He was wise, but unable to keep his student from doing things in violent ways when a diplomatic solution was called for.
Merv was a potential terrorist and a suspect in a series of murders on a water planet. He was, however, the good bad-guy character. You know, the villain who has a heart of gold and whose actions redeem him in the end… As opposed to a bad good guy who seems to be a hero and ends up betraying everyone.
Fisonna was a street kid from the same planet and same race as Hethiss the Jedi master. He had the potential to become a padawan learner. But he also used his Force skills to pull pranks on serious adults.
Odo-Ki was a Gotal with ultra-sensitive cones on his head. He had a limited ability to see behind walls and predict the near future.
Nadin Paal was an actual pirate and terrorist with no redeeming qualities at all. The best thing about him was, that when the time came, he blew up really nicely. A colorful fireball.
Kehlor was a Herglic, one of the whale people who required specially built extra-large spaceships and accommodations. He was also a gifted pilot. You can see that he wears the uniform of the Trade Authority.
And finally, Klis Joo was a Duro and a Jedi, a gray alien with considerable Force powers.
There were many more drawings like this as well. But these are some of the best ones.
Filed under aliens, Dungeons and Dragons, humor, Paffooney
Mickey Viewed From the Inside
Yes, this post is a self-examination. Not the kind you see Donald Trump enacting every weekend, where he says any crappy thing that occurs to his craptastical very good brain to cover what he doesn’t want us to believe about the truth on Twitter, basically for the purpose of continuing to say he is great and we are poop. I do not like myself the way Trump likes himself. I am an old bag of gas that is in pain most of the time, in poor health, and the subject of endless persecution from Bank of America and other money-grubbing machines that are convinced any money I might accidentally have really belongs to them. But this is not a complain-about-crap fest either.
This is a self-examination that attempts to honestly examine where I am in my quest for wisdom and my affliction with being a writer.
If I am being honest about the type of writer I really am, I guess I am most like the Weird Recluse in the bottom corner. I can’t claim to be as good as Kafka or Dickinson, but I am definitely better than some of the crap that gets published and marketed as young adult literature. The business of publishing is more interested in how many books they can sell, rather than literary merit or good writing. Some of the crap that is out there and being made into bad movies (which I have not seen because I don’t go to movies that don’t pass the fiction-source smell test) is actually a form of brain poison that will mold young people into sexual predators and professional poop makers. And people will take poison happily if it has been deviously marketed well. So far, in the money test, I have made only $16.43 dollars as an author (plus whatever I have made from I-Universe that doesn’t cut a check until it reaches at least $25 dollars). Nobody is buying my books because nobody has read them. I have sold a few copies to friends and relatives. Some of those books are just sitting on a shelf somewhere unread. I have a couple of 5-star reviews on Amazon, and that is it. I will die in the near future not having known any measurable success from my books at all.
I have entered novels in writing contests and done well enough to make it into the final round of judging twice. I have not, however, made a big enough splash that anyone really noticed. I have paid reviewers to review my books online. One of those charged me money, and then reviewed a book with the same title by a different author, a book which was nothing like my book, and then, when forced to correct their error, only read the blurb on the back of the book to write the oopsie-I-goofed-last-time review. They were not worth the money I paid them, money that Bank of America could’ve sued me for instead.
The only thing I have done successfully as a writer is, I think, this goofy blog. By writing every day, I have managed to give myself considerable practice at connecting with readers. I have practiced writing humor and written some laughable stuff. I have plumbed my soul for new writing ideas, and found a creative artesian well bubbling up with new ideas daily. I can regularly manufacture inspiration. I am never truly without an idea to write about. Even when I write a post about not having an idea to write about, I am lying. Of course, I am a fiction writer, so telling lies is what I do best. I am also a humorist, so that means I can also tell the truth when I have to, because the best humor is the kind where you surprise the reader with a thing that is weirdly true. Like just now.
So, somewhere ages and ages hence, I hope there will be a trove of old books in a cellar somewhere that will include one of mine. And some future kid will pick it up, read it, and laugh. The golden quality of that laughter is the only treasure I have really been searching for. It is the reason I write. It is the reason I continue to be Mickey.
Since I wrote this blog post originally, I have added a few books published on Amazon. You can find information about this random noveliciousness here at this page in my blog. Click on this linkie thingie here.
PAFFOONEY-Type Excuses
I am not well again after a couple of weeks of rain and cold working on my arthritis. So I am going to merely post a few past Paffoonies to make up today’s post. If you would like to see what Paffoonies are all about, then go to Google picture search “Beyer Paffooney”. It will basically give you a Mickian art gallery, peppered with other pictures that I used in posts that aren’t actually Paffoonies (but the algorithm doesn’t know that).
Filed under artwork, Paffooney, Uncategorized
Talking to Girls
Communicating with a wife is complicated. In fact, I couldn’t do the whole writer-think thing about that topic without writing a book. But I can successfully ruminate for about 500 words on the that awkward first encounter, the first time I ever was embarrassed in front of a non-sister girl.
In grade school I met my first crush in kindergarten. Alicia Stewart was a honey-sweet little brown-haired girl with a bow in her hair. I was a boy. I was not allowed to like girls. Hating them was the only thing that made sense to my friends and I. But, secretly, I didn’t hate Alicia. In fact, if I was ever to be doomed to be married when I grew up, I would’ve only accepted that horrible fate if it was with her. And in my small town school I saw her practically every school day. In fact, in Miss Malkin’s music class on Tuesdays and Thursdays I sat right next to her in Miss Malkin’s seating chart for six years.
In Miss Malkin’s music class we always did musical stuff like listening to classical records, singing songs for the yearly musical review concert (we did the songs from the musical The Music Man one year… you don’t get more musicky than that), and we did square dancing. Yeah, you heard that right. Square dancing. You had to have a girl for a partner. And one year, Miss Malkin decided it would be cute to have the boys ask the girls to be their partners. Now, as boys… in top secret boy-conversations, we had generally agreed that if such a problem would ever occur, Alicia Stewart was the only acceptable choice. We all hated girls. But we all were secretly in love with Alicia. She was girl-hating-boy approved. When I was twelve, there was another girl that was making me uncomfortable too. Marla Carter was nine when I was twelve. She had big brown eyes and dimples. Her face was somehow heart-shaped, and only Alicia could make my palms sweat any worse than she did. But in top secret boy-conversations it was ruled that she was a booger-eating little girl and totally toxic. Well, I didn’t totally agree, but I was still subject to all girl-hating directives.
“Okay,” Miss Malkin said, “the boys will now pick their partners… one at a time in alphabetical order.”
My last name began with the letter “B”, but my best friend Mark had a last name starting with “A”.
“I pick Alicia,” Mark said.
My heart sank. I had my pick of any girl besides Alicia. Marla was standing about four feet away from me, her hands folded together behind her back, looking at me with those puppy-dog eyes. My throat was too dry to speak.
“Um, ah… I can’t pick anyone…” I croaked. “You pick it, I will dance with it.”
“Now, don’t be like that, Michael. Get on with it!” Miss Malkin commanded. Everyone loved the music teacher, and so everyone obeyed her. I had to submit.
I looked at Marla, dug my toe into the floorboards, and said, “I choose my cousin Diane.”
Talking to girls has always been a matter of embarrassment. The words are always awkward and shaped not by my brain, but by my bowels. This fact has always been a hindrance to my dealings with the female species, but it has been an unending source of potential for writing humor.
Filed under autobiography, humor, Paffooney, pen and ink, Uncategorized
Left is Right
With numerous health problems, I have difficulty with sleeping every night. One of the worst problems I have is nocturnal acid reflux. It makes me wake up in the middle of night with fire in my throat, like some sort of dyspeptic acid-spitting dragon. I have to vault out of bed, arthritis and all, and go toss the contents of my stomach into the toilet. Sorry to be so gross, but it is important to this theme to get a sense of just how bad it is to be on the wrong side. What do I mean by that? Well, I learned from a doctor recently that which side you lie on to sleep makes a big difference. If you sleep on your right side at night, your stomach is oriented in a way that the top opening angles down towards the esophagus. This leads to an unfortunate ooze of stomach acid that sets off the reflux crisis. If, however, you sleep on your left side, the stomach is angled in a manner that allows gravity to work for you instead of against you. I have been intentionally lying on my left side every night for a month. It works. No acid reflux. Until last night. But when I woke up gagging, I had unconsciously rolled onto my right side. So it has become obvious to me, the left side is the right side.
Life has to be in balance. But, unfortunately, it constantly shifts back and forth, up and down, and all around. Keeping life in balance is a juggling act that may involve lying only on your left side while you sleep.
I worry too about the balance affecting the world as a whole right now. We are very deeply mired in a time when political right and left are out of balance and have been for too long. In politics, the right is the conservative belief that things should remain the same. Since the Reagan administration, that has meant deregulating in the name of profits, free market capitalism, and letting Wall Street profit-makers do anything and everything they want to do to make higher profits. The left is in favor of change. When I was a kid, I can remember the left being a very bad thing. They wanted communist-style revolution. They robbed banks and blew things up. But most of those leftists are now dead. They still exist, but the far right is just as dangerous, the KKK, the militias, and they are far more numerous in this day and age. The leftist agenda now is more what used to be the moderate position. Senator Elizabeth Warren and presidential candidate Bernie Sanders want to re-regulate the Wall Street trends that caused the economic meltdown in 2008. They want to promote progressive tax systems that move the money out of corporate profit-funnels and back into the hands of the middle class, and the institutions that benefit them. There is a need to shift to the left. There is need to restore balance. Once again I think it is proper to say, the left side is the right side.
Filed under humor, Paffooney, philosophy, politics, self pity
Catch a Falling Star 
Cranky Old Coots Complain and Don’t Care
Yes, I am a coot. I became a coot in 2014 when I retired. I have the hair in the ears to prove it. I sometimes forget to wear pants. The dog is learning to hide from me on days when my arthritis makes me cranky.
So I am a practicer of the ancient art of being a cranky old coot. I have opinions. I share them with others foolishly. And I am summarily told to, “Shut up, you danged old coot!” And, of course, I don’t shut up because that would be a violation of number five in the by-laws of cootism. Obnoxiousness is our only reason for still being alive.
Lately, my group of coots on Facebook (who call themselves a “pack” like wolves, but, in truth, a group of coots is called an “idiocy”) are talking about politics… very loudly salted with firmly held opinions, beliefs, and bad words in several languages. I mean, it’s texting each other on memes we disagree about, but we do it LOUDLY, like that, in all caps. We also do it in such an infuriating manner because, if no one ever bothers to tell us to “Shut the hell up!” we will begin to suspect we have actually died and gone to purgatory where we are still being obnoxious, but nobody knows we are doing it. That is rubbing coot fur in the wrong direction.
The radical right (otherwise known as coot paradise) have been cooting up a storm about school shootings and gun control of late. They have more or less turned their ire on me because, knowing I was a school teacher, they have seized on the Coot in Chief’s notion of arming teachers to protect schools. Obviously, a majority of old coots agree that requiring a few “volunteer” teachers to conceal carry and learn how to handle a school shooter crisis situation with a gun instead of the way teachers are actually trained and practiced on handling such a situation, is the only economical way to defend schools from crazed lunatics with assault weapons. Of course, it is definitely more economical than hiring full-time police officers to handle security because “volunteer” teachers does not mean that they are necessarily willing to do it, but rather that they are doing it without pay. And of course, they shout at me things like, “Why don’t you just admit that you are too scared and unpatriotic to carry a gun as a teacher, and cowardly allow some female teacher with a big pistol to step in and do the job for you?” That is a very coot thing to say, and is hard to adequately counter, because if you try to argue using logic other than coot-logic, like the notion that since a majority of teachers in this country are female, you are asking women who are fierce enough to do the job (and I have known more than a few who would take it on no matter how hopeless their prospects) to take a handgun that the principal bought at Walmart with money from the Coke machine in the hall and face down a suicidal maniac with an assault rifle, you will not even be heard over the cacophony of coot braying and chest-thumping, let alone be understood.
And, for some reason, coots love Trump. Maybe because they feel he is truly one of them. He is older than dirt. He has an epically bad comb-over to hide his bald spot. He says bad words very loudly in front of women, children, and everybody. He says, “Believe me,” especially when telling lies. And he’s not afraid to fart in public and blame it on the dog. I admit to insulting Trump in front of them only because I like to see coot faces fold up in extra wrinkles, and coot heads turn various shades of angry red and apoplectic purple.
So, yes. I am a coot. Not proud to be one… that I can remember, but a coot nonetheless.
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Filed under angry rant, commentary, feeling sorry for myself, foolishness, goofy thoughts, grumpiness, gun control, humor, Liberal ideas, oldies, Paffooney, teaching
Tagged as coots, gun control and coots, obnoxious coots, old coots