My journey as a writer actually began in grade school. I was writing Star Trek-like comics from the time I was in the fourth and fifth grade, ten and eleven years old. I called my comics Zebra Fleet, about the last fleet in the Star League on the distant, far reaches of the Milky Way Galaxy.
I started writing book-length stories in college, at Iowa State University. They weren’t all science fiction. They began to be more and more about the time and place where I grew up, Rowan, Iowa in the 1960s and 1970s They involved the people I knew there and then. My family, my friends, the people of Rowan, and random Iowegians. I based important characters on people I actually knew, mostly those I knew quite well. But I changed and swapped character details to hide their identities a little bit, and I gave them names that were mixed and matched and borrowed from the 1977 Ames, Iowa phone book. Dettbarn, Efram, Sumpter, Bircher, Clarke, MacMillan, White, and Murphy all came from there. Niland came from a famous alumni of the University of Iowa who played for the Dallas Cowboys.
In order to have food to eat and money to spend as an adult, I had to take my BA in English and add to it an MA in Education to get a job as a teacher. I took my closet full of nascent novels and moved to Texas where my dad’s job took my parents before I graduated college. There I added hundreds of characters who were perfect for Young Adult novels as I got to know real kids and learned about their real lives. I changed their names, details, and often cultures as I added them to my stories.
Other than a couple of shots in the dark as submissions of cartoons and manuscripts to publishers, I mostly kept my stories in the closet and focused more on teaching (which, to be fair, is also a form of story-telling.) I put my handful of rejection letters in the closet too.
But then, I got laid off for two years due to health and a wicked witch as a principal, and I spent my non-job-hunting time writing a novel about my science-fiction role-playing games with former students. It was called AeroQuest.
I managed to find a publisher for that book. But it was a bogus sort of experience. They paid me an advance of one dollar. Then they had me sign a seven-year contract in 2007. No editor or proofreader even worked for them. I basically had to edit and format the book myself. All they did is intentionally flub-up some titles and sections of text in the printed form. This was part of the master plan to get me to pay for an extensive fix to the mistakes they made. The only marketing they did was to send a notice for my over-priced paperback to the list of friends and relatives that they required me to make for them. Publish America is no longer in business. They were closed down by a class-action lawsuit from the authors they had tricked into paying them thousands of dollars for totally defective publishing services. Since I didn’t pay them any scam pennies, I didn’t get any of the money from the lawsuit. I only got my publishing rights back.
So, I went back to whole-heartedly teaching. Then, in 2012 I completed another manuscript that I thought was the best work that I had ever done. I submitted it to I-Universe publishers. They read it and loved it. As it turned out, they were in the process of being acquired by Penguin Books. They were the closest thing to a mainstream publisher that would entertain submissions by new and unproven authors like me.
They, of course, were offering a publishing package that included working with real editors and marketing personnel. But I had to go a bit into debt to swing the price. So, I was still paying someone to publish my book correctly. But, as a step in my author’s journey, it was invaluable. I got to work closely with an experienced editor who had previously worked for both MacMillan and Harcourt, two mainstream traditional publishers.
My book was given the stock cover you see here despite the cover requests I made and got approved. My original ask was apparently too expensive to print. There is no girl flying a kite in the story at all, let alone at night. It is a story about incompetent aliens trying to invade a small town in Iowa. I had requested a flying saucer with a kite flying behind it.
That first real publisher, though, made me into a real writer. The I-Universe marketeers got me listed as a winner of the Editor’s Choice Award. And they put that award and the Rising Star award on every paperback copy they printed. Everyone who read the book seemed to really like it. They set me up with this blog, space on their website for my book and bio, and they put me in touch with Barnes and Noble to talk about “meet the author” sessions to promote getting the book on their shelves. But a trip to the hospital with pneumonia and the end of the room on my Discover Card caused me to bring an end to my marketing campaign. I ended up with two five-star reviews and sixteen dollars-worth of royalties.
At this point in the story, temporarily stalled, I must start touting the part two of my essay for today. I should warn you, I have a lot more negative things to say about publishing next time.
From the time I could first remember, I was always surrounded by stories. I had significantly gifted story-tellers in my life. My Grandpa Aldrich (Mom’s Dad) could spin a yarn about Dolly O’Rourke and her husband, Shorty the Dwarf, that would leave everybody in stitches. (Metaphorical, not Literal)
And my Grandma Beyer (Dad’s Mom) taught me about family history. She told me the story of how my Great Uncle, her brother, died in a Navy training accident during World War II. He was in gun turret aboard a destroyer when something went wrong, killing three in the explosion.
Words have power. They can connect you to people who died before you were ever born. They have the power to make you laugh, or make you cry.
Are you reading my words now? After you have read them, they will be “read.” Take away the “a” and they will change color. They will be “red.” Did you see that trick coming? Especially since I telegraphed it with the colored picture that, if you are a normal reader, you read the “red” right before I connected it to “reading.”
Comedy, the writing of things that can be (can bee, can dee, candee, candy) funny, is a magical sort of word wrangling that is neither fattening nor a threat to diabetes if you consume it. How many word tricks are in the previous sentence? I count 8. But that wholly depends on which “previous sentence” I meant. I didn’t say, “the sentence previous to this one.” There were thirteen sentences previous to that one (including the one in the picture) and “previous” simply means “coming before.” Of course, if it doesn’t simply mean that, remember, lying is also a word trick.
Here’s a magic word I created myself. It was a made-up word. But do a Google picture search on that word and see if you can avoid artwork by Mickey. And you should always pay attention to the small print.
So, now you see how it is. Words have magic. Real magic. If you know how to use them. And it is not always a matter of morphological prestidigitation like this post is full of. It can be the ordinary magic of a good sentence, or a well-crafted paragraph. But it is a wizardry because it takes practice, and reading, and more practice, and arcane theories spoken in the backs of old book shops, and more practice. But anyone can do it. At least… anyone literate. Because the magic doesn’t exist without a reader. So, thank you for being gullible enough for me to enchant you today.
On a previous Saturday I admitted to the crime of using 12-inch action figures to play the Star Wars role-playing game. The Dungeons and Dragons RPG world was horrified. You are supposed to use scale-appropriate metal miniatures. How can you simulate combat without small figures on a grid? I have to confess. It was via x’s and dots on graph paper. But we didn’t use the action figures to represent ranges and lines of site in combat. And one of my players was my niece, an actual girl. So, I guess, to be honest, we were actually playing with dolls.
But it helps to have a lot of dolls.
Emperor Palpatine, Snow Trooper, Obi-Wan, Jar Jar, Quigon, Droid Soldier, and home-made Mace Windu
We started play after the first two movies in the Prequel Trilogy.
Wicket, Imperial Walker, Astroboy (What’s he doing there?) Darth Vader, Little Anakin, and Boba Fett.
We got creative with stories.
Jango Fett, General Grievous, and Admiral Akbar
Anakin Skywalker
Robot from Lost in Space, R2D2, Slave Girl Leia, and a Green Orion Slave Girl Dancer from Star Trek
So there is evidence available to my offspring to help them have me committed to an institution. The truth is, these are not even all of my Star Wars Dolls. So this morning’s confession session is now at an end, though all of the horrible truth is not yet revealed.
Last night I watched again Part I of Ken Burns’ Mark Twain. I think it reminds me of who I am as a writer. No, I am not being all big-head arrogant and full of myself. I devoured certain writers as a youth, consumed them whole. Charles Dickens was my first passion, followed by J.R.R. Tolkien, and then Mark Twain. Of all of them, Samuel Clemens is the most like me. He was from the Midwest, born and raised in Missouri along the Mississippi River. I am from the Midwest, born and raised in Iowa along the Iowa River. He endured hardship and tragedy as a youth, losing his little brother in a riverboat accident, and he dealt with it by humor. I endured a sexual assault from an older boy, and dealt with it by… well, you get the picture. We are alike, him and I. We both draw upon the place we grew up, the people we have known, and the events of our youth to create stories.
It is a pretty big responsibility to follow in his footsteps, and I will probably never live to see the success and the wealth that came to him. But I have a responsibility to the people I knew and the time that gave rise to me to tell their story. I need to build a network of stories that resonate the truth of existence that I have been witness to. A big responsibility… and I probably will not live up to it. But I have to try.
Being a writer is somewhat like being cursed. The words burn inside, needing to get out, needing to be heard. I have stories that need to be told, and they will be told, even if only to file away in the closet again. Like Mark Twain, I am good at feeling sorry for myself. And the Mickey part of me, the writer part of me, is just like Mark Twain, a writer persona, and not the real man himself. I am simply the container for something that has to exist and has to tell stories. It is not a bad thing to be. But the more I get to know it, the more I would not wish the destiny on others.
Forgive how sad and bunglingly boorish this post is. But sometimes there are thoughts I simply have to think. And as a writer, I am bound to write down the silly things that I think.
One really weird thing that teachers do is think about thinking. I mean, how can a person actually teach someone else how to think and how to learn if they don’t themselves understand the underlying processes? Now that I have retired from teaching and spend all my time feeling sorry for myself, I thought I would try thinking about thinking one more time at least. Hey, just because I am retired, it doesn’t mean I can’t still do some of the weird things I used to do as a teacher, right?
This time I made a map to aid me in my quest to follow the twists and turns of how Mickey thinks and how Mickey learns. Don’t worry, though. I didn’t actually cut Mickey’s head in half to be able to make this map. I used the magical tool of imagination. Some folks might call it story-telling… or bald-face lying.
Now, a brain surgeon would be concerned that my brain maps out in boxes. He would identify it as a seriously deformed brain. It is not supposed to be all rectangular spaces and stairs. It probably indicates a severe medical need for corrective surgery… or possibly complete amputation. But we are not going to concern ourselves with trying to save Mickey from himself right now. That is far too complex a topic to tackle in a 500-word daily post. We are just discussing the basics of operation.
You see the three little guys in the control room? They are an indication that not only did I steal an idea from the Disney/Pixar Movie Inside Out, but I apparently have too few guys doing the job up there compared to the movie version. (It probably makes sense though that a young girl like the one in the movie has a much more sensible configuration in her brain than someone who was a middle school teacher for 24 years. Seriously, that job can do a bit of damage.) The three little guys are not actually Moe, Curly, and Larry, though that wouldn’t be far from descriptive accuracy. They are Impulsive Ignatz, currently in the driver’s seat (or else I wouldn’t be writing this), Proper Percy the Planner, and Pompositous Felixian Checkerbob, the fact-checker and perfectionist (also labeled the inner nerd… I am told not everyone has one of these). They are the three little guys that run around in frantic circles in my head trying to deal with a constant flow of input and output, trying to make sense of everything, and routinely failing miserably.
I shouldn’t forget the other two little guys in my head, Sleepytime Tim in the Dream Center, and little Batty up in the attic. I have no earthly idea how either of them function, or what in the heck they are supposed to do. But there they are. The other three run up and down stairs all day, locating magic mushrooms and random knowledge in the many file cabinets, record collections, book stacks, and odd greasy containers that are stored all around in the many nooks and crannies of Mickey’s mind. They collect stuff through the eyes and ears, and it is also their responsibility to chuck things out through the stupidity broadcaster at various inopportune times. It is also a good idea for them to avoid the lizard brain of the limbic system in the basement. It is easily angered and might eat them.
So now you should be able to fully understand how Mickey thinks. (Or not… a qualifier I was forced to put in by Checkerbob.)
Don’t make the mistake of thinking I have any earthly idea where writing comes from or how it began. I am only talking personal history here, nothing grander or more meaningful. This post is only self-referential hoo-haw, which is a fancy way of interpreting “conceited crap”.
So, the truth is, I am writing about Charles Dickens because he is the author I most want to become. True, I rant on and on about Twain and his humor. And a good deal of my artwork owes everything to Disney, but everything I am good at in writing is based on Dickens.
The first actual Dickens novel that I read was accomplished during my extended illness as a high school sophomore. I read in bed, both at home and in the hospital, from my library copy of The Old Curiosity Shop. I was enthralled by the journey and subsequent tragedy of Little Nell. I thoroughly loathed the villain Daniel Quilp and was roundly thrilled by his well-deserved fatal comeuppance. It was my first encounter with the master of characters. I followed that reading with a biography of Dickens that revealed to me for the first time that his characters were based on real people. Mr. Micawber in David Copperfield was actually Dickens’ own father. Little Nell was the cousin he dearly loved who died in his arms. The crafty Fagin was a caricature of a well-known fence named Soloman, a Jew of infamous reputation, but not without his redeeming quality of caring for the orphaned poor. So it is that I have chosen to make my silly stories about real people in much the same way Dickens did. If you are now worried that since you know me, you may end up in my books, never fear. I change names and splice characters together. You will have to make an effort to recognize yourself. And, besides, nobody reads my books anyway.
I also like the way Dickens uses young characters and follows them over time as they grow and change. Oliver Twist was the first child protagonist in English literature. David Copperfield, Nicholas Nickleby, and Pip in Great Expectations are also like that. David Copperfield, in fact, is Chuck’s own fictionalized self. I fully intend to do the same. It is the reason my books fall into the Young Adult category. I also intend to employ the same kind of gentle, innocent humor that Dickens used. I mean to portray things that are funny in a disarming, absurdist way rather than resorting to attack humor and bad words.
There it is, then, my tribute to Charles Dickens, a writer who makes me be who I am and write what I write. I am not supposed to do Christmas posts because of my avowed religion, but you can consider this to be as close as I can come. The author of A Christmas Carol… it doesn’t get much more Christmassy than that.
Why is Ariel dressed in armor? Well, the American people reelected the malevolent and vengeful Pumpkinhead. He plans to hurt us all deeply for giggles and profits. Honestly, he was merely a corrupt criminal leader in his first administration. And then he committed treason and we failed to execute him, so he merely stewed for four years. The number of deeply racist, angry, and evil poor folks have also been stewing and becoming worse, ready to anoint him and back him as he visits cruelty and death on everybody they hate. The near future is not Disneyland.
I pixelated this 80’s style of a computerized portrait of Ariel using AI Mirror.
So, Ariel is the only one I can depend on not to change for the worse. Things will become horrible financially, and socially, and we may even starve to death. Climate change will devastate civilization. The Pumpkinhead will loot and pillage, blame and punish, and make our lives Hell as the world crashes to an end.
Ariel, of course, is made of plastic. (I did not cut her hair. I gave her a ponytail with a scrunchy.) That is why she will not change until the world burns down. I am not superstitious and tempted to believe the Bible’s Armageddon prophecy is coming true. Because I do not believe in salvation and an afterlife. We get the life we need and deserve, and then the universe is done with us, and our part in the greater story is done. But I take comfort in the fact that the book does not close. The story goes on without me. Therein lies eternity.
The facts are depressing, but it will be quite an experience. And the Pumpkinhead does not live forever, either.
Life seems to be getting harder and harder. And I realize that a big part of that perception is the fact that my health is deteriorating quickly. This is a humor blog, but it has been getting more and more serious and more and more grim as the grim reaper becomes more and more a central character in my own personal story.
My perception of reality, however, is best explained by a passage in a novel that spoke to me in college. It comes from the novel, the Bildungsroman by Thomas Mann called Der Zauberberg, in English, The Magic Mountain. In the scene, Hans Castorp is possibly freezing to death, and he hallucinates a pastoral mountainside scene where children are happily playing in the sunshine. Possibly Heaven? But maybe not. As he goes into a stone building and finds a passage down into the ground, he sees wrinkled, ugly, horrible hags gathered around a child’s corpse, eating it. And this vision explains the duality at the center of the meaning of life.
For every good thing, there is an equal and opposite bad thing that balances it out. There is no understanding what perfection and goodness mean without knowing profanity and evil. Just as you can’t understand hot without cold nor light without darkness. And you don’t get to overturn the way it is. You try your hardest to stay on the heads side of the coin knowing that half the time life falls to tails.
So, what good does it do me to think about and write about things like this? Well, it makes for me a sort of philosophical gyroscope that spins and dances and helps me keep my balance in the stormy sea of daily life. I deal with hard things with humor and a sense of literary irony. I make complex metaphors that help me throw a rope around the things that hurt me.
We are living now in the Spider Kingdom. Hard times are here again. The corrupt and corpulent corporate spiders are spinning the many webs we are trapped in. As metaphorical as it is, we wouldn’t have the government we currently have and be suffering the way we are if that weren’t true.
But no bad thing nor no good thing lasts forever. The wheel goes round and round. The top of the wheel reaches the bottom just as often as the bottom returns to the top. So, it will all pass if we can only hold out long enough.
I don’t begrudge Miranda for having her extended vacation in Hawaii. After all, she lost both of her parents in a plane crash. And even if she did inherit twenty million dollars, and the people who actually take care of her are still with her because she has always been raised by her nanny and the household staff, she is still dealing with a terrible loss that most teenagers don’t have to deal with. Also, there’s the fact that her life is entirely fictional. I need a vacation from my life too. I have dealt with the harm done me by Donald Trump, Covid, Bankruptcy, and ill health for eight years already. Now I have been given the gift of four more Trump years. What the heck? I voted against the Pumpkinhead. Why didn’t that work?
My writing time has become unsustainable. I am barely getting anything new done day by day.
But I have gone back and reread some of my own best writing. And as much as any good author always feels like his work, even his best work, is little more than a pile of crap, I have discovered that some of my crap-tastic creations are really pretty good.
Have you read this one, for instance?
So, when Miranda gets back from Hawaii, we’ll see what happens next. I want to finish some of what I already started. I also want to tell Miranda’s story and bring her to life as well. That’s only fair after I killed off her parents in my imagination. Such a devastating crash!
I have published my eighth novel in the last six years. (This is, of course, a re-post of an old essay.) Sure, it is through mostly self-publishing of novels that no one but me has ever read. Catch a Falling Star and Snow Babies both had a professional editor, one who had worked for Harcourt and one who worked for PDMI. Magical Miss Morgan has had a proofreader who made numerous stupid mistake errors that I had to change back to the original meticulously by hand. But all three of those novels won an award or were finalists in a young adult novel contest. I do have reason to believe I am a competent writer and better even than some who have achieved commercial success.
But what is the real reason that I am so intent on producing the maximum amount of creative work possible in this decade? Well, to be coldly objective, I am a diabetic who cannot currently afford insulin. I have been betrayed by the for-profit healthcare system that treats me as a source of unending profit. I am like a laying hen in the chicken house, giving my eggs of effort away to a farmer who means to eat my very children if time and circumstance allows. I am the victim of six incurable diseases and conditions that I got most likely as a result of exposure to toxic farm chemicals in the early 70’s. I am also a cancer survivor from a malignant melanoma in 1983, and for three years now I have not been able to get the preventative cancer tests I am supposed to be receiving every year for the rest of my life. My prostate could very well be cancerous as I write this. If that is so, it will kill me unawares, because I don’t even want to know about having a disease I can’t possibly afford to fight all over again.’
So, the basic reason I am going through the most productive and creative period of my entire life is because I have a great rage to create before I die and I could be dying as soon as tonight. All of the countless stories in my head clamoring to be written down before it is too late cry out to me desperately for my immediate attention.
I will, then, continue to write stories and draw cartoons and other Paffoonies for as long as I am still able, and possibly even afterward. I have, after all, threatened repeatedly to become a ghostwriter after I die. And, yes, I understand when you scream at my essay that that is not what a ghostwriter is. But if a woman can channel the ghost of Franz Schubert and finish his unfinished symphony…(https://en.wikipedia.org/wiki/Rosemary_Brown_(spiritualist))
—then I should also be able to tell my stories from beyond the grave. I have been percolating them in my head and writing and drawing them in whole or in part since 1974. I have too much time and too many daydreams wrapped up in them to let it all just evaporate into the ether. In summation, I am claiming stupidly that my novels, crack-brained and wacky as they are, are somehow destined to exist, either because of me or in spite of me. So just be happy that I write what I write, for there is an art to being Mickey, and I am the one artist and writer who is the best Mickey possible if truly there ever was a real Mickey.
Catch a Falling Star 
My Bookish Journey
My journey as a writer actually began in grade school. I was writing Star Trek-like comics from the time I was in the fourth and fifth grade, ten and eleven years old. I called my comics Zebra Fleet, about the last fleet in the Star League on the distant, far reaches of the Milky Way Galaxy.
I started writing book-length stories in college, at Iowa State University. They weren’t all science fiction. They began to be more and more about the time and place where I grew up, Rowan, Iowa in the 1960s and 1970s They involved the people I knew there and then. My family, my friends, the people of Rowan, and random Iowegians. I based important characters on people I actually knew, mostly those I knew quite well. But I changed and swapped character details to hide their identities a little bit, and I gave them names that were mixed and matched and borrowed from the 1977 Ames, Iowa phone book. Dettbarn, Efram, Sumpter, Bircher, Clarke, MacMillan, White, and Murphy all came from there. Niland came from a famous alumni of the University of Iowa who played for the Dallas Cowboys.
In order to have food to eat and money to spend as an adult, I had to take my BA in English and add to it an MA in Education to get a job as a teacher. I took my closet full of nascent novels and moved to Texas where my dad’s job took my parents before I graduated college. There I added hundreds of characters who were perfect for Young Adult novels as I got to know real kids and learned about their real lives. I changed their names, details, and often cultures as I added them to my stories.
Other than a couple of shots in the dark as submissions of cartoons and manuscripts to publishers, I mostly kept my stories in the closet and focused more on teaching (which, to be fair, is also a form of story-telling.) I put my handful of rejection letters in the closet too.
But then, I got laid off for two years due to health and a wicked witch as a principal, and I spent my non-job-hunting time writing a novel about my science-fiction role-playing games with former students. It was called AeroQuest.
I managed to find a publisher for that book. But it was a bogus sort of experience. They paid me an advance of one dollar. Then they had me sign a seven-year contract in 2007. No editor or proofreader even worked for them. I basically had to edit and format the book myself. All they did is intentionally flub-up some titles and sections of text in the printed form. This was part of the master plan to get me to pay for an extensive fix to the mistakes they made. The only marketing they did was to send a notice for my over-priced paperback to the list of friends and relatives that they required me to make for them. Publish America is no longer in business. They were closed down by a class-action lawsuit from the authors they had tricked into paying them thousands of dollars for totally defective publishing services. Since I didn’t pay them any scam pennies, I didn’t get any of the money from the lawsuit. I only got my publishing rights back.
So, I went back to whole-heartedly teaching. Then, in 2012 I completed another manuscript that I thought was the best work that I had ever done. I submitted it to I-Universe publishers. They read it and loved it. As it turned out, they were in the process of being acquired by Penguin Books. They were the closest thing to a mainstream publisher that would entertain submissions by new and unproven authors like me.
They, of course, were offering a publishing package that included working with real editors and marketing personnel. But I had to go a bit into debt to swing the price. So, I was still paying someone to publish my book correctly. But, as a step in my author’s journey, it was invaluable. I got to work closely with an experienced editor who had previously worked for both MacMillan and Harcourt, two mainstream traditional publishers.
My book was given the stock cover you see here despite the cover requests I made and got approved. My original ask was apparently too expensive to print. There is no girl flying a kite in the story at all, let alone at night. It is a story about incompetent aliens trying to invade a small town in Iowa. I had requested a flying saucer with a kite flying behind it.
That first real publisher, though, made me into a real writer. The I-Universe marketeers got me listed as a winner of the Editor’s Choice Award. And they put that award and the Rising Star award on every paperback copy they printed. Everyone who read the book seemed to really like it. They set me up with this blog, space on their website for my book and bio, and they put me in touch with Barnes and Noble to talk about “meet the author” sessions to promote getting the book on their shelves. But a trip to the hospital with pneumonia and the end of the room on my Discover Card caused me to bring an end to my marketing campaign. I ended up with two five-star reviews and sixteen dollars-worth of royalties.
At this point in the story, temporarily stalled, I must start touting the part two of my essay for today. I should warn you, I have a lot more negative things to say about publishing next time.
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