I have made up my mind to risk investing more money in getting another book published. Being an author, especially an unknown Indie author, is really just an expensive hobby. Even investing in professional editorial services and print-on-demand publishers can’t help you make any money at it, even if you are talented and good at story-telling. The best I can really hope for is to get my books in print and pray that people will discover them and like them after I die, beaten to death for a crust of bread in debtor’s prison.
So, why would anyone in their right mind want to be a writer?
It is entirely possible that I was simply born that way. I have been drawing cartoons and telling stories since I was about five years old. Maybe even before that. I don’t have many clear memories of my pre-school years. It is possible that I was lost in a library once… or dropped on my head… or in a library and having a book dropped on my head… something set it off if it wasn’t simply in my genes.
I am planning to publish Magical Miss Morgan with Page Publishing. They are a pay-to-print publisher who are slightly more affordable than I-Universe that I used to get Catch a Falling Star into print. I feel like I have to get it published before I die because it is the distillation of my entire life as a classroom teacher. Books like this are important to me. In the Bible, there are prophets and holy men who are filled with the Word of God, men like Jeremiah, that claim the Word is burning within them, and will burn its way out of them if they don’t speak it. My stories that I am working at turning into books are like that. They are consuming me from the inside out. I have to get them written and printed if I possibly can.
I have recently tried and failed to get novels like Snow Babies, Magical Miss Morgan, and Superchicken published with publishers that don’t charge for their services. I got several rejections and one contract that came to nothing because of the economic failings of the publisher. I have tried being infinitely patient. It doesn’t work.

I will try to bargain for the most affordable deal I can to get Magical Miss Morgan into print. They will apparently let me input artwork into the final cover. I understand that successful writers tend to starve for at least fifteen years before they see any success and profit. At best, I have six more years of that to go. But this, after all, is my life now. I need to write books and I need to get them published. I am, unfortunately, a Writer.
This being an old post reposted, I now have this book available on Amazon.
























Imaginary Friends
When you know someone has an imaginary friend, something like Elwood’s six-foot invisible rabbit called Harvey, don’t you immediately think that person is crazy? I do. But I have imaginary people as friends. I think most writers do. So am I crazy? Probably. But hopefully it is a good kind of crazy.
It began with imaginary friends from books. The Cat in the Hat was my friend. Jim Hawkins was my friend, as was Mowgli and all the members of the Swiss Family Robinson. They entered my dreams and my daydreams. I told them my troubles the same way I listened to theirs through their stories.
I began to have imaginary friends that came from my own imagination too.
I used to tell my mere human friends about my friend Davalon from outer space. I told them that he was real and secretly visited me at night to talk about being able to learn about humans on earth by walking around invisibly and watching them. I got so involved with these stories that my sixth grade class began saying, “Michael is from Mars.”
When I was a teenager, I began having conversations with a faun. His name was Radasha. He was a creature from Greek Myth, a sensual Dionysian creature who, in his child body, was both younger than me and way older than me. I didn’t realize until much later in life that he was the result of my repressed memories of a childhood sexual assault that I was the victim of. I could talk to him about my fear of nakedness. I could tell him about my blossoming interests in naked girls and their bodies. I could talk to him about all the things I was somehow too terrified to talk to my male friends about, even though none of them had the same reluctance to discuss sex. Ra was imaginary. But he helped me heal.
Then the story-telling seriously began. I used Davalon as one of the main characters in my novel Catch a Falling Star. I created Torrie Brownfield, the baby werewolf to express the feelings I had as a boy about being a monster and secretly terrible and deformed. Torrie is a normal boy with a condition called hypertrichosis. I am working on The Baby Werewolf now. And then there’s lovely Valerie Clarke. She is the main character of Snow Babies which is a finished novel, edited and proofread and ready to publish. It is I book I will have to find another way to publish since the recent death of PDMI Publishing. She is not a me-character, based on my own thoughts and feelings. She is based on former classmates and students who told me things that express the sadness and isolation of growing up female. So she is even more imaginary than my other characters.
They become real people to me. They have their own point of view. They talk to me and I learn things from them. But they are imaginary. So am I crazy? Yes… as a loon. And happy as Elwood P. Dowd to be that way.
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