Well, I have a thing for collecting old books. This one is 100 years old. It is a modern edition, though, re-published in 2003.
Here’s my Goodreads review;
This book is an ancient treasure in many ways, being now more than 100 years old. The illustrations by John O’Neill, too, have a very antique charm. The book is a little short on plot. Dorothy wanders off from the Kansas farm, meets the hobo Shaggy Man, and Button Bright, one of the stupidest little boys in literature. They meet old friends along the way; Jack Pumpkinhead, H.M. Wogglebug T.E., the Tin Man, the Scarecrow, the Cowardly Lion, the Hungry Tiger, Tik Tok the mechanical man, Billina the Talking Yellow Chicken, and the living Sawhorse. And they all end the story at Princess Ozma”s birthday party where Santa Claus is the favorite guest. This is a potboiler novel for Baum, obviously written only because the readers all begged for it, and it has a lot in it to be enjoyed by true fans of Oz, but not much in the way of suspense or excitement. It can easily be summed up in the words of Button Bright, “I don’t know,” which he says in answer to every question.
I find the illustrations more compelling than the story itself, but I have to admit that the story itself is incredibly visual.
I love this book, even though I don’t respect it much as a storyteller myself. But it is the fourth Oz book I have read since childhood. And it isn’t because of the story. Frank L. Baum is a genius at creating loveable and memorable characters. And these illustrations are wonderful. The Shaggy Man with the head of a donkey? Absolutely fabulous! You can’t beat that. (Well, you can. But whether he’s a donkey or a man, it’s still a crime. )
I grew up in a small rural town in North Central Iowa. It was a place that was, according to census, home to 275 people. That apparently counted the squirrels. (And I should say, the squirrels were definitely squirrelly. They not only ate nuts, they became a nut.) It was a good place to grow up in the 60’s and 70’s. But in many ways, it was a boring place.
Yes, there were beautiful farmer’s daughters to lust after and pine for and be humiliated by. There was a gentle, supportive country culture where Roy Rogers was a hero and some of the best music came on Saturdays on Hee Haw where there was a lot of pickin’ and grinnin’ going on. There were high school football games on Friday nights, good movies at the movie theaters in Belmond and Clarion, and occasional hay rides for the 4-H Club and various school-related events like Homecoming.
I lived in a world where I was related to half the people in the county, and I knew at least half of the other half. People told stories about other people, some of them incredibly mean-spirited, some of them mildly mean, and some of them, though not many, that were actually good and actually true. I learned about telling good stories from my Grandpa Aldrich who could tell a fascinating tale of Dolly who owned the part of town called locally “Dollyville” and included the run-down vacant structure the kids all called the Ghost House. He also told about Dolly’s husband, Shorty the dwarf, who was such a mean drunk and went on epic temper tirades that often ended only when Dolly hospitalized him with a box on the ear. (Rumor had it that there were bricks in the box.)
And I realized that through story-telling, the world became whatever you said that it was. I could change the parts of life I didn’t love so much by lying… er, rather, by telling a good story about them. And if people heard and liked the stories enough, they began to believe and see life more the way I saw it myself. A good story could alter reality and make life better. I used this power constantly as a child.
There were invisible aliens invading Iowa constantly when I was a boy. Dragons lived in the woods at Bingham Park, and there were tiny little fairy people everywhere, in the back yard under the bushes, in the attic of the house, and building cities in the branches of neglected willow trees.
I reached out to the world around me as an artist, a cartoonist, and a story-teller and plucked details and colors and wild imaginings like apples to bake the apple pie that would much later in my life feed the novels and colored-pencil pictures that would make up my inner life. The novels I have written and the drawings I have made have all come from being a small town boy who dreamed big and lived more in stories than in the humdrum everyday world.
I wish to leave no doubt unturned like a stone that might have treasure hidden under it. I love the works of Samuel L. Clemens, better known as Mark Twain.
I have read and studied his writing for a lifetime, starting with The Adventures of Tom Sawyerwhich I read for myself in the seventh grade, after seeing the musical movie Tom Sawyer starring Johnny Whittaker as Tom. I caught a severe passion, more serious than a head-cold, for the wit and wisdom with which Twain crafted a story. It took me a while to acquire and read more… but I most definitely did. I took an American Literature course in college that featured Twain, and I read and analyzed The Adventures of Huckleberry Finn. I also bought a copy of Pudd’nhead Wilson which I would later devour in the same thoroughly literate and pretentious manner as I had Huck Finn. Copies of A Connecticut Yankee in King Arthur’s Court and The Mysterious Stranger were purchased at the same time, though I didn’t read them cover to cover until later during my years as a middle school English teacher. I should point out, however, that I read and re-read both of those, Connecticut Yankeewinning out by being read three times. As a teacher, I taught Tom Sawyer as an in-class novel assignment in the time when other teachers thought I was more-or-less crazy for trying to teach a 100-year-old book to mostly Hispanic non-readers. While the lunatic-inspired experiment was not a total success, it was not a total failure either. Some kids actually liked having me read parts of it aloud to them, and some borrowed copies of the book to reread it for themselves after we finished as a class.
During my middle-school teaching years I also bought and read copies of The Prince and the Pauper, Roughing It, and Life on the Mississippi. I would later use a selection from Roughing It as part of a thematic unit on Mark Twain where I used Will Vinton’s glorious claymation movie, The Adventures of Mark Twain as a way to painlessly introduce my kids to the notion that Mark Twain was funny and complex and wise.
I have also read and used some of Twain’s most famous short fictions. “The Celebrated Jumping Frog of Calaveras County” and “The Man Who Corrupted Hadleyburg” are both masterpieces of Twain’s keen insight into the human psyche and the goofy and comic corruptions he finds there.
And now, retired old me has most recently read Tom Sawyer Abroad. And, though it is not one of his finest works, I still love it and am enthralled. I reviewed it and shared it with you a few days ago. But I will never be through with Mark Twain. Not only is there more of him to read, but he has truly been a lifelong friend.
Yep, I read about being an “erronort” traveling in a balloon while sitting in a parking lot in my car.
Believe it or not, I read this entire 100+-year-old book in my car while waiting for my daughter and my son in school parking lots. What a perfectly ironic way to read a soaring imaginary adventure written by Mark Twain, which has been mostly forgotten by the American reading public.
My copy of this old book is a 1965 edition published for school libraries of a book written in 1894. It tells the story of how Tom and Huck and Jim steal a ride on a balloon at a town fair from a somewhat mentally unhinged professor of aeronautical science. The balloon, which has space-age travel capabilities due to the professor’s insane genius, takes them on an accidental voyage to Africa.
Of course, the insane professor intends to kill them all, because that’s what insane geniuses do after they prove how genius-y they really are. But as he tries to throw Tom into the Atlantic, he only manages to plunge himself through the sky and down to an unseen fate. The result being a great adventure for the three friends in the sands of the Sahara. They face man-eating lions, mummy-making sandstorms, and a chance to land on the head of the Sphinx.
The entire purpose of this book is to demonstrate Twain’s ability to be a satirical stretcher of the truth, telling jokes and lies through the unreliable narrator’s voice of Huck Finn.
Here is a quoted passage from the book to fill up this review with words and maybe explain just a bit what Twain is really doing with this book;
Notice how I doubled my word count there without typing any of the words myself? Isn’t the modern age wonderful?
But there you have it. This book is about escaping every-day newspaper worries. In a time of Presidential Candidate Donald Trump, global warming, and renewed threats of thermonuclear boo-boos with Russia, this proved to be the perfect book to float away with on an imaginary balloon to Africa. And the book ends in a flash when Aunt Polly back in Hannibal wants Tom back in time for breakfast. I really needed to read this book when I picked it up to read it.
This post originally appeared here on April 21st, 2015, the anniversary of Mark Twain’s expiration date.
If it is inevitable that I will surely drop dead some day, and if it is likely that it will come sooner rather than later, then I hope to go out with a bit of style and leave something behind that speaks not only to my own children, but to anybody searching for truth and beauty, people of the future that I will never know who are living beyond the confines of my little life. What makes me think that I can do it? Well, I’m a writer… and Mark Twain did it… and I don’t have to be vain or loopy or maniacal or delusional to make the same thing happen.
On this day one-hundred-and-five years ago, April 21, 1910, Mark Twain left the world of the living. He caught a ride on Halley’s Comet (It deposited him on Earth in 1835, appearing in the sky when he was born, and took him away when it appeared in the sky again in 1910… He didn’t have to be some kind of suicidal Heaven’s Gate nut to manage that.) But it wasn’t the comet that showed me the truth… it was his books. I learned to take a wry view of a complex world that I could do nothing to change and tweak it with intelligence and understanding from the story of racism and justice he left behind in Pudd’nhead Wilson. I learned the value of ingenuity and opportunity and how to use them properly from A Connecticut Yankee in King Arthur’s Court. I also learned a profound love and understanding for small town people like me and the people of my little hometown in both The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn. Samuel Clemens, Mr. Mark Twain, left himself behind in stories to speak to the ages. He spoke to me… directly to my heart, and he had been dead for 46 years before I was even born. If that’s not magic, I don’t know what is.
media.npr.org
Now, I am not a fool (wait a minute! I know you have proof to the contrary if you read my blog posts, but I am not an UNINTENTIONAL fool), so I do not think that my words and wisdom are ever going to have any sort of effect on the entire world the way Mark Twain’s have. I can accept reality. This whole world is dying and may not long outlive me. There are a large number of talented fools… er, I mean writers, out there who have put out a number of published good books, and have, like me, made diddly-zero-bupkiss in dollars on the deal. I have no delusions. My work is good enough to turn into a best-seller or maybe two, but I do not have the time or the backing to make it happen. If anything other than obscurity embraces my books, I won’t live to see it. Only eleven per cent of published authors make a livable wage from writing and I will never be one of them. But I have ideas that resonate. I can write in ways that touch the heart (as you may have seen if you have read my post “When Compassion Fails” that was a minor hit with the 1000 Voices Speak For Compassion group).
So, I am satisfied to confess my girly addiction to Barbie Dolls and My Little Pony… talk about cartoons and cartoonists on WordPress… make people giggle a bit… or even guffaw, and put together books that my family will read, and only be mildly embarrassed by, and maybe one day will reach and touch the heart of some boy or girl who really needs to read what I wrote at a time in their lives when it can actually help… the way so many other philosophers, wits, and word-wizards have helped me. (How’s that for some prime purple-paisley prose?)
As a writer of novels, like all passable to good writers of novels, I read novels. Not just any novels. Novels that are the kind of novels I aspire to write myself.
David Mitchell is one of those novelists who can write the way I want to write. His stories are detailed and yet, compelling enough to follow wherever the story leads you. Characters are vivid and seem to have an actual life beyond the pages of the novel. And there is a chance that you will meet them again in another David Mitchell novel, even if they died in the previous David Mitchell novel you read. He writes across swaths of time and gives the story a sense of history.
Slade House is basically a haunted house story, a horror story about a house that is itself a sort of ghost. It can only be entered by a single small iron door that only appears in an alleyway every nine years. And every time it does appear, in October of 1979, 1988, 1997, 2006… , at least one somebody will go in and never come out again.
The story is side-linked to the masterpiece Mitchell novel, The Bone Clocks. It is also a plot less convoluted and multifaceted than Bone Clocks and Cloud Atlas, so much easier to follow
David Mitchell is an author I study to learn about writing and storytelling. I don’t copy him. I do take note of his bag of tricks, his writer’s toolbox, so to speak, and I pick up and play with those same tools and magician’s secrets. I would like to suggest that if you truly wish to be a writer of fiction, you must put David Mitchell’s books on your must-read-before-I-die list. If you can’t put Mitchell on that list, then here are a few others on my list; Michael Crichton, Terry Pratchett, Neil Gaiman, Louis L’Amour, Charles Dickens, Thomas Hardy, H.P. Lovecraft, Steven King, Mark Twain, and J. K. Rowling. It should be obvious that these names are all on my list for different reasons. And if you don’t read David Mitchell, there are artisan’s techniques there you can get nowhere else. But you are the reader. And if you have chosen to read this far through this essay, then you are at least fool enough to want to know the things I am telling you in this book review.
As a storyteller, David Mitchell is Rumpelstiltskin. He weaves straw into gold. And if you are canny and careful enough of a reader, you can gain some of that value from his work without giving up your firstborn.
Yes, David Mitchell is a very smart man… a very smart English man. (That isn’t to say that his genius is any less genius than an American Genius. Just that he is a genius who also happens to be English)
And I, of course, don’t mean this David Mitchell either, though this David Mitchell is also a genius and also from England. I have to tell you, though I have always loved British humor, this particular tongue of silver fascinates me enough to make me binge on hoards of old episodes of “Would I Lie to You?” from the BBC on YouTube. He’s a quick-wit, Brit-wit, smooth-talking bit-wit who can make you laugh even when he’s playing a thick-wit… which he is certainly not. Continue reading →
Yes, I read this book. Yes, it scared the poop out of me. Yes, it made me cry. This is a uniquely horrific horror story that is so realistic that you know that it has actually happened in real life somewhere, sometime. Only the names of the characters would be different.
I have a deep abiding respect for Richard Peck as a writer. He earned that with his books A Year Down Yonder and A Long Way from Chicago. Those books made me laugh so hard it blew chocolate milk out of my nose. And, yes, I was drinking chocolate milk at the time. They are so realistic because the people in those stories are real people. I know those people personally. Of course, they have different names in real life.
But Are You In the House Alone? is a very different book from those other two masterpieces. It tears your heart out and eats your liver because it is a first person narrative in the voice of a high school girl being stalked by a sexual predator. Everything that happens to Gail in the high school, at home, and at the house where she babysits is hyper-real with horror movie levels of attention to detail. I don’t wish to be a spoiler for this well-written book, but the narrator does not die in the book and it definitely does not have a happy ending. For anyone who has the amount of empathy I do, and in many ways becomes the narrator-character by reading, reading a book like this can physically hurt. A teacher like me has lived through horrible things like this happening to students before, it even happened to me as a boy, and it adds the slings and arrows of those things being re-lived as you read.
This is not the only book that has ever done this sort of damage to my heart strings. I remember the pain from the conclusion of Dickens’ The Old Curiosity Shop. You root for Little Nell and boo Daniel Quilp. But the bad guy wins. No happy ending can linger in the harp-strings of your memory-feeling song as long as a tragic outcome does. I was there with Scout in that ridiculous costume in the dark when Bob Ewell was attacking her brother Jem in Harper Lee’s To Kill a Mockingbird. That story was filled with wise and laughable things, but the stark horror of that climactic moment nearly wiped all the good feelings away, if not for the heroics of ghostly Boo Radley whose timely intervention brings it all back before the novel ends. It horrifies me to admit it, but I was there, too, in the moment when the boys all turn on Simon on the beach with their sharpened sticks in William Golding’s Lord of the Flies. They mistook him for the monster. I still haven’t fully recovered from that reading trauma.
The thing about books that hurt to read which makes it essential that I never try to avoid them, is that they can add more depth and resonance to your soul than any light and fluffy piece ever could. Life is much more like Lord of the Flies than it is Chitty Chitty Bang Bang. I am sadder but wiser for having read Are You In the House Alone? I am recommending it to other readers like me who don’t so much live to read as they read in order to live. Not because it is easy and good to read, but because it is hard and essential to read. It will hurt you. But it will leave you like it leaves its narrator, damaged, but both alive and purely resolved to carry on.
I told you before that I make a lousy movie critic because I watch anything and everything and like most of it. You don’t believe me? You can look it up through this link; The Uncritical Critic
I hate to tell you this, but it is almost exactly the same for books too.
The Paffooney is an illustration for a proposed collaboration on a children’s book. My friend and fellow author Stuart R. West (Stuart’s Blogspot about Aliens) had a story about three kids taking a balloon ride when they accidentally gave the goldfish bubble gum to chew ignoring their mother’s warning that dire consequences would follow. He decided the project was too ridiculous to follow through on, or at least my Paffooney power wasn’t up to making sense of his brilliant literature, and the book did not happen. And I am sorry about that because I couldn’t wait to find out how it turns out. I love weird and wild stories of all kinds. And, unfortunately, I love them uncritically.
So, what kind of books would a goofy uncritical critic actually recommend? Let me lay some bookishness on ya then.
Here is the review I wrote for Goodreads on Terry Pratchett’s The Amazing Maurice and His Educated Rodents.
I have always felt, since the day I first picked up a copy of Mort by Terry Pratchett, that he was an absolute genius at humor-and-satire style fantasy fiction. In fact, he is a genius compared to any author in any genre. He has a mind that belongs up there with Mark Twain, Charles Dickens, and William Faulkner… or down there as the case may well be. This book is one of his best, though that is a list that includes most of his Discworld novels. Amazing Maurice is a magically enhanced cat with multiple magically enhanced mice for minions. And the cat has stumbled on a sure fire money-making scheme that completely encompasses the myth of Pied Piper of Hamlin. In fact, it puts the myth in a blender, turns it on high, and even forgets to secure the lid. It is funny, heartwarming, and changes the way you look at mice and evil cats. This is a book to be read more than once and laughed at for the rest of your life.
You see what I mean? I uncritically praise books that make me laugh and think deeply about things at the same time. It is as if I don’t have any standards at all if something is brilliantly written and makes a deep and influential impression on me.
Here’s another book that I love so much I can’t be properly critical when I reread it. A Tale of Two Cities by Charles Dickens. I cannot help but be taken in by the unrequited love the dissolute lawyer Sydney Carton had for the beautiful refugee from the French Revolution, Lucy Manette. Tragic love stories melt my old heart. And I can’t help but root for Charles Darnay as well, even though I know what’s going to happen in Paris at the Bastille because I have read this book three times and seen the Ronald Coleman movie five times. I also love the comical side characters like Jerry Cruncher the grave-robber and hired man as well as Miss Pross, the undefeatable champion of Miss Lucy and key opposer to mad Madam Defarge.
I simply cannot be talked out of praising the books I read… and especially the books I love. I am totally uncritical as a reader, foolishly only looking for things I like about a book. Real critics are supposed to read a book and make faces that remind you of look on my little brother’s face when I had to help him use an outhouse for the first time. (Oh, what a lovely smell that was!) (And I mean that sarcastically!) Real critics are supposed to tell you what they hated about the book and what was done in such a juvenile and unprofessional way that it spoiled all other books forever. That’s right isn’t it? Real critics are supposed to do that? Maybe I am glad I’m not a real critic.
As you get older and closer to the last page of the novel of your life, it is entirely appropriate to take stock of the treasures you have accumulated in a long and rewarding life. In fact, you will probably have heirs looking to reap their inheritance after your long-awaited passing.
My children, unlike those of certain Republican politicians, don’t have much to gain by discovering the perfect untraceable poison. In fact, if I don’t live long enough to pay off my hospital bills, they may only inherit medical debt and the rapt attention of Banko Merricka’s relentless debt-collecting agencies. (Since originally posting this essay, I have paid off my bankruptcy and inherited a third of the family farm. So, it is time to start letting the dog taste my food before eating it.)
But, as I am taking stock, what exactly do I need before I get the final handshake from Mr. G. Reaper? It turns out, I probably don’t need anything else. I have written more novels than I ever expected to. My children are grown into adulthood and take care of themselves now. And I am confident my wife, at eight years younger than me, will find somebody new to berate and explain to the myriad reasons that the new person is wrong about everything, and always will be… even if what they said was something she said was true the previous week.
Sure, if I had all the access to medical care and medicine that most other countries see as a human right, I might live longer. But my medical condition is bad enough that I would be seriously prolonging the pain and suffering. I enjoy being alive, but every day is a painful challenge, and, over time, that tends to get you down.
But what more do I want out of life?
Grandchildren would be nice. But none of mine are married yet, and only one of them seems to have found one he permanently likes. The countdown clock is ticking on that matter.
Well, recognition as a writer would also be nice. I came close to winning in a couple of novel-writing contests. A few readers have read and loved some of my books. Only one person ever hated my writing that told me about it, and he was a voice in my own head. There was also one reader who was not me that was somehow traumatized by one of my lesser books. But I have published way more books through four different publishers than I ever believed possible two decades ago.
But I was a successful teacher for three decades. I touched more than two thousand lives with my work in four different schools in three different districts and ten different classrooms… teaching four different subjects. I have no regrets about how I spent my life and what I got in return.
So, I am writing this believing this is not a maudlin topic. I don’t think I am actually going to pass away this weekend. I will probably get to finish at least one more work in progress. But nobody can say for sure that we will survive next month. Or next decade.
But pessimist that I am, things always turn out better than I think they will.
And afterthoughts?
If I had a magic lamp with a genie in it, my three wishes for the future would be;
That Americans would invent a pill that makes everybody into a genius filled with empathy for all creatures, even the vilest, human beings. And they would share it for free with the whole world.
That we would handle the climate crisis and all the future crises at least as well as we handled the nuclear crisis of the ’60s, the Cold War, the Coke vs Pepsi War, the Bugs vs Mickey War and every other war that didn’t wipe us out as a species in the past.
There will be no Monkey’s Paw consequences for our wishes being fulfilled. So, that’s how it is.