Tag Archives: artwork

Return of the Train Man

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I was an aficionado of HO model trains as a kid.  I continued that horrendous fixation with 1/78th scale worlds long into my extended juvenile immaturity (I was an unmarried teacher of middle school students until 1995.)    Even after I was married, my wife allowed me, to a very limited degree, to continue to be a train man.

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I spent a good deal of time over the years building plastic model kits of buildings, painting and repainting plaster model buildings, and collecting engines, rolling stock, and trackside details.  Painting little 1/78th scale people is definitely an exercise for steady hands and a zen-like, highly focused mind.

But that all reached an impasse when we moved to the Dallas area.  I had to tear down my train layout, box up my trains, and put everything on hold until I had another place to build and create my HO model-train world.  So, while it was all boxed up and transported to first, a house that we rented from my brother-in-law, and then a house that we bought, it got shifted around and stacked inappropriately, and grandma put some really heavy items on top to crush and mangle my treasures.  It also spent a night outside in the rain when my brother-in-law’s water heater had to be replaced in the garage where everything was stored.  I was not a happy camper for a while.

Now, a decade later, I am still taking the tiny items and trying to glue the pieces back together.  I have basically given up trying to get the trains to run again.  But I can use the bits and pieces of Toonerville to make pictures like these.  It makes the art-parts of my psyche and soul a little happier.

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Old number 99 had to have the front part where the headlamp is located reattached and restored.  It gave me something to do this weekend while I was down with a bad back and breathing difficulties.  It would be neat to put the train table back together and get things set up once again, but there is no space, and no unlimited funds, and less and less time.  So for now, the train man comes back to me to rebuild in photographs and in my imagination.

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Filed under artwork, autobiography, humor, photo paffoonies, Trains

When I Was Twelve

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There comes a time when a mind turns inward and begins to learn that self is as complicated and in need of exploration as any African jungle or surface of a distant planet.

The Paffoonies today all come from my sixth grade school notebook.  When that school year ended I owned one book of my own, Rudyard Kipling’s First Jungle Book, the paperback version.  I kept my colored pencil drawings in my school notebook, and I kept the notebook in my bedroom to continue to fill it with drawings on notebook paper.

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As you can see, the notebook is age-worn and falling apart, but I still have it.  It still contains my twelve-year-old artistic visions, the beginnings of who I am as a thinking, drawing, story-telling human being.

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At one point I even had a package of pink notebook paper.

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So I admit it.  I was a dorky, weird child.  And I drew a lot of weird pictures at twelve.  Now you have some of the evidence.

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Filed under artwork, autobiography, colored pencil, drawing, dreaming, Uncategorized

Skyscape

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It is difficult to look at the sky and not feel that the power of Heaven is real.  As I approach the halfway point of my sixty-eighth year, and the darkness of the future draws ever nearer, I am forced to think about what I really believe.  Being smarter than the average bear has its drawbacks.  I understand why most of the writers I most admire were atheists, and all of the philosophers I have read and found agreement with are decidedly atheist.   Science, rationality, and reason all suggest that there is nothing beyond the physical realm.  Should that matter?  Faith, according to Mark Twain, is fervently believing in your heart what your mind tells you ain’t so.  In fact, Hebrews 11:1 says, “Faith is the assured expectation of things hoped for, the evident demonstration of realities though not beheld.”  Even the Bible is saying you have to believe it even though you shouldn’t believe it.

So, will I go to Heaven when I die?  For me, the question is meaningless.  I look up at the miracle of a blue sky on a partly cloudy day and see the life-giving sun.  I am alive… here and now… and nothing else is really relevant.  I am a part of the great, vast universe of reality.  My existence is real and cannot be unmade… even by God, if He were inclined to do such a thing.  I am a small, insignificant part of reality, and I can be gone in the next instant like a puff of smoke in the wind.  But I am here and I am alive and I took the Paffooney picture that I used to illustrate this post.  And I face whatever comes with a smile on my face.  I am alive… and life is good.

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Filed under insight, inspiration, philosophy, photo paffoonies, Uncategorized

The Jester, The Fumbler, The Fool

Much of what I love about good story telling is bound up in the nature of the fool character, or the wise fool, if you will.  Shakespeare is probably the consummate creator of fool characters.  Jaques in As You Like It, Falstaff in Henry IV and Henry V, the King’s Fool in King Lear, and even Polonius in Hamlet.  The fool is essential to the story because he serves several important purposes.  He is a foil for main characters in the unraveling of the plot, providing exposition through dialogue, wit and wisdom in commenting on the events, and pratfalls and innuendos for the further amusement of the audience.  He is the Harpo Marx character, Chaplin’s Little Tramp, any Red Skelton character, Lou Costello, Jerry Lewis, and every foolish talking animal in cartoon adventures like Scooby Doo.

So, I have tried to include the clown in my stories of childhood in Iowa, the land of imagination and corn.  In my newest novel, Snow Babies, the key clown is Harker Dawes, a good-hearted bumbler who has bought the hardware store in Norwall, Iowa and quickly managed to turn it into a bankrupted and foolishly failed business.  He is in control of essential supplies for a small town to use in surviving a raging blizzard, but he is also totally incompetent and capable of creating as many problems as his store can solve.  He is a bachelor uncle living with his brother’s family of three, and he becomes one of the people most responsible for taking in the four orphans from the bus.

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Today’s Paffooney is a picture of Harker in his store.  Of course, I can’t tell you the name of the real-life person that Harker is based on.  But I can tell you that I drew this portrait by combining his real-life mug with the features of Rowan Atkinson.  In fact, if a miracle happens and they make this story into a movie, Rowan Atkinson would be perfect for the part.  His first name is even the real name of the town that becomes Norwall in my story.  Stewart’s Hardware Store is no longer there anymore.  Even the building is gone, but the image in the background is close to the antique feel of that wonderful old place.

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People All Have Worth

2nd Doctor  I know that you are probably immediately listing all the reasons that my title is totally wacky monkey-thinking in your head.  And if you want to lay into me in the comments, you are more than welcome.  But the reality is that teachers have to develop the mindset that all kids can learn and all people have value… no matter what.  That can be hard to accept when you factor in how corrupted, warped, and badly-taught so many people have turned out to be.  It honestly seems, sometimes, that when faced with the facts of how people act… being violent, or greedy, self-centered, thoughtless, un-caring, and willfully stupid… that they really don’t even have value to others if you kill them, let them rot, and try to use them as fertilizer.  The plants you fertilize with that stuff will come up deformed.

But the Doctor I have pictured here, the Second Doctor played by Patrick Troughton always seemed to find Earth people delightful.  Alien people too, for that matter, unless they were soulless mobile hate receptacles in robotic trash cans like the Daleks, or mindless machines powered by stolen human brains like the Cybermen.  There is, indeed, music in every soul, even if some of it is a little bit discordant and awkward.  And people are not born evil.  The classic study done on Brazilian street kids showed that even with no resources to share and living empty, hopeless lives, the children helped one another, comforted one another, and refused to exploit one another.  As a teacher you get to know every type that there is.  And there are stupid kids (deprived of essential resources necessary to learning), and evil kids (lashing out at others for the pain inflicted upon them), and needy kids (who can never get enough of anything you might offer and always demand more, MORE, MORE!)  Sometimes they drive you insane and make you want to resign and leave the country to go count penguins in Antarctica.  But the Doctor is right.  No matter what has been done to them, if you get to know them, and treat them as individual people rather than as problems… they are delightful!  Andrew

So let me show you a few old drawings of people.

Cute people like Andrew here.

Or possibly stupid and goofy people who never get things right.

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Or long-dead people who made their contributions long ago, and sacrificed everything to make our lives different… if not better.DSCN4448

Supe n Sherry_nOr young people who live and learn and hopefully love…

And try really hard at whatever they do… whether they have talent or not.

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And hope and dream and play and laugh…

And sometimes hate… (but hopefully not too much)…

And can probably tell that I really like to draw people…

Because God made them all for a reason…

even if we will never find out what that reason is.

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Filed under art my Grandpa loved, humor, Paffooney, philosophy

Top This!

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“Dad?” asked the Princess, “I heard a funny word in school today.  What does Fuddy-Duddy mean?”

“Oh, that’s a good word,” I said.  “It means an old fogey… a stick-in-the-mud.”

“A what?”

“A fussy old guy who likes to have everything his way.  Like, if you accuse your father of being one… which you often do… he’s a fuddy-duddy daddy.”

“Ooh!  I get it!” said Henry, chiming in.  “And if your father is evil, then he’s a fuddy-duddy baddie daddy!

“Yes,” I said, “and if it makes him sad to be evil, he’s a fuddy-duddy saddie baddie daddy!

“If you are not sure he’s really your father,” said the Princess adding a one-up, “he’s a fuddy-duddy saddie baddie maybe daddy!

“Yeah!” said Henry.  “And if you suspect he may have fallen into a time machine and been turned back into an infant, he’s a fuddy-duddy saddie baddie maybe baby daddy!

“Now that he’s a baby again he will surely want to watch his favorite TV show again,” I said with a tear of nostalgia in my eye, “he’ll be a fuddy-duddy saddie baddie maybe baby Howdy Doody daddy!

“What’s Howdy Doody, Daddy?” asked the Princess.

“No,” said Henry, “now you’ve spoiled it.  It just ain’t funny any more.”

“Yes it is!  He’s become a funny bunny fuddy-duddy hoo-dad doo-dad saddie baddie maybe rabies hoo-dah doo-dah…”

“Just stop,” said Henry.  “You always carry things too far.”

“Right you are!” I said.  “See this grin?  It means I win!”

“AW, Daaad!” they both said at the same time.

 

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Filed under humor, Paffooney, pen and ink, Uncategorized, word games

Chuck Dickens and the Origins of Writing

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Don’t make the mistake of thinking I have any earthly idea where writing comes from or how it began.  I am only talking personal history here, nothing grander or more meaningful.  This post is only self-referential hoo-haw, which is a fancy way of interpreting “conceited crap”.

So, the truth is, I am writing about Charles Dickens because he is the author I most want to become.  True, I rant on and on about Twain and his humor.  And a good deal of my artwork owes everything to Disney, but everything I am good at in writing is based on Dickens.

The first actual Dickens novel that I read was accomplished during my extended illness as a high school sophomore.  I read in bed, both at home and in the hospital, from my library copy of The Old Curiosity Shop.  I was enthralled by the journey and subsequent tragedy of Little Nell.  I thoroughly loathed the villain Daniel Quilp and was roundly thrilled by his well-deserved fatal comeuppance.  It was my first encounter with the master of characters.  I followed that reading with a biography of Dickens that revealed to me for the first time that his characters were based on real people.  Mr. Micawber in David Copperfield was actually Dickens’ own father.  Little Nell was the cousin he dearly loved who died in his arms.    The crafty Fagin was a caricature of a well-known fence named Soloman, a Jew of infamous reputation, but not without his redeeming quality of caring for the orphaned poor.  So it is that I have chosen to make my silly stories about real people in much the same way Dickens did.  If you are now worried that since you know me, you may end up in my books, never fear.  I change names and splice characters together.  You will have to make an effort to recognize yourself.  And, besides, nobody reads my books anyway.

I also like the way Dickens uses young characters and follows them over time as they grow and change.  Oliver Twist was the first child protagonist in English literature.  David Copperfield, Nicholas Nickleby, and Pip in Great Expectations are also like that.  David Copperfield, in fact, is Chuck’s own fictionalized self.  I fully intend to do the same.  It is the reason my books fall into the Young Adult category.  I also intend to employ the same kind of gentle, innocent humor that Dickens used.  I mean to portray things that are funny in a disarming, absurdist way rather than resorting to attack humor and bad words.

There it is, then, my tribute to Charles Dickens, a writer who makes me be who I am and write what I write.  I am not supposed to do Christmas posts because of my avowed religion, but you can consider this to be as close as I can come.  The author of A Christmas Carol… it doesn’t get much more Christmassy than that.

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Nerd Class

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Back in the 1980’s I was given the gift of teaching the Chapter I program students in English.  This was done because Mrs. Soulwhipple was not only a veteran English teacher, but also the superintendent’s wife.  She was the one gifted with all the star kids, the A & B students, the ones that would be identified as the proper kids to put into our nascent Gifted and Talented Program.  That meant that I would get all the kids that were C, D, & F in most of their classes, the losers, the Special Edwards, the learning disabled, the hyper rocketeers of classroom comedy, and the trouble makers.  And I was given this gift because, not only was I not a principal’s or superintendent’s wife, but I actually learned how to do it and became good at it.  How did I do that, you might ask?  I cheated.  I snooped into the Gifted and Talented teacher training, learned how to differentiate instruction for the super-nerd brain, and then used the stolen information to write curriculum and design activities for all my little deadheads (and they didn’t even know who the Grateful Dead were, so that’s obviously not what I meant).    I treated the little buggers like they were all GT students.  Voila!  If you tell a kid they are talented, smart, and worthy of accelerated instruction… the little fools believe it, and that is what they become.Aeroquest ninjas

Even the goofy teacher is capable of believing the opposite of what is obvious and starts treating them like super-nerds because he actually believes it.  I soon had kids that couldn’t read, but were proud of their abstract problem-solving skills.  I had kids that could enhance the learning of others with their drawing skills, their singing ability, and their sense of what is right and what is wrong.  I had them doing things that made them not only better students for me, but in all their classes.  And I did not keep the methods to my madness a secret, either.  I got so good at coercing other teachers to try new ideas and methods that I got roped into presenting some of the in-service training that all Texas teachers are required by law to do.  And unlike so many other boring sessions we all sat through, I presented things I was doing in the actual classroom that other teachers could also use with success.  The other teachers tried my activities and sometimes made them work better than I did.

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Yes, I know this all sounds like bragging.  And I guess it probably is.  But it worked.  My kids kept getting better on the standardized tests and the State tests that Texas education loves so much.  And Mrs. Soulwhipple was still the superintendent’s wife, but she did not stay a teacher forever.  She eventually went to a new school district with her husband.  And guess who they started thinking of when the question of who would be the next teacher for the nerd classes was considered.  That’s right, little ol’ Reluctant Rabbit… that goofy man who drew pictures on the board and made kids read like a reading-fiend… me.

So, a new era began in Cotulla.  In addition to still getting to teach all the deadheads (because they weren’t going to trust those precious children to anyone else, naturally), I began teaching at least one edition of Mr. B’s famous Nerd Class every school year.  We actually assigned long novels and great pieces of literature for the kids to read and discuss and study in depth.  Novels like To Kill a Mockingbird by Harper Lee and Across Five Aprils by Irene Hunt were read.  We began talking about “big ideas”, “connections to the wider world”, and how “things always change”.  We began taking on ideas like making our world better and how to help our community.  Kids began to think they were learning things that were important.  We did special units on Exploring Our Solar System, The World of Mark Twain, Finding the Titanic, and The Tragedy of Native American History.  And we spent as much as a third of the year on each.  I am myself cursed with a high IQ and a very disturbing amount of intelligence.  I am the deepest living stockpile of useless facts and trivia that most of my students would ever meet in their lifetimes.  And even I was challenged by some of the learning we took on.  That’s the kind of thing that makes a teaching career fun.  It kept me teaching and meeting new students and new challenges long after my health issues made it a little less than sensible to keep going.  And if I manage to tell you a few Nerd Class stories in the near future, then at least you stand a chance of knowing a little bit about what-the-heck I am talking about.  So be prepared for the worst.  I am retired now, and have plenty of time for long-winded stories about being a teacher.

 

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Making Portraits

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My biggest regret as a cartoonist and waster of art supplies is the fact that I am not the world’s best portrait artist.  I can only rarely make a work of art look like a real person.  Usually the subject has to to be a person I love or care deeply about.  This 1983 picture of Ruben looks very like him to me, though he probably wouldn’t recognize himself here as the 8th grader who told me in the fall of 1981 that I was his favorite teacher.  That admission on his part kept me from quitting and failing as a first year teacher overwhelmed by the challenges of a poor school district in deep South Texas.

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My Great Grandma Hinckley was really great.

My great grandmother on my mother’s side passed away as the 1970’s came to an end.  I tried to immortalize her with a work of art.  I drew the sketch above to make a painting of her.  All my relatives were amazed at the picture.  They loved it immensely.  I gave the painting to my Grandma Aldrich, her second eldest daughter.  And it got put away in a closet at the farmhouse.  It made my grandma too sad to look at every day.  So the actual painting is still in a closet in Iowa.

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There were, of course, numerous students that made my life a living heck, especially during my early years as a teacher.  But I was one of those unusual teachers (possibly insane teachers) who learned to love the bad kids.  Love/hate relationships tend to endure in your memory almost as long as the loving ones.  I was always able to pull the good out of certain kids… at least in portraits of them.

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When kids pose for pictures, they are not usually patient enough to sit for a portrait artist.  I learned early on to work from photographs, though it has the disadvantage of being only two-dimensional.  Sometimes you have to cartoonify the subject to get the real essence of the person you are capturing in artiness.

But I can’t get to the point of this essay without acknowledging the fact that any artist who tries to make a portrait, is not a camera.  The artist has to put down on paper or canvas what he sees in his own head.  That means the work of art is filtered through the artist’s goofy brain and is transformed by all his quirks and abnormalities.  Therefore any work of art, including a portrait that looks like its subject, is really a picture of the artist himself.  So, I guess I owe you some self portraits to compare.

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Yeah, that’s me at 10… so what?

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Filed under art criticism, artwork, autobiography, humor, kids, Paffooney, self portrait, strange and wonderful ideas about life

I Go Pogo!

I gave you fair warning.  Pogo has been coming to Mickey’s Catch a Falling Star Blog for a while now.  So, if you intended to avoid it, TOO BAD!  You are here now in Okefenokee Swamp with Pogo and the gang, and subject to Mickey’s blog post about Walt Kelly and his creations.

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Walt Kelly began his cartoon hall-of-fame career in 1936 at Walt Disney Studios.  If you watch the credits in Pinocchio, Fantasia, and Dumbo, you will see Walt listed as an animator and Disney artist.  In fact, he had almost as much influence on the Disney graphic style as Disney had on him.  He resigned in 1941 to work at Dell Comics where he did projects like the Our Gang comics that you see Mickey smirking at here, the Uncle Wiggly comics, Raggedy Ann and Andy comics, and his very own creations like Pogo, which would go on to a life of its own in syndicated comics.  He did not return to work at Disney, but always credited Disney with giving him the cartoon education he would need to reach the stratosphere.

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ask.metafilter.com

Walt Kelly's Earth Day comic

Walt Kelly’s Earth Day comic

Pogo is an alternate universe that is uniquely Walt Kelly’s own.  It expresses a wry philosophy and satirical overview of our society that is desperately needed in this time of destructive conservative politics and deniers of science and good sense.

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Pogo himself is an every-man character that we are supposed to identify with the most.  He is not the driver of plots and doings in the swamp, rather the victim and unfortunate experiencer of those unexpectable things. Life in Okefenokee is a long series of random events to make life mostly miserable but always interesting if approached with the right amount of Pogo-ism.

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And Pogo was always filled with cute and cuddly as well as ridiculous.

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As a boy, I depended on the comic section of the Sunday paper to make sense of the world for me.  If I turned out slightly skewed and warped in certain ways, it is owing to the education I myself was given by Pogo, Lil Abner, Dagwood Bumstead, and all the other wizards from the Sunday funnies.  There was, of course, probably no bigger influence on my art than the influence of Walt Kelly.

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So what more can I say about Walt Kelly?  I haven’t yet reached the daily goal of 500 words.  And yet, the best way to conclude is to let Walt speak for himself through the beautiful art of Pogo.

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