A lot of critical art viewers will randomly tell me that using AI Art programs is plagiarism because these programs have been trained on people’s posted artwork without permission or acknowledgment. I agree that that is not fair. I also think that is not how I use AI programs. The above picture used Picsart AI Photo Editor and AI Mirror in its creation. The Harlequin Girl is drawn from a model I saw on Instagram, a human dancer in a costume that is similar to my drawing. I used AI Mirror to make my imperfect drawing look better than I can do with arthritic fingers. I used the uncorrected version here with the problem hands so you could see the kind of things you have to go back and draw over with digital art tools. I used Picsart to turn her into what is called a “sticker” that I could place upon a background. I used a colored mandala that I got from Tapcolor Digital Coloring Book as a background. Before I put the sticker on top, I added the butterfly and altered the round design elements into flowers.
This is how I use AI Mirror to improve my artwork. The picture above is nothing but a pencil drawing inked and guidelines erased. If you look at it carefully you can see how I skewed the eyes when I inked the pencil drawing. One on the left is the roundness I wanted. The right one has a lower eyelid that cuts too narrowly to make the eyes look mismatched. So, I ran the photo of the finished pen and ink drawing through AI Mirror allowing it to make changes up to 50 %. Below you can see the best result. It took eight tries to get the eye match I wanted.
You can see that the program made changes to more than just the eyes. It took much of the 50% to adjust the background, adding art tools that I had in previous photos of the drawing board used in similar pictures I used AI Mirror on. It also changed the hairstyle, and since it didn’t like the ladybug theme of the dress, changed it for white roses which I have used in similar pictures repeatedly. I did go back and add whiteness to the roses to make it look a little cooler.
This one above is intended to be a surrealist interpretation of a piece of music. Of course, the AI Mirror program and the Picsart program are both overly sensitive to copyright and trademark. That’s why it intentionally screws up the sheet music and the words on the t-shirt of the drawing I did for the girl sticker. It doesn’t reproduce things that could potentially be trademarked. And the flower stems the girl held in my drawing got turned into a short black stick and a sword? There were multiple things I needed to correct as I continued to change it to make it fit my vision for the piece.
This isn’t a final version either, but it is closer. It still needs to have the sheet music tamed to look more like ordinary sheet music. The main character’s bikini bottom shows up in a way that proves that making it two-color black and brown needed to be more contrasting to the shadow color on her legs. And the nudity of her companion was my idea, but I will have to make the further correction of not sending this post to Facebook. Facebook is ready to sanction me for showing bare breasts in their news feeds.
I am now done complaining about the nagging little things that annoy me about the AI art process. But I do the drawings that I present as my work. I am not plagiarizing anything. And I thoroughly enjoy this whole process.
Catch a Falling Star 
Milt Caniff
My 1967 Captain Action Steve Canyon action figure.
I have always been a deeply devoted fan of the Sunday funnies. And one of the reasons I read the comics religiously was the work of Milt Caniff. His comic strips, Terry and the Pirates, Male Call, and Steve Canyon set a standard for the age of action comics and adventure strips.
I read his comics in the 1960’s and 1970’s and always it was Steve Canyon. But this, of course, was not his first strip. I would discover in my college years the wonders of Terry and the Pirates. When Caniff started the strip before World War II, he set it in China, but actually knew nothing about China. So he did research. He learned about people who became oriental hereditary pirate families and organizations. He learned to draw authentic Chinese settings. His comedy relief characters, Connie and the Big Stoop, were rather racist parodies of Chinamen and were among the reasons that the original strip had to mature into his later work in Steve Canyon. But perhaps the most enduring character from the strip was the mysterious pirate leader known as the Dragon Lady.
Steve Canyon is a fascinating study in the comic arts. When he left the Terry and the Pirates strip in 1946, it went on without him. It was owned by the Chicago Tribune-New York Daily News distribution syndicate, not Caniff himself. Steve Canyon would change that. He created it and owned it himself, making Caniff one of only two or three comics artists who actually owned their own creations. Canyon started out as a civilian pilot, but enlisted in the Air Force for the Korean War and would remain in the Air Force for the remainder of the strip. Some of the characters in the strip were based on real people. His long-time friend Charlie Russhon, a former photographer and Lieutenant in the Air Force who went on to be a technical adviser for James Bond films was the model for the character Charlie Vanilla, the man with the ice cream cone. Madame Lynx was based on the femme fatale spy character played by Illona Massey in the 1949 Marx Brothers’ movie Love Happy. Caniff designed Pipper the Piper after John Kennedy and Miss Mizzou after Marilyn Monroe.
I am not the only cartoonist who was taken with the work of Milt Caniff. The effects of his ground-breaking work can be seen to influence the works of comic artists like Jack Kirby, Bob Kane, John Romita Sr., and Doug Wildey. If you are anything like the comic book nut I am, than you are impressed by that list, even more so if I listed everyone he influenced. Milt Caniff was a cartoonists’ cartoonist. He was one of the founders of the National Cartoonists’ Society and served two terms as its president in 1948 and 1949. He is also a member of the Will Eisner Comic Book Hall of Fame.
Leave a comment
Filed under action figures, comic strips, commentary, inspiration
Tagged as art, books, comic art, comic strips, comics, Milt Caniff, movies, Steve Canyon, Terry and the Pirates