Novel Writing in Novel Ways

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There are many ways to tell a story.  I have yet to try them all.  But I don’t intend to stop trying until I either get a lot nearer, or I am fertilizing the flowers.

So let’s start with the Snoopy way.

We start with a cliche, and goof it up to make it more interesting.

It was a dark and stormy night…  

And that was because the lights went out at George’s house while he was arguing with Mabel.  There was lightning involved.  Mabel got so mad about George watching football that she stabbed the toaster in a fit of uncontrolled anger.  Unfortunately, she stabbed it with a metal fork and it was plugged in.  Her hair never stood up so high and never glowed that particular color before.  Her eyes shown like car headlights.  And she was the main reason it went dark.

Okay, maybe not.  Let’s try again.

It was a dork and smarmy knight…

Sir Jiggs Giggly was a knight from King Percy’s Royal Court, but his manners were so bad that he drove all the women away from the court.  The other knights all decided that their choices were limited.  Either they had to reform Sir Jiggs, or they all had to become gay.  So, they went to the wizard. The wizard’s name was Wizzyfritz.  And Wizzyfritz had a boy working for him who also happened to be his legal ward.  So Wizzyfritz the wizard assigned his Wizzyfritz ward to be the watcher over the wastrel Jiggs. And so, well… that wizard ward was a dork.

Yeah, not this one either.

It was a stark and dormy night…

At Tilbury College in the women’s dormitory, there was a party.  There was lots of beer.  And the local fraternity decided that when they attended the party, they would show up as streakers and be stark naked.  Unfortunately, the Sigma Frakka Pi fraternity were all skinny geeks who wore glasses and had no body hair.  So a large number of women in that dorm died laughing.

Nope, that isn’t it either.

Hmmm…. maybe there’s a good reason this particular story-telling method is always shown in a cartoon as part of a joke.

 

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Small Town Inspirations

Pesch Street

I grew up in a small rural town in North Central Iowa.  It was a place that was, according to census, home to 275 people.  That apparently counted the squirrels.  (And I should say, the squirrels were definitely squirrelly.  They not only ate nuts, they became a nut.)  It was a good place to grow up in the 60’s and 70’s.  But in many ways, it was a boring place.

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Yes, there were beautiful farmer’s daughters to lust after and pine for and be humiliated by.  There was a gentle, supportive country culture where Roy Rogers was a hero and some of the best music came on Saturdays on Hee Haw where there was a lot of pickin’ and grinnin’ going on.  There were high school football games on Friday nights, good movies at the movie theaters in Belmond and Clarion, and occasional hay rides for the 4-H Club and various school-related events like Homecoming.

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I lived in a world where I was related to half the people in the county, and I knew at least half of the other half.  People told stories about other people, some of them incredibly mean-spirited, some of them mildly mean, and some of them, though not many, that were actually good and actually true.  I learned about telling good stories from my Grandpa Aldrich who could tell a fascinating tale of Dolly who owned the part of town called locally “Dollyville” and included the run-down vacant structure the kids all called the Ghost House.   He also told about Dolly’s husband, Shorty the dwarf, who was such a mean drunk and went on epic temper tirades that often ended only when Dolly hospitalized him with a box on the ear.  (Rumor had it that there were bricks in the box.)

And I realized that through story-telling, the world became whatever you said that it was.   I could change the parts of life I didn’t love so much by lying… er, rather, by telling a good story about them.  And if people heard and liked the stories enough, they began to believe and see life more the way I saw it myself.  A good story could alter reality and make life better.  I used this power constantly as a child.

There were invisible aliens invading Iowa constantly when I was a boy.  Dragons lived in the woods at Bingham Park, and there were tiny little fairy people everywhere, in the back yard under the bushes, in the attic of the house, and building cities in the branches of neglected willow trees.

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I reached out to the world around me as an artist, a cartoonist, and a story-teller and plucked details and colors and wild imaginings like apples to bake the apple pie that would much later in my life feed the novels and colored-pencil pictures that would make up my inner life.  The novels I have written and the drawings I have made have all come from being a small town boy who dreamed big and lived more in stories than in the humdrum everyday world.

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Oops!

I found out this weekend that I am a terrorist and hate America.

Oops! How did that happen?

I confess that I am an ANTIFA.

I lost a great uncle (my grandmother’s brother) in a destroyer’s gun turret during World War II.

It was a training accident. But he was training to fight the Japanese in the Pacific.

I had another great uncle (my other grandmother’s brother) who landed in the second wave on Normandy beach.

He was fighting the German fascists. A potato-masher grenade blew him up into a tree and disabled him for life. He was never able to tell war stories. He could still talk, just not about that.

So, I was born ANTIFA.

Of course, I understand the Pumpkinhead’s family came from Germany.

Maybe that’s why he identifies me as an enemy.

Nobody ever recruited me to be an ANTIFA. I have always known I was one since I first learned about World War II.

But I shouldn’t be surprised. The Pumpkinhead quotes Hitler, admires Hitler, and wishes for German Generals. No wonder he hates anti-fascists.

I am now a terrorist. To prove it, I wrote this post. Please tell me in the comments how many people have been killed by reading this post. It is the only terrorist act I committed this weekend.

Me when I first became an ANTIFA… No, wait… when I first became a nudist. That naked bike ride in Portland was ANTIFA terrorism too… right?

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A Little Bit .Gif-fy… Not Goofy

Sometimes life gets a bit tough when you are old and diabetic and grumpy all the time… and your kids are still teenagers… and you have to spend four hours a day driving them to two different schools in two different Dallas suburbs… and it rains one day and swelters you in Texas heat the next… and the drive home occurs during rush hour… and you just can’t think beyond loud thoughts like; “Why does that stop light turn red right before I get there?” and “Why can’t somebody teach teenagers how to drive in a high school parking lot?!” and “Why is the sun so bright and in my eyes going BOTH DIRECTIONS?!?” and “Why is the worst driver in Texas always the one right in front of me?!?!!!”

And then you realize, you can’t think any more to make a decent post for your blog.  You are dead tired and out of ideas, though still able to type… even though you are apparently dead according to this sentence.  So what do you post?  You need some chocolate and iced tea for your brain.  And you decide it is better to come out of the closet for being .gif-goofy and collecting .gif’s.  You heard right.  I mean .gif’s.  I am not talking about peanut butter.  And I didn’t misspell goofs.  I mean those crazy moving things on the internet where the motion is repetitive and the promotion of the motion is mindless.  Yes, those moving-picture things called .gif’s.

Like this one;

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Rainbow Dash is really going after that guitar riff in this guitar-riff .gif!  And I didn’t steal this from Deviantart.  I stole it from somebody else who stole it from Deviantart.

And then I have an audience for her solo;

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And these .gif’s make me happy.  Happy like a frog;

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And why do these minor miracles of motion make me happy?  I don’t know.  But they do.

And I must not be the only one.  Somebody went to a great deal of work to create some of these:

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And one might wonder if it is an evil thing to be happy about being .gif-goofy.  But in my experience, they only fascinate the eyes for a short while and alter my mood in goofy, weird ways.

 

 

 

 

So now that I’m all goofed up, let me end with one more.

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So, now, these .gif’s have tamed me, and I am unique in all the world.

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No Excuses Here

Having moved to Iowa in the last three weeks, I must confess I have not been writing much of anything at all during that time. My health is poor. My life has changed due to old age.

So, my second career as a novelist may be over.

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Fascination

I am falling apart. My health is poor and continuing to fail. My memory is suffering from an inability to remember the names of things. I find myself in the kitchen having gone in for a specific purpose, and not being able to remember what that purpose was. That is not to say I am not coping. I have quite a lot of adaptability and significant problem-solving skills. But that will eventually become a losing battle. Especially if I get the virus… any virus. So, what am I going to talk about with a dissolving brain and an hourglass of lifeforce swiftly running out? Fascination. I am fascinated by the details of the process. Like Mr. Spock, I find practically everything, “Fascinating!”

Birds and butterflies

My childhood fascinations turned into obsession first around natural things. When my mother would go to Vey Osier’s Beauty Salon, Vey had this fascinating parrot that was probably a hundred years old and knew how to swear really, really foully. I remember that being the only reason I was willing to go there and wait for Mom to get her hair fussed up (What my Grandpa Aldrich, her father, used to call it.)

I remember waiting for hours to hear that bird say the magic F-word or the horrible S-word. Or even the zillion other bad words I didn’t know anything about when I was seven. And, of course, I never did. The bird was mute the whole time during who-knows-how-many visits. But I did get to look endlessly at that green parrot’s amazing nutcracker bill that Vey always assured us would snap our fingers off like biting a salted pretzel if we got them anywhere close to the bill.

And when I was nine I was given as a present a plastic model kit of a Golden-Crowned Kinglet (the bird in that first picture). My relatives knew I was a burgeoning artist since my teachers constantly complained about all the skeletons, crocodiles, and monsters I drew in the margins of my school workbooks. So, I had a plastic bird to paint with all the necessary paints, but no idea what the bird looked like. We had to go all the way to Mason City to Grandma Beyer’s house because we called up there and checked, and, sure enough, there was a colored picture in the K volume of her Collier’s Encyclopedia. I painted it so accurately, the danged thing looked almost alive.

And if you have ever seen any of my butterfly posts, you know I became a butterfly hunter before ever entering junior high school, where Miss Rubelmacher, the rabid seventh-grade science teacher, made that obsession a hundred times worse. (She didn’t actually have rabies, just a reputation of requiring excessively hard-to-find life-science specimens like a nasturtium that bloomed in October in Iowa, or a Mourning Cloak butterfly.

I was able to find for her numerous Red-Spotted Purples like the one in the picture. I got them off the grill of Dad’s Ford, as well as in Grandpa Aldrich’s grove. And I eventually caught a pair of Mourning Cloaks as well on Grandpa Aldrich’s apple trees, though not until summer after seventh grade was over for me. I could tell you about my quest to catch a Tiger Swallowtail, too. But that’s an entirely different essay, written for an entirely different thematic reason.

Needless to say, my bird fascination led me to become an amateur bird-watcher with a great deal of useless naturalist information crammed into my juvenile bird-brain about birds. Especially Cardinals. And my fascination with butterflies opened my eyes to a previously invisible world of fascinating and ornately-decorated bugs. (Of course, I should’ve said “insects” instead of “bugs” since I absolutely did learn the difference.) And I still to this day know what a Hairstreak Butterfly looks like, what a Luna Moth is (Think Lunesta Commercials,) and how you have to look at the underside of the lower wings to correctly identify a Moonglow Fritillary Butterfly.

During my lifetime, my fascinations have become legion. I became obsessed with the comic books done by artist Wally Wood, especially Daredevil. I became obsessed with Disney movies, especially the animated ones like The Rescuers, The Jungle Book, Pinocchio, and Fantasia. I rode the bucking bronco of a fascination with the Roswell Crash (and the actual alien space ships I am almost certain the U.S. Army recovered there.) And so many other things that it would make this essay too long, and would probably bore you into a death-like coma. So, here’s what I have learned by being fascinated with my own fascinations;

  1. You do not want to play me in a game of Trivial Pursuit for money, even now that my memory is like swiss cheese.
  2. I have a real ability to problem-solve because I know so many useless details that can be combined in novel ways to come up with solutions to problems.
  3. I can write interesting essays and engaging novels because I have such a plethora of concrete details and facts to supplement my sentences and paragraphs with.
  4. It can be really, really boring to talk to me about any of my fascinations unless I happen to light the same color of fire in your imagination too. Or unless you arrived at that same fascination before I brought it up.

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Every Picture Has a Story

This is an illustration that goes along with my first good published novel, Catch a Falling Star. I don’t talk about that novel in this blog very much anymore since, in order to actually promote that novel, I am under contract to have to spend hundreds of dollars more to use one of their many expensive promotional packages to get this “award winning” novel promoted in the way the publisher thinks it deserves. I wanted to use a picture like this for the cover of the book. They rejected that. Instead they gave me a silhouette picture of a girl flying a kite at night. That, of course, has nothing to do with the novel inside the book. These two, by contrast, are two of the most important characters from the book, both of them aliens. Farbick is the competent space pilot who gets himself shot and captured during the failed invasion of Earth. Davalon is the marooned tadpole, Telleron child, who gets himself adopted by a childless Earth couple. I definitely like my picture better than the one I got stuck with.

This picture is called, “Long Ago It Might Have Been.” It is a picture I drew in the late eighties, after my girlfriend/Reading-teacher colleague took a job in San Antonio and left me behind. Honestly, she wanted to marry me, and I never got around to telling her that the reason our love life was so difficult was because I had been sexually assaulted as a child, and though I was attracted to her, I hadn’t truly healed enough at that point to become a husband and father. I never told her about my terrible secret. She left. She got married and had more than one blond-haired little girl that probably looked just like her. The boy in this picture looks like a young me with blond hair. He wears a baseball jacket of the St. Louis Cardinals, my favorite team. He’s the child that might’ve been, if only I had grown to adulthood a little sooner.

This picture is even harder to explain without me looking like a real fool. After all, if you are a real fool, it’s rather hard to hide that fact. In that last picture, I depicted something that related to one of the two girlfriends that I had to juggle at the same time back in the eighties. You see, I had set my heart on winning over Mary Ann whom I had worked with in the same classroom as she was the teacher’s aide assigned to the Chapter I remedial program I was teaching. She’s the girlfriend I took on visits to the Austin area on weekends. She had a sister in Austin, the one who lived in the nudist apartment complex, where she stayed during those visits. My parents lived in Taylor, Texas at the time, a nearby suburb. We dated regularly. She knew my terrible secret. She was a divorcee and I knew her terrible secrets as well. Ginger, on the other hand, was looking for a mate, and she lived in the apartment next door. She’s the one who would’ve hopped into bed with me anytime I asked. And she made no bones about wanting me to be hers. Needless to say, I could’ve written a TV sitcom about the majority of my love-life back then. It could’ve starred Jack Ritter as me. And I ended up with neither of those two young ladies. The picture, of course. is in honor of the kids in the eighties calling my classroom Gilligan’s Island because they thought I looked like the Gilligan actor, Bob Denver.

This is, of course, a portrait of Millis the rabbit in his accelerated-evolution form as a rabbit-man from my novel The Bicycle-Wheel Genius. That book, obviously, is a science-fiction comedy with a lot of unexpected plot twists. But the story behind the picture is one of a boyhood spent as a town kid in a farm-town community. Unlike the other kids in the Iowa Hawkeyes 4-H club, I couldn’t raise a calf or a pen of hogs as my 4-H club project. So, instead, I got in as a keeper of rabbits. Of my two original rabbits, a buck and a doe, I had a black one and a white one. The white one was a New Zealand White, a purebred white rabbit with red eyes, because the entire breed was albino. I called the white rabbit, the buck, Ember-eyes because his eyes glowed like fire in the night under the flashlight beam. The doe was a black rabbit I called Fuzz. Out of the first litter of babies Fuzz had, eight of the ten were white And of the two black babies, one died in the nest, and the other passed away shortly after he got big enough to determine that he was a male rabbit. I won’t go into how you determine the sex of a juvenile rabbit. So, almost all of the rabbits I raised before I discovered what a Dutch-belted rabbit was, were white with red eyes.

So, it is my thesis for today that every picture I make has some kind of story behind it. It may be totally boring, but still technically a story. So, there.

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Demons and Devils

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Playing Dungeons and Dragons in Texas during the ’80’s and ’90’s was basically a subversive act.  The reason?  Fundamentalist Christians actively stepped in and persecuted you for it.  It was their sincere belief that a thing that had demons, devils, and dragons in it had to be from Satan.  Satan, they reasoned, used a game like that to poison the imaginations of innocent children and turn them to the Dark Side of the Force.  Or, rather, the Devil’s side of religion.  They were terrified of subtle corruption of the mind, believing that certain patterns of words and ideas could turn goodness into evil.  In other words, their religion advocated living in a bubble of non-association with certain words and ideas in order to superstitiously inoculate themselves against badness.  They were, of course, not entirely wrong.

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Kids playing the game will often develop the desire to play the Dark Side, to be an evil character, to commit evil acts and murder without the hindrance of conscience.  That is the reason I wouldn’t let my own kids even consider playing Grand Theft Auto or similar murder, rape, and pillage sort of video games.   It is, in fact, possible to desensitize yourself to violence and immoral behavior, and I have serious philosophical doubts whenever anyone tries to tell me that that can be a good thing.  My Dungeons and Dragons games always contained a rarely spoken understanding that if you chose to play an evil character you were going to lose everything, because any adventure is solved and overcome by combating evil and siding with the forces of goodness.  Paladins with their magical swords of ultimate sugary goodness are always stronger than evil wizards with their wimpy bat familiars and potions in the end.

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But leaving out demons and devils was never truly an option. If you never face decisions between good and evil during playtime, what hope do you have of avoiding a life-altering mistake later in life when faced with evil for real.  If you are going to make an evil choice, say for instance, committing an act of murder, isn’t it better to learn the consequences of such an act when the murder was killing an imaginary rival wizard for a magic staff you coveted than if you committed that murder in a fit of passion in real life?  The fact that the rival wizard’s spirit takes up residence in the staff and finds a way to punish you every time you use it for the remainder of your adventuring life in the game may teach you something you can use when faced with the opportunity to steal for profit and get away with it to make a better decision about what to do.

In the Tomb of Death adventure that the three demons illustrated in this post came from, the only solution was to find the weakness in the demon team.  Estellia had been ill treated by the other two and deeply resented it.  She resented it enough to tell the adventurers’ thief about the brass demon bottle that could be used to magically imprison the demons and then force them to do the bottle owner’s bidding.  Viscarus had been using it to control the other two, so only his soul truly needed to be captured.  The demon-hearts of the other two were already inside.  That story taught several lessons.  Manipulative evil can bite you in the neck even if you are the one wielding it.  (If only Trump and his cronies had learned that about their own brass demon bottle.)

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Evil people don’t see themselves as evil.  Often they only see themselves as victims.  And it is true in real life that there is goodness in even the most heartlessly evil people.  You can find it, appeal to it, and possibly even reach the goodness in their hearts necessary to change them for the better.

I truly believe that those kids who over the years played my story-telling games were better, stronger, and more inherently good because they played my games and learned my lessons.  I believe it is true even though there may have occasionally been demons and devils in the stories.  And if I believe it strongly enough, it must be true.  Isn’t that how faith is supposed to work?

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Und So Weiter…

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Page Publishing finally printed my novel.  I was hoping to see a physical book in print being promoted by its publisher, though I am no longer confident that such a thing can happen.  The more time that passes, the more I find out about Page being a scammer-type publisher.  The mistakes they made in my work in editing were apparently on purpose.  I think if I had more control over the publishing process, the book might actually sell.  So my resolve was to do only the cheapest possible self-publishing. Amazon KDP came through with that, though I make practically nothing in royalties and have to promote the book myself.

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My art, my writing, and my life are basically organic, growing and changing in dynamic and unpredictable ways.  That is the biggest drag on living in this mechanized, grinding-wheels-for-profit world.  I don’t fit into their neat and perfectly stackable boxes of officially sanctioned society.  They have to chop the leaves and branches off my tree of creativity to make me fit.  I am thoroughly tired of saw blades and wood-choppers of the metaphorical kind.

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My swimming pool is now a grassless space for reading in the sunshine.  I hope to grow flowers there.  There need to be more flowers in this life.

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My work is more real to me now than reality is.  I intend to spend as much of my remaining time on Earth creating things, making the world of my mind tangible and viewable to others.

I finished a novel for my Tuesday blog posts.  I am debating what to plug in there next.  I discovered that the scammers at Publish America are being sued in a second class-action suit by authors.  I might be able to score some money, even though I never paid them for anything.  They have had the rights to my novel Aeroquest bound up in their publishing agreement since 2007.  But my contract is long over.  I can use that novel on Tuesdays with ample rewriting. And I have published it as four books so far on Amazon.

I have made peace with the idea of never having enough money again.  Life continues to cost more than I make.  I tried to sign up as an Uber driver for extra cash when I am well enough to drive.  Unfortunately, I am only rarely well enough.  And even more unfortunately, my Android phone refuses to download either the Uber or the Lyft driver apps.  So I am all signed up, but unable to receive even one driving assignment.  I just read a literary biography of Poe, though, and even though he was a better writer than I am, he lived in abject poverty for the majority of his adult life.  Who am I to do better than he?  For that matter, who is James Patterson?  I don’t claim to better than him, but he is definitely not better than me.  And that dude is a writing millionaire.

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The TV Justice League from my boyhood.

 

That, then, is my “So on and so on…” for today.  Thanks for letting me complain.  If you read this far through my ramble-brambles, you are a noble and worthy reader.  I appreciate you.  And I promise you, it gets better from here on.

 

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New Pix and an Old Pic

Ladybeetle the Pixie, the original pen and ink.

Before and then after the first AI Mirror app edit.

To Dance in Heaven, a picture in colored pencils done in 1984

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