Some of the drawings and paintings I do, I do because they make me happy. I know it’s more noble if I do it to make you, the viewer, happy. But part of making art is that you are making it for your own needs. Art is therapy. Often, art is love. This picture of Shannon (not her real name) makes me happy. She was a student I loved, (only in the legal, Platonic sense.)
This one makes me happy. I drew it on a day I needed to laugh. And I laugh a little even now when I look at it.
This one is also a smirkable smirk-maker.
I drew this on a day when I was lonely.
This one tickles me on many levels.
These Telleron, temporary Martians, helped me start my publishing career with the publication of Catch a Falling Star.
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And pretty girls can make me happy too.
Especially naked ones.
And I mean drawing them, not what was in your evil mind.
Back in about 1968 my Grandma Beyer was seriously scandalized by an artist named Paul Detlefsen. Detlefsen did a lot of covers for the “Ideals Magazine” that Grandma always had on her coffee tables. He scandalized her by putting a painting on the cover that showed a young boy taking his pants off, the rear view only, so he could go skinny dipping with a group of naked boys. Truthfully the picture shown above is by Detelfsen, but it is not the one that offended her. I have discovered that this painter of old-timey things like blacksmith shops and one-room school houses has painted at least four different versions of “the Old Swimmin’ Hole”. And Grandma was easily scandalized when we were kids. She was a very conservative woman who loved Ronald Reagan and his politics most severely and thought that Richard Nixon was a leftist radical. She didn’t like for people to be naked, except for bath time, and maybe not even then. She is one of the main reasons, along with this painter whom she adored, that I came to learn later in life that “naked is funny”.http://www.freeplaypost.com/PaulDetlefsen_VintageArtPrint_A.htm
Grandma Beyer also seriously loved puzzles, and besides “Ideals” covers, Paul Detlefsen did a beaucoup of jigsaw puzzles. (Beaucoup means a lot in Texican, I tend to think in Iowegian and talk in Texican and completely forget about the need to translate for those people who don’t know those two foreign tongues) One of the puzzles we spent hours working on was “Horse and Buggy Days” that I pictured here. They were the kind of puzzle paintings where every boy was Tom Sawyer and every girl was Becky Thatcher. And there were a lot of them. Here is another;
Grandma had this in puzzle form also. We put the puzzle together, glued it to tag board, and framed it. It has hung on the wall in a Grandparent’s house, first Grandma Beyer’s and then Grandma Aldrich’s, since the early 1970’s. My own parents now live in Grandma Aldrich’s house, and that puzzle-painting may be hanging in an upstairs bedroom to this very day. Detlefsen is not known as a great artist. He was a humble painter who painted backdrops for films for over 20 years. In the 1950’s he switched gears and started doing lithographs that were turned into calendars, jigsaw puzzles, laminated table mats, playing cards, and reproductions you could buy in the Ben Franklin Dime Store in Belmond, Iowa and hang on your back porch at home. I believe I saw his paintings in all these forms in one place or another. According to Wikipedia (I know, research, right?) “In 1969, UPI estimated that his artwork had been seen by 80 per cent of all Americans.” That is pretty dang good for a humble painter, better numbers than Pablo Picasso ever saw. Let me share a few more of his works, and see if you recognize any of these;
William-Adolphe Bouguereau was a French Academic painter of the 1800s, overshadowed by the Impressionists who took over the more popular of the Salon Exhibitions. He was an expert in painting skin tones and nudes in realistic oils, depicting mythological subjects. His work made him famous in the 19th Century, but his current position in the public eye has made him popular in ways that eclipse his popularity back then. I first saw some of his masterpieces in the San Antonio Museum of Art back in the 1990s.
I decided to test my failing art skills by recreating this shy angel that was in one of those first paintings I saw in person. I used colored pencils, a pen, and black ink.
I used Picsart AI Photo Editor to create proper backgrounds.
It is said that imitation is the sincerest form of flattery… but I hope it isn’t the severest form of insult in my shaky hands.
I firmly believe that I would never have succeeded as a teacher and never gotten my resolve wrapped around the whole nonsense package of being a published author if I hadn’t picked up a copy of Mort, the first Discworld novel by Terry Pratchett that I ever encountered. I started reading the book as a veteran dungeon-master at D&D role-playing games and also as a novice teacher, having a world of difficulty trying to swim up the waterfalls of Texas education fast enough to avoid the jagged rocks of failure at the bottom. I was drinking ice tea when I started reading it. More of that iced tea shot out my nose while reading and laughing than went down my gullet. I almost put myself in the hospital with goofy guffaws over Death’s apprentice and his comic adventures on a flat world riding through space and time on the backs of four gigantic elephants standing on the back of a gigantic-er turtle swimming through the stars. Now, I know you have no earthly idea what this paragraph even means, unless you read Terry Pratchett. And believe me, if you don’t, you have to start. If you don’t die laughing, you will have discovered what may well be the best humorist to ever put quill pen to scroll and write. And if you do die laughing, well, there are worse ways to go, believe me.
Discworld novels are fantasy-satire that make fun of Tolkien and Conan the Barbarian (written by Robert E. Howard, not the barbarian himself) and the whole world of elves and dwarves and heroes and dragons and such. You don’t even have to love fantasy to like this stuff. It skewers fantasy with spears of ridiculousness (a fourth-level spell from the Dungeons of Comedic Magic for those fellow dungeon masters out there who obsessively keep track of such things). The humor bleeds over into the realms of high finance, education, theater, English and American politics, and the world as we know it (but failed to see from this angle before… a stand-on-your-head-and-balance-over-a-pit-of-man-eating-goldfish sort of angle).
Terry Pratchett’s many wonderful books helped me to love what is ugly, because ugly is funny, and if you love something funny for long enough, you understand that there is a place in the world even for goblins and trolls and ogres. Believe me, that was a critical lesson for a teacher of seventh graders to learn. I became quite fond of a number of twelve and thirteen year old goblins and trolls because I was able see through the funny parts of their inherent ugliness to the hidden beauty that lies within (yes, I know that sounds like I am still talking about yesterday’s post, but that’s because I am… I never stop blithering about that sort of blather when it comes to the value hidden inside kids).
I have made it a personal goal to read every book ever written by Terry Pratchett. And that goal is now within reach because even though he is an incredibly prolific writer, he has passed on within the last year. He now only has one novel left that hasn’t reached bookstores. Soon I will only need to read a dozen more of his books to finish his entire catalog of published works. And I am confident I will learn more lessons about life and love, and laughter by reading what is left, and re-reading some of the books in my treasured Terry Pratchett paperback collection. Talk about your dog-eared tomes of magical mirth-making lore! I know I will never be the writer he was. But I can imitate and praise him and maybe extend the wonderful work that he did in life. This word-wizard is definitely worth any amount of work to acquire and internalize. Don’t take my convoluted word for it. Try it yourself.
What Mickey, the author, looks like in his own mind.
No matter how good or how awful you are as a writer (and the truly awful ones think they are good, which makes them truly awful), when the manuscript is finished, the publishing and marketing options you have are not even as effective as a roll of the dice… where you throw six of them and have to get six sixes to prove a winner. This is why I will never be a popular and profit-making author. Of course, I might be truly awful and just don’t know it yet.
I started the publishing game with a publisher that paid a dollar for the rights to publish my first publishing attempt. Publish America turned out to be a scam and held onto the rights to my space opera, AeroQuest, for seven years. They have been prosecuted as criminals and sued out of existence since then in 2007. I took my novel rights back in 2014. It was a learning experience. I learned at that point that I was a truly awful writer. The precious few relatives that read it and liked it were not literate enough to recognize awful novelistic garbage with too many characters, a meandering plot, and totally goofball thematic nonsense. After four and a half rewrites, it is still a pretty awful mess.
The Spirit is right, but you don’t have to print it, just write it. edit it, format it, illustrate it, promote it, and market it yourself or with hired help.
I tried to get the next one published by one of the major publishers. I landed Catch a Falling Star with I-Universe, a print-on-demand imprint of Penguin Books (at least that was who owned them then in 2012.)
This was, of course, another blunder in the publishing world where no author-friendly options still exist. I got to work with a professional editor who had worked in the publishing industry with McMillan for twenty years. She told me that my book was well done and better than many financially successful but awfully written books. And then she let me in on the terrible secret of publishing in the internet era. The publishers make money by charging the author for everything. And most books make very little money for the author, the royalties being only a small percentage of the price.
Working with the professionals at I-Universe was worth the thousands of dollars I paid them because of all the things I learned about writing and publishing. But when I tried a cheaper publisher, Page Publishing, they were totally not worth the money. Their editor made changes in Magical Miss Morgan that were not merely worthless, but forced me to re-edit the whole thing myself and change everything back. The publishing cooperative I tried, PDMI Publishing, was a much better business model, but couldn’t compete and ended up going out of business before they could publish Snow Babies.
Ah, life is surreal.
So, it turns out that the option Denny suggested as the Spirit talking to Moitle’s Delicatessan is the only one I can afford. And I am doing everything myself. But as a marketer, I have nothing to work with to make myself a successful author. I have to be satisfied with being a good writer that nobody will ever read.
It is getting harder and harder to climb the new day’s hill to get to the summit where I can reasonably get a good look at the road ahead. At almost-64, I can see the road ahead is far shorter and much darker than the highway stretching out behind me. It is not so much a matter of how much time I have spent on the road as it is a matter of the wear and tear the mileage has caused.
This weekend I had another depressing free-book promotion where, in five days, I only moved five books, one purchase, and four free books. I have made $0.45 as an author for the month of June.
I was recently given another bit of good advice from a successful author. He said that I shouldn’t be in such a rush to publish. He suggested taking more time with my writing. Hold on to it longer. Polish it and love it more. And now that I have reached sixteen books published on my author’s page, I have basically beaten the grim reaper in the question of whether or not he was ever going to silence me and my author’s voice. I can afford to live with the next one longer.
But the last one, A Field Guide to Fauns, practically wrote itself. It went fast from inspiration to publication simply because the writer in me was on fire and full of love and life and laughter that had to boil over into hot print exactly as quickly as it did. The additional writing time afforded me by the pandemic and quarantine didn’t hurt either. Once in print, my nudist friends loved it.
This next one has the potential to boil and brew and pop out of me in the same accelerated way as that last one did. Of course, it has been percolating inside my brain basically since the Summer of 1974. So, this is no rushed job. The Wizard in his Keep is a story of a man who tries to take the children of the sister of his childhood best friend to a place of safety when their parents are killed in a car wreck. But the only safe place he has to offer is in the world of his imagination. A world he has bizarrely made real. And that best friend comes searching for the children. And so does a predator who seeks to do them all grievous harm.
In many ways, it is a story already written.
So, I am rekindling the flame that keeps the story-pot boiling. And more of it is already cooking. And I am recovering from the cool winds of disappointment, as well as the dark storm clouds of the nearing future.
This is now actually a two-year-old post. Both of the books mentioned here are published and available from Amazon. As far as holding on to the books longer, there is no problem with that on Amazon. Editing, improving, and re-publishing a book is actually easier than publishing it the first time. Nothing about this old post has been made untrue by the passage of time. I am still probably the best author of books like these whose published books almost never get read.
WordPress has put in a new feature for finding old photos from Posts Past.
This allows me to pull from past years much more easily than the scroll-down feature I have been using. Thus, art from 2017.
This is from the Star Wars Role-playing game that we stopped playing in 2008.the Murphy family (well, three of them anyway)The disintegrator pistol from Catch a Falling Star“The Wise Thaumaturge Visits Cymril”Eventual cover art for Magical Miss MorganI painted this miniature lead wizard, as well as made the castle from cardboard and paper.I also painted the buildings in the background, acrylic on plaster.“Their Most Feared Offensive Player Could Beat Them By Herself”All of these works of art are done by me, whether they are drawn, painted, or photographed.
This has been a look back at pictures posted in 2017, starting in December, and going back in time to January. There is at least one picture from every month.
Yes, the universe was not formed in a big bang. It hatched from an egg. And God is the Ultimate Mallard.
Anatidaephobia (pronounced anna-tidy-phobia) is a pervasive and irrational fear that you are being watched by a duck. A person with this rare phobia fears that somehow, somewhere a duck is watching their every move.
This phobia about being watched by a duck may seem like a strange basis for forming a new religion. But I may have had an epiphany as a child when a goose at Deer Farm Zoo stuck his neck, head, and beak of retribution out through a hole in his chicken-wire cage and nearly nipped me in my five-year-old neck. That epiphany led to recurring nightmares about being chased by a duck with large white teeth that looked like he had bad human dentures in his bill.
This I tended to interpret as a sign that I was facing a big decision about what I would attempt to do with my young life, and would do it wrong.
Ducks in the farmyard, you see, are temperamental, often impulsive, and randomly violent. They will punish you for sins you did not know you were committing.
So, in this Quackatoon faith in judgmental ducks who are constantly watching our every move, thought, and deed, we should be taking Saint Donald Duck as our role-model and guide. When we see sin and wrongness in the world we are watching, we must dissolve in incoherent rage. Point your finger. Shout things that no one understands. Get the world’s attention. Confuse them completely. And get them to wonder what they did to make you so rage-filled and dangerously aggravated.
Then, hopefully, they will realize their sin and immediately mend their ways. Or at least, rearrange their feathers.
Or we can rely on the incompetent vengeful wrath of Saint Daffy Duck to see the unrighteousness in the rabbits of the world around us, posting Rabbit Season signs everywhere, and getting his duckbill blown off via the shotgun of a nearby Elmer who has been tricked into thinking ducks are rabbits.
Well, that might not be the most efficient prosecution of God’s will on Earth. But at least it will leave us laughing. And who can sin who is laughing that hard?
At this point in trying to establish this new religion, I should probably be talking about financial matters. Where you can send donations to the Church of Perpetual Quackers? Will there be t-shirts with religious slogans like, “You’re Driving Me Quackers!?” Do we still bring deviled eggs to church socials?
But I can’t talk about that right now… a duck is probably watching.
In point of fact, using humor in the classroom is one of the easiest ways I know to become a beloved and effective teacher. But it requires skill. It is like dancing barefoot in a mine field that is littered with pit traps for trapping tigers. See how I linked the title to my opening paragraph there? Kids in the classroom don’t… unless you make it funny. Sometimes they want you to fall in the tiger trap on purpose even though there are punji sticks at the bottom. They want to see what the consequences of the mistake really are so they are not surprised when they immediately make that same mistake.
So, let me tell you about a few of those tiger traps and how to navigate through them.
Poo-Poo Jokes
Yes, one of the unfortunate truths about humor in the classroom is that nothing is funnier to middle school and high school kids than references to sticky brown stuff. (If that last statement made you snicker, then you know that it even goes beyond school.) And it can be a devastating thing on fragile, fledgling egos in a school environment where boys will invariably stick a half-eaten chocolate bar in a back pocket on a hot day even though they are wearing khaki-colored jeans. Over-reacting to a sudden fragrance from one of a number of volatile digestive systems packed into the same small classroom can completely empty the room and imperil the teacher’s job. (Principals don’t appreciate unauthorized leaving of the classroom… so teachers need to quickly learn how to calm-and-continue in an unusually gassy environment.) Of course, the girl leading the lemming rush out of the classroom under gas attack is usually the one who dealt it. But you can’t point that out without crushing some young flower’s petals of self-image. It is necessary to lay down fences of regulation at the beginning of the school year to regulate exactly how brown and sticky a bathroom joke can actually be before it traps you in eternal detention.
Hurt-y Humor
There is the kind of humor that numerous comedians use as their fall-back style, that Don Rickles-esque “Your mama’s so fat that satellites can see her from space”sort of humor. It is also a highly tiger-trappy sort of humor to use in the classroom. Students don’t perform well after being the butt of slappy-face-style put-downs. You don’t want to remind the kid in the back row of how he mixed up the words “pied” and “peed” in last week’s read-aloud right before taking the State science test that will determine his educational future and your next evaluation. So how do you resist the urge to tell the snooty little cheerleader that just told you her mom is going to get you fired that she’s got a tail of toilet paper hanging down from the back of her skirt… when she actually does… and the football player she most idolizes is watching every move she makes with that big, tart and trippy tongue of hers? You take pity on them, and remember that if you break them down into tears in front of their peers you are doing the same thing to them that Bully Bob Beegshout did to you back in high school. Self-deprecating humor is far more effective at defusing a confrontation. You get them to laugh at themselves by making them see themselves in the story you just told on yourself. You can often make them laugh themselves right out of the bad behavior that way. (Oh, and I didn’t point out the toilet paper, but you can wait until someone else inevitably does and karma can balance the universe in that way.)
So, now that I have rolled well past the 500-word goal and still haven’t used up the whole list of tiger traps, I suppose it is time to reveal there will be a follow-up to this post.
Catch a Falling Star 
Re-bubbling the Old Enthusiasm
It is getting harder and harder to climb the new day’s hill to get to the summit where I can reasonably get a good look at the road ahead. At almost-64, I can see the road ahead is far shorter and much darker than the highway stretching out behind me. It is not so much a matter of how much time I have spent on the road as it is a matter of the wear and tear the mileage has caused.
This weekend I had another depressing free-book promotion where, in five days, I only moved five books, one purchase, and four free books. I have made $0.45 as an author for the month of June.
I was recently given another bit of good advice from a successful author. He said that I shouldn’t be in such a rush to publish. He suggested taking more time with my writing. Hold on to it longer. Polish it and love it more. And now that I have reached sixteen books published on my author’s page, I have basically beaten the grim reaper in the question of whether or not he was ever going to silence me and my author’s voice. I can afford to live with the next one longer.
But the last one, A Field Guide to Fauns, practically wrote itself. It went fast from inspiration to publication simply because the writer in me was on fire and full of love and life and laughter that had to boil over into hot print exactly as quickly as it did. The additional writing time afforded me by the pandemic and quarantine didn’t hurt either. Once in print, my nudist friends loved it.
This next one has the potential to boil and brew and pop out of me in the same accelerated way as that last one did. Of course, it has been percolating inside my brain basically since the Summer of 1974. So, this is no rushed job. The Wizard in his Keep is a story of a man who tries to take the children of the sister of his childhood best friend to a place of safety when their parents are killed in a car wreck. But the only safe place he has to offer is in the world of his imagination. A world he has bizarrely made real. And that best friend comes searching for the children. And so does a predator who seeks to do them all grievous harm.
In many ways, it is a story already written.
So, I am rekindling the flame that keeps the story-pot boiling. And more of it is already cooking. And I am recovering from the cool winds of disappointment, as well as the dark storm clouds of the nearing future.
This is now actually a two-year-old post. Both of the books mentioned here are published and available from Amazon. As far as holding on to the books longer, there is no problem with that on Amazon. Editing, improving, and re-publishing a book is actually easier than publishing it the first time. Nothing about this old post has been made untrue by the passage of time. I am still probably the best author of books like these whose published books almost never get read.
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