
So, I am trying to use what I am learning from AI art programs to help me do a better job of promoting my writing adventures with the loopy, unrealistic goal of making money with books. I know… stupid Mickey thinks authors ought to make some money off the books they’ve published too. What a stupid guy that Mickey is. He doesn’t know that money made from books on Amazon goes 99% to Jeff Bezos. He’s the one risking death in space inside his super penis rocket. That means he deserves the larger share of any money my writing may have earned on his super, super-sized everything delivery service. All hail the penis-flying bald man who invented sending books everywhere by drones!
So, let me go ahead with the promotional picture I created for the nudist short-story collection, Adventures Without Clothes. My story, “The Kelpie” is in this book which sends all proceeds to Doctors Without Borders. Good book. Good story by me. Great nudist fiction by Ted Bun, Will Forest, Paul Z Walker, and other contributors from the naturist/nudist fiction creators from the internet. It is doing better profitwise than any other book that I am associated with, including my very best books..
You can see I posed naked in the mountains with the book to lend a sense of adventure to the promotion. I actually posed naked for this picture, since I am supposedly a nudist myself. My wife and daughter refused to have anything to do with the taking of this photograph. I had to learn how to make my computer tablet take the picture according to voice commands. And the mountains didn’t want to be in the picture either (Which caused me no grief since I didn’t want to freeze my personal dillybonger off.) I cheated by inserting the mountains with Picsart AI photo editor. Dillybonger saved, mountain and family not embarrassed to death.
So, naturally, you now want to click on the link above to get your personal copy of this wonderful book based on my fabulous naked promo picture.

So, let’s try that same thing again with another recent book, my book of Evil Poetry bound in paperback form under a black cover with a large skull on it. That’s the way to sell a book of poetry, right? By calling it evil and failing to scare you with another picture of my horrid naked self. The brown shirt is not photoshopped on. I was really wearing clothes this time. The waterfall is again an invention of Picsart AI.
Of course, good poetry is capable of many things. It can make you laugh. It can make you cry. It can make you hurt. And it can make you die (at least a little. Besides, cry and die rhyme a little.)
And nowhere am I claiming this is good poetry. It is probably, definitely not GOOD POETRY. I condemn it wholly as EVIL POETRY in the very title. You should try it anyway. I was good in the picture, wearing my clothes and everything. And if you like poetry there are some things you may like in this book. And if you hate poetry, you will definitely find things here to bolster that point of view. And it is illustrated with some good to mediocre artwork.
So, now you know what happens when a dumb guy is allowed to play with AI and digital tools. And also allowed to promote his own books with his own naked pictures and terrible jokes.













































Why We Doo
I remember when Scooby Doo, Where Are You? premiered on Saturday Morning Cartoons in 1969. I was thirteen and in the 7th grade. I had been six during the Cuban Missile Crisis of 1962, seven when Kennedy was assassinated in 1963, ten when I was sexually assaulted in 1966, and still twelve when Neil Armstrong walked on the Moon in the Summer of 1969. I was obsessed with monsters, horror comics, 20,000 Leagues Under the Sea, and the Pirates threatening Jim Hawkins in Treasure Island. I knew what fear was. And I was mad to find ways to combat the monsters I feared.
Don’t get me wrong. I was under no illusions that Fred, Daphne, Velma, Norville “Shaggy” Rogers and Scooby Doo were the answer to all my fears as viable heroes and heroines. They were goofballs, all of them, based on the characters I vaguely remembered from The Many Loves of Dobie Gillis. I was aware that Shaggy was just Maynard Krebs in cartoon form (the hippie character portrayed by Gilligan’s Island actor Bob Denver.)
One of the critical things about the show for me was the fact that there was a rational explanation for the monsters. They were men in masks, special effects and projector tricks, or remote-controlled mechanical things.
And the way you overcame them and saved the day was by having Shaggy and Scooby act as bait, cause the traps to get sprung at the wrong time, and then fall on the villains, trapping them under the butt of the talking dog.
Villains and horror could be overcome by laughing at them. They were more likely to be clowns than carnivores. And even if they were carnivores, the teeth were not real.
There was a universal truth in that. Danger and horror and fear were easier to handle when you could laugh in spite of those things.
And to top it all off, those meddling kids and their stupid talking dog were with me my whole life. Those cartoons got remade and spun off so many times that my kids learned to love them as much as I did. And those four meddling kids and that talking dog are still making new stories even now.
And that is why we do the Doo!
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Tagged as hanna-barbera, horror, Netflix, review, Scooby Doo