Category Archives: strange and wonderful ideas about life

Doodle-Bop!

Sometimes the only thing you really want out of life is just to get by. You get tired of always having to climb the danged highest mountain.  You get tired of trying to swim the danged deepest sea.

16750_102844509741181_100000468961606_71393_6278100_nSometimes all you want to do is doodle-bop!…  To draw in pen and ink and post your derfiest doofenwacky doodles so you can just make your way through another danged day.

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You aim a lot for different, and undeniably original… because no one thinks like you… certainly no one who is real and has a real brain.  You are gifted with an “other-ness”, a sing-songy simpering something that makes you want to doodle and do what no man has done before.  (Does that sentence exist anywhere else in all of literature?  Even if there is some alternate dimension with infinite monkeys typing on infinite typewriters?  What’s a typewriter, you say?  Danged millennials!)

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I really can’t help it, you know.  I was a middle school teacher for 24 years.  That sort of thing has mental health consequences.  And if you wring the sponges in your stupid old brain hard enough and long enough… doodle-bop! comes out.

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Turtle boy’s magic iron of irony!!!

And you have to wonder why some of the stuff that is in your stupid old head is even in there.  Why is it that sometimes the words “Argyle socks are filled with rocks” are drifting through the vast empty spaces in the logic centers of your brain?  There has to be a reason for everything, doesn’t there?

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I do believe I have made myself chuckle at least a dozen chuck-tacular times in the chuck-a-tational crafting of this cheddar-cheesy post.  But it only really counts if I can make you girlishly giggle or guy-like guffaw with my word-munching and cartoony paffoonies.

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The terror-filled cartoon car chase that is life as usual.

You may have noticed that everything is black and white, even though it doesn’t have to be.  Good versus evil, hot versus cold, everything can be divided up simplistically… but the really profound part of simplicity is vibrating reverberations of complexity that lie just underneath.  Words have meaning, even though they are just a bunch of crooked squiggles marked on a page.  (Yes, I know… “or typed on a computer screen”.  Danged millennials!)

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And so, this is my doodle-bop!  Probably not the doodliest or the boppiest doodle-bop! I could have bopped… but there it is.  I have made it through another sorta creative post without losing my mind…  Honest!  I did not lose it.  It is merely temporarily misplaced for a moment.  It will be back in its proper place tomorrow… probably.

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Islands of Identity

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Who am I?

Why do I do the things that I do?

No man is an island.  John Donne the English poet stated that.  And Ernest Hemingway quoted it… and wove it into his stories as a major theme… and proceeded to try to disprove it.  We need other people.  I married an island girl from the island of Luzon in the Philippines.  She may have actually needed me too, though she will never admit it.

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When I was a young junior high school teacher in the early eighties, they called me Mr. Gilligan.  My classroom was known as Gilligan’s Island.  This came about because a goofball student in the very first class on the very first day said, “You look like Gilligan’s Island!”  By which he meant I reminded him of Bob Denver, the actor that played Gilligan.  But as he said it, he was actually accusing me of being an island.  And no man is an island.  Thank you, Fabian, you were sorta dumb, but I loved you for it.

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You see, being Gilligan on Gilligan’s Island was not a bad thing to be.  It was who I was as a teacher.  Nerdy, awkward, telling stories about when I was young, and my doofy friends like Skinny Mulligan.  Being a teacher gave me an identity.  And Gilligan was stranded on the Island with two beautiful single women, Mary Ann and Ginger.  Not a bad thing to be.  And I loved teaching and telling stories to kids who would later be the doofy students in new stories.

But we go through life searching for who we are and why we are here.  Now that I am retired, and no longer a teacher… who am I now?  We never really find the answer.  Answers change over time.  And so do I.

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O Mio Babbino Caro

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This beautiful song, an operatic aria by Puccini, is from the comic opera Gianni Schicchi.  But, more important than that is what the song actually means in context.

In the opera, Gianni Schicchi is a con man intent on swindling a family out of their inheritance and knowing all along that he will be destined to go to hell when he dies.  The family is gathered for the reading of the rich man’s will, which is, because this is a comic opera, lost for the time being.  Their main concern is for the money, which rumor has it has all been willed to the church.  But one among them is actually worthy of inheriting the money, Rinuccio the son of the rich man’s cousin.  And, as luck would have it, as it always does in comedies, Rinuccio is the one who, during the manic and desperate search for the will, actually finds it.  And assuming he comes out well in the will, he secures a promise from his mother that if he inherits money, he can marry Schicchi’s beautiful daughter Laurretta whom he truly loves.

But when he reads the will, he is devastated.  The money all goes to a monastery.  He begs Schicchi to help him convince the family that he should marry Laurretta anyway.  This Gianni Schicchi tries and finds it harder than turning water into wine.  So Schicchi is about to give up when Lauretta finally speaks up for herself through the song,

O Mio Babbino Caro (My Beloved Father)

At this point Schicchi is moved by the beautiful song and even more beautiful love his daughter has surprised him with.  He not only agrees to help, but executes a bizarre plan, hiding the rich man’s body and pretending to be him come back to life to rewrite the will.  Now the will favors Rinuccio, and over the protests of the family, he inherits the money and marries his true love, Schicchi’s daughter.  The opera ends with Schicchi singing his case to the audience, telling them in song that going to hell is worth it to aid true love.

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And this, then, is the truth of O Mio Babbino Caro.

Love, expressed through the surprise of hidden talent suddenly revealed, is the most persuasive argument there is.

Whether it is the love in the music suddenly discovered in the overwhelming voice of a little girl like Jackie Evancho or Amira Willighagen, or the late great Maria Callas who also sang the role, or even the singer of Puccini’s greatest work who is yet to perform it and make silly old men like me weep for beauty’s sake, the song is the most persuasive argument there is in favor of true love.

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That is a thing I desperately want to capture in the novel I am writing now, Sing Sad Songs.  Love expressed in music.  Love that reverses loss.  Love that heals all things.  And Love that moves all people.  The love that is masterfully sung in O Mio Babbino Caro.

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That book is now published and available on Amazon.

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Singing Rock and Soul

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Yes, this is a picture of a rock.  But it is no ordinary rock.  Okay, that’s not precisely true.  It is a gray metamorphic rock roughly square in shape with numerous flecks of white and a white strip along the top.  As rocks go, it probably couldn’t be more ordinary, more rocky in its soul.  But, as with all things in this life, the importance and true meaning lies in the context.  This is a pocket rock.  It spent a quarter of a century riding around in my pants pocket.  I have held it in my hand millions of times.

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The Rowan Community Center, seen in this picture I used for the cover of Magical Miss Morgan, is the last part of the old Rowan school still standing.

In 1980, my Great Grandma Hinckley died.  That was also the year my folks had to move to Texas because of the transfer my Dad’s seedcorn company gave him to its cotton seed division.  It was one year before I got my teaching degree.  And it was the year they tore down the building where I went to school for grades 1 through 6.  That summer, as I walked around the demolition site, I found the homely gray rock that was nearly as square as I was, and because I was already feeling homesick before I actually left home, I picked it up  and stuck it in my pocket.  It was a little square piece of home.

That rock went with me to college.  It went with me to both Disneyland and Walt Disney World in Florida.  It has been to Washington D.C.  It has been in the depths of caves in Kentucky and Missouri and Texas.  It has been high in the sky in my pocket in an airplane.  It has been to beaches on both the Atlantic and Pacific sides of the U.S.  It has visited both Mexico and Canada.  It his been to Las Vegas.  And it even rode in the subways of New York City.

And possibly the most interesting part of this pocket rock’s career happened in Texas schools.  It was with me in my pocket constantly from 1980 to 2004.  I finally took it out of my pocket and placed it in an old cigar box that once belonged to my grandfather and I have kept keepsakes in since I was a kid.

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And I have thought a lot about this ordinary rock that isn’t really ordinary on closer inspection.  At one point or another I thought about using it as a skipping stone at both the Atlantic and the Pacific.  In 2004 when I was considering the pocket watch broken by it and the car key accidentally bent against it, it almost wound up in Lake Superior.  I put in my cigar box and it has remained exiled there since.  Will I have it buried with me, in my pocket?  No, probably not.  My wife plans to have me cremated.  Hopefully, though, not until I am already dead.  This rock has pretty much been a symbol of my soul, travelling with me, teaching with me, jingling the pocket change when I walk…  And it will continue to exist when the thinking and writing parts of Mickey are gone.

But even rocks are not immortal.  Sometime in the future something will happen to it.  It will end up someplace unexpected or changed by grinding, melting, or chemical reaction into some other form.  But no matter what happens to it ultimately, the meaning of it, the context, the places it has been and the things that it has done will still be true, still have happened to it.  And, ultimately, it will still be just like me.

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Books are Life, and Life is Books

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I just finished reading David Mitchell’s The Bone Clocks, his novel from 2014.  Just, WOW!  I guess this post is technically a book review… but not really.  I have to talk about so much more than just the book.

You can see in my initial illustration that I read this book to pieces.  Literally.  (And I was an English Major in college, so I LITERALLY know what literally means!)

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Look at this face.  Can you stop looking at the beautiful eyes?  I can’t.

I discovered Mitchell as a writer when I happened onto the book and movie pair of Cloud Atlas.  It enthralled me.  I read the book, a complex fantasy about time and connections, about as deeply and intricately as any book that I have ever read.  I fell in love.  It was a love as deep and wide as my love of Dickens or my love of Twain… even my love of Terry Pratchett.

It is like the picture on the left.  I can’t stop looking into it and seeing more and more.  It is plotted and put together like a finely crafted jeweled timepiece.

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And this new book is almost exactly like that.  It is a first- person narrative in six parts with five different narrators.  Holly Sykes, the central character, is the narrator of the first and last parts, in the past in the 1980’s, and in the future in 2043.  The titular metaphor of the bone clocks is about the human body and how it measures time from youth to old age.  And it is pictured as a clock ticking in practically all it’s forms, from a child who is snuffed out at eight years of age to horologists who have lived for a thousand years by being reincarnated with past lives intact.

Fantasy and photographic realism intertwine and filigree this book like a vast kaleidoscope of many colors, peoples, societies, and places.  At one point David Mitchell even inserts himself into the narrative cleverly as the narrator of part four, Crispin Hershey, the popular English novelist struggling to stay on top of the literary world.  He even indulges every writer’s fantasy and murders himself in the course of the story.

David Mitchell is the reason I have to read voraciously and write endlessly.  His works seem to contain an entire universe of ideas and portraits and events and predictions and wisdoms. And he clearly shows me that his universe is not the only one that needs to be written before the world ends.  Books are life, and life is in books.  And when the world as we know it is indeed gone, then they will be the most important thing we ever did.  Even if no one is left to read them.

And so, I read this book until it fell into pieces, its spine broken and its back cover lost.  To be fair, I bought it at a used book store, and the paperback copy was obviously read by previous owners cover to cover.  The pages were already dog eared with some pages having their corners turned down to show where someone left off and picked up reading before me.  But that, too, is significant.  I am not the only one who devoured this book and its life-sustaining stories.  Know that, if you do decide to read and love this book, you are definitely not the only one.  I’d lend you my copy.  But… well, it’s already in pieces.

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Silly Sunday Stuff

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I made a choice, long about 1980 or so.  And I have not regretted that choice.  I became a teacher instead of the writer/artist I thought I wanted to be.  And the more I look back on it now, if I had gone the writer route back then, I could’ve eventually become an author like Terry Brooks who wrote the Shannara books.  I might’ve even been as good as R.A. Salvatore whose fantasy adventure stories have reached the best seller list.  Back then, in the 1980’s I could’ve eventually broke into the business and been successful.  Even as late as when Frank McCourt broke onto the literary scene with his memoir, Angela’s Ashes in 1996, I might’ve been able to transition from teacher to writer the way he did.  But I chose to keep going with a teaching career that enthralled me.

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Publishing and the literary scene is changing now.  And it is no longer possible for someone like me to break into the big time.  I am an author who has come aboard a sinking ship.

But I have stories to tell.  They have lived inside me for more than thirty years.  And I am scrambling now to get them told before my crappy old body completely betrays me and makes the chance go away.  I will get them told… even if no one ever listens.

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And there are some advantages to doing it the way I have done it.  It is, and always has been, about the people in my life.  My wife, my children, my students, my co-workers, my cousins by the dozens, my little town in Iowa…  they are the people in my stories.  My stories are true to life, even if they have werewolves and fairies and living gingerbread men and nudists in them.  I live in a cartoon world of metaphor and surrealism, after all.  I would not have had the depth of character-understanding in my stories without my experiences as a teacher.  And I really don’t have to worry about the whole marketing thing any more.  I am not on that treadmill.  I do not have to be aware of what the market is looking for.  If my writing ever turns a profit, I won’t live long enough to see it anyway.  And that has never been what it is all about.

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I can do anything I please with my stories.  They belong to me.  I do not owe the world anything.  What I give you now in this blog and in my books, is given for love, not profit.  I can even write a pointless blog post about Sunday blather and illustrate it with Tintin drawings by Herge. And you can’t stop me.  And, hopefully… you don’t even want to.

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Followed by a Moon Shadow

Moonshadow by Cat Stevens

I first heard this song as a freshman in college.20160424_181349It struck me that it was hauntingly beautiful… but maybe I wasn’t entirely sure what it meant.

The song is about losing body parts and being okay with that.

That can actually be kinda creepy, right?

It is probably a song about gradually dying.

But that’s not really what it’s about.

I am there now.  Peeling, cracking, drying out… my life has reached the downhill run toward the finish line.  But I am not worried and not afraid.  Life is so much more than hands and eyes and legs and feet.  I can lose those things and have no regrets.  I am so much more than merely the sum of those physical things.

My spirit soars.  And my life is bound up in words and meanings that are now written down, and are at least as imperishable as paper.  And may, in fact, be written on a few human hearts here and there.

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Stupid Is as Stupid Does

This post is a reprint of the time I set out to become a nudist since I was retired and no longer had to fear what it would do to my career as a teacher.  

This is not a tribute to Winston Groom and his famous creation, Forrest Gump.  This is an admission that when I have had very little sleep and lots of worry lines on my brow, I often do remarkably stupid things.

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And sometimes, doing something monumentally stupid makes me feel better.  You know, more a part of the stupid, meaningless, and goofy world around me.  So, what stupid thing did I do?  I joined a nudist organization’s website.  Me, who freaks out when members of my own family happen to see me naked.  And, you see, there is more to joining this organization than just signing up for some random thing on the internet where you get a lot of random emails.  I had to submit nude photos of myself to be posted in community forums.  And I may be able to write a blog for this website, which will mean taking some camping gear and actually going to the naturist club site near Dallas to experience the things I will be writing about… and probably making jokes about.  But don’t be afraid of being subjected to the hideous torture of having to see me naked.  In order to see any of that, you would have to join the organization yourself, and you are probably not as stupid as me.  (But I am not telling you the name of the website anyway.)

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This is a detail from an illustration based on Golding’s Lord of the Flies.  But it is also a picture of me and a childhood friend from back in the skinny-dipping days, based on an old black-and-white photo.

You see, I have some real life experiences with nudists before this happened.  I had a roommate in grad school who liked to go au naturel, and even was comfortable with me being in the room when his girlfriend was visiting.  He was nude in the kitchen one time when my grandparents came to visit.  It is a good thing my grandfather entered that room ahead of my grandmother.  I also had a girlfriend in the eighties who had a sister living in the clothing-optional apartment complex in Austin, Texas.  Every time we visited Austin, the city nearest where my parents lived, she would stay with her sister there and I would have to go in to fetch her whenever we had plans.  Sometimes I was there just to visit.  But always, since clothing was optional, I took that option.  I did get used to being around naked people, though.  I actually have nudist friends.

So, though I am not a nudist, I guess I already know a lot about how to be one.  It is how I managed to stumble into this awkward arrangement.

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I know I will never be able to get my wife to go along on this harrowing adventure.  She refuses to even consider going nude in the house.  She has to wear clothes to bed even though studies say that sleeping nude is good for you.  I will be facing this basically naked and alone.  And possible paid writing work will never make this worth it by itself.

But my photos are already posted and approved.  My membership is a real thing.  And I am not ready to shoot myself for this stupid decision.  In fact, I will probably be less naked there than I have been here in this very blog where my every secret is laid bare and made fun of on a daily basis.

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Imaginary People

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It pretty much goes without saying that, since I am an author of fiction, determined to be a storyteller, I spend most of my time talking to people who exist only inside my goofy old head.  Sure, most of the imaginary people I create to keep me company are at least loosely based on real people that I either once knew, or still know.  You can tell that about Millis, the rabbit-man, pictured here on the right, can’t you?  Sure.  I had a New Zealand White pet rabbit that I raised as a 4-H project.  His name was Ember-eyes… because, well, yeah… red eyes.  It just happens that my goofy old memory transformed him into an evolution-enhanced science experiment in my unpublished novel, The Bicycle-Wheel Genius.  But he was a real person once… ’cause rabbits are people too, right?

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Anita Jones, a character from my unpublished novel, Superchicken, is based on a real person too.  I admit, there was a girl in my class from grades K through 6 that I secretly adored and would’ve done anything to be near, though every significant event I remember from my life that involved an encounter with her, involved red-faced embarrassment for me.  That’s why I remember her as having auburn-colored hair.  Charley Brown’s Little Red-Haired Girl… duh!  I would’ve died sooner than tell her how I really felt, even now, but by making her into one of a multitude of imaginary people who inhabit my life, I can be so close to her that sometimes I am actually inside her mind.  There’s a sort of creepy voyeurism-squared sort of thing.

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Dorin Dobbs, the main human character of my published novel, Catch a Falling Star, is an imaginary character based mostly on my eldest son, though, in fact, I started writing that novel five years before he was born.  Like most of the imaginary people in my life, I talk to Dorin repeatedly even when the real Dorin is half a world away in the Marine Corps.  And even though the Dorin I am talking to is not the real Dorin, he is still constantly using language that is extra-salty far beyond his years, and is often defiant of my fatherly wisdom, and always argues for the exact opposite of any opinion I express.  That’s just how it is to be the father of an imaginary son.

Realistically, I have to admit that even the flesh-and-blood people in my life are imaginary.  No one ever actually inhabits another person’s head except through the magic of imagination.  Even though I am talking to you at this moment, you are only an imaginary person to me.  I don’t even know your name as I write this.  And I am the same to you.  You may have read my writing enough to think you know something about me… but you really only know the Mickey in your mind that I have worked at putting there with my words.  And I really have no idea what that imaginary Mickey you have in your head is like.  He is probably really the opposite of who I think I am.

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I am, after all, married to this girl panda, Mandy Panda from the Pandalore Islands, and my three children are all Halfasian part-panda-people.  Yes, this is the imaginary person who is my real-life wife.  The secret is, we only ever know the imaginary people we have in our goofy little heads.  We don’t know the real person behind anyone in our lives, because it is simply not possible to really know how anybody else thinks or feels, even if they write out their lengthy treatise about how all people are imaginary people.  That stuff is just too goofy-dippy to be real.

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Philip K. Dick

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There is a major drawback to being so smart that you can perceive the edges of infinity.  It makes you bedbug crazy.  I love the science fiction that populated the paperback shelves in the 50’s and 60’s when I was a boy.  I love the work of Philip K. Dick.  But it leads you to contemplate what is real… what is imaginary… and what is the nature of what will be.

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the robot Philip K. Dick who appeared at Comic Con and answered questions

There are numerous ways to investigate life.  But it is in the nature of imaginary people to try to find ways to make themselves real.  When the replicants in Bladerunner try to make themselves into real people, they must try to create memories that didn’t exist.  They try to mirror human life to the extent that they can actually fool the bladerunner into letting them live.  Of course, it doesn’t work.  They are not real.  (Bladerunner is the movie name of Do Androids Dream of Electric Sheep).

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It is like that for me as well.  Being an imaginary person is difficult.  You have to constantly invent yourself and re-invent yourself.  By the time you finally get to know yourself, you have to change again so that the anti-android factions don’t destroy you.  Although, I think I may not actually be an android.

Does that sound a bit crazy?  Well Philip K. Dick’s life story may in fact have led him down the path to really crazy.  In 1971 he broke up with his wife, Nancy Hackett.  She moved out of his life, and an amphetamine-abuse bender moved in.  In 1972, ironically the year I began reading Dick’s work, he fell in love at the Vancouver Science Fiction Convention.  That was immediately followed by erratic behavior, a break-up, and an attempted suicide overdosing on the sedative potassium bromide.  This, of course, led directly to his 1977 novel A Scanner Darkly.

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The story is about a police detective who is corrupted by a dangerous addictive drug that takes him down the rabbit hole of paranoia, and being assaulted by the perception of multiple realities simultaneously.  His novel Ubik from 1969 is a story of psychics trying to battle groups of other psychics even after they are killed by a bomb.  The crazy seems to have been building for a while.

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In 1974 he had a transcendental experience when a lady delivering medicine to his door wore a fish-shaped pendant which he said shot a pink beam into his head.   He came to believe the beam imparted wisdom and clairvoyance, and also believed it to be intelligent.  He would later admit to believing he had been reincarnated as the prophet Elijah.

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Imagination has its dangers.  It is a powerful thing able to transform reality.  Science fiction writers often use their imagination to shape what the future will actually make come into being.  But it can also turn your mind inside out.  A great science fiction writer like Philip K. Dick can contemplate the nature of reality and turn his own reality inside out.  It is a lesson for me, a lesson for all of us.  Wait, is that a pink beam of light I see?  No, I just imagined it.

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