Creating myself as an author meant making some conscious choices at the beginning. I made some very clear ones. First of all, I intended to write as much about my real life as I possibly could. Accepting, of course, the fact that my real life was infested with imaginary people and events. There was the faun that slept in my bed with me every night in the form of a large, black pillow my sister made for me as a 4-H project. There were the three-inch-tall fairies that had a complete underground empire that surfaced at the roots of the old willow tree by the Rowan school building and community center. There was the gryphon that circled the skies looking constantly to swoop down and eat me at any opportunity. So, it wasn’t as much about realism as it was surrealism. It was necessary to protect my traumatized psyche from the damage I sustained as a ten-year-old.
Of course, I had literary heroes and inspirations to go by. I read some key books as a college student that deeply influenced how I wanted to write.
Winesburg, Ohio is the first major influence that affected the stories I began writing in my college years. Sherwood Anderson was writing about his own hometown in this short-story cycle, basing Winesburg on his home town of Clyde, Ohio in the very early 1900s.
Arguably he wrote stories about real people from his renamed home town. Thus, I renamed Rowan, my home town, Norwall, mixing up the letters from Rowan and adding two letter “L’s.” His stories were all themed about the loneliness and longings of a small Midwestern town. I would make mine about breaking out of the cages loneliness builds with the people who surround you.
I also determined that like Mark Twain, I would give my characters a sense of realism by basing them on real people from Rowan, Belmond (where I went to high school), and Cotulla, Texas (where I would teach for 23 years.) And I would change some basically minor physical details to hide their true identities behind names I found in the Ames, Iowa phone book from 1978. But I always tried to give them their authentic voices, though that often meant translating Texican and Hispanish into Iowegian.
And like Twain vowed to write stories only about the 19th Century, I decided to only set my stories in the last half of the 20th Century.
Of course, imagination is not easily limited, so I had to also accept that some of my stories of the science-fiction persuasion would be set in the 56th Century in the Orion Spur of the Sagittarius Spiral Arm of the Milky Way Galaxy.
And even before I discovered the genius of David Mitchell through his spectacular novel, Cloud Atlas, I had begun to explore how stories could be expanded and connected and revisited through shared characters, shared histories, and shared places, all of which develop, grow, or deteriorate over time. All things are connected, after all. Anita Jones from that first picture, and Brent Clarke in the last picture were both in the first novel, Superchicken, set in 1974, and Anita appears as an adult in Sing Sad Songs set in 1985, while Brent appears in the last novel in my timeline, The Wizard in his Keep, set in 1999.
Catch a Falling Star 
Wake Up Sunday Morning!
As weekly rituals go, one of the most important ones came every Sunday morning when I was a kid. My parents were 50’s people. By that I mean they were teenagers and young adults during the post war boom of the 1950’s when everything seemed hopeful and bright and alive with wonderful possibilities. As a kid in the 1960’s the Sunday morning routine was this;
Obviously the most important thing in that routine was complaining, because I listed it twice. But when it got down to it, we were thankful for all the good things about life. We were positive people. We sometimes listened to Norman Vincent Peale on the radio. We knew we ought to be positive and thankful and love goodness and be kind.
Somewhere along the way, though, the world forgot the life lessons of Family Circus.
Somehow we managed to screw things up.
Environmental scientists like Paul Ehrlich, who wrote The Population Bomb, warned us that the world could soon be ending. And we ignored them.
Richard Nixon taught us not to trust politicians any more.
We stopped believing in things like the wholesome goodness of scrambled eggs.
We let corruption in our government and inequality in the economic sphere become the norm. The greedy people who were cynical and had no empathy for the rest of us took over. That is how we ended up with someone like Donald Trump. Racism, fear, and complaining now rule the emotional landscape in America and most of the world.
So, what is the answer? What do we do?
Well, The Family Circus is still out there. We can learn from it, laugh a little, and apply some of those life lessons. Especially this one;
Leave a comment
Filed under cartoons, comic strips, commentary, goofy thoughts, humor, inspiration, strange and wonderful ideas about life
Tagged as Bill Keane, faith, Family Circus, gratitude, manifesting, mental health, positive thinking