I’m a Mickey, yes, indeedy…
Foopty-Hoopty-Hoodilly-Hoo!
Chicken-ninja throwing stars,
Hit their targets thrown from Mars…
Foopty-Hoodilly-Hee
And when the pandas drive their cars,
Their tire treads are candy bars!
Take that truth from me!
Foopty-Hoopty-Fiddly-Ho!
Being a Mickey is a rabbity thing…
As if it were Bugs who taught us to sing,
And unmusical music we all start to bring…
Because we use only the words that we know!
Foopty-Hoodilly-Fling-a-ding-Ding!
Filed under goofy thoughts, humor, Mickey, Paffooney, Paffooney cartoony, poetry, rabbit people
If you are wondering, “How in the Heck can Mickey write nonsense like that essay he wrote yesterday?”, then please be aware that Mickey is pondering that same question.
Seriously, why would a writer publish personal thoughts and allude to personal tragedies? Especially when they are about things that once upon a time nearly killed him? (Please note that when Mickey starts a sentence with “Seriously” it is probably about to lead to a joke, the same way as when Trump says, “Believe me” we should assume he is telling a lie and knows it.)
The answer is simply, writers write stuff. They have to. If they didn’t, they wouldn’t be writers.
It is really not something to do to earn fame and fortune. Fame and fortune happen to rare individuals like J. K. Rowling and Steven King… and even Stephanie Meyer, to prove that it is totally random and not based on actual writing talent… except for sometimes.
You write to get your head right about bad things that happen in life. You find that factor in Mark Twain whose infant son died, as well as most of the rest of his family, before him, forcing him to face survivor’s guilt and the notion that life is random and death does not come for you based on any kind of merit system. Charles Dickens wrote about the foibles of his father, on whom he based the David Copperfield character Wilkins Micawber, a man who was overly optimistic and constantly landing in debtor’s prison because of it. He also wrote in his stories about the women he truly loved (who were not, it seems, his wife) one of whom died in his arms while yet a teenager. Dickens’ amused take on the innate foolishness of mankind gave him a chance to powerfully depict great tragedies both large (as in a Tale of Two Cities) and small (as in Oliver Twist). I wrote yesterday’s post based on the connection between the nudity I write about in novels and my own traumatic assault when I was only ten.
You write because you have wisdom, an inner personal truth, that you are convinced needs to be crystallized in words and written down on paper. It isn’t necessarily real truth. Lots of idiots write things and post them in newspapers, blogs, and even books. And it is often true that their inner personal truth is complete hogwash. (But, hey, at least the hogs are cleaner that way.) Still, your wisdom is your own, and it is true for you even if some idiot like Mickey reads it and thinks it is only fit for cleaning hogs.
And you truly do have to write. If I did not write my stupid, worthless novels, all the hundreds of characters in my head would get mad and start kicking the pillars that hold up the structures in my head. I do have structures in my head. My mind is organized in boxes that contain specifically sorted ideas and stories and notions. It is not a festering stew pot where everything is mixed together and either bubbling or boiling with hot places or coagulating in the cold corners. (That is how I picture Donald Trump’s mind. It is certainly not an empty desert like many people think, because deserts don’t explode all over Twitter early in the morning like the stew pot metaphor obviously would.)
And so, I have done it again. I have set down my 500+ words for today and made a complete fool of myself. And why do I do it? Because Mickey is a writer, and so, Mickey writes stuff.
http://disneyparks.disney.go.com/
Mickey Mouse was born on November 18, 1928 in the film “Steamboat Willie”. This month will be his 96th Birthday. He’s still pretty spry for such an old guy. My own father is pretty close to the same age, born in about 1932.
And I… I was born in a blizzard in 1956, on November 17th, the day before his 28th birthday. Don’t do the math. I don’t really want to know how old I am. I have six incurable diseases, and I may be adding a seventh to that, depending on what my cardiologist finds out. I survived malignant melanoma in 1983. I am deeply grateful for every day of the 41 years I have lived since.
This post started out as something about birthdays. Mickey’s and mine (who am also Mickey)… But I think it is really about numbers. There are still important numbers to consider. I have published twenty novels, two books of short essays, a book-length essay on nudism, and a book of poetry. Aeroquest and Catch a Falling Star are the first two books I published. But I have since turned Aeroquest into four novels with a planned fifth and possible sixth book. This was done because Publish America was a criminal publishing scheme and held my book hostage for seven years. Snow Babies is the best story I ever wrote. I have written a number of hometown stories about the little town in Iowa in which I grew up. The Bicycle-Wheel Genius, Superchicken, The Baby Werewolf, Recipes for Gingerbread Children, Sing Sad Songs, and The Boy… Forever are a few of these. The Magical Miss Morgan is the last book I published with a pay-to-publish publishing scheme. From here on I only publish for free with Amazon. Even the literary agents that call me only want to charge me money to promote my books. So, I want to write and publish more for free. People are reading my books and I am having precious little success as a mostly-unknown author. How much time do I really have left? I confess to having at least five novel-length stories that are only written in my head and outlined on paper. The clock is ticking. I want to share all of these stories, but I know I probably do not have 86+ years. I truly believe that both this Mickey and that Mickey are capable of speaking to the ages, but it can only happen if I get my words shared so that somebody I do not know will read them, smile a little, laugh a little, maybe cry a little, and understand what I tried to say.
So here’s a self-portrait of what Mickey once looked like (before the beard and long hair) along with Valerie Clarke, the main character of Snow Babies, and the most beautiful little girl ever born in Norwall, Iowa.
(This is a post from 2017, before the swimming pool had to be removed, before it caused my heart trouble, and before I had to declare Chapter 13 Bankruptcy.)
Being retired for health reasons and unable to work, I would be dead already without my writing and art endeavors to fill my time and keep me sane. I can do some work, as proven by my attempts to patch and repair the swimming pool this summer. But my limitations drive me crazy, as proven by the fact that I did about half of the work on the pool wearing only sunscreen and a hat. My kids are not married yet, and two of them are still in high school, but they are not much interested in toys any more. And I don’t yet have grandkids to spoil. So when I go the Resale Store or Goodwill to shop for old toys, I am basically buying them for myself.
The Princess of the Korean Court Barbie was lying on the bargain shelf for $3.49. I bought the ceramic wishing well behind her for $5.00. So the bargain-hunting gene I inherited from Scotch ancestors was duly satisfied. But I had to do more with things like these than merely own them. Toys are for playing. And what does a 60-year-old man do with dolls when he is playing? Besides being a bit creepy, I mean? Well, this photo is the answer. I use my toys to create pictures and artwork.
Here’s a creation using the ceramic wishing well again. It is apparently, on closer inspection, actually a candle holder. But it serves to make my Walmart Clearance Sale Disney toys happy. Here you see the pony-brushing party held by Minnie Mouse with Daisy Duck and the gay snowman from Frozen.
Here you see the metal miniatures I got in a pack from Walmart as they visit the cardboard castle. Two of the lead figures on the ground are hand painted by me in days long ago. The entire cardboard castle was printed and glued on cardboard, cut out and put together entirely by me. Mickey, Minnie, Alice, Stitch, and Kermit are the metal miniatures not painted by me.
So, my days have not been overwhelmed by boredom and frustration and problems with city pool inspectors (he doesn’t even know about doing the repair work in the nude, so he can’t give me a ticket for that.) I have been filling my time with toys and creative play. I have been mostly a good boy… err… old man.
I am aware that nobody who looks at my blog ever clicks on my videos. This one, however, would be very useful if you are really going to read and engage with this essay. This self-reflection came into being as a response to watching this video. The video talks about how most people can’t stand to actually sit alone in a room with only themselves. And it has an impact. I have claimed in the past to being a devotee of the Theodore Roethke maxim, “Being, not doing, is my first love.” But how does one go about becoming truly self-aware? How does one enumerate the concept of “being”? I believe I can do it, but it requires a bit of self-examination. How do I do it?
Let me count the ways…
I find myself in both the written characters I create and the cartoon characters I draw. In Hidden Kingdom, my graphic novel, the Mouse and young Prinz Flute are both me. I can see myself both as the reluctant romantic hero and the snarky child-thing with a dangerous little bit of wisdom.
I learn to know more about my secret heart and what I truly think about the world I live in and react to by writing about what I think and the things that happen to me, both for good and ill. This blog is all about learning about myself, just as your blog is a mirror of who you really are. Consequently, I have no secrets left.
I live most of my life in my own imagination. It is a silly Willy Wonka world of images, songs, music, and dreams. It can all blow away in a moment when the sun comes out. It can also keep me in a light-obscuring cloud wrapped and safe, well away from the things I fear and the things that worry me. I came to realize I was repressing the memory of being sexually assaulted when I was ten through a dream when I was nineteen, re-living the event in a dream from which I awoke with a blinding flash of realization. I came to grips with the horror that mangled my childhood and young adulthood first by facing the fact that the nightmare had been real, and then by finding ways to overcome it. I became a teacher of young people in large part as a way to protect them and prevent such a thing from ever happening again to someone else.
I often worry that I don’t see real people as being real people. I tend to think of them from the first meeting onward as potential book characters, walking collections of details and quirks, conflicts and motivations. But I recognize too that that way of seeing with the author’s eye is not incorrect. People really are those things. There are rules and generalizations that everyone falls under at some point. It is not so much that I see real people as book characters as it is that I realize that book characters are as real as any other purportedly “real” people.
I am myself both the subject of my cartooning and fictionarooning, and the cartoon character of myself as well.
Mickey is not a real person. He is a cartoonist persona, a mask, a fake identity, and the lie I tell myself about who I actually am.
In this essay, I have attempted to explain to you who I think I am spending time with when I am alone in a room with myself. He is not such a terrible person to spend time with, this Mickey. Or else he really is truly awful, and I am lying about me and who I think I am when I am alone with me and have no other options. But probably not. I have been getting to know me for about 562 years, only exaggerating by 500, and I am not finished yet.
Filed under autobiography, being alone, irony, Mickey, Paffooney
I’m a Mickey, yes, indeedy…
Foopty-Hoopty-Hoodilly-Hoo!
Chicken-ninja throwing stars,
Hit their targets thrown from Mars…
Foopty-Hoodilly-Hee
And when the pandas drive their cars,
Their tire treads are candy bars!
Take that truth from me!
Foopty-Hoopty-Fiddly-Ho!
Being a Mickey is a rabbity thing…
As if it were Bugs who taught us to sing,
And unmusical music we all start to bring…
Because we use only the words that we know!
Foopty-Hoodilly-Fling-a-ding-Ding!
Filed under goofy thoughts, humor, Mickey, Paffooney, Paffooney cartoony, poetry, rabbit people
Yes, I am a wizard. That is a complicated thing to say. It is complicated because a wizard has to be a wise man, and wisdom has to begin with the idea that you know practically nothing about anything… but you can find out. So one version of me has to be my wizard D&D character, the wizard Eli Tragedy. This is because I know practically nothing about anything… but I am willing to not be stupid and look stuff up before I tell you anything and pretend it is a wise thing to say.
I have been thinking about who I am because I want to re-do my About the Author page. And that leads to the difficulty of explaining who Mickey actually is. You see, I am actually lots of different people in my head. Mickey is the cartoonist, the humorist, the clown. He is not the every-day me. He is the goofy and foofy and lovey-to-drawie part of me. And yes, I know some of those are not real words. Mickey is like that. He speaks Mickian Goof Speak. I have no control over that part of him. I am not certain where this Mickey-part of my soul originated, but it may be the result of too much TV when I was a kid.
And of course there is the Teacher-Me, Reluctant Rabbit, the person who stood in front of groups of twelve-thirteen-and-fourteen-year-olds for three decades and tap-danced, told stories, stood on my head, and begged them to internalize at least a lesson or two of what I tried to teach them.
And the wizard part of me was just barely wise enough to realize that a teacher can open doors, but you can’t shove a kid through. They have to take the critical learning step themselves. They have to want to learn something. But even though they actually do the learning themselves, they will come back to me in later years saying, “Oh, thank you, you taught me so much!” when really all I did was be a guide on the side and stayed out of their way.
And, of course, there is the Cowboy Me. I live in Texas. I was a Belmond Bronco in high school, but I became a Cotulla Cowboy for 24 years of my teaching career. I ended up as a Naaman Forest Ranger. I have worn the hat a lot in my life, being as much of a straight shooter as the Shakiest Gun In The West can be, always trying to shoot the six-guns out of the bad guy’s hands rather than shoot people.
So how do I explain a thing like that? Probably the way I just did it (ironically). I should use Paffoonies I have created over time and waffle about stupid stuff that might make people laugh when they realize how self-contradictory it is. And I should say it like I mean it… because I probably do.
Catch a Falling Star 
Why Mickey Writes
If you are wondering, “How in the Heck can Mickey write nonsense like that essay he wrote yesterday?”, then please be aware that Mickey is pondering that same question.
Seriously, why would a writer publish personal thoughts and allude to personal tragedies? Especially when they are about things that once upon a time nearly killed him? (Please note that when Mickey starts a sentence with “Seriously” it is probably about to lead to a joke, the same way as when Trump says, “Believe me” we should assume he is telling a lie and knows it.)
The answer is simply, writers write stuff. They have to. If they didn’t, they wouldn’t be writers.
It is really not something to do to earn fame and fortune. Fame and fortune happen to rare individuals like J. K. Rowling and Steven King… and even Stephanie Meyer, to prove that it is totally random and not based on actual writing talent… except for sometimes.
You write to get your head right about bad things that happen in life. You find that factor in Mark Twain whose infant son died, as well as most of the rest of his family, before him, forcing him to face survivor’s guilt and the notion that life is random and death does not come for you based on any kind of merit system. Charles Dickens wrote about the foibles of his father, on whom he based the David Copperfield character Wilkins Micawber, a man who was overly optimistic and constantly landing in debtor’s prison because of it. He also wrote in his stories about the women he truly loved (who were not, it seems, his wife) one of whom died in his arms while yet a teenager. Dickens’ amused take on the innate foolishness of mankind gave him a chance to powerfully depict great tragedies both large (as in a Tale of Two Cities) and small (as in Oliver Twist). I wrote yesterday’s post based on the connection between the nudity I write about in novels and my own traumatic assault when I was only ten.
You write because you have wisdom, an inner personal truth, that you are convinced needs to be crystallized in words and written down on paper. It isn’t necessarily real truth. Lots of idiots write things and post them in newspapers, blogs, and even books. And it is often true that their inner personal truth is complete hogwash. (But, hey, at least the hogs are cleaner that way.) Still, your wisdom is your own, and it is true for you even if some idiot like Mickey reads it and thinks it is only fit for cleaning hogs.
And you truly do have to write. If I did not write my stupid, worthless novels, all the hundreds of characters in my head would get mad and start kicking the pillars that hold up the structures in my head. I do have structures in my head. My mind is organized in boxes that contain specifically sorted ideas and stories and notions. It is not a festering stew pot where everything is mixed together and either bubbling or boiling with hot places or coagulating in the cold corners. (That is how I picture Donald Trump’s mind. It is certainly not an empty desert like many people think, because deserts don’t explode all over Twitter early in the morning like the stew pot metaphor obviously would.)
And so, I have done it again. I have set down my 500+ words for today and made a complete fool of myself. And why do I do it? Because Mickey is a writer, and so, Mickey writes stuff.
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Filed under artwork, autobiography, commentary, humor, insight, irony, Mark Twain, Mickey, Paffooney, strange and wonderful ideas about life, wisdom, writing humor
Tagged as goofy thoughts on writing