Category Archives: illustrations

Call of Cthulhu

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I feel the need to take up the subject of a role playing game that I planned for and played to a limited degree, but explored to the point of insanity.


But I am recovering now from the double-danged downers of taking care of my bankruptcy case and paying off a surprise new tax penalty that nearly sank my little boat. Therefore, I can’t go into this in depth until my mind is more fortified against the depredations of Yog Sothoth.
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So, next week I will begin talking endlessly and listlessly about the infinite insanity of Call of Cthulhu, the role-playing game. In a gibbering, half-insane manner, I will describe the playing of a game where you confront the depths of human darkness in an indifferent and terrifying world. And I will attempt to explain why a school teacher in his right mind (as much as a middle school teacher can be in his right mind) would ever take up such a game. So, stay tuned to Mickey the Dungeon Master’s silly little Saturday D&D blog.

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Filed under Dungeons and Dragons, horror writing, humor, illustrations, surrealism

Pirate Novels

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My first novel-length piece of writing was attempted in college.  I finished it in four years.  It was a pirate tale about a young man, a pirate named Graff the Changeling.  You see him in this illustration I created in 1980 with his two young sons, Rene and Emery.  Because their mother was a fairy, the boys have pointed ears and horns.    It was an attempt at serious fantasy adventure fiction that was so awful, it became a comedy before it was through.  I called it The Graff Tales, and I still have it.  But I promise you, I will never, ever try to publish the horrible thing.  My sisters served as my beta readers for this story.  They both liked the oral stories I told, and they eagerly awaited something like they remembered from our shared childhood.  They both were a bit disappointed by my first prose attempt.  There was a knight called Sir Rosewall in the story.  He was a hapless knighted fool who lived in poverty and swore to reclaim his honor with great deeds, but as he goes to sea as a kidnapped sailor, all he manages to do is fall down a lot and bump his large head frequently.  In the first scene when he enters the story, long about chapter four, he exits a cottage and has to punt a piglet to get out without falling down.  This pig-punting thing was repeated more than once with this character.  My sisters joked that the “pig-in-the-doorway” motif would be my lasting contribution to literature.  Fortunately for me, it was not.  I am probably the only one who even remembers there was such a novel.

But my biggest failing with writing and storytelling was always that I could be too creative.  The story featured a flying pirate ship that was raised from the bottom of the ocean by fairy magic.  The crew were re-animated skeletons.  The gorilla who lived on the island where the ship’s survivors had been marooned would also join the crew.  His name was Hairy Arnold.  One villain was the pirate captain Horner, a man with a silver nose-piece because he had lost his real nose to a cannon shot.  Another was a red-bearded dandy named Captain Dangerous.  But the biggest villain of all was the Heretic, who turned out to be a demon in human guise.  It was all about escaping from pirates who wanted to kill you and hitting soldiers with fish in the fish market.  There were crocodile-headed men and little child-like fairies called Peris that lived in the city where Graff was trapped and transformed into a monster by the Heretic.

My plot was too convoluted and my characters too wildly diverse and unlikely.  The result was something far too bizarre to be serious fiction.  The only way it could actually be interpreted was as a piece of comedy.  There-in lay the solution to my identity problem as a writer.  I had to stop trying to be serious.  My imagination too often bent the rules of physics and reality.  So I had to stop trying for realism and believability.

 

In the end all the main characters die.  All except for young Rene who becomes a pirate hunter.  Of course, I follow Graff and Emery through to heaven because, well, it was a first person narrative and the narrator died.  So, I vowed to myself that I would never let this horrible piece of nonsense see the light of day.  I would never try to publish it, rewrite it, or even tell anyone about it.  And so to this very day I… oopsie.

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Filed under artwork, autobiography, humor, illustrations, NOVEL WRITING, Paffooney, Uncategorized

The Ultra-Mad Madness of Don Martin

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Born in 1931 and lasting in this crazy, mixed-up world until the year 2000, Don Martin was a mixy, crazed-up cartoonist for Mad Magazine who would come to be billed as “Mad Magazine’s Maddest Artist.”    His greatest work was done during his Mad years, from 1956 (the year I was born… not a coincidence, I firmly believe) until his retirement in 1988.  And I learned a lot from him by reading his trippy toons in Mad from my childhood until my early teacher-hood.

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His style is uniquely recognizable and easily identifiable.  Nobody cartoons a Foon-man like Don Martin.

The googly eyes are always popped in surprise.  The tongue is often out and twirling.  Knees and elbows always have amazingly knobbly knobs.  Feet have an extra hinge in them that God never thought of when he had Adam on the drawing board.

And then there is the way that Martin uses sound effects.  Yes, cartoons in print don’t make literal sounds, but the incredible series of squeedonks and doinks that Martin uses create a cacophony of craziness in the mind’s ear.

don-martin-mad-magazine-june-1969

And there is a certain musicality in the rhyming of the character names he uses.  Fester Bestertester was a common foil for slapstick mayhem, and Fonebone would later stand revealed by his full name, Freenbeen I. Fonebone.

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And, of course, one of his most amazingly adventurous ne’er-do-well slapstick characters was the immeasurable Captain Klutz!

Here, there, and everywhere… on the outside he wears his underwear… it’s the incredible, insteadable, and completely not edible… Captain Klutz!

cap_klutz1_bc

If you cannot tell it from this tribute, I deeply love the comic genius who was Don Martin, Mad Magazine’s Maddest Artist.  Like me he was obsessed with nudists and drawing anatomy.  Like me he was not above making up words with ridiculous-sounding syllables.  And like me he was also a purple-furred gorilla in a human suit… wait!  No, he wasn’t, but he did invent Gorilla-Suit Day, where people in gorilla suits might randomly attack you as you go about your daily life, or gorillas in people suits, or… keep your eye on the banana in the following cartoon.

Kg2GZRM

So, even though I told you about Bruce Timm and Wally Wood and other toon artists long before I got around to telling you about Don Martin, that doesn’t mean I love them more.  Don Martin is wacky after my own heart, and the reason I spent so much time immersed in Mad Magazine back in the 60’s, 70’s, and 80’s.

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Filed under artists I admire, artwork, cartoon review, cartoons, comic book heroes, goofiness, humor, illustrations

AeroQuest Illustrations in Pen & Ink

I have been drawing these mock-Star-Wars science-fiction-heroes for thirty years. Some of these are that old. Some of them are new this year. All of them illustrate the adventures that started as a science-fiction-role-playing game and became the series of novels called AeroQuest.

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Filed under aliens, heroes, illustrations, novel, satire, science fiction

Setting the Scene

As a rabid Dungeons and Dragons player, I have labored for years to build up my collection of miniature figures.  Now, like the action figures and the dolls, the collection is growing so fast it may eat the house.  So, in order to play with them and get some use out of them, I built a cardboard castle, complete with grid for playing D & D.  It is a scene that can be used to play the game, but it is also a place to display my collection.

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Toy companies have recently started putting out collectible miniatures in an almost D & D scale.  They only cost about a dollar apiece.  That makes them cheaper than candy bars.  And I am diabetic, so I can’t buy candy bars.

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I like to position them in my D & D background and take pictures of them, even though DC Superheroes are not D & D figures.  I can work them into the story of the next RPG sessions.  Batman is a paladin.  Aquaman is a sea-based druid.  Wonder Woman is an Amazon.

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Adam West Batman is really, really cool.  Wham!  Pow!  Sock!

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Killing a dragon is a big event in a D & D campaign.  And I can do that now with miniatures.

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The Flash can rescue Jessica Rabbit from a mad goblin in the Skull Plaza.

So, I reached a point in setting the scene for the game that it has become almost cinematic.  And I like taking pictures of it as I continue to play with all  of it.  Forgive me.  I will forever be twelve years old in my head.

 

 

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Filed under Dungeons and Dragons, heroes, illustrations, making cardboard castles, photo paffoonies

My Bookish Journey (Finale)

by Maxfield Parrish

Like every real, honest-to-God writer, I am on a journey. Like all the good ones and the great ones, I am compelled to find it…

“What is it?” you ask.

“I don’t know,” I answer. “But I’ll know it when I see it.”

“The answer?” you ask. “The secret to everything? Life, the universe, and everything? The equation that unifies all the theories that physicists instinctively know are all one thing? The treasure that pays for everything?”

Yes. That. The subject of the next book. The next idea. Life after death. The most important answer.

And I honestly believe that once found, then you die. Life is over. You have your meaning and purpose. You are fulfilled. Basically, I am writing and thinking and philosophizing to find the justification I need to accept the end of everything.

Leah Cim Reyeb is me, Michael Beyer written backwards.

And you know what? The scariest thing about this post is that I never intended to write these particular words when I started typing. I was going to complain about the book-review process. It makes me think that, perhaps, I will type one more sentence and then drop dead. But maybe not. I don’t think I’ve found it yet.

The thing I am looking for, however, is not an evil thing. It is merely the end of the story. The need no longer to tell another tale.

When a book closes, it doesn’t cease to exist. My life is like that. It will end. Heck, the entire universe may come to an end, though not in our time. And it will still exist beyond that time. The story will just be over. And other stories that were being told will continue. And new ones by new authors will begin. That is how infinity happens.

I think, though, that the ultimate end of the Bookish Journey lies with the one that receives the tale, the listener, the reader, or the mind that is also pursuing the goal and thinks that what I have to say about it might prove useful to his or her own quest.

I was going to complain about the book reviewer I hired for Catch a Falling Star who wrote a book review for a book by that name that was written by a lady author who was not even remotely me. And I didn’t get my money back on that one. Instead I got a hastily re-done review composed from details on the book jacket so the reviewer didn’t have to actually read my book to make up for his mistake. I was also going to complain about Pubby who only give reviewers four days to read a book, no matter how long or short it is, and how some reviewers don’t actually read the book. They only look at the other reviews on Amazon and compose something from there. Or the review I just got today, where the reviewer didn’t bother to read or buy the book as he was contracted to do, and then gave me a tepid review on a book with no other reviews to go by, and the Amazon sales report proves no one bought a book. So, it is definitely a middling review on a book that the reviewer didn’t read. Those are things I had intended to talk about today.

But, in the course of this essay, I have discovered that I don’t need to talk about those tedious and unimportant things. What matters really depends on what you, Dear Reader, got from this post. The ultimate McGuffin is in your hands. Be careful what you do with it. I believe neither of us is really ready to drop dead.

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Filed under book review, commentary, humor, illustrations, novel writing, Paffooney, publishing, reading, strange and wonderful ideas about life, writing

Story-Telling for Art Day

One never knows what mysteries can be uncovered inside the bird house.
The plot of the story depends on what happens next in the picture.
Details make the real story clear.
Pictures tell a story even if the story-teller falls asleep in the process.
A picture can spin a fairy-tale even if it doesn’t show a plot.
Pictures easily establish a setting.
Pictures can allude to many, many other things.

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Filed under artwork, drawing, humor, illustrations, imagination, Paffooney

The Ultra-Mad Madness of Don Martin

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Born in 1931 and lasting in this crazy, mixed-up world until the year 2000, Don Martin was a mixy, crazed-up cartoonist for Mad Magazine who would come to be billed as “Mad Magazine’s Maddest Artist.”    His greatest work was done during his Mad years, from 1956 (the year I was born… not a coincidence, I firmly believe) until his retirement in 1988.  And I learned a lot from him by reading his trippy toons in Mad from my childhood until my early teacher-hood.

51205-8482-67413-1-don-martin

 

 

 

His style is uniquely recognizable and easily identifiable.  Nobody cartoons a Foon-man like Don Martin.

The googly eyes are always popped in surprise.  The tongue is often out and twirling.  Knees and elbows always have amazingly knobbly knobs.  Feet have an extra hinge in them that God never thought of when he had Adam on the drawing board.

And then there is the way that Martin uses sound effects.  Yes, cartoons in print don’t make literal sounds, but the incredible series of squeedonks and doinks that Martin uses create a cacophony of craziness in the mind’s ear.

don-martin-mad-magazine-june-1969

And there is a certain musicality in the rhyming of the character names he uses.  Fester Bestertester was a common foil for slapstick mayhem, and Fonebone would later stand revealed by his full name, Freenbeen I. Fonebone.

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And, of course, one of his most amazingly adventurous ne’er-do-well slapstick characters was the immeasurable Captain Klutz!

Here, there, and everywhere… on the outside he wears his underwear… it’s the incredible, insteadable, and completely not edible… Captain Klutz!

cap_klutz1_bc

If you cannot tell it from this tribute, I deeply love the comic genius who was Don Martin, Mad Magazine’s Maddest Artist.  Like me he was obsessed with nudists and drawing anatomy.  Like me he was not above making up words with ridiculous-sounding syllables.  And like me he was also a purple-furred gorilla in a human suit… wait!  No, he wasn’t, but he did invent Gorilla-Suit Day, where people in gorilla suits might randomly attack you as you go about your daily life, or gorillas in people suits, or… keep your eye on the banana in the following cartoon.

Kg2GZRM

So, even though I told you about Bruce Timm and Wally Wood and other toon artists long before I got around to telling you about Don Martin, that doesn’t mean I love them more.  Don Martin is wacky after my own heart, and the reason I spent so much time immersed in Mad Magazine back in the 60’s, 70’s, and 80’s.

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Filed under artists I admire, artwork, cartoon review, cartoons, comic book heroes, goofiness, humor, illustrations

Saturday Is Art Day… Again

I draw things as illustrations to stories. Take, for example, the protagonist and hero of Catch a Falling Star.

Dorin Dobbs is boy from Iowa. That tells you some terrible things about him right there.

He was ten in 1990.

He hated girls.

He met some pretty green-skinned girls from outer space, amphibianoid frog-girls with fins on their heads. He danced with them to Mickey Mouse Club music while he was their prisoner on a sectet base on the planet Mars. They were dancing naked in the nutrient bath that all Telleron tadpoles use daily.

Brekka and Menolly are two of the Telleron frog girls with fins on their heads. They love Earth music in the 1990’s. They are background characters in Catch a Falling Star. They are main characters in the book Stardusters and Space Lizards, where they help Davalon and Tanith to conquer the dying planet of Galtorr Prime after the Telleron invasion of Earth failed in the previous book.

Tanith and Davalon (the Telleron boy in front)
Sizzahl of Galtorr Prime, Ecologist and Lizard Girl

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…..

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”””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””

Galtorr Prime is undergoing drastic climate change and environmental collapse and ends up being saved by superior Telleron technology and the lizard-girl heroine, Sizzahl, who has a plan for fixing the atmosphere and saving fundamental eco-systems. Of course, this is all science fiction-y stuff based entirely on fantasy and imagination and has nothing to do with the real world we now live in.

Millis, transformed from pet rabbit to near-human

Of course, not all characters I illustrate are people or aliens.

Millis, Tommy Bircher’s pet rabbit, is an ordinary albino bunny who eats a piece of alien technology that evolves him into a talking, walking-on-two-legs, near-human form.

He becomes the chef (who cooks only vegetable dishes) for Norwall, Iowa’s own mad scientist, Orben Wallace, in the book The Bicycle-Wheel Genius.

Orben Wallace, and his favorite bicycle, The Happiness Machine

I think I have now given out far more spoilers for stories than I have any right to do. But the thing about character illustrations is that your get to know the characters at a glance. And to know them is to love them.

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Filed under aliens, artwork, characters, illustrations, NOVEL WRITING, Paffooney

What Do Martians Look Like?

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As Catch a Falling Star was a science-fictiony sort of comedy, one of the questions that I have pursued in internet research is the one I have presented here in the title of this picture-and-Paffooney-filled post.  Seriously, the image search of Google’s answer to that question is enough to make you snort milk through the old nostrils as you sort through them while stupidly drinking a glass of milk.  The milky nose-snorts are the reason I have not sited picture sources on this post.  Cleaning the computer screen took too long.  I have merely randomly snatched and pirated pictures.  The only picture of a Martian presented here created by me are these two;

I admit to being surprised by my actual research into the whole question of whether or not we have ever been visited by intelligent life from the stars beyond the sky.  While I have not found proof that aliens exist, I have discovered there is actual proof that the government, and NASA in particular, have covered something up.  And it goes beyond Area 51 defense research.  But now that I have got the attention of the NSA and the Men in Black, this post is only filled with a collage of the unreal, made-up, and mostly silly.

Malevolent Martians;

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war of the world goliath martians

Martians Who Make the Mistake of Liking Us;

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Inexplicably Goofy Martians;

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Probably the only REAL Martians… from the future;

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