Yesterday I used a Paffooney I had stolen to illustrate my gymnasium adventures, and in the caption I gave credit to the wonderful comic artist I shamelessly copied it from. The second imitation Takahashi that I did yesterday is now displayed next to it above. I am now compelled to explain about my goofy, sideways obsession with Anime and Manga, the cartoons from Japan. I love the art style. I have since I fell in love with Astroboy Anime as a child in Iowa. Rumiko Takahashi is almost exactly one year younger than me. As a cartoonist she is light years more successful than me. She has been crafting pen and ink masterpieces of goofy story-telling longer than I have been a teacher.
Her artwork is a primary reason I have been so overly-enamored of the Japanese Manga-cartoon style. I love the big eyes, the child-like features of even adult characters, the weird poses and still-weirder comic art conventions of this culture from practically a different planet. She has created comic series that are immensely popular in Japan, and have even put down sturdy roots in this country, especially with young adults since the 80’s. She is the world’s number one best-selling female comics artist.
Just as we Westerners have to accept numerous ridiculous things to appreciate the stories told in American comics (for instance, brawny heroes running around in tights with their underwear on the outside of their pants, nearly naked ladies with super powers diving into battle next to men encased in armored suits, and talking animals), the Manga-minded must also practice a bizarre form of the willing suspension of disbelief. In Ranma 1/2, the main character is a boy marshal artist who turns into a girl when splashed with cold water. Much of the romantic comedy of that work revolves around boys and old men finding themselves in the bath house next to naked young girls. For some reason that sort of naked surprise causes the boys to spout fountain-like nosebleeds. In Inu-Yasha the whole thing is about fighting demons with swords. Inu-Yasha himself is part demon. Apparently part-demon is a good thing to be. Japanese villains are spectacularly susceptible to fits of crying rage and tantrums. And everybody looks more like American white people than orientals. Oh, and there are talking animals.
Rumiko is a master of pen and ink. Here is a sample of of her black and white work.
And she does color well too.
The little people are a special style of Manga character called a Chibi, and all regular Manga characters can turn into one at any moment.
And, of course, to read actual Manga you have to master reading backwards. Americans read left to right. The Japanese read right to left. You have to open a Japanese book in a manner that seems both backwards and upside down.
This illustration shows how American publishers flip Japanese comics to make them more accessible to American audiences.
So now, by uncovering the fact that I am addicted to and seriously affected by Japanese cartoons, you have one more bit of evidence to present to a jury in case you decide Mickey needs to be locked up and medicated for a while. Japanese comics are a world of great beauty, but also a world unto themselves. It is an acquired taste that has to be considered carefully. And of all the many marvelous Manga makers, Rumiko Takahashi is the one I love the best.
Catch a Falling Star 
Wake Up Sunday Morning!
As weekly rituals go, one of the most important ones came every Sunday morning when I was a kid. My parents were 50’s people. By that I mean they were teenagers and young adults during the post war boom of the 1950’s when everything seemed hopeful and bright and alive with wonderful possibilities. As a kid in the 1960’s the Sunday morning routine was this;
Obviously the most important thing in that routine was complaining, because I listed it twice. But when it got down to it, we were thankful for all the good things about life. We were positive people. We sometimes listened to Norman Vincent Peale on the radio. We knew we ought to be positive and thankful and love goodness and be kind.
Somewhere along the way, though, the world forgot the life lessons of Family Circus.
Somehow we managed to screw things up.
Environmental scientists like Paul Ehrlich, who wrote The Population Bomb, warned us that the world could soon be ending. And we ignored them.
Richard Nixon taught us not to trust politicians any more.
We stopped believing in things like the wholesome goodness of scrambled eggs.
We let corruption in our government and inequality in the economic sphere become the norm. The greedy people who were cynical and had no empathy for the rest of us took over. That is how we ended up with someone like Donald Trump. Racism, fear, and complaining now rule the emotional landscape in America and most of the world.
So, what is the answer? What do we do?
Well, The Family Circus is still out there. We can learn from it, laugh a little, and apply some of those life lessons. Especially this one;
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Filed under cartoons, comic strips, commentary, goofy thoughts, humor, inspiration, strange and wonderful ideas about life
Tagged as Bill Keane, faith, Family Circus, gratitude, manifesting, mental health, positive thinking