Category Archives: artists I admire

The Ultra-Mad Madness of Don Martin

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Born in 1931 and lasting in this crazy, mixed-up world until the year 2000, Don Martin was a mixy, crazed-up cartoonist for Mad Magazine who would come to be billed as “Mad Magazine’s Maddest Artist.”    His greatest work was done during his Mad years, from 1956 (the year I was born… not a coincidence, I firmly believe) until his retirement in 1988.  And I learned a lot from him by reading his trippy toons in Mad from my childhood until my early teacher-hood.

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His style is uniquely recognizable and easily identifiable.  Nobody cartoons a Foon-man like Don Martin.

The googly eyes are always popped in surprise.  The tongue is often out and twirling.  Knees and elbows always have amazingly knobbly knobs.  Feet have an extra hinge in them that God never thought of when he had Adam on the drawing board.

And then there is the way that Martin uses sound effects.  Yes, cartoons in print don’t make literal sounds, but the incredible series of squeedonks and doinks that Martin uses create a cacophony of craziness in the mind’s ear.

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And there is a certain musicality in the rhyming of the character names he uses.  Fester Bestertester was a common foil for slapstick mayhem, and Fonebone would later stand revealed by his full name, Freenbeen I. Fonebone.

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And, of course, one of his most amazingly adventurous ne’er-do-well slapstick characters was the immeasurable Captain Klutz!

Here, there, and everywhere… on the outside he wears his underwear… it’s the incredible, insteadable, and completely not edible… Captain Klutz!

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If you cannot tell it from this tribute, I deeply love the comic genius who was Don Martin, Mad Magazine’s Maddest Artist.  Like me he was obsessed with nudists and drawing anatomy.  Like me he was not above making up words with ridiculous-sounding syllables.  And like me he was also a purple-furred gorilla in a human suit… wait!  No, he wasn’t, but he did invent Gorilla-Suit Day, where people in gorilla suits might randomly attack you as you go about your daily life, or gorillas in people suits, or… keep your eye on the banana in the following cartoon.

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So, even though I told you about Bruce Timm and Wally Wood and other toon artists long before I got around to telling you about Don Martin, that doesn’t mean I love them more.  Don Martin is wacky after my own heart, and the reason I spent so much time immersed in Mad Magazine back in the 60’s, 70’s, and 80’s.

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Filed under artists I admire, artwork, cartoon review, cartoons, comic book heroes, goofiness, humor, illustrations

Writer’s Block on a Thursday

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The 1957 Pink and White Mercury of Imagination

I don’t have writer’s block.  I can write as long as I can think and move my fingers on the keyboard to crystallize that thinking into words.  The Pink and White Mercury of Imagination is always moving, either driving forward in the present and towards the future, or in reverse, rewriting the past.  It is never parked.

But somewhere along the way today, the route got sidetracked onto a looping detour.

Hence, this car-themed drive through the idea-capturing process.

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A picture of me reading painted long ago and not with me in the picture..

I started reading a new novel.  It is a 500-plus-pager by Kate Morton called Distant Hours.  It is a Gothic novel, but in a very different way from the one I am writing in The Baby Werewolf.   That book starts as a first person narrative, and then flashes back to the past as a series of third person narratives focused on single characters per section.  My novel is a first person narrative throughout, though told by three different narrators.  It would make an interesting writing analysis post, but I haven’t read enough of that novel nor completed mine to a point where I can compare and contrast them.  And those of you who get bored easily have already tuned out and just looked at the pictures by this point.

I also thought about writing a post about Uber-driving conversations and how that impacts the quality of my driver-service.  But the best stuff there can’t be revealed without breaking confidences.  Doctors, lawyers, bartenders, and Uber drivers are tasked with providing a touch of confidentiality.

I wanted to complain more about Trump and evil Republicans.  But that gets far too tiring.  And if the collection of my posts on WordPress is like a flower garden, the political rants I do are definitely the garden-choking weeds.

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A much better thing for my garden is to chase the flitting butterflies of near-perfect ideas with a butterfly net made of idea lists like this particular post.

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So, it is true that I never actually have writer’s block.  I do get writer’s detours, writer’s delays, and writer’s just-not-satisfieds- with-those-ideas sorts of things.  But not today.  I made the problems the topic and the topic wrote itself.

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Filed under artists I admire, artwork, imagination, irony, Uncategorized, writing, writing humor

So Ugly…It’s Beautiful?

Lena the Hyena appeared in Al Capp’s comic strip Li’l Abner in 1946.

Basil Wolverton (1909 to 1978) became famous as a cartoonist by winning a contest. He submitted the picture of Lena to Al Capp’s newspaper strip to answer the question of what Lena, who had been appearing for weeks in Li’l Abner underneath a black square with an editor’s warning printed on it that she was just too ugly to be revealed, actually looked like. Capp ran the contest to depict Lena and selected Wolverton’s drawing from among 500,000 entries. I think Capp got it right when he chose this to be the world’s ugliest woman.

Wolverton had done comics before this one amazingly ugly picture. He did Spacehawk for Target Comics up to 1942, and he did a comic series called Powerhouse Pepper for Timely Comics (which is the company that became Marvel after the 1940’s.) But Lena not only brought him fame, it really started him down the path of his intensely detailed “spaghetti and meatballs” style of rather ugly comic art.

He used millions of little dots and lines to create art that would really soak up the printer’s ink supply and gave his artwork a uniquely “pointillistic” look.

Recognize these as portraits of Presidents and politicians?

Here’s Wolverton’s portrait of Bing Crosby.

And here’s monster movie monarch, Boris Karloff.

But what really made Wolverton’s unique artwork popular and lucrative was his uniquely twisted and downright ugly portraits.

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Ain’t this one… um… unique?

He would go on to be featured in Mad Magazine, Cracked, Panic Magazine, and Topp’s trading card series of Ugly Posters. He managed to do work that reached amazing levels of monstrously ugly humorous mastery of pen and ink drawings.

For years Basil made me laugh. But there’s no denying it… Basil masterfully drew really, really ugly artwork.

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Dancing With Alan Watts

It seems sometimes, in a Judaeo-Christian society, that we are a constantly being scrutinized by a rather harsh all-knowing God who rewards getting the faith-words accurately correct, to the letter, and the faith-based actions perfect, without a single mistake. And He punishes missteps of word or deed with pain and suffering and the potential of an eternity in Sheol or Hell. And that is a tough God to live with. He is like a teacher who uses his or her God-like powers to reward or punish to lead his students all down an exacting, narrow path to a destination that does not have room for everyone when they arrive.

It doesn’t take long in childhood for a highly intelligent person to realize before childhood is over that this cosmology is actually a load of horse pucky. It didn’t even take long for somebody as semi-stupid as me.

What I like about listening on YouTube to Alan Watts’s wisdom is that he gives us an alternative way of seeing the universe and ourselves. This he can offer through his studies of Eastern and Buddhist philosophies. Everything appealing in John Lennon’s signature song, “Imagine,” comes from Lennon’s love of listening to Alan Watts’ lectures. He is obviously a wise guy.

Alan Watts teaches us the pathways that lead to finding yourself, who you truly are, and how you fit into the universe as a whole. When Carl Sagan says that we are all made of star-stuff, he is not only telling us what is literally true, as the elements our bodies were formed from were literally made in the nuclear forges at the centers of stars that later exploded in nova bursts to scatter the elements across the skies of everywhere. He is also telling us that what Alan Watts says is metaphorically true, that everything in the universe is part of the same thing and we are all one in this way.

There is plenty to worry about in my little life. I could easily drop dead at any time from any one of my six incurable diseases or even the return of the skin cancer I beat in 1983. I suffer from the consequences of disease daily, as I have for many years now. My sins are many. I broke my promise the other day to never show you the horrors of my naked body on this blog. I constantly eat the wrong thing and continue to do things that I know are bad for the environment and the health of my body. I am prejudiced against racists, stupidity, and the actions of dedicated Trump-lovers. In many ways I deserve God’s wrath and brutal correction. I have come to truly believe that climate change is going to end life on Earth. I am horrible.

But I have learned from Alan Watts that all of those concerns mean nothing. I don’t believe in Heaven or an afterlife. But I do not fear death. I am one with the universe. And the universe goes on even if I do not. And I will always be a part of it, even after I am no longer alive. The universe has a mind and is intelligent And I take part in that because one small part of that intelligence is me, and lives in my head.

There is comfort to be found in the words of Alan Watts. And living in pain as I do, I really need that comfort most of the time. That is why I have attempted to share a bit of that comfort with you.

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Filed under artists I admire, commentary, feeling sorry for myself, finding love, foolishness, healing, health, humor, Paffooney, philosophy

Inspiration…

So, what if it is true that the future begins with the story-teller? Smart phones are obviously descendants of the communicators and tricorders and computers that Gene Roddenberry introduced to us in the original Star Trek series. George Orwell gave us timely predictions and warnings of the rise of fascism and authoritarianism in his novel, 1984.

If we truly wish to be a force for good, we have to take the evil bull by the horns and turn its momentum away from the future we seek to protect. Like Solzhenitsyn we may be gored in that bull-fight and end up spending time in the gulag. But those of us who choose to be writers, especially story-tellers, must take on that responsibility. What if ours is the story that changes the mind of a nation, like when the Adventures of Huckleberry Finn took on slavery and the unjust treatment of others who think that, because they are white, or have money, or are somehow smarter than everyone else, they have the right to abuse, take advantage, or even kill other people? What if ours is the story that turns the rich into selfish engines of greed as Atlas Shrugged obviously did?

It is a tremendous responsibility. It is a power we must not wield unwisely, even if our talent level is only that of the disastrously lazy Sorcerer’s Apprentice.

What sort of a story-teller will I be?

What sort will you be?

Where will I lead my readers (If indeed there ever are any)?

And where will you lead yours?

If any questions are important now during these days of self-reflection, isolation, and Coronavirus, it will surely be these. So, tell me what you think.

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Filed under 1000 Voices Speak for Compassion, artists I admire, inspiration

My Precious Things

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The dawn tomorrow is a hoped-for event, not a promise, not a guarantee.  For some it will not come again.  But that is what life is for, to be lived.   You must find the value in living and wallow in it while it is yours, and you must measure it not by the world’s measuring stick, but your own.

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Looking at it mathematically with only the cold hard facts, my life has come to very little.  After teaching for parts of four decades, I was forced by ill health to retire from the job I loved.  As it will in this country where profits for corporations are more important than people’s lives, my personal fortune, that horde of wealth that is allotted for public servants like teachers, was absorbed by the health care and pharmaceutical industry, and health insurers managed to get away with paying out less than I put in through premiums for a lifetime.  After having to pay for the removal of the pool, and after having to go into bankruptcy because Bank of America decided to sue me instead of help in my debt resolution, I really have nothing left.  And if we can’t pay the property taxes that keep going up because the State is continually reducing funds to public schools, we may eventually lose the house.  Broke and homeless.  But they cannot take away my precious things.  It simply isn’t possible.

6a0120a6abf659970b01348734d01c970c-800wi   I saw a woman and her two kids getting breakfast at QT this morning.  The kids, a boy and a girl, were both wearing jackets and pajama pants.  They were both cute, and happy, and speaking Korean to each other.  And I realized after smiling at them with my goofy old coot grin, that I am not prejudiced in any way when it comes to other people.  They were Asian.  I notice details.  But that was an afterthought.  It really wouldn’t have mattered if they were black, white, purple, brown, or yellow.  (Though I have to admit I might’ve been slightly more fascinated by purple.)  Not being prejudiced is a precious thing.  It comes from a lifetime of working with kids of all kinds, and learning to love them while you’re trying to teach them to also have no prejudices.

And, of course, I still have my family.  I was a professional when it came to talking to kids, so I applied those professional skills to my own family as well.  I actually talk to my kids, and know them pretty well.  They have learned to draw and paint and tell stories from me, and may one day be better at it than I am.  They are musical and play instruments… and, hey!  Maybe we could form a family band!  All of those are also precious things.  Let’s see Bank of America try to take those things away from me.

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And it may have occurred to you by this point why I am thinking about precious things and using pictures of my sister’s favorite TV show from the 70’s.  We just lost a singer and actor from that show whose music meant a lot to my family once, and always will.

And he was not a lot older than me.  And his life was not easy either.  But he lived with music in his heart and artistry in his soul.  David, you will be missed.  But your precious things still benefit us.  And some of us will probably be seeing you again soon to thank you yet again.

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The Golden Age

I am certainly no expert on the Golden Age of Comics. I was, in fact, born the year that the Golden Age ended. I am a child of the Silver Age (1956 to the early 1970s) and those were the comics I grew up with. But I admit to a fascination with the initial creation of the characters I love, including Batman, Superman, the Flash, Captain America, the Phantom, Steve Canyon, Wonder Woman and numerous others who were first put on the comic book pages in the Golden Age. And being subject to comic book prices that zoomed upward from a dollar an issue, I was bedazzled by the ten cent price on old comics.

Comic books owe their creation to the popular newspaper comic strips from the Depression era and WWII wartime. Originally, comic strips were gathered and printed on cheap paper. Dick Tracy, Prince Valiant, Terry and the Pirates, Flash Gordon, and other adventure strips would lead to the war comics and hero-centered comics that would morph into superhero comics.

Some of the artwork in Golden Age comics leaves a lot to be desired. Especially original, straight to comic book publications that were produced fast and furiously by publishers who would open one week, produce three issues. and go out of business three weeks later. But in the mad scramble, some truly great artists formed the start of their illustrious careers, Will Eisner, Hal Foster, Milt Caniff, and Bill Elder learned to master their craft in the newspaper strips, and all later created comic books and graphic novels. True geniuses like Jack “King” Kirby and Bob Kane and Jack Davis grew directly from comic book studio madhouses into comic-book-artist immortality.

As with most things that have a Golden Age, the truth was that later comic book eras were superior in most ways. But this Golden Age was the foundational age for an American art-form that I truly love. So, flaws and warts are overlooked. And some of these old ten cent books on super-cheap paper are worth huge amounts of money if you still have a rare one in mint condition. Ah, there’s the rub for a manic old collector guy like me.

Most of the Golden Age comic book images used for this post were borrowed from the ComicsintheGoldenAge Twitter page @ComicsintheGA. If you love old comics like I do, you should definitely check it out.

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Goodbye, Sweet Gene

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I’m going to miss him.  I’m really going to miss him.  I know he suffered from Alzheimer’s and hadn’t really done anything new and exciting in a while, but still, I always knew that he was still there.  He was still Gene Wilder.  Not only that, he was still Willy Wonka, still the Waco Kid from Blazing Saddles, still Dr. Frankenstein from Young Frankenstein, which he not only starred in, but wrote.

He was also Gilda Radner’s husband.  The great love of his life, gone too as a victim of cancer back in 1989.

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The first time I ever saw him on screen was in college, in film class.  We watched Mel Brooks’ The Producers on the classroom projector.

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We studied the movie in class as evidence that comedy films are difficult to make, but have a potential to be truly great film achievements.  That same year, both Blazing Saddles and Young Frankenstein hit the big screens in Ames, Iowa.   I saw and loved them both.  Of course, I had watched the televised version of Willy Wonka and the Chocolate Factory on Grandma Beyer’s color TV sometime before that.

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Gene Wilder helped me see that I could live in a world of pure imagination.  And that I could be whatever I truly wished to be.

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I’m definitely going to miss that man.

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Irreverence

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It is a difficult thing to be an atheist who believes in God.  Sometimes it takes an oxymoron to find the Truth.  And you often have to go heavily on the “moron” portion of the word.

The thing I find most distressing about faith is the fact that those who have it are absolutely convinced that if you don’t agree with them and whatever book of fairy tales they believe in and interpret for you, then you are not a True Believer and you do not have real Faith.

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I remember being told by a Mormon girl in one of my classes that I was her all-time favorite teacher, but she was deeply distressed that, because of my religion (I professed to be a Jehovah’s Witness at the time) I was doomed to burn in Hell forever.

Hey, I was raised in Iowa.  I have experienced minus 100 degree Fahrenheit windchill.  I am among those who think a nice warm afterlife wouldn’t necessarily be a bad thing.

But I am no longer actually a Jehovah’s Witness.  So I guess that helps with the whole Hell-burning thing.  The Witnesses are a religion that claims to understand the Bible is full of metaphorical truth, and yet insist that it is literally true.  They don’t believe in Hell, which, honestly, is not actually mentioned or explained in the Bible as we have it now.  But they do believe your prospects for eternal life on a paradise Earth are totally contingent on knocking on doors and telling other people that they must believe what you believe or experience eternal destruction.  I have stopped being an active Witness and knocking on doors because I got old and sick, and all the caring brothers and sisters in the congregation stopped coming around to visit because number one son joined the Marines, and the military is somehow evil hoodoo that cancels out any good you have done in the past.  Being a Jehovah’s Witness was really hard work with all the meetings (5 per week), Bible reading (I have read the entire Bible two and a half times), door-knocking, and praying, and you apparently can lose it all for saying, thinking, or doing one wrong thing.

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According to the Baptist preachers, Jehovah’s Witness elders, religious zealots, and other opinionated religious people I have known and dealt with in my life, if I do not believe what they believe and agree with them in every detail, then I do not know God and am therefore an atheist.  So, okay, I guess I am.   If I have to be an atheist to believe whole-heartedly that everyone is entitled to sincerely believe whatever the hell they want to believe, then I’ll wear that label.

On a personal note, my favorite verse of the Bible has always been 1 John 4:8,  “He that does not love has not come to know God, because God is love.”  That is why I claim to be an atheist who believes in God.  I know love.  I love all men, women, children, animals, sunrises, artwork, paintings of angels by Bouguereau… everything that is.  And I even love you if you exercise your freedom to tell me, “Your ideas are totally wrong, and you are going to burn in Hell, Mickey, you bad guy, you!”  Mark Twain always said, “I would choose Heaven for climate, but I would prefer Hell for company.”  I am not going to worry about it.  I will be in good company.  Some things are just bigger than me.  And trying to control things like that is nonsense. Sorta like this post.

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Filed under artists I admire, artwork, autobiography, finding love, foolishness, humor, philosophy, religion, strange and wonderful ideas about life

The Ultra-Mad Madness of Don Martin

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Born in 1931 and lasting in this crazy, mixed-up world until the year 2000, Don Martin was a mixy, crazed-up cartoonist for Mad Magazine who would come to be billed as “Mad Magazine’s Maddest Artist.”    His greatest work was done during his Mad years, from 1956 (the year I was born… not a coincidence, I firmly believe) until his retirement in 1988.  And I learned a lot from him by reading his trippy toons in Mad from my childhood until my early teacher-hood.

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His style is uniquely recognizable and easily identifiable.  Nobody cartoons a Foon-man like Don Martin.

The googly eyes are always popped in surprise.  The tongue is often out and twirling.  Knees and elbows always have amazingly knobbly knobs.  Feet have an extra hinge in them that God never thought of when he had Adam on the drawing board.

And then there is the way that Martin uses sound effects.  Yes, cartoons in print don’t make literal sounds, but the incredible series of squeedonks and doinks that Martin uses create a cacophony of craziness in the mind’s ear.

don-martin-mad-magazine-june-1969

And there is a certain musicality in the rhyming of the character names he uses.  Fester Bestertester was a common foil for slapstick mayhem, and Fonebone would later stand revealed by his full name, Freenbeen I. Fonebone.

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And, of course, one of his most amazingly adventurous ne’er-do-well slapstick characters was the immeasurable Captain Klutz!

Here, there, and everywhere… on the outside he wears his underwear… it’s the incredible, insteadable, and completely not edible… Captain Klutz!

cap_klutz1_bc

If you cannot tell it from this tribute, I deeply love the comic genius who was Don Martin, Mad Magazine’s Maddest Artist.  Like me he was obsessed with nudists and drawing anatomy.  Like me he was not above making up words with ridiculous-sounding syllables.  And like me he was also a purple-furred gorilla in a human suit… wait!  No, he wasn’t, but he did invent Gorilla-Suit Day, where people in gorilla suits might randomly attack you as you go about your daily life, or gorillas in people suits, or… keep your eye on the banana in the following cartoon.

Kg2GZRM

So, even though I told you about Bruce Timm and Wally Wood and other toon artists long before I got around to telling you about Don Martin, that doesn’t mean I love them more.  Don Martin is wacky after my own heart, and the reason I spent so much time immersed in Mad Magazine back in the 60’s, 70’s, and 80’s.

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Filed under artists I admire, artwork, cartoon review, cartoons, comic book heroes, goofiness, humor, illustrations