Tag Archives: reading

The Art of Being Mickey

I have published my eighth novel in the last six years. (This is, of course, a re-post of an old essay.) Sure, it is through mostly self-publishing of novels that no one but me has ever read. Catch a Falling Star and Snow Babies both had a professional editor, one who had worked for Harcourt and one who worked for PDMI. Magical Miss Morgan has had a proofreader who made numerous stupid mistake errors that I had to change back to the original meticulously by hand. But all three of those novels won an award or were finalists in a young adult novel contest. I do have reason to believe I am a competent writer and better even than some who have achieved commercial success.

But what is the real reason that I am so intent on producing the maximum amount of creative work possible in this decade? Well, to be coldly objective, I am a diabetic who cannot currently afford insulin. I have been betrayed by the for-profit healthcare system that treats me as a source of unending profit. I am like a laying hen in the chicken house, giving my eggs of effort away to a farmer who means to eat my very children if time and circumstance allows. I am the victim of six incurable diseases and conditions that I got most likely as a result of exposure to toxic farm chemicals in the early 70’s. I am also a cancer survivor from a malignant melanoma in 1983, and for three years now I have not been able to get the preventative cancer tests I am supposed to be receiving every year for the rest of my life. My prostate could very well be cancerous as I write this. If that is so, it will kill me unawares, because I don’t even want to know about having a disease I can’t possibly afford to fight all over again.’

So, the basic reason I am going through the most productive and creative period of my entire life is because I have a great rage to create before I die and I could be dying as soon as tonight. All of the countless stories in my head clamoring to be written down before it is too late cry out to me desperately for my immediate attention.

I will, then, continue to write stories and draw cartoons and other Paffoonies for as long as I am still able, and possibly even afterward. I have, after all, threatened repeatedly to become a ghostwriter after I die. And, yes, I understand when you scream at my essay that that is not what a ghostwriter is. But if a woman can channel the ghost of Franz Schubert and finish his unfinished symphony…(https://en.wikipedia.org/wiki/Rosemary_Brown_(spiritualist))

—then I should also be able to tell my stories from beyond the grave. I have been percolating them in my head and writing and drawing them in whole or in part since 1974. I have too much time and too many daydreams wrapped up in them to let it all just evaporate into the ether. In summation, I am claiming stupidly that my novels, crack-brained and wacky as they are, are somehow destined to exist, either because of me or in spite of me. So just be happy that I write what I write, for there is an art to being Mickey, and I am the one artist and writer who is the best Mickey possible if truly there ever was a real Mickey.

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Filed under battling depression, commentary, goofy thoughts, humor, novel writing, Paffooney

What Are You Reading, Mickey?

Well, I have a thing for collecting old books. This one is 100 years old. It is a modern edition, though, re-published in 2003.

Here’s my Goodreads review;

This book is an ancient treasure in many ways, being now more than 100 years old. The illustrations by John O’Neill, too, have a very antique charm. The book is a little short on plot. Dorothy wanders off from the Kansas farm, meets the hobo Shaggy Man, and Button Bright, one of the stupidest little boys in literature. They meet old friends along the way; Jack Pumpkinhead, H.M. Wogglebug T.E., the Tin Man, the Scarecrow, the Cowardly Lion, the Hungry Tiger, Tik Tok the mechanical man, Billina the Talking Yellow Chicken, and the living Sawhorse. And they all end the story at Princess Ozma”s birthday party where Santa Claus is the favorite guest. This is a potboiler novel for Baum, obviously written only because the readers all begged for it, and it has a lot in it to be enjoyed by true fans of Oz, but not much in the way of suspense or excitement. It can easily be summed up in the words of Button Bright, “I don’t know,” which he says in answer to every question.

I find the illustrations more compelling than the story itself, but I have to admit that the story itself is incredibly visual.

I love this book, even though I don’t respect it much as a storyteller myself. But it is the fourth Oz book I have read since childhood. And it isn’t because of the story. Frank L. Baum is a genius at creating loveable and memorable characters. And these illustrations are wonderful. The Shaggy Man with the head of a donkey? Absolutely fabulous! You can’t beat that. (Well, you can. But whether he’s a donkey or a man, it’s still a crime. )

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The Story is Never Safe

This is an old post, but still pertinent since the Pumpkinhead President is sending troops into Chicago and other American cities, planning on making himself a king, and tearing down a third of the White House while the government is shut down.

When you are a writer, you look for conflict constantly. It is a fact of the writing life that stories need conflict to drive them forward, whether they are non-fiction reports, biographies, or histories, or they are fiction stories full of made-up people and made-up events. But we are in a time in history where the conflict in real life is hitting everywhere. No place, in reality, is safe.

Using straw men in arguments comes with the caution that some who have straw for brains can actually solve problems.

What do I mean about there being no real-life safety?

Well, barring a technological magic bullet and a complete revolution in the way corrupt capitalists do politics, the Earth will probably become a lifeless hot rock more like the surface of the planet Venus than any kind of Edenic utopia. If the Republicans take back power next month, kiss goodbye the human race in any form but zoo animals in alien zoos on other worlds.

And Nancy Pelosi’s husband was attacked in the head with a hammer because of Don Cheetoh Trumpaloney’s Neanderthal political practices. Men in camo and bullet-proof vests watch polling places to presumably threaten non-white, non-Trumpy voters. Republicans are probably out-voting Democrats, thus sealing our fate. Republicans choose profits for themselves over life on Earth.

An early Christmas greeting because I am very optimistic for a pessimist, as well as chronically early.

I, of course, am no more safe than anybody else. In some ways, as a writer of fiction, I am less safe than the rest of you. My imagination gives me near prescience about the bad things that can happen to me. And I write fiction about love and forgiveness and a sense of community good in solving the chaotic conflicts of life, All you have to do is get naked, figuratively and in reality both, in order to combat the dangerous world around you. But, of course, it means you have no sort of armor at all to protect you from the wounds of life’s many predators.

This last week, I faced a predator like that, in the form of a marketing service wanting to make my book Catch a Falling Star available at a library conference in New Orleans. Of course, only for the slight fee of $850.00. Now, it goes without saying, I could really use exposure like this to help sell my books. But the price is far more than I would ever recoup from royalties. And the salesman tried to hurry my decision. He offered to talk to his manager about giving me three payment installments, a used-car-dealer tactic. And he urged me to sign up before he would give me a chance to google his company, his emails, and his Better-Business-Bureau rating. He had no mercy for the fact that his efforts to keep me talking caused me to have a coughing fit. I ended the ordeal by hanging up on him. I did not answer when he called me back.

The world is ending. I am living in a house that threatens to fall upon my head at any moment. And two book-marketing schemers have now contacted me, one to scam me out of my publishing rights, and another trying to get a lot of my money for very little real value.

How will this story end? I have yet to learn how the conflict will be resolved. But I know it will not be safe.

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Small Town Inspirations

Pesch Street

I grew up in a small rural town in North Central Iowa.  It was a place that was, according to census, home to 275 people.  That apparently counted the squirrels.  (And I should say, the squirrels were definitely squirrelly.  They not only ate nuts, they became a nut.)  It was a good place to grow up in the 60’s and 70’s.  But in many ways, it was a boring place.

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Yes, there were beautiful farmer’s daughters to lust after and pine for and be humiliated by.  There was a gentle, supportive country culture where Roy Rogers was a hero and some of the best music came on Saturdays on Hee Haw where there was a lot of pickin’ and grinnin’ going on.  There were high school football games on Friday nights, good movies at the movie theaters in Belmond and Clarion, and occasional hay rides for the 4-H Club and various school-related events like Homecoming.

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I lived in a world where I was related to half the people in the county, and I knew at least half of the other half.  People told stories about other people, some of them incredibly mean-spirited, some of them mildly mean, and some of them, though not many, that were actually good and actually true.  I learned about telling good stories from my Grandpa Aldrich who could tell a fascinating tale of Dolly who owned the part of town called locally “Dollyville” and included the run-down vacant structure the kids all called the Ghost House.   He also told about Dolly’s husband, Shorty the dwarf, who was such a mean drunk and went on epic temper tirades that often ended only when Dolly hospitalized him with a box on the ear.  (Rumor had it that there were bricks in the box.)

And I realized that through story-telling, the world became whatever you said that it was.   I could change the parts of life I didn’t love so much by lying… er, rather, by telling a good story about them.  And if people heard and liked the stories enough, they began to believe and see life more the way I saw it myself.  A good story could alter reality and make life better.  I used this power constantly as a child.

There were invisible aliens invading Iowa constantly when I was a boy.  Dragons lived in the woods at Bingham Park, and there were tiny little fairy people everywhere, in the back yard under the bushes, in the attic of the house, and building cities in the branches of neglected willow trees.

Donner n Silkie

I reached out to the world around me as an artist, a cartoonist, and a story-teller and plucked details and colors and wild imaginings like apples to bake the apple pie that would much later in my life feed the novels and colored-pencil pictures that would make up my inner life.  The novels I have written and the drawings I have made have all come from being a small town boy who dreamed big and lived more in stories than in the humdrum everyday world.

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Filed under artwork, autobiography, colored pencil, dreaming, fairies, farm boy, goofy thoughts, humor, NOVEL WRITING, Paffooney, strange and wonderful ideas about life

Reading Twain for a Lifetime

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I wish to leave no doubt unturned like a stone that might have treasure hidden under it.  I love the works of Samuel L. Clemens, better known as Mark Twain.

I have read and studied his writing for a lifetime, starting with The Adventures of Tom Sawyer which I read for myself in the seventh grade, after seeing the musical movie Tom Sawyer starring Johnny Whittaker as Tom.  I caught a severe passion, more serious than a head-cold, for the wit and wisdom with which Twain crafted a story.  It took me a while to acquire and read more… but I most definitely did.  I took an American Literature course in college that featured Twain, and I read and analyzed The Adventures of Huckleberry Finn.  I also bought a copy of Pudd’nhead Wilson which I would later devour in the same thoroughly literate and pretentious manner as I had Huck Finn.  Copies of A Connecticut Yankee in King Arthur’s Court and The Mysterious Stranger were purchased at the same time, though I didn’t read them cover to cover until later during my years as a middle school English teacher.  I should point out, however, that I read and re-read both of those, Connecticut Yankee winning out by being read three times.  As a teacher, I taught Tom Sawyer as an in-class novel assignment in the time when other teachers thought I was more-or-less crazy for trying to teach a 100-year-old book to mostly Hispanic non-readers.  While the lunatic-inspired experiment was not a total success, it was not a total failure either.  Some kids actually liked having me read parts of it aloud to them, and some borrowed copies of the book to reread it for themselves after we finished as a class.

marktwaindvd2006During my middle-school teaching years I also bought and read copies of The Prince and the Pauper, Roughing It, and Life on the Mississippi.  I would later use a selection from Roughing It as part of a thematic unit on Mark Twain where I used Will Vinton’s glorious claymation movie, The Adventures of Mark Twain as a way to painlessly introduce my kids to the notion that Mark Twain was funny and complex and wise.

I have also read and used some of Twain’s most famous short fictions.  “The Celebrated Jumping Frog of Calaveras County” and “The Man Who Corrupted Hadleyburg” are both masterpieces of Twain’s keen insight into the human psyche and the goofy and comic corruptions he finds there.

And now, retired old me has most recently read Tom Sawyer Abroad.  And, though it is not one of his finest works, I still love it and am enthralled.  I reviewed it and shared it with you a few days ago.  But I will never be through with Mark Twain.  Not only is there more of him to read, but he has truly been a lifelong friend.

 

 

Not Mark Twain, but still purty good…

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How To Avoid Dropping Dead Like a Dunderhead

This post originally appeared here on April 21st, 2015, the anniversary of Mark Twain’s expiration date.

Pony party

 

If it is inevitable that I will surely drop dead some day, and if it is likely that it will come sooner rather than later, then I hope to go out with a bit of style and leave something behind that speaks not only to my own children, but to anybody searching for truth and beauty, people of the future that I will never know who are living beyond the confines of my little life.  What makes me think that I can do it?  Well, I’m a writer… and Mark Twain did it… and I don’t have to be vain or loopy or maniacal or delusional to make the same thing happen.

On this day one-hundred-and-five years ago, April 21, 1910, Mark Twain left the world of the living.  He caught a ride on Halley’s Comet (It deposited him on Earth in 1835, appearing in the sky when he was born, and took him away when it appeared in the sky again in 1910…  He didn’t have to be some kind of suicidal Heaven’s Gate nut to manage that.)  But it wasn’t the comet that showed me the truth… it was his books.   I learned to take a wry view of a complex world that I could do nothing to change and tweak it with intelligence and understanding from the story of racism and justice he left behind in Pudd’nhead Wilson.  I learned the value of ingenuity and opportunity and how to use them properly from A Connecticut Yankee in King Arthur’s Court.  I also learned a profound love and understanding for small town people like me and the people of my little hometown in both The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn.   Samuel Clemens, Mr. Mark Twain, left himself behind in stories to speak to the ages.  He spoke to me… directly to my heart, and he had been dead for 46 years before I was even born.  If that’s not magic, I don’t know what is.

 

media.npr.org

media.npr.org

Now, I am not a fool (wait a minute!  I know you have proof to the contrary if you read my blog posts, but I am not an UNINTENTIONAL fool), so I do not think that my words and wisdom are ever going to have any sort of effect on the entire world the way Mark Twain’s have.  I can accept reality.  This whole world is dying and may not long outlive me.  There are a large number of talented fools… er, I mean writers, out there who have put out a number of published good books, and have, like me, made diddly-zero-bupkiss in dollars on the deal.  I have no delusions.  My work is good enough to turn into a best-seller or maybe two, but I do not have the time or the backing to make it happen.  If anything other than obscurity embraces my books, I won’t live to see it.  Only eleven per cent of published authors make a livable wage from writing and I will never be one of them.  But I have ideas that resonate.  I can write in ways that touch the heart (as you may have seen if you have read my post “When Compassion Fails” that was a minor hit with the 1000 Voices Speak For Compassion group).

So, I am satisfied to confess my girly addiction to Barbie Dolls and My Little Pony… talk about cartoons and cartoonists on WordPress… make people giggle a bit… or even guffaw, and put together books that my family will read, and only be mildly embarrassed by, and maybe one day will reach and touch the heart of some boy or girl who really needs to read what I wrote at a time in their lives when it can actually help… the way so many other philosophers, wits, and word-wizards have helped me.  (How’s that for some prime purple-paisley prose?)

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Slade House (a book by David Mitchell)

As a writer of novels, like all passable to good writers of novels, I read novels. Not just any novels. Novels that are the kind of novels I aspire to write myself.

David Mitchell is one of those novelists who can write the way I want to write. His stories are detailed and yet, compelling enough to follow wherever the story leads you. Characters are vivid and seem to have an actual life beyond the pages of the novel. And there is a chance that you will meet them again in another David Mitchell novel, even if they died in the previous David Mitchell novel you read. He writes across swaths of time and gives the story a sense of history.

Slade House is basically a haunted house story, a horror story about a house that is itself a sort of ghost. It can only be entered by a single small iron door that only appears in an alleyway every nine years. And every time it does appear, in October of 1979, 1988, 1997, 2006… , at least one somebody will go in and never come out again.

The story is side-linked to the masterpiece Mitchell novel, The Bone Clocks. It is also a plot less convoluted and multifaceted than Bone Clocks and Cloud Atlas, so much easier to follow

David Mitchell is an author I study to learn about writing and storytelling. I don’t copy him. I do take note of his bag of tricks, his writer’s toolbox, so to speak, and I pick up and play with those same tools and magician’s secrets. I would like to suggest that if you truly wish to be a writer of fiction, you must put David Mitchell’s books on your must-read-before-I-die list. If you can’t put Mitchell on that list, then here are a few others on my list; Michael Crichton, Terry Pratchett, Neil Gaiman, Louis L’Amour, Charles Dickens, Thomas Hardy, H.P. Lovecraft, Steven King, Mark Twain, and J. K. Rowling. It should be obvious that these names are all on my list for different reasons. And if you don’t read David Mitchell, there are artisan’s techniques there you can get nowhere else. But you are the reader. And if you have chosen to read this far through this essay, then you are at least fool enough to want to know the things I am telling you in this book review.

As a storyteller, David Mitchell is Rumpelstiltskin. He weaves straw into gold. And if you are canny and careful enough of a reader, you can gain some of that value from his work without giving up your firstborn.

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David Mitchell is Genius!

Yes, David Mitchell is a very smart man… a very smart English man.  (That isn’t to say that his genius is any less genius than an American Genius.  Just that he is a genius who also happens to be English)

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And I, of course, don’t mean this David Mitchell either, though this David Mitchell is also a genius and also from England.  I have to tell you, though I have always loved British humor, this particular tongue of silver fascinates me enough to make me binge on hoards of old episodes of “Would I Lie to You?” from the BBC on YouTube.  He’s a quick-wit, Brit-wit, smooth-talking  bit-wit who can make you laugh even when he’s playing a thick-wit… which he is certainly not. Continue reading

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Books That Make You Hurt

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Yes, I read this book.  Yes, it scared the poop out of me.  Yes, it made me cry.  This is a uniquely horrific horror story that is so realistic that you know that it has actually happened in real life somewhere, sometime.  Only the names of the characters would be different.

I have a deep abiding respect for Richard Peck as a writer.  He earned that with his books A Year Down Yonder and A Long Way from Chicago.  Those books made me laugh so hard it blew chocolate milk out of my nose.  And, yes, I was drinking chocolate milk at the time.  They are so realistic because the people in those stories are real people.  I know those people personally.  Of course, they have different names in real life.

But Are You In the House Alone? is a very different book from those other two masterpieces.  It tears your heart out and eats your liver because it is a first person narrative in the voice of a high school girl being stalked by a sexual predator.  Everything that happens to Gail in the high school, at home, and at the house where she babysits is hyper-real with horror movie levels of attention to detail.  I don’t wish to be a spoiler for this well-written book, but the narrator does not die in the book and it definitely does not have a happy ending.  For anyone who has the amount of empathy I do, and in many ways becomes the narrator-character by reading, reading a book like this can physically hurt.  A teacher like me has lived through horrible things like this happening to students before, it even happened to me as a boy, and it adds the slings and arrows of those things being re-lived as you read.

This is not the only book that has ever done this sort of damage to my heart strings.  I remember the pain from the conclusion of Dickens’ The Old Curiosity Shop.  You root for Little Nell and boo Daniel Quilp.  But the bad guy wins.  No happy ending can linger in the harp-strings of your memory-feeling song as long as a tragic outcome does.  I was there with Scout in that ridiculous costume in the dark when Bob Ewell was attacking her brother Jem in Harper Lee’s To Kill a Mockingbird.  That story was filled with wise and laughable things, but the stark horror of that climactic moment nearly wiped all the good feelings away, if not for the heroics of ghostly Boo Radley whose timely intervention brings it all back before the novel ends.  It horrifies me to admit it, but I was there, too, in the moment when the boys all turn on Simon on the beach with their sharpened sticks in William Golding’s Lord of the Flies.  They mistook him for the monster.  I still haven’t fully recovered from that reading trauma.

The thing about books that hurt to read which makes it essential that I never try to avoid them, is that they can add more depth and resonance to your soul than any light and fluffy piece ever could.  Life is much more like Lord of the Flies than it is Chitty Chitty Bang Bang.  I am sadder but wiser for having read Are You In the House Alone?  I am recommending it to other readers like me who don’t so much live to read as they read in order to live.  Not because it is easy and good to read, but because it is hard and essential to read.  It will hurt you.  But it will leave you like it leaves its narrator, damaged, but both alive and purely resolved to carry on.

I have written one too.

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The Uncritical Critic Likes to Read Books Too!

I told you before that I make a lousy movie critic because I watch anything and everything and like most of it.  You don’t believe me?  You can look it up through this link; The Uncritical Critic

I hate to tell you this, but it is almost exactly the same for books too.

flying goldfish

The Paffooney is an illustration for a proposed collaboration on a children’s book.  My friend and fellow author Stuart R. West (Stuart’s Blogspot about Aliens) had a story about three kids taking a balloon ride when they accidentally gave the goldfish bubble gum to chew ignoring their mother’s warning that dire consequences would follow.  He decided the project was too ridiculous to follow through on, or at least my Paffooney power wasn’t up to making sense of his brilliant literature, and the book did not happen.  And I am sorry about that because I couldn’t wait to find out how it turns out.  I love weird and wild stories of all kinds.  And, unfortunately, I love them uncritically.

So, what kind of books would a goofy uncritical critic actually recommend? Let me lay some bookishness on ya then.

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Here is the review I wrote for Goodreads on Terry Pratchett’s The Amazing Maurice and His Educated Rodents.

I have always felt, since the day I first picked up a copy of Mort by Terry Pratchett, that he was an absolute genius at humor-and-satire style fantasy fiction. In fact, he is a genius compared to any author in any genre. He has a mind that belongs up there with Mark Twain, Charles Dickens, and William Faulkner… or down there as the case may well be. This book is one of his best, though that is a list that includes most of his Discworld novels.
Amazing Maurice is a magically enhanced cat with multiple magically enhanced mice for minions. And the cat has stumbled on a sure fire money-making scheme that completely encompasses the myth of Pied Piper of Hamlin. In fact, it puts the myth in a blender, turns it on high, and even forgets to secure the lid. It is funny, heartwarming, and changes the way you look at mice and evil cats.
This is a book to be read more than once and laughed at for the rest of your life.

You see what I mean?  I uncritically praise books that make me laugh and think deeply about things at the same time.  It is as if I don’t have any standards at all if something is brilliantly written and makes a deep and influential impression on me.

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Here’s another book that I love so much I can’t be properly critical when I reread it.  A Tale of Two Cities by Charles Dickens.  I cannot help but be taken in by the unrequited love the dissolute lawyer Sydney Carton had for the beautiful refugee from the French Revolution, Lucy Manette.  Tragic love stories melt my old heart.  And I can’t help but root for Charles Darnay as well, even though I know what’s going to happen in Paris at the Bastille because I have read this book three times and seen the Ronald Coleman movie five times.  I also love the comical side characters like Jerry Cruncher the grave-robber and hired man as well as Miss Pross, the undefeatable champion of Miss Lucy and key opposer to mad Madam Defarge.

I simply cannot be talked out of praising the books I read… and especially the books I love.  I am totally uncritical as a reader, foolishly only looking for things I like about a book.  Real critics are supposed to read a book and make faces that remind you of look on my little brother’s face when I had to help him use an outhouse for the first time.  (Oh, what a lovely smell that was!)  (And I mean that sarcastically!)  Real critics are supposed to tell you what they hated about the book and what was done in such a juvenile and unprofessional way that it spoiled all other books forever.  That’s right isn’t it?  Real critics are supposed to do that?  Maybe I am glad I’m not a real critic.

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