Tag Archives: artwork

Dippy Dogs Must Die! (a Talking-Animal Short Story)

Pepe n Skaggs

My name is Skaggs.  I am a cat.  It is as simple as that.  I have to tell you, life is not very fair to cats.  In my last life I was an alley cat.  I lived on rats that bred and thrived under the water tower in the alley behind the small-town post office.    I was basically happy.  You have heard the old expression, “happy as a cat”, right?  I could kill and eat any rat I wanted at any time, no matter how big of a Mickey he thought he was.  I was good at ripping out rat guts and breaking mouse spines.  I was the baddest cat in the whole damn town.

But I had to share my alley with a dog.  That Barky Bill was an insane killer canine that the owner of the local restaurant and bar kept chained behind his Main Street building to keep the rats away from the restaurant garbage.   I hated that dog with a hate as great as a vampire has for the sun.   (What’s that you say?  You didn’t know that cats knew about vampires?  Silly human, how little you know about the things that should truly scare you in the world.  Cats, vampires, and Barky Bill are far more complicated issues in the world than you realize.)  Anyway, needless to say, I teased that dog on a heavy chain leash for the better part of three years when one day, to my utter horror, I discovered he was loose at the same time that I was totally focused on catching and eating a beautiful gold-colored squirrel.  I was so sure that the squirrel would be the finest thing that any cat had ever eaten, that I didn’t even notice, mainly because I had that squirrel right between my paws, toying with it before devouring it, that the dog was pouncing.  Barky Bill bit clean through my neck.  It was so shocking that even as I was being transported to life number seven, my severed head watched in confusion and fright as that ugly, smelly dog ate my finely tuned rat-catching body.

So, having been a bad, bad Leroy Brown sort of cat, I was sentenced to a next life with a crazy cat lady.   Miss Velma Proddy owned at least fifty cats.  I was reborn in an underwear drawer in her back bedroom, the one she kept for the company that she never had.   My mother was the cat called Pinkie, even though she was a milk-white cat.    My father was Proddy’s favorite, a tomcat called Tom Selleck.    He would’ve killed and eaten me soon after I was born because my mother was not a very dominant fighter and alpha cats like Tom could always sense when a cat filled with pure evil is born.   But Proddy was having none of that.  She rounded up all the kittens and raised them in a blanket box in the corner of the kitchen near the stove.  I owe that woman everything, which is why I don’t understand why she had to go and buy Pepe.

Pepe is more of a malnourished rat than a dog.   Like a lot of Chihuahuas he trembles a lot, and he blinks at you with those big round eyes of his.   Proddy thinks that everything he does is so cute.  She carries him around like a prize possession or a human baby or something.  In my past life I was a white cat like my mother.  (Everyone knows that when a cowboy wears a white hat, it means he’s a good guy, but when a cat has white fur, it means that it is evil.)  In this, my seventh incarnation, owing to the fact that my father was a gray tiger cat, I was a sort of white cat with gray tiger stripes.  It meant I thought like a tiger.  Pepe looked like a rat to me.  Pepe was prey.  Pepe was meat.  I was going to eat him.

“You tell this story so scary, Señor Skaggs,” says Pepe, “you make me so afraid!”

“Shut up, stupid dog.  I’m telling this.  And you are not afraid.  Remember what happened that time I tried  to drown you in the toilet?”

“Si.  I remember well.  That time with the super-fancy drinking bowl.”

“I saw you trying to hold on to the plastic toilet seat and dip your tiny little tongue into the water that was too far below you to reach.  Only your hind legs and stupid little tail were even visible.”

“Si!  And you jumped up to smack me on my cute little behind and push me in.  I remember.”

“But I was surprised that such a little dog could react so fast and leap so far.”

“Si, Señor.  I jumped right on that handle and flushed it.”

“Just as I fell into the water.  That would’ve been the start of number eight if Proddy hadn’t come along right then.”.

“Oh, you make me laugh so hard, Señor.  And she was so mad at you for playing with the toilet!”

“And you remember the time I almost got you with that pot of boiling water and hard-boiled eggs?”

“Si, Señor.  You got up on the kitchen counter right next to the stove.  I was sitting on the floor in front of the stove sniffing up all the smell of the bacon.  You tried to push the pot off the stove.”

“I still haven’t figured out how you planned it.  The bald spots I have all around my front paws are still there from my fur catching on fire.  You must’ve been sitting in the precise spot on the floor where I couldn’t knock the pot down on you without passing my paws through the flames.”

“You owe that one to Señora Proddy too.  She had that fire extinguisher next to the stove.  That saved you from being cooked cat-burgers.  And you looked so funny when she almost drowned you in that white foamy stuff.  Oh, you make me laugh so hard Señor.”

Well, I am guessing that I made my point by now.  This little underfed rat of a dog is more evil than I am!  The harder I try to kill and eat him, the more I suffer for it.  And I still don’t know how he does it!  He makes my life miserable.  He needs to die.

“Oh, you make me laugh so hard, Señor!”

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Wise Guy

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At school today the principal asked us to come up with one word that we wanted to apply to our own lives as teachers.  You know how the teaching game is.  You start a new semester; you have to be subjected to eight hours of blah-blah-blah.  It is required blah-blah-blah mandated by Texas education laws.  My magic word was wisdom.

So, what does wisdom imply?  Well, I am old.  I should have some of that thing in one pocket or another.  So I search my pockets.  As a kid I vowed to become a wizard.  What is a wizard if not a wise man?  A wise guy.  How, then, do you acquire wisdom?

In the movie Mystery Men, Ben Stiller tells us that mystical wisdom from the wise guy mystical sage is only saying a thing is its opposite.  Thus true wisdom comes from learning how foolish you really are.  It’s a good joke, but it’s also true.  You can’t be wise unless you realize how little you actually know out of all the things that there are.

Why would I want to be wise?  Well, I have the fool thing down pretty well already.  As fools go, I’m a humble fool who trades in foolishness and calls it humor and young adult novels.  So it follows, by logic, an advanced form of foolishness, that I must be wise.

Okay, wise guy, time to say something wise in the conclusion… Doh!

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Metaphor and Meaning

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In this week’s Paffooney remix, I have pictured the little boy crooner Francois Martin on the main street of Norwall.  Why have I done such a foolish thing?  Why have I drawn a boy singing silently a song that only I can hear in my silly old head?  In fact, why do I label them Cantos instead of Chapters?  Of course, the answer to these rhetorical questions is metaphorical.  I look at my writing as being poetry, or, more accurately, as music rather than mere prose.  It is a metaphor central to my being, writing is putting the inner music of my mind down on paper.

Here is a secret to powerful writing.  Connect ideas with metaphors.  A metaphor is a direct comparison of two unlike things to create an analogy, an echo of an idea that gives resonance to a notion.  Sorry, I’m an English teacher.  It’s in my genes.  But metaphors can serve as the essential connections, as glue to put paragraphs and scenes together.

Let me show you a metaphor.  Here is a short poem, the natural environment where many metaphors live;

                                                The Cookie

Once I had a cookie… But every time I took a bite, It became smaller and smaller…

                With each bite I had less and less cookie left.

But when it was gone, the sweet taste of it…

                Lingered on… as memory.

 

The central metaphor of this poem is comparing the cookie to my life.  I am getting older.  I have six incurable diseases, some of them life threatening.  I have been thinking about mortality a lot lately.  So what is the point of the poem?  That even when the last bite is taken, and there is no more cookie… when I am dead, there is the memory of me.  Not my memory.  The memory of me in the minds of my family, my children, my students, and other people who have come to know me.  That memory makes whatever goodness that is in me worth living for.

Okay, a metaphor explained is kinda like a bug that’s been dissected for a science fair.  Its innards are revealed and labeled.  The beauty is gone.  It’s kinda icky.

What works better, is a metaphor that the readers can readily grasp on their own.  The beauty has to be discovered, not dissected and explained.  Let me try again;

 

                                                The Boy and the Boat

                The boy looked to the horizon where wild and wooly white-caps roiled upon the sea.

                “Lord help me,” he said, “the sea is so large, and my boat is so small…”

 

I can hear what you are thinking.  “That’s too simple and ordinary.  If it’s a metaphor, then it’s a really stupid one.”  Well, I heard someone thinking that, even if it was not you.

Let me add a bit of information to help you connect things as I do.  When I was ten years old, a fifteen-year-old neighbor boy sexually assaulted me.  I told no one.  I was so devasted by the event that I repressed the memory until I reached the age of twenty two.  In high school, my suicidal thoughts and darkest depressions were caused by this event even though I couldn’t even recall.  To this day I have not explained to mother and father what happened.  I can only bring myself to tell you now because my abuser died of heart failure last summer.  It was a life event of overwhelming darkness, pain, and soul scorching.  Now look at “The Boy and the Boat” again.  Has the meaning changed for you the way it does for me?

Now, I know that the last paragraph was a totally unfair use of harsh reality to make a point about metaphor and meaning.  So let me give you one last poem… a sillier one.  You can make of it whatever you will;

 

                                                The Grin

The wrinkly, bewhiskered old man

Had a smile like a plate of moldy spaghetti

In the afternoon sun.

 

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Why Babysitters Hate My House (A Surrealist Comic that’s only slightly True)

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Okay, I know it’s creepy.  I know it is only a little bit funny.  But I like to think it’s good colored pencil work, and it does seem to stand up well over time even though it was created back in 1980.  I wrote this hoping to break into the cartoonist world in the 1980’s.   I only managed to get rejection letters and form letters back then.  Big dreams and no real breaks.  But if you are goofy long enough and cartoon up a storm with enough lightning and hailstones in it, somebody will invent the internet (Thanks, AL Gore) and digital photography and WordPress Blogging so I can share it all with you.

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Little Red-Haired Girl (A Poem and Paffooney)

Little Red-Haired Girl

You never told her that you loved her, Charlie Brown

That little red-haired girl, so cute, so nice

You only looked and looked from afar

You never told her that you loved her, Charlie Brown

You could’ve held her hand

You could’ve walked her home from school

You never told her that you loved her, Charlie Brown

She never got your Valentine

At least, you forgot to sign your name

You never told her that you loved her, Charlie Brown

No hope of marriage now, nor children for old age

Happily ever after has now long gone

You never told her that you loved her, Charlie Brown

Now every love poem is a sad poem

And the world is blue and down

You never told her that you loved her…

You never told her that you loved her…

You never told her that you loved her, Charlie Brown

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Chuck Dickens and the Origins of Writing

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Don’t make the mistake of thinking I have any earthly idea where writing comes from or how it began.  I am only talking personal history here, nothing grander or more meaningful.  This post is only self-referential hoo-haw, which is a fancy way of interpreting “conceited crap”.

So, the truth is, I am writing about Charles Dickens because he is the author I most want to become.  True, I rant on and on about Twain and his humor.  And a good deal of my artwork owes everything to Disney, but everything I am good at in writing is based on Dickens.

The first actual Dickens novel that I read was accomplished during my extended illness as a high school sophomore.  I read in bed, both at home and in the hospital, from my library copy of The Old Curiosity Shop.  I was enthralled by the journey and subsequent tragedy of Little Nell.  I thoroughly loathed the villain Daniel Quilp and was roundly thrilled by his well-deserved fatal comeuppance.  It was my first encounter with the master of characters.  I followed that reading with a biography of Dickens that revealed to me for the first time that his characters were based on real people.  Mr. Micawber in David Copperfield was actually Dickens’ own father.  Little Nell was the cousin he dearly loved who died in his arms.    The crafty Fagin was a caricature of a well-known fence named Soloman, a Jew of infamous reputation, but not without his redeeming quality of caring for the orphaned poor.  So it is that I have chosen to make my silly stories about real people in much the same way Dickens did.  If you are now worried that since you know me, you may end up in my books, never fear.  I change names and splice characters together.  You will have to make an effort to recognize yourself.  And, besides, nobody reads my books anyway.

I also like the way Dickens uses young characters and follows them over time as they grow and change.  Oliver Twist was the first child protagonist in English literature.  David Copperfield, Nicholas Nickleby, and Pip in Great Expectations are also like that.  David Copperfield, in fact, is Chuck’s own fictionalized self.  I fully intend to do the same.  It is the reason my books fall into the Young Adult category.  I also intend to employ the same kind of gentle, innocent humor that Dickens used.  I mean to portray things that are funny in a disarming, absurdist way rather than resorting to attack humor and bad words.

There it is, then, my tribute to Charles Dickens, a writer who makes me be who I am and write what I write.  I am not supposed to do Christmas posts because of my avowed religion, but you can consider this to be as close as I can come.  The author of A Christmas Carol… it doesn’t get much more Christmassy than that.

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Artificial Intelligence and Art

I began this post with a very excellent video that you probably will not watch, but I found it fascinating and it, in fact, inspired everything I want to talk about in this post. It is about the AI art programs that are running amok in the art world. I am, after all, an artist. Specifically, I am a storyteller and cartoonist. I know how to draw. I can prove it.

Here’s the proof. This is an original oil painting that I did in the 1980s. The only tools that I used to create this picture are a set of oil colors in tubes, a painter’s pallet, three different sizes of sable brushes, a pencil, and a magazine picture of a Vietnamese boy’s face. This was done at the height of my skills as an artist. But I also have to admit that I was diagnosed with arthritis in 1974 after painting the family home’s exterior. Now, 49 years later, the length of time the disease has been gnawing at my joints, I don’t quite have the same sophistication and ability as an artist, a creator of images. That is why digital art tools have been such a boon to me.

This is a colored pencil drawing I created in the 1990s. It is modeled on a young Hispanic boy who lived in the same apartment complex as I did. He was not green. At least I don’t think my color blindness was that bad back then.

I loaded the original drawing into the Drawing Pad digital art program. I put a layer on top of it in my touchscreen phone. I then basically traced the original drawing using the digital stylus that I bought to use in place of a pencil, pen, or paintbrush. I used it in pen mode first to draw the outline. You can see how much it was simplified. This made it easier to do on the small screen I had available on the phone despite my arthritis. I then used the stylus in watercolor paintbrush mode to color in the face and hair. I changed the eye color so I could do the eyes more consistently with a manga-cartoon style of softening levels of color. It gives it a more liquid and realistic look.

So far, I have shown you proof that I can draw well even now with the arthritis affecting my fingers.

Now let’s talk about the Artificial Intelligence programs that have been released into the internet to eventually take away the rulership of this planet and keep us monkey-people in zoos for the amusement of the computerized mega minds that will replace us as the dominant force of civilization on this planet.

AI art programs like the infamous Dall-E programs allow you to write a short description of the artwork you want to see, and the program generates something randomly to fit your descriptors. It pulls from a database scraped from the internet at large, including all the artwork I have posted here on my blog, Instagram, and Pinterest, and adds it all to a dataset that allows it to recognize, interpret, and produce something that conforms to what you have asked for even though it pays no artist any royalties or user fees for drawing from other artists’ artworks.

I promise I will never use an AI program to do that. If you see my name on any artwork like that, then I am dead and being impersonated by an AI entity.

Here is the only way I use AI to aid me in the making of artwork. It is a program called AI Mirror. You give it a photo or a png of an artwork and it redraws it in a specified style.

This is an artwork that I did earlier this year in colored pencil. I was not satisfied with my arthritis-impaired ability on this project. The eyes were too owlish and dark. The lips are too dark and thick. But you can’t erase colored pencils and ink on paper and fix things as easily as you can digitally on a touch screen. So, I used the AI Mirror to correct it.

I used the AI Mirror to fix it in stages like this, simplifying and redrawing it like this first. And then advancing it to this.

This is the finished project, simplified and made more elegant with digital tools.

You can argue that my final product is not better than the colored pencil original. But I like the fact that the AI and the digital tools allowed me to correct what I didn’t like.

The problem with AI art programs, which probably won’t be the ones that outsmart and replace humanity, is that they do so much for you that you are no longer an artist if you use them. So, I guess that I am saying I think that I am an artist, however wrongly, while using these programs because I put the work in both before and after using the AI application. My fear is since nobody sees me as an artist or hears me as a writer anyway, that my art and my stories will be snowed under a mountain of AI generated schlock that is certainly no better than my schlock, and inferior to my best stuff.

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Homely Art – Part Two – Paul Detlefsen

Detlefsen-Swimming_Hole

Back in about 1968 my Grandma Beyer was seriously scandalized by an artist named Paul Detlefsen.  Detlefsen did a lot of covers for the “Ideals Magazine” that Grandma always had on her coffee tables.  He scandalized her by putting a painting on the cover that showed a young boy taking his pants off, the rear view only, so he could go skinny dipping with a group of naked boys.  Truthfully the picture shown above is by Detelfsen, but it is not the one that offended her.  I have discovered that this painter of old-timey things like blacksmith shops and one-room school houses has painted at least four different versions of “the Old Swimmin’ Hole”.  And Grandma was easily scandalized when we were kids.  She was a very conservative woman who loved Ronald Reagan and his politics most severely and thought that Richard Nixon was a leftist radical.  She didn’t like for people to be naked, except for bath time, and maybe not even then.  She is one of the main reasons, along with this painter whom she adored, that I came to learn later in life that “naked is funny”.horseandbuggydays-print  http://www.freeplaypost.com/PaulDetlefsen_VintageArtPrint_A.htm

Grandma Beyer also seriously loved puzzles, and besides “Ideals” covers, Paul Detlefsen did a beaucoup of jigsaw puzzles. (Beaucoup means a lot in Texican, I tend to think in Iowegian and talk in Texican and completely forget about the need to translate for those people who don’t know those two foreign tongues)   One of the puzzles we spent hours working on was “Horse and Buggy Days” that I pictured here.  They were the kind of puzzle paintings where every boy was Tom Sawyer and every girl was Becky Thatcher.  And there were a lot of them.  Here is another;

detlefsen

http://www.bigredtoybox.com/cgi-bin/toynfo.pl?detlefsenindex

Grandma had this in puzzle form also.  We put the puzzle together, glued it to tag board, and framed it.  It has hung on the wall in a Grandparent’s house, first Grandma Beyer’s and then Grandma Aldrich’s, since the early 1970’s.  My own parents now live in Grandma Aldrich’s house, and that puzzle-painting may be hanging in an upstairs bedroom to this very day.  Detlefsen is not known as a great artist.  He was a humble painter who painted backdrops for films for over 20 years.  In the 1950’s he switched gears and started doing lithographs that were turned into calendars, jigsaw puzzles, laminated table mats, playing cards, and reproductions you could buy in the Ben Franklin Dime Store in Belmond, Iowa and hang on your back porch at home.  I believe I saw his paintings in all these forms in one place or another.  According to Wikipedia (I know, research, right?) “In 1969, UPI estimated that his artwork had been seen by 80 per cent of all Americans.”  That is pretty dang good for a humble painter, better numbers than Pablo Picasso ever saw.  Let me share a few more of his works, and see if you recognize any of these;

db_Paul_Detlefsen_Covered_Bridge1 b01e8afaadde Artist Paul Detlefsen PaulDetlefsen_VintageArtPrint_B11 il_fullxfull.285794883

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The Truest of Magicks

Okay, life is like this; you are born, a lot of dumb stuff happens that you are mostly not in control of, you suffer a little bit, you are happy a little bit, and then you die.   That is a pretty gloomy prospect, and most of us spend our entire lives obsessing over it, examining it with microscopes, doctoring it with needles and potions and chainsaws, trying to make it last a little longer, wailing and complaining about our sorry allotment, and wasting what little time we have.  So what secret exists that could ever make a difference?  Could ever open up our eyes… even just a tiny bit?

Zoric

The secret, as far as I can tell (and I am certainly one of the dumber and more random among you because I am cursed with insight and wisdom won through suffering and making huge mistakes), is reading the right books.

Eli Tragedy

I am not alone in this sort of thinking.  There are those who believe that if you gather the best books together into a personal library and read them, they add experiences and knowledge to your life that you would not otherwise have.  (Of course, one must acknowledge, especially if you read fiction, that most books are filled with lies and misinformation, and some, Bill O’Reilly’s Killing Jesus leaps to mind, might leave you stupider than you were when you started.)  It deepens, broadens, and intensely colors the experience of life.

Skorpio

People who read books a lot… really read them, and re-read them, and collect them, and study them, and think about and write about them… are called wizards.  Wizards are wise men.  It is what the word means.  Being one does not make you better than anyone else.  In fact, wizards are generally weaker than normal men.  It comes from all that ruining of eyes and fuddling up brains with too much thinking.  You don’t want a wizard to back you up in a fist fight.  You will certainly lose.  And you don’t want a wizard to tell you how live your life.  They are not good role models.  But if a wizard tells a story, you should listen.  Because if you really listen, and the wizard is really wise, you can expand the borders of your life, and push on nearer to immortality.

Ice Alchemist

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Bird is the Word

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Birds are always talking,

And birds are always squawking,

And they are using bird-words,

These are the words I heard.

Twitter-pated – this word comes from the owl in Bambi and means not being able to think straight because you’re in love.

Aviary – is a great big bird house, big enough to fly around in

Feather-dusted – to you and me it means clean, to a bird it means the feathers are dirty

Bird-brained – don’t be insulted if a bird calls you this.  It is a compliment.

Fume-fluttered – you gotta fly and get away from that bad smell.

Wing-walking –  it’s how you get from here to there if you’re a bird… Duh!

Wakka wakka – it’s those dang ducks again, always telling jokes!

Egg-zactly – as precise and perfect as an egg.

Coo-coo-karoo – that stupid rooster wants us to get up again at daybreak.  It’s like a bird can never sleep in!

Clucker butter – Can you believe that KFC place?  Butter on improperly cremated dead chickens (ah, well, they were only chickens after all).

Now that you have less than one per cent of the bird vocabulary, please don’t try to tell me what they are saying.  I really don’t want to know!

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