Tag Archives: art

Ray Bradberry Pie

Yes, yes, I know it is supposed to be Ray Bradbury, not berry.  But now that the master has gone, I don’t want to think of him as bury which is too grave a term.  He was a master of metaphor and rhythm and image in writing.  His work is much more berry-flavored, and if you really intensively read a novel like Dandelion Wine, you can very easily get drunk on the richly fermented contents of his beautiful writing.

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angel by Adolphe-William Bouguereau (1825-1905)
angel by Adolphe-William Bouguereau (1825-1905)

Mental Pie

I’d like to offer you a piece of my mind,

Though not a lecture, rant, or complaint,

But rather a piece of mental pie.

Its taste will be very sweet, you will find,

As I’m constantly thinking in ink and paint,

That gives you wings and allows you to fly.

You see, I think the literary mind does not have to sink to mundane and dark and dreary thoughts and ideas to accomplish lofty goals.  Often it is the special dollop of sugary metaphorical conceit that makes a Ray Bradbury or Mark Twain or Kurt Vonnegut to soar through the astral plane of ideas.  I know that’s cartoony thinking, and somewhat loony besides, but I am often frustrated when it seems that the only “realism” modern readers and audiences accept is what is gritty and bloody and depressingly painful.  Oh, I get it.  Douglas nearly dies in the course of Dandelion Wine.  Tom Sawyer and Huck Finn and Billy Pilgrim all suffer as much as we laugh in order to make their points in the novels they inhabit.  But the misfortune makes the moment of taking flight that much sweeter.  And it is in the language.  The loving description of everyday things and everyday events that become extraordinary through extra-close examination.  Sometimes silliness and humor and logical reason are not enough, and we have to speak in poetry.  We put in metaphors as peaches and plums.  Sensory details are raspberries and strawberries.  Sing-song rhythms and elegant pacing makes the batter whole and delicious.  And I know this whole post makes no earthly sense.  But sometimes you write for earthly reasons… and sometimes you try to reach heaven.  That is what Ray Bradberry Pie is made of.

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The Blue Man

The Blue Faun who represents the lovely melancholy sensuality that informs my wordy little life.
The Blue Faun who represents the lovely melancholy sensuality that informs my wordy little life.

When I was in Iowa last, and had a chance to see the younger of my two sisters, Mary Ann, she told me flat out that she really liked my most recent blog posts and that I should give up all together on my gloomy pessimistic ones.  This, of course, was confusing to me because all my blog posts are relentlessly gloomy and never make anyone smile, so I did not know for certain what she was responding to.

As I have shared on more than one occasion, I suffer from six incurable diseases and am a cancer survivor.  I don’t plan on living more than decade further at my most optimistic, and I told you recently that I am a confirmed pessimist.  At worst, I could be dropping dead from stroke or heart attack as soon as I post this silly sour old post.  I will be absolutely delighted to live long enough to finish another novel or two and maybe even see them published.   I keep close track of my remaining hours because each one is rare and precious to me, even the ones that are quite painful and hard.  So gloomy is as gloomy does.  I am constantly celebrating that I have lived this long already.  How depressing is that?  … the celebrating every day thing, I mean?

And of all the people who suspect I might be a fish sticks and custard sort of person, Mary Ann is not one of them.  She watches Doctor Who and knows that that is exactly what I am.  I am goofy and scatter-brained and a barely contained barrel of weird energy and misplaced enthusiasm. I do stuff like fill my bedroom Barbie shelf with bizarre and kitschy little 12-inch people.

The Barbie Shelf
The Barbie Shelf

I appreciate melancholy and being blue, because the hollows of the valleys of depression make you appreciate the giddy heights so much more.  And I do realize that I am stringing big words and goopy metaphors together to sound all literary and brooding… but that’s what real geniuses whom I am trying to emulate do to reach the highest heights.  They run down through the valley at the fastest possible pace to build up enough speed to shoot up the side of the mountain on the other side.  It is a Wiley Coyote trick for using cartoon physics in your own favor.  It is the reason I am still tending the flower wagon, trying to coax zinnias into blossoming during the depressingly renewed Texas drought.  It is the reason I keep adding to my collection of sunrises.  The dark blue pieces of the puzzle of life provide the contrast that help you define the puzzle picture of the brightest sunshine and light.

The blossoms in the flower wagon reached a new record number today, despite the heat.
The blossoms in the flower wagon reached a new record number today, despite the heat.
Sunrise on a school day when I don't have to go to school because I am retired.
Sunrise on a school day when I don’t have to go to school because I am retired.

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Filed under battling depression, humor, Paffooney

Double Character Study; Mike Murphy and Blueberry Bates

Mike Murphy and Blueberry Bates are recurring characters in my hometown novels.  So far they have appeared in The Bicycle-Wheel Genius and Magical Miss Morgan, both of which are now published and available through Amazon.

The Bicycle-Wheel Genius is now available on Amazon through this link;

https://www.amazon.com/Bicycle-Wheel-Genius-Michael-Beyer/dp/1982984023/ref=sr_1_1?ie=UTF8&qid=1544204666&sr=8-1&keywords=michael+beyer+books+bicycle-wheel+genius

Magical Miss Morgan is available through this link;

https://www.amazon.com/Magical-Miss-Morgan-Michael-Beyer-ebook/dp/B0797GTRPV/ref=sr_1_39?ie=UTF8&qid=1544202254&sr=8-39&keywords=michael+beyer+books

The first book documents their star-crossed romance, beginning as ten-year-olds and following through until they are going on thirteen.  Blueberry is a girl with a terrible secret.  She is not like other girls and has to protect this secret, which will only become harder and harder to contain as time goes on.  She lives with her father who barely notices her, an aunt, her father’s sister, who knows the secret and punishes Blueberry for it, and her two older sisters who cherish her and dote on her, and probably are the only reason she is still alive.  Her mother, unfortunately, died when she was a baby.  But both books she appears in so far are comedies.   I will not go into the possible tragedies lying wait in ambush for her in her distant future.  The tragedies are simply not funny enough to be a part of everything.  Like many of my characters, she is based on people from my own life and experience.  She is a combination of a girl I once loved and a boy I once taught.  If that’s not confusing enough, I can add that Blueberry loves to draw, a detail that comes about because she is also partly based on me.  She particularly loves to draw pictures of Mike Murphy.  She might have drawn the next Paffooney (if she were a real person and not just some made-up girl that only lives in my weird old imagination).

Blue and her beau

Mike Murphy is a Norwall Pirate.  Not just any Pirate, but their best athlete, tree-climber, and wild-story believer.   He does everything the Pirate leader, Tim Kellogg, (the grand and glorious and mostly notorious Pirate leader) thinks up for him to do.  He believes every lie Tim tells him, and faithfully defends the Pirates and their leader, even when it gets him detention (again!) from their favorite teacher, Miss Francis Morgan.  He starts out running away from Blueberry, as any red-blooded, normal American boy would.  But he eventually lets her catch him, as any red-blooded, normal American boy would at about that age, the middle of the wonder years.  He becomes her best friend and greatest white-knight-sort-of protector, even though he is torn between that and loyalty to Tim and the Pirates and the lies they tell.

I am now planning a third book that will allow these two characters to adventure together.  I will call this novel Kingdoms Under the Earth.  It will begin with Blueberry being kidnapped by evil flu fairies that take her away to the dark parts of the fairy world under the surface of this world in a feverish coma. Mike Murphy must decide to follow her and rescue her, which he will do via the bad advice of a fairy friend, kissing Blueberry on the lips, contracting her disease, and sharing in her comatose suffering.  Then Mike’s best friend, Tim Kellogg, and his big sister Dilsey both agree that they must follow also to help rescue both Blueberry and Mike.  It will be a great adventure through illness, imagination, and the many hidden kingdoms of fairy magic that lie directly under our world.

Now, I suppose you are wondering why I am giving you details about characters in a book, or rather books, that I haven’t even finished writing yet.  Well, if you are dedicated enough to reading my loopy and boring old posts to get this far, it is probably safe to tell you that I don’t really know either.  I also want to find out.  What do the next sentences say?  Oh, yes.  Mike Murphy already exists as a Pirate in my published book Catch a Falling Star.  He is an established character that I have to twist and tweak into fitting into new stories.  Blueberry has been prancing around in my imagination and drawing colored-pencil Paffoonies since the 1970’s, but I am only now weaving her into the stories I have in me and are burning with a red-hot flame to get told.  So I’m not completely crazy to do this.  Only about ninety percent… right?

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Native Americans Invade My Artwork

I don’t know if you’ve seen enough of my colored-pencil Paffooneys to tell this, but for an old white guy, I draw a lot of Native Americans and am rather deeply in love with American Indian images.  You may have seen this dream painting I posted before.

Magicman

The girl in the painting is a combination of this warrior’s daughter and myself.  I was naked in the dream and a female, facing this huge ghost-stag.  The dream came while I was reading Hanta Yo by Ruth Beebe Hill.  Maybe that book was the beginning of my Native American obsession.  Who knows?  I am a crazy dreamer.  But that wonderful book turned me on to the rich spiritual life that the Dakota people lived.  I identified with it so completely that I dreamed myself into their culture.  I was also struck by the manner in which a Native American culture handles education.  The grandfather is in charge of the boy’s learning.  He teaches by story-telling.  Here you see the grandfather in Sky Lodge teaching his grandson.  The girls would learn very different things from their mothers and grandmothers.

Skye lodge

I am also entranced by the life of the people expressed in dance and ritual.  Dance has deeper meaning than we white guys normally assign to it.  Dances could be magical.  Of course, the notion of a “rain dance” is the result of too much simplification in movie scripts and ignorant popular white culture.  Dance could connect you to the Earth, the Sky, and the Spirit World.  That’s what this most recent Paffooney shows.

Pueblo Bonito

So, you can see, I don’t really understand the concept of moderation when it comes to my obsessions in the world of colored pencil art.  Hanta Yo!  Clear the Way!  In a sacred manner I come!

child of fire

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Being and Artistry

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Being an artist is a matter of genetics, luck, and loads of practice.  I began drawing when I was only four or five years old.  I drew skulls and skeletons, crocodiles and deer on everything.  My kindergarten and first grade teachers were constantly gritting their teeth over the marked-up margins of every workbook and worksheet.  I drew and colored on everything.  I eventually got rather good, drawing in pencil, crayon, ink, and as you see here, colored pencil.  I loved to draw the people and things around me.  I also drew the things of my imagination.  I drew my best girl, Alicia, and I drew the half-cobra half-man that lived in the secret cavern under our house.  I drew a picture of the house across the underpass from Grandma Mary’s house.  I drew cardinals, and I drew Snoopy cartoons.  I drew my sports heroes in football and hockey, Donny Anderson and Gordie Howe.  I drew monsters with fangs and fuzzy animals with huge soulful eyes.  I still draw and it’s mostly the same things that I drew when I was a child.  I will post more of the drawings here in the near future to dazzle you with my talents and ridiculous sense of the absurd.

Scand

I inherited art talent from my father’s side of the family.  He could always draw fairly well, though he only used the talent to draw things he meant to build or create in his workshop.  He was a practical man who loved to tinker and make things work in a useful manner.  He had no love or need for that which is fanciful and fantastic.  I suspect, though, that he encouraged my artistical flights of fancy because it spoke to an unfulfilled portion of his own creative instinct.  My Great Aunt Viola was also an artist.  She loved to paint flowers on porcelain and create delicate beauty in items like plates and vases.  Her art was more fanciful than my Dad’s art, but it still had a certain Midwestern practicality at its roots. 

I hoped early on to be a cartoonist or comic-book artist.  I loved to draw wildly imaginative things.  The first cartoons I created were all about outer space.  I wrote stories and drew pictures of Zebra Fleet, a Star-Trek-like space force that kept peace in an area of space inhabited by dog-headed humanoids.  It was fanciful and goofy at the same time.  Since then I tried my hand at a Cowboys and Indians cartoon strip, built around the massacre of Custer’s command at the Little Bighorn.  I researched the Indians of the Dakotah, Crow, Shoshone, and Hidatsa Tribes for my cartoon.  I learned to love drawing feathers, totems, magic men, shamans, shirt men, and lovely Indian girls.  Nowadays I draw the adventures of weird little Toons from Animal Town and the various strange places in Fantastica.  Teenage Panda Girls go out for cheerleading and fail, seeking to wreak revenge on Animal Town.  Hairy Bear is a Grizzly with a tiny body and a huge reputation earned by fantastical hair growths and the ability to make large hair-pieces.  The Four Bares are a family of bears who live at Newt’s Naturist camp and turn Animal Town upside down when they insist on their right as top-of-the-food-chain predators to go anywhere they like naked.  If you are lucky, I will never be a published cartoonist.  I made a serious stab at it.  I came close in two different job interviews and one major submission, but I have arthritis, and it attacked my hands at just the right time to make me a school teacher instead of a cartoonist.

Drawing has become for me a hobby and a lifestyle all about the color and the symbol.  I try to cram as much story and meaning into every figure or picture I do.  Each drawing is precious, and I must squeeze as much as I can from each one, because drawing has become so hard to do and is such a rare thing.  I lean towards the blue in my cartoons.  There is a certain Blue Period about my melancholy work and life.  Things turn out wrong at the end of my stories and there is no happily ever after.  When the nighttime comes, I have to go to sleep with the urge to draw more.  I’ll draw more in the next life, or maybe in my dreams.

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Spotted Trains

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I have had a practically life-long fascination with trains.  Where did that come from?  It came from a Methodist minister who once upon a time saved my life.

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Reverend Louis Aiken (in the cowboy hat) was a lover of HO model trains, as well as country music… and, of course, God.

My best friend growing up was a PK, a preacher’s kid.  And as we hung out and played games and got into imaginatively horrible trouble, we invariably wound up in the basement of the parsonage where his father kept his HO train layout.   I learned lessons of life in that basement in more than one way.  I have to explain all of that somewhere down line.  But for now, I have to limit the topic to what I learned about trains.  They are a link to our past.  They are everywhere. And they do far more for us than merely make us cuss while sitting and endlessly waiting at the railroad crossing.

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When visiting Dows, we absolutely had to stop and take pictures at the train station.

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This is, by my best guess, an SD40 locomotive parked at the restored train station in Dows, Iowa.

Spotting trains to take pictures of, gawk at, and totally make cow-eyes over has become a way of life to me.  When visiting Iowa, especially Mason City, Iowa, we always have to stop at the engine on display in East Park.

When I was a kid, this old iron horse was not fenced in to protect it from kids, weather, and other destructive forces.  Now, however, it is fully restored and given its own roof.  This is a 2-8-2 steam engine with two little wheels in front, eight big wheels in the middle, and two little wheels at the back (not counting wheels on the coal tender).  I have ridden on trains pulled by such a behemoth.  I love to watch the monkey gears grind on the sides of the wheels forcing steam power into the surge down the tracks.  And I can’t help being a total train nut.  Of course I don’t deny being more than one kind of nut.  But being a mixed nut is another post for another day.

 

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Filed under autobiography, humor, photo paffoonies, Trains

Homely Art – Part Two – Paul Detlefsen

Detlefsen-Swimming_Hole

Back in about 1968 my Grandma Beyer was seriously scandalized by an artist named Paul Detlefsen.  Detlefsen did a lot of covers for the “Ideals Magazine” that Grandma always had on her coffee tables.  He scandalized her by putting a painting on the cover that showed a young boy taking his pants off, the rear view only, so he could go skinny dipping with a group of naked boys.  Truthfully the picture shown above is by Detelfsen, but it is not the one that offended her.  I have discovered that this painter of old-timey things like blacksmith shops and one-room school houses has painted at least four different versions of “the Old Swimmin’ Hole”.  And Grandma was easily scandalized when we were kids.  She was a very conservative woman who loved Ronald Reagan and his politics most severely and thought that Richard Nixon was a leftist radical.  She didn’t like for people to be naked, except for bath time, and maybe not even then.  She is one of the main reasons, along with this painter whom she adored, that I came to learn later in life that “naked is funny”.horseandbuggydays-print  http://www.freeplaypost.com/PaulDetlefsen_VintageArtPrint_A.htm

Grandma Beyer also seriously loved puzzles, and besides “Ideals” covers, Paul Detlefsen did a beaucoup of jigsaw puzzles. (Beaucoup means a lot in Texican, I tend to think in Iowegian and talk in Texican and completely forget about the need to translate for those people who don’t know those two foreign tongues)   One of the puzzles we spent hours working on was “Horse and Buggy Days” that I pictured here.  They were the kind of puzzle paintings where every boy was Tom Sawyer and every girl was Becky Thatcher.  And there were a lot of them.  Here is another;

detlefsen

http://www.bigredtoybox.com/cgi-bin/toynfo.pl?detlefsenindex

Grandma had this in puzzle form also.  We put the puzzle together, glued it to tag board, and framed it.  It has hung on the wall in a Grandparent’s house, first Grandma Beyer’s and then Grandma Aldrich’s, since the early 1970’s.  My own parents now live in Grandma Aldrich’s house, and that puzzle-painting may be hanging in an upstairs bedroom to this very day.  Detlefsen is not known as a great artist.  He was a humble painter who painted backdrops for films for over 20 years.  In the 1950’s he switched gears and started doing lithographs that were turned into calendars, jigsaw puzzles, laminated table mats, playing cards, and reproductions you could buy in the Ben Franklin Dime Store in Belmond, Iowa and hang on your back porch at home.  I believe I saw his paintings in all these forms in one place or another.  According to Wikipedia (I know, research, right?) “In 1969, UPI estimated that his artwork had been seen by 80 per cent of all Americans.”  That is pretty dang good for a humble painter, better numbers than Pablo Picasso ever saw.  Let me share a few more of his works, and see if you recognize any of these;

db_Paul_Detlefsen_Covered_Bridge1 b01e8afaadde Artist Paul Detlefsen PaulDetlefsen_VintageArtPrint_B11 il_fullxfull.285794883

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Filed under art criticism, art my Grandpa loved, artwork, homely art, oil painting

The Secret Gallery in Grandma’s Closet

After years of being stored away, I discovered that my mother had hidden a hoard of my old artworks in the upstairs closet in Grandma Aldrich’s house (now my parents’ house).

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This oil painting was done on an old saw blade at the request of my Grandpa Aldrich.  He wanted a farm painting on it, like the one he’d seen in a restaurant during a fishing trip in Minnesota.  I chose as the subject Sally the pig.  Sally was a hairlip piglet that had to be bottle fed and raised in a box by the stove until later in life she became a favorite pet.  Believe it or not, pigs are smarter than the family dog.  She became a pig you could ride.  And Grandma had taken a precious old photo of my mother and Uncle Larry riding the pig.  I used that photo to make this painting.  It was also the painting I wanted to find on this trip to Iowa.  Searching for it led to finding all the others.

These two are among the earliest paintings I did.  They were both done on canvases that I stretched over the frame myself in high school art class.  The purple one is a scene from Shakespeare’s Midsummer Night’s Dream.  The blue one doesn’t have a title, but you can see what it is.  It is an ancient shibboleth water monster lurking under a dock, fishing for young boys to eat.

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This drawing was done on the front porch in the house in Rowan.  It would be years before mom framed it.  It is another example of what I could do as a high school kid.  In fact, I composed it from art-class sketches I did my senior year in school.

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The Boy in the Barn was painted on the remains of an old chalkboard that my sisters, brother, and I had used in grade school.

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Grandma Aldrich asked for this picture to hang over the sofa in the farmhouse living room.  It stayed there for many years.

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Great Grandma Hinckley passed away in 1980.  I created this portrait from a combination of photos and memory.  It was too good.  It was never hung anywhere because it always made her daughter, my Grandma Aldrich, tear up.

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This pencil drawing won a blue ribbon at the Wright County Fair in the late 70’s.

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This picture is called First Years are Hard Years.  It was painted in 1982 after my first year of teaching at the junior high school in Cotulla, Texas.   I painted mostly the good kids.  The girl on the lower right would later go on to become a teacher for our school district.  I can’t claim to be the one who inspired her, but she did make straight A’s in my class.

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This is called Beauty.  It is done in oil crayon on canvas.  I did it for my mother to hang in the hallway in the house in Taylor, Texas.

So, it turns out, I unearthed art treasures by searching for the one painting.

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Filed under artwork, colored pencil, homely art, humor, oil painting, old art, Paffooney

Wisdom From the Bob Ross Bible

If there is a Church of Sacred Landscapes then Bob Ross is its Jesus Christ.  That is not a sacrilegious statement of bizarre cult-mindedness.  Painting is a religion that has its tenets.  And Bob Ross explained to us the will of God on his painting show on PBS.  All the illustrations used in this post come from the Facebook page Joy of Painting with Bob Ross. All the wisdom comes from things the Master said on the show.

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Bob Ross was the prophet of the paintbrush.  He would present us with a lightly prepared canvas at the beginning of the show and then proceed on camera to take his brush and palette knife, and all his paints, and create a piece of the world before our very eyes.  And he was not Picasso or Van Gogh or even Norman Rockwell.  He was not a talented artist, but rather a very practiced one who knew all the tricks and shortcuts to sofa painting, the art of knocking out scene after scene after scene.  He could make his little piece of the world in only half an hour, and he made it obvious how we could do the same.  His work was not gallery quality… but his teachings were Jesus-worthy.

His work was natural, flowing, and realistic in the random complexity it presented.  He took standard paintbrush strokes and pallet knife tricks and made them dance across the canvas to make happy little trees.

His painting methods presented us with a philosophy of life and a method of dealing with whatever mistakes we might make.

And of course, any good religion must take into account the existence of evil.

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Bob Ross tells us that evil is necessary as a contrast to what is good and what is true.  We need the dark.  But we don’t have to embrace it.  Bob’s paintings were never about the dark bits.  He always gravitated towards the light.

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Of course, sometimes you have to beat back the darkness.  A good artist takes care of his tools.

Bob Ross admonishes us to look and to learn and love what we see.  The man radiated a calm, gentle nature that makes him a natural leader.  His simple, countrified wisdom resonates because we need calm and pastoral peace in our lives.  It is one of the main reasons mankind needs religion.

So I definitely think we ought to consider building a Bob-Rossian Church of the Sacred Landscapes.  We have our prophet.  The man has passed away, yet he is risen to paint again endlessly on YouTube.

And if you are willing to try… Bob Ross will smile upon you.

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The Surrealist

Yes, I admit it.  I am a Surrealist.  I also hope that it is not too terrible a thing to be.  Because I truly think that everyone who was raised by television, and lived through the revolution where computers took over human life, is one too.

definition from Merriam-Webster;

Simple Definition of surrealism;

a 20th-century art form in which an artist or writer combines unrelated images or events in a very strange and dreamlike way

Full Definition of surrealism;

the principles, ideals, or practice of producing fantastic or incongruous imagery or effects in art, literature, film, or theater by means of unnatural or irrational juxtapositions and combinations

  • rooster riding
  • There is a certain satisfaction to be had in knowing for certain how to define oneself.  I learned about Surrealism in high school art class back in the early 70’s.  I saw and admired the works of Salvador Dali, Rene Magritte, and Max Ernst.  And I realized that everything I wanted to do in the Realm of Art, whether it was weird paintings, cartoons, comic book art, or bizarre puppet shows… fantasy, science fiction, or humor… it was ALL Surrealism.  Surrealism saturates out culture and our very thinking.    We are drawn to watch baseball by the antics of a giant pantomime chicken.  Our food choices are influenced by a happy red, yellow, and white clown who battles a blobby purple monster and a hamburglar over shakes and French fries.  It is only natural then, that I would want to draw bug-sized fairies who would saddle and ride a red rooster.  I have embraced surrealism as a way of life.
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  • I have no trouble writing a poem about the difficulties of life by writing about a game of bowling where you have to roll a moose down the alley into the pins.
  • Surrealism is all about creating things by lumping all kinds of disparate goodies into the same pot and cooking it up as a stew.  It is important that the stew tastes good in the end, so the mixture has to have large doses of reality and realism in it.  Dali painted melting watches and boneless soft-sculpture people with almost photographic realism.  I am compelled to do that too.
  • And what is humor, after all, if not lumping strange things together into a reality sandwich that makes you laugh because it takes you by surprise?  I don’t shy away from weirdness.  I embrace it.  It makes life all the funnier.
  • And why did I put bullet points on everything in this post?  Because it allows me to mash bits of wit and wisdom together in a weird way that only seems to have no connection, one to the other, and only seems to make no sense.
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  • Sometimes we just have to look at things sideways.
  • I was recently accused of being eclectic in my posting topics by one regular commentator.  I could wear that word like a badge of honor.
  • Definition from the Urban Dictionary;
    This describes a combination of many different individual elements of styles, themes, mediums or inspirations pooled from many sources. It can refer to musical tastes, dress sense, interior design…many things.
    She has an ecletic sense of style, today she wears biker boots, pink fishnet stockings, a pencil skirt, a military jacket, a baseball hat, a my little pony t-shirt and a dunlop bag covered in badges from all her favourite bands from ABBA to Kooks
    by Ezmerelda August 28, 2005
  • So, if I am going to make sense of this whole mess of words and ideas and bizarre images, let me do it with a picture that I think is surreal.
  • Ima mickey

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Filed under art criticism, artwork, humor, insight, Paffooney, philosophy, surrealism, Uncategorized