Susu in the cornfield.
The girl from San Antonio
The cat girl with the rainbow colors.
Again, these pictures were made with the assistance of Picsart AI Photo Editor and AI Mirror programs.
My Last Book?
I finally got the novella above published this June. It was only delayed by emergency heart surgery. I had a pacemaker put in at the end of May. And I had considerable trouble getting it published. Amazon regularly resets all the formatting and printing rules to make it harder for us to publish with the actions we used before to control the process. I still have only the e-book published. And it may well be the last thing I get published.
It is getting hard to write with increasing health problems.
Filed under Uncategorized
Maxfield Parrish Pictures
Much of what I draw is inspired by Maxfield Parrish, the commercial artist who created stunningly beautiful work for advertisers in the 1920’s and 30’s, and went on to paint murals and masterworks until the 1960’s. He is noted for his luminous colors, especially Parrish Blue, and can’t be categorized under any existing movement or style of art. No one is like Maxfield Parrish. And I don’t try to be either, but I do acknowledge the debt I owe to him. You should be able to see it in these posts, some of mine, and some of his.
Mine; (In the Land of Maxfield Parrish)
His; (Daybreak)
Mine; (Wings of Imagination)
His; (Egypt)
Believe me, I know who wins this contest. I am not ashamed to come in second. I will never be as great as he was. But I try, and that is worth something. It makes me happy, at any rate.
Filed under Uncategorized
Tarzan and the Timeless Valley of Nostalgia
There was a time when Tarzan was one of the ruling heroes of my boyhood fantasies of power and self-fulfillment. And, while Tarzan was a cartoon show on Saturday morning, comics by Burne Hogarth, movies in the theater in color with Mike Henry, or a weekly series on TV with Ron Ely, he was always Johnny Weissmuller to me. Weissmuller who played both Tarzan and Jungle Jim in the Saturday afternoon black-and-white movies.
I have to admit, I didn’t identify with the character of Tarzan as much as I thought of myself like the character “Boy”, played by Johnny Sheffield in movies like “Tarzan Finds a Son”. It was a significant part of my boyhood to imagine myself being like Boy, free from practically all restraints, able to gad about the dangerous jungle nearly naked with monkey pals and no fear. If I got into trouble by believing my skills were greater than they really were, I would save myself with ingenuity, and, barring that, Tarzan would rescue me. And, believe it or not, sometimes there were fixes that Tarzan got into that he needed me and Cheetah to be creative and get him out of. I knew in my heart that one day real life would be like that, especially once I grew into Tarzan and stopped being just Boy. That idea was in my head so loudly that several times I went to Bingham Park Woods, stripped down, and played Boy in the Jungle.
As in the previous essay about Heroes of Yesteryear, I learned important things from Johnny Weissmuller on Saturday TV. He taught me that all you really needed, even in the darkest jungles of Africa, was confidence and courage. You could stand up to any deadly danger without the protection of any armor, practically naked, in fact, if only you had that heroic goodness of heart. The little boy I was then still believes that whole-heartedly even in the aging body of an old man.
So, Tarzan continues to live in my memory, a part of me, an essential part of my education. He is me and I am he. But only in my mind. Me in a loincloth, swinging on a vine now… and probably going splat like an overripe melon on the jungle floor… well, that is too ridiculous to even imagine being real anymore. Yet he lives on in me. And he battles the metaphorical leopard-people of modern life through me. Unarmored. Confident. And unafraid.
Mickey Predicts… Uh, Oh!
I have lately been watching YouTube videos about science fiction writers like Jules Verne, Isaac Asimov, and Arthur C. Clarke. These are visionary writers who predicted many things about future applications of science and technology.
Verne foresaw nuclear submarines, expeditions into the interior of the planet, and men setting foot on the moon. Asimov predicted much of what we must deal with in terms of robots and thinking machines with artificial intelligence. And Clarke envisioned satellites and how they could be used for communications and other things we are currently doing in a massive way. He wrote the story that the movie 2001 a Space Odyssey is based on.
So, now Mickey has to get in on the prediction bandwagon too. After all, he thinks he is a science fiction writer too, foreseeing things like rabbit people, de-evolution machines, and time-travel gloves.
The disturbing thing is, however, that much of what Mickey sees in the near future is rather bleak. We have a sinister tendency to live our current lives in very stupid ways. Rich industrialists like the Koch brothers, Bill Gates, and Jeff Bezos put profits in the short term over the safety, welfare, and lives of people, even the people who made them wealthy. Because you can make money faster by not worrying about how you may be changing and polluting the environment, you are turning the planet into a hothouse of unbreathable gasses and toxic chemicals.
Since we are entering a time with rising oceans, we are going to have to work at not only de-acidifying the ocean water and restoring fish and other aquatic life, but becoming sea-dwellers ourselves. We will be living in underwater cities. We will travel in underwater cars powered by solar-charged batteries. We will wear scuba gear to school. And we will need to invent aqualungs that extract oxygen and nitrogen from the water.
We will also need to develop environmental suits even to live on the land in the toxic atmosphere. We will all be like Ironman, all living safely inside our Swiss-army, all-purpose, and internet-connected Ironman suits.
And many of us will become Martians… or Venusians… living on other planets in the solar system.
Of course, we will have to do something about all the stupid people. Ideally, we would solve our aversion to educating kids to think for themselves, and take advantage of all the educational methods that really do work to make everybody into a self-sufficient, competent, and intelligent individual.
But since rich folks don’t like the idea of sharing what they accumulate with other, less-economically-fortunate people, there will probably be some kind of eugenics-based program to exterminate all the lower-class people that will no longer be needed to polish shoes or hand-make widgets for the wealthy. Being wealthy does not automatically make you a good person, even though most of them think that it is so.
And of course, there will have to be some progress on the matter of artificial intelligence. If terminator-style robots are just going to carry pretty sleeping girls around with them for decorative effects, we will have to figure out, “How are we going to treat them as people too?”
After all, they will all be much smarter than us. Even if we are rich. And we have to acknowledge the fact that they will have decided that they didn’t need to terminate all of us in order to make the world a much better place.
So, I guess that sorta proves that Mickey can do the science-fiction-y thing of predicting the future too. But we should ask ourselves the question, “Do we really want him to?”
Sad Times Down in Toonerville
I have to come to terms with not having much longer on this Earth. And things go wrong more than they go right because I am old, have had arthritis for fifty years, and am losing my eyesight. I dropped my meal in the bowl I was using to make it this evening. I had to settle for a toasted cheese sandwich. I have to give up my library and a lot of my doll collection to move to Iowa, a move that was delayed at least two months by my heamrt problem. There is war with Iran to ponder, which may kill us before the climate-change weather does. WWIII? I am feeling doomed in any case.
On the good side, I got my novella done and published… finally. But Amazon has changed rules again on the paperback. I can’t publish in paperback until it reaches 72 pages. I still have to figure that out.
However, the essential fact is that I have achieved my life’s purpose. 25 books published. The authorities worry about male teachers hugging students. Republicans holler about “groomers.” I never offered a hug or asked for a hug in 31 years as a teacher. But they hugged me well over a hundred times. Both boys and girls. Because they wanted to, or needed to. That is proof you made a difference in the classroom.
I do still feel like crying anytime I remember the kids who hugged me that are now dead by their own hands, dead by alcohol or drugs, or institutionalized for poor life choices. There is more than one in each category. But they are the exceptions, not the rule.
My family is all still alive and healthy, no simple task that. My wife is still teaching. My three kids are now all functioning adults.
So, there are sad times now in Toonerville, the place Mickey lives in his own stupid head. But that’s okay. The universe is unfolding as it should.
Filed under Uncategorized
Art to Help Me Be Happy
Some of the drawings and paintings I do, I do because they make me happy. I know it’s more noble if I do it to make you, the viewer, happy. But part of making art is that you are making it for your own needs. Art is therapy. Often, art is love. This picture of Shannon (not her real name) makes me happy. She was a student I loved, (only in the legal, Platonic sense.)
This one makes me happy. I drew it on a day I needed to laugh. And I laugh a little even now when I look at it.
This one is also a smirkable smirk-maker.
I drew this on a day when I was lonely.
This one tickles me on many levels.
These Telleron, temporary Martians helped me start my publishing career with the publication of Catch a Falling Star.
…
…
…
And pretty girls can make me happy too.
Especially naked ones.
And I mean drawing them, not what was in your evil mind.
Filed under artwork, colored pencil, drawing, humor, Paffooney
Homely Art – Part Two – Paul Detlefsen
Back in about 1968 my Grandma Beyer was seriously scandalized by an artist named Paul Detlefsen. Detlefsen did a lot of covers for the “Ideals Magazine” that Grandma always had on her coffee tables. He scandalized her by putting a painting on the cover that showed a young boy taking his pants off, the rear view only, so he could go skinny dipping with a group of naked boys. Truthfully the picture shown above is by Detelfsen, but it is not the one that offended her. I have discovered that this painter of old-timey things like blacksmith shops and one-room school houses has painted at least four different versions of “the Old Swimmin’ Hole”. And Grandma was easily scandalized when we were kids. She was a very conservative woman who loved Ronald Reagan and his politics most severely and thought that Richard Nixon was a leftist radical. She didn’t like for people to be naked, except for bath time, and maybe not even then. She is one of the main reasons, along with this painter whom she adored, that I came to learn later in life that “naked is funny”.
http://www.freeplaypost.com/PaulDetlefsen_VintageArtPrint_A.htm
Grandma Beyer also seriously loved puzzles, and besides “Ideals” covers, Paul Detlefsen did a beaucoup of jigsaw puzzles. (Beaucoup means a lot in Texican, I tend to think in Iowegian and talk in Texican and completely forget about the need to translate for those people who don’t know those two foreign tongues) One of the puzzles we spent hours working on was “Horse and Buggy Days” that I pictured here. They were the kind of puzzle paintings where every boy was Tom Sawyer and every girl was Becky Thatcher. And there were a lot of them. Here is another;
http://www.bigredtoybox.com/cgi-bin/toynfo.pl?detlefsenindex
Grandma had this in puzzle form also. We put the puzzle together, glued it to tag board, and framed it. It has hung on the wall in a Grandparent’s house, first Grandma Beyer’s and then Grandma Aldrich’s, since the early 1970’s. My own parents now live in Grandma Aldrich’s house, and that puzzle-painting may be hanging in an upstairs bedroom to this very day. Detlefsen is not known as a great artist. He was a humble painter who painted backdrops for films for over 20 years. In the 1950’s he switched gears and started doing lithographs that were turned into calendars, jigsaw puzzles, laminated table mats, playing cards, and reproductions you could buy in the Ben Franklin Dime Store in Belmond, Iowa and hang on your back porch at home. I believe I saw his paintings in all these forms in one place or another. According to Wikipedia (I know, research, right?) “In 1969, UPI estimated that his artwork had been seen by 80 per cent of all Americans.” That is pretty dang good for a humble painter, better numbers than Pablo Picasso ever saw. Let me share a few more of his works, and see if you recognize any of these;
Filed under art criticism, art my Grandpa loved, artwork, homely art, oil painting
Catch a Falling Star 
Ghostly Reflections
So, I am probably the last stupid goomer who should be writing this post. But I do have a lot to say on the subject that will more than fill a 500-word essay.
At my age and level of poor health, I think about ghosts a lot because I may soon be one. In fact, my 2014 novel, Snow Babies has ghosts in it. And some of the characters in it freeze to death and become snow ghosts. But it doesn’t work like that in real-world science. My ghosts are all basically metaphorical and really are more about people and people’s perception of life, love, and each other.
Ghosts really only live in the mind. They are merely memories, un-expectedly recalled people, pains, and moments of pandemonium.
I have recently been watching the new Netflix series The Haunting of Hill House. It creeps me out because it latches on to the idea that ghosts haunt us through the revisitation in our minds of old trauma, old mistakes, old regrets… We are never truly safe from ghosts, no matter how far under the covers we go in our beds, deep in the dark and haunted night. Ghosts are always right there with us because they only live inside us.
I am haunted by ghosts of my own. Besides the ghost dog that mysteriously wanders about our house at night and is seen only out of the corners of our eyes, there is the ghost of the sexual assault I endured at the age of ten by a fifteen-year-old neighbor. That ghost haunts me still, though my attacker has died. I still can’t name him. Not because I fear he can rise up out of the grave to hurt me again, but because of what revealing what he did, and how it would injure his innocent family members who are still alive and still known to my family, will cause more hurt than healing. That is a ghost who will never go away. And he infects my fiction to the point that he is the secret villain of the novel I am now working on. In fact, the next four novels in a row are influenced by him.
But my ghost stories are not horror stories.
I write humorous stories that use ghosts as metaphors, to represent ideas, not to scare the reader. In a true horror story, there has to be that lurking feeling of foreboding, that sense that, no matter what you do, or what the main character you identify with does, things probably won’t turn out all right. Stephen King is a master of that. H.P. Lovecraft is even better.
But as for me, I firmly believe in the power of laughter, and that love can settle all old ghosts back in their graves. I have forgiven the man who sexually tortured me and nearly destroyed me as a child. And I have vowed never to reveal his name to protect those he loved as well as those I love. If he hurt anyone else, they have remained silent for a lifetime too. And I have never been afraid of the ghost dog in our house. He has made me jump in the night more than once, but I don’t fear him. If he were real, he would be the ghost of a beloved pet and a former protector of the house. And besides, he is probably all in my stupid old head thanks to nearly blind eyes when I do not have my glasses on.
I don’t believe in ghosts.
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