I have now embarked on my seventieth year of life. I have had a thirty-one-year career as a public school teacher. I have been married for thirty years. I have three grown children. I wrote and published 25 books. You would think that as my life nears completion, I would have answers to some of the big questions. I do not. I do, however, know enough to ask them.
- Is mankind and his (or her) civilization going to survive?
- Will AI computer programs destroy us rather than help us?
- Will aliens a board 3I Atlas destroy us rather than help us?
- Will the massive caldera under Yellowstone Park explode as a super volcano and wipe out life in North America?
- Why are so many of the big questions about destruction and dying?
- Why is the Pumpkinhead President not dead or in prison yet?
- Why is art important, and why is my art a defining part of me?
- What comes next if the world does end?
- Why does any of this matter?
So, let me take a stab at some answers…
- Probably not. Humanity’s civilizations have broken apart or been destroyed before.
- AI programs are still fairly stupid, though smarter than certain American voter groups. If they kill us, it will be a side effect, not a goal.
- The alien things are almost too massive to be mere hoaxes. Science fiction movies suggest it will not end well.
- Skip this one for fear of not enough relevant details.
- Because old people think a lot about dying. No passes possible on this one.
- You’ve seen the smug smirk on his orange clown face. He’s too big of a criminal to get caught in the act.
- Art comes from the soul, and it makes it possible to shape your entire life and its meanings.
- A Vogon Insterstellar Bypass will be built.
- It probably doesn’t matter, and my answers are all wrong anyway.
There we go! Solved it!












































Winsor McCay
One work of comic strip art stands alone as having earned the artist, Winsor McCay, a full-fledged exhibition at the Metropolitan Museum of Art in New York City. Little Nemo in Slumberland is a one-of-a-kind achievement in fantasy art.
Winsor McCay lived from his birth in Michigan in 1869 to his finale in Brooklyn in 1934. In that time he created volumes full of his fine-art pages of full-page color newspaper cartoons, most in the four-color process.
As a boy, he pursued art from very early on, before he was twenty creating paintings turned into advertising and circus posters. He spent his early manhood doing amazingly detailed half-page political cartoons built around the editorials of Arthur Brisbane, He then became a staff artist for the Cincinnati Times Star Newspaper, illustrating fires, accidents, meetings, and notable events. He worked in the newspaper business with American artists like Winslow Homer and Frederick Remington who also developed their art skills through newspaper illustration. He moved into newspaper comics with numerous series strips that included Dreams of the Rarebit Fiend and Little Nemo in Slumberland. And he followed that massive amount of work up by becoming the “Father of the Animated Cartoon” with Gertie the Dinosaur, with whom he toured the US giving public performances as illustrated in the silent film below;
The truly amazing thing about his great volume of work was the intricate detail of every single panel and page. It represents a fantastic amount of work hours poured into the creation of art with an intense love of drawing. You can see in the many pages of Little Nemo how great he was as a draftsman, doing architectural renderings that rivaled any gifted architect. His fantasy artwork rendered the totally unbelievable and the creatively absurd in ways that made them completely believable.
I bought my copy of Nostalgia Press’s Little Nemo collection in the middle 70’s and have studied it more than the Bible in the intervening years. Winsor McCay taught me many art tricks and design flourishes that I still copy and steal to this very day.
No amount of negative criticism could ever change my faith in the talents of McCay. But since I have never seen a harsh word written against him, I have to think that problem will never come up.
My only regret is that the wonders of Winsor McCay, being over a hundred years old, will not be appreciated by a more modern generation to whom these glorious cartoon artworks are not generally available.
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Tagged as Little Nemo in Slumberland, Winsor McCay