Category Archives: cartoons

Homely People

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I prefer to write about, think about, and draw pictures of homely people. But don’t mistake me.  I am not talking about ugly people.    Our former President, the giant blood sausage with a bird’s nest on top that we have put in charge of making us all feel sick to our stomachs every day, demonstrates what ugly means.  Ugly is not just weird and interesting to look at, it is also repellent behavior that makes physical flaws take a back seat… no, a rumble seat in the trailer behind by comparison.

I am talking about the ordinary people back home.  The ones that may be sitting by your own fireplace on a cold day trying to warm their hands after throwing snowballs outside.  And, of course, that snowball that hit Maggie Doozman in the side of the face and knocked her glasses off, made you laugh for an instant, until you realized she was crying, and Kirk Longhatter didn’t even apologize for throwing so hard, so you went over and picked her glasses up for her and handed them to her, and she smiled at you through the tears.  That is the kind of homely I mean.

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There is a lot that is beautiful in homely people. Sure, maybe not a classically beautiful Elizabeth Taylor face or a Gregory Peck lantern jaw.  Maybe not even a shapely behind or a graceful step when walking across the street.  But ordinary beauty.  Kindness.  Humility.  Determination in the face of long odds.  Good-natured jokery.  A touch of childish silliness.  A moon face that actually shines when a smile lights it up.  That is beauty that can be found in homely people.

You’ve probably figured out by now that this post is just an excuse to show off some goofy old off-kilter portraits I did.  But that doesn’t change the fact.  I do love homely people.

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Krazy Kat

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I told you before about a cartoonist from ancient ‘Toon Times” named Fontaine Fox.  He was a master, and I acknowledge him as one of my greatest inspirations.  But he was not the original master mentor for my teenage ‘Toon Training”.  That honor goes to the inestimable George Herriman.  He was the Krazy Kartoonist who died more than a decade before I was born, yet, through his Kreation, Krazy Kat, did more to warp my artistic bent into Krazy Kartooniana Mania than anybody else.  I discovered him first.  I found him through Komic books and the Kard Katalog at the local library.  I own a copy of the book I pictured first in this post.  It is the first Kartoon book I ever bought.  I couldn’t post a picture of my actual book here because I have read it so often in the past forty years that the Kover has Kome off.  It is now more of folder of loose pages than a book.

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Krazy Kat is a newspaper Komic strip that ran all around the world from 1913 to 1944.  Comics Journal would rate Krazy Kat as the greatest work of Komic art of the 20th Century.  Art critics hailed it as serious art, and it fits snugly into the surrealist movement of Salvador Dali and others.  It has been cited as a major influence on the work of other artists such as Will Eisner, Charles M. Schulz, Robert Crumb, Art Spiegelman, Bill Watterson, and Chris Ware.

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The centerpiece of the strip is a love triangle.  Krazy Kat the Kharacter is a feline who may be female or may be male but is definitely deeply in love with Ignatz Mouse.  The Krazed rodent hopped up on seriously stinky fromage (cheese to us non-French speakers), is Konstantly throwing bricks at Krazy’s head… obviously out of serious disdain, however, Krazy sees it as a confession of love.  Offisa Pup, the police watchdog, wants to jail the malevolent mouse for battery and protect the precious Kat, whom he obviously loves with an unrequited love.  Explanations are superfluous in the weird world of Krazy Kat.  How can I explain the charm, the humor, the good-natured violence of a strip such as this?  There are echoes of it in Tom and Jerry animated cartoons, but nothing like it really exists anywhere else.  Krazy has her own unique language, a language that you naturally learn to interpret as you read the strip.  Ignatz exhibits psychotic frustrations that he takes out on the world around him in our name, that we might experience hubris at his expense.  And what’s with that mysterious sack of “Tiger Tea” that Krazy carries about and keeps a Klosely guarded “sekrit”?

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I honestly hope you will give Krazy Kat a thorough “look-see”.  Because if you like Kartoons at all… and it doesn’t have to be the Krazy Kooky love of a seriously overdosed addict like me… you will fall desperately in love with this one.   It is a world of its own, a superbly superfluous abstract anachronism.  It is a surrealist’s dream of fun with puns and tons of buns… or something like that.  Simply put… read it and don’t like it… I dare you!

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The Boogendorfer

 

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This is not actually a picture of Boogendorf, this is Toonerville where the clocks are wrong and a giant Mickey Mouse lurks in the foothills beyond.

Today I mean to justify my existence before God and everybody.  Apparently in the modern world you have to be certain things in your basic foundation to justify getting travel visas, citizenship, and a basic right to continue to exist unmolested.  We apparently elected a new leader, the Mad King of Boogendorf, to make sure all Boogendorfers are suitably qualified to live in Boogendorf.  So this is a brief photo essay to justify my case for why Boogendorf should accept me as a citizen and not execute me outright.

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First of all, I am not one hundred per cent crazy.  You can tell from this photo, can’t you?

This kooky dorfleflop can’t be any more than 65% crazy because his pin head is not large enough to harbor more than 65 out of every 100 truly derfy and sanity-stealing notions.  (What is a dorfleflop, you say?  Well, dorf is a German word for town, and dorfleflops flop in a dorf and think they belong like everybody else who has flopped there before.)

But using the Mad King of Boogendorf as a measuring stick (an orange measuring stick with an extra-long tie), that is clearly not crazy enough by half.

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What’s the deal with the clocks always being wrong in Boogendorf?

I have always heard it said, “It takes a village to raise a child”.  And I think that saying I heard is probably true.  I was raised by the village of Rowan, Iowa in the 60’s and 70’s.  I learned to draw there.  And I can draw real cartoon human beings.

Of course, one must be careful to note that if you could actually draw real cartoon human beings they would be alive after that, and that would make you like God, able to create life from nothing more than pencil, pen, and paper.  And in Boogendorf there is only room for one God.  That, of course, is the Mad King of Boogendorf.  So I guess that is a disqualifying quality too.

And that saying about a child raised by a village is a saying somehow connected to Hillary Clinton, and Hillary Clinton was defeated (I have also heard disgraced, demoralized, and denounced) in the last election by getting more votes than the Mad King of Boogendorf.  So I am judged lacking by my upbringing too.

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I am also undeniably guilty of playing with dolls.  I mean, I collect them, I comb their hair, dress them in different clothes, take them apart and repair them, and pose them for pictures.  That can’t be normal.  But is it abnormal enough to make me qualified to be a Boogendorfer from the village of Boogendorf?  Maybe if I plated them in gold or something, or had enough money to go to “golden shower” extremes?  I guess I don’t understand how to be Boogendorfy enough to live in Boogendorf.  The “Boo” in Boogendorf proves that you have to be pathologically afraid of things more, just like other Boogendorfers are.   I am sure the average Boogendorfer is afraid of people who play with dolls.  Especially if those weird people don’t own any guns and don’t like to kill stuff.  That just ain’t natural.  You even need to give guns to little girls to make them safe against those evil anti-Boogendorfers.

So, I guess I am doomed to live a life outside of the walls of Boogendorf (and they are really great walls, too).  I should be grateful that the citizens of Boogendorf have only rejected me and not used their sacred second-amendment rights to execute me.  For now, I am simply not a Boogendorfer.

 

 

 

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The Rest of my Classroom Gallery

Here’s what’s left in my camera from school white boards and lessons.

Photo0107 Photo0110 Photo0112 Photo0118 Photo0123 Photo0126 Photo0127 Photo0133 Photo0137 Photo0139 Photo0144 Photo0146 Photo0149 Photo0142There you have it, the results of 31 years of doodling on the chalkboard (which became the dry erase board).  And yes, I did tell them the cartoon fairy drew all the pictures.  Especially when they were in my class for the second or third year when they asked, “Who does all the pictures on the board?”  And yes, I started doing this back in dinosaur days in white chalk on a green blackboard, followed by colored chalk, which later became a gray marker-board for washable marker, and finally became dry erase white board.  And I really bought my own chalk and markers too.  Teachers do that, you know.

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Toonerville, a Place I Once Lived In

There is a place so like the place where my heart and mind were born that I feel as if I have always lived there.  That place is a cartoon panel that ran in newspapers throughout the country from 1913 to 1955 (a year before I was born in Mason City, Iowa).  It was called Toonerville Folks and was centered around the famous Toonerville Trolley.

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Fontaine Fox was born near Louisville Kentucky in 1884.  Louisville, of course is one of the two cities that claims to be the inspiration for Toonerville.  Apparently the old Brook Street Line Trolley in Louisville was always run-down, operating on balls of twine and bailing wire for repair parts.  The people of Pelham, New York, however, point to a trolley ride Fox took in 1909 on Pelham’s rickety little trolley car with a highly enterprising and gossip-dealing old reprobate for a conductor.  No matter which it was, Fox’s cartoon mastery took over and created Toonerville, where you find the famous trolley that “meets all trains”.

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I didn’t learn of the comic strip’s existence until I was in college, but once I found it (yes, I am the type of idiot who researches old comics in university libraries), I couldn’t get enough of it.  Characters like the Conductor, the Powerful (physically) Katrinka, and the terrible-tempered Mr. Bang can charm the neck hair off of any Midwestern farm-town boy who is too stupid to regret being born in the boring old rural Midwest.

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I fancied myself to be just like the infamous Mickey (himself) McGuire.  After all, we have the same first name… and I always lick any bully or boob who wants to put up a fight (at least in my daydreams).

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So, this is my tribute to the cartoonist who probably did more to warp my personality and make me funny (well, at least easy to laugh at! ) than any other influence.  All of the cartoons in this post can be credited to Fontaine Fox.  And all the people in them can be blamed on Toonerville, the town I used to live in, though I never really knew it until far too late.

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Toons Are Easy

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Mickian Fantasy Art

There is a reason why anything in my artwork starting with a rabbit is assumed to be autobiographical. I raised rabbits as a 4-H project from about the age of 10 and we kept rabbits in pens until I was finishing my undergraduate degree. (Rabbit chores fell to my little brother when I was away from home.) In many ways, I was a rabbit-man. My personal avatar as a school teacher was Reluctant Rabbit.

The panda known as Mandy in my cartoon world is an avatar of my wife, an immigrant from the Pandalore Islands.

There is often an exaggerated sense of adventure in my cartoonally weird Paffoonies, the very name of which is a fantasy word.

I have been known to actually believe gingerbread can be magical enough for gingerbread men to come to life once baked. It is the reason I bite the legs off first, so they can’t run away.

I have been known to see elves, fairies, and numerous other things that aren’t really there. In fact, a whole secret hidden kingdom of them inhabited the schoolyard in Iowa where I attended grades K through 6. They were all mostly three inches tall. The biggest ones, like dragons reaching only about six inches tall at their largest.

Of course I am afraid of death, evil, and… (shudder) mummies.
I think of art and story-telling as a form of music. I am a troubadour whose songs (like this one) are often completely silent.
My fantasy art tends to be more “comic book” than “art gallery”.

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Winsor McCay

One work of comic strip art stands alone as having earned the artist, Winsor McCay, a full-fledged exhibition at the Metropolitan Museum of Art in New York City.  Little Nemo in Slumberland is a one-of-a-kind achievement in fantasy art.

Winsor McCay lived from his birth in Michigan in 1869 to his finale in Brooklyn in 1934.  In that time he created volumes full of his fine-art pages of full-page color newspaper cartoons, most in the four-color process.  

The New Year’s page 1909

As a boy, he pursued art from very early on, before he was twenty creating paintings turned into advertising and circus posters.  He spent his early manhood doing amazingly detailed half-page political cartoons built around the editorials of Arthur Brisbane,  He then became a staff artist for the Cincinnati Times Star Newspaper, illustrating fires, accidents, meetings, and notable events.  He worked in the newspaper business with American artists like Winslow Homer and Frederick Remington who also developed their art skills through newspaper illustration.  He moved into newspaper comics with numerous series strips that included Dreams of the Rarebit Fiend and Little Nemo in Slumberland.  And he followed that massive amount of work up by becoming the “Father of the Animated Cartoon” with Gertie the Dinosaur, with whom he toured the US giving public performances as illustrated in the silent film below; 

The truly amazing thing about his great volume of work was the intricate detail of every single panel and page.  It represents a fantastic amount of work hours poured into the creation of art with an intense love of drawing.  You can see in the many pages of Little Nemo how great he was as a draftsman, doing architectural renderings that rivaled any gifted architect.  His fantasy artwork rendered the totally unbelievable and the creatively absurd in ways that made them completely believable.

I bought my copy of Nostalgia Press’s Little Nemo collection in the middle 70’s and have studied it more than the Bible in the intervening years.  Winsor McCay taught me many art tricks and design flourishes that I still copy and steal to this very day.

No amount of negative criticism could ever change my faith in the talents of McCay.  But since I have never seen a harsh word written against him, I have to think that problem will never come up.

My only regret is that the wonders of Winsor McCay, being over a hundred years old, will not be appreciated by a more modern generation to whom these glorious cartoon artworks are not generally available. 

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Cartoon Board-Work

I admit it.  I was a goofy teacher.  Kids never knew for sure whether I was serious, joking, or halfway in-between.  I worked for hours sometimes preparing the chalkboard, or later, white board, for the days lesson, putting key points and reminders up in cartoon form.  I used characters, symbols, jokes, pokes, and silliness to get the idea across.  Principals and others who evaluated my teaching always wondered why my classroom sounded so raucous and wild from outside the door with kids laughing, music playing, and sometimes desks being shuffled and shoved around the room.  The perfect-classroom-is-a-quiet-classroom crowd always hated my teaching style.  But the ones who came in and participated, got involved in paying attention and watching the kids interact with the content loved it.  I am not bragging.  My lesson plans were a mess filled with booby traps, explosions waiting to happen, un-intended consequences (also called teachable moments), and brainstorms that threatened at any moment to electrocute somebody with lightning.  Teaching is a dangerous business.  But the point is, there is an art to teaching that brings out the artist in you.  I offer the following evidence;

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Penguin Proverbs

Penguins

You know how creepy penguins in cartoons can be, right?  The Penguins of Madagascar are like a Mission-Impossible Team gone horribly wrong and transformed into penguins.  The penguin in Wallace and Gromit’s The Wrong Trousers disguised himself as a chicken to perform acts of pure evil.  Cartoonists all know that penguins are inherently creepy and evil.

I recently learned a hard lesson about penguins.  You know the joke, “What’s black and white and red all over?  A penguin with a sunburn.”  I told that joke one too many times.  Who knew the Dallas metroplex had so many loose penguins lurking around?  They are literally everywhere.  One of them overheard me.  And apparently they have vowed a sacred penguin vow that no penguin joke goes unpunished.

As I walked the dog this morning, I spotted creepy penguin eyes, about three pairs, looking at me from behind the bank of the creek bed in the park.  When I went to retrieve the empty recycle bins from the driveway, there they were again, looking at me over the top of the neighbor’s privacy fence.

“Penguins see the world in black and white,” said one of the Penguins.

“Except for purple ones,” added the purple one.

“Penguins can talk?” I tried unsuccessfully to ask.

“Penguins only talk in proverbs,” said one of the penguins.

“But the purple one gives the counterpoint,” said the purple one.

“The wisdom of penguins is always cold and harsh,” said one of the penguins.

“Except on days like this when it’s hot,” said the purple one.

“You should always listen to penguins,” said one of the penguins.

“Of course, people will think you are crazy if you do,” said the purple one.

“People who talk to penguins are headed for a nervous breakdown,” said one of the penguins.

“Unless you are a cartoonist.  Then it is probably normal behavior,” said the purple one.

“Is this all real?” I tried unsuccessfully to ask.

“Everyone knows that penguins are real,” said one of the penguins.

“But there are no purple penguins in nature,” said the purple one.

So, I sat down to write this post about penguins and their proverbs with a very disturbing thought in my little cartoonist’s head…  Why am I really writing about penguins today?  I really have nothing profound to say about penguin proverbs.  Especially profound penguin proverbs with a counterpoint by a purple penguin.  Maybe it is all merely a load of goofy silliness and a waste of my time.

“Writing about penguins is never a waste of time,” said one of the penguins.

“And if you believe that, I have some choice real estate in the Okefenokee Swamp I need to talk to you about,” added the purple one.

 

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