I often wonder if there is only one picture of me in this self-portrait.
This is me in a mirror… at least, filtered through my own self-concept.
Me as a Charlie Brown/Peanuts character. This was created on an APP, and then photo-shopped by me.
,,,
…
…
;;;
The self-portrait I use on the backs of paperback novels.
This post is probably evidence that cartoonists should probably not portray themselves.
Filed under autobiography, cartoons, humor, illustrations, Paffooney, self portrait
In order to understand this story, you have to have a little bit of background first… a solid sense of context, in order to avoid anyone feeling that I might be ridiculing someone in an unfair or unloving way. So here’s a bit of context. I was a teacher for 31 years. I was considered a good teacher, in fact, a master teacher by something like 28 different principals and assistant principals, while only 3 felt like I was an incompetent mess, and two of those were eventually fired themselves. I only got fired once. So it can be safely assumed I know what incompetence in teaching is and can reliably identify it in others. Further, incompetence in teaching does not make you a bad person. Far too many people who believe they could be a good teacher have traits that would torpedo their own boat if they actually set sail on the sea of education. So, even though Grandma Frozenfield was a horrible teacher, she was actually a very nice and caring person, and makes a wonderful character for stories that lovingly make fun of bad teaching. And I should remind you, I don’t use real names when talking about people from my past so that their privacy is not violated by whatever my artist’s eye might reveal about them. The portrait I added to this post does not even look like her.
Grandma Frozenfield was a mid-year emergency hire who filled the position of 8th grade math teacher during my first year of teaching. She was already sixty-eight years old when she came to Cotulla, Texas, and she had five years of previous teaching experience in schools up north. How she survived five years in schools more competently run than Texas schools in the 80’s, I will never be able to figure out. She was able to hang on in our school for several years only because we were desperately strapped for warm bodies to teach Math classes in Texas junior high schools. Only idiots and coaches ever took on the job willingly.
Grandma Frozenfield had seventeen dogs and ninety-nine cats at home. That right there tells you something about which stereotype she easily fits into. But she was also a woman of great mystery. Her father had been a famous college professor in Minnesota. She had inherited a number of very valuable books from him, and kept them in random boxes stacked in dusty corners of the old run-down house she bought in town. She was actually quite bright, and though she would have spells of foggy thinking and confusion, she could capably discuss mathematics and physics and other sciences with me. She had a daughter who showed up during her third year of teaching at our school, and the daughter had a cute little son of about seven years old. Neither she nor her daughter had ever been married. In fact, rumor had it the daughter was telling people she was adopted. And her daughter and grandson disappeared from her life about four years after they started living with Grandma.
But the old lady was a spectacularly bad teacher. As bright as she was, she could never talk to kids or relate to kids in ways that kids could understand. She seemed to sincerely hate kids, calling them bad names in the classroom and telling them in detail how they would one day die in prison (a prediction that unfortunately came true for a couple of them). She would come into the teacher’s workroom after class plastered with spitballs on her back and in her hair.
A couple of the sweeter and more pro-active girls in her classes tried to protect her a bit from vandals and explained lessons to others in class to mitigate the chaos a bit.
She did not engage with students. Other than a few of the sweeter girls, she did not talk to them about anything but math. They didn’t understand her, and so they didn’t like her. She did not know how to monitor a classroom, so the infidels were on a rampage all the time in her room. It would definitely have felt like being in Hell to be her, teaching in that classroom. Why she ever wanted to be a teacher, she never said. I know it was in her family history. I know she was a caring, lovely individual. But when she died of throat cancer at 77 it was a lonely and sad thing. She had been forced to teach until two years before the end because of medical bills. She was never happy as a teacher that I observed. But she never missed a day without good reason, either. Good people don’t necessarily make good teachers. But she taught me things far beyond the 8th grade math she tried and failed to teach to students. I don’t think of her often. But I do think of her. She and her 17 dogs and 99 cats are all gone now. But not forgotten.
Yes, this post is a self-examination. Not the kind you see Donald Trump enacting every weekend, where he says any crappy thing that occurs to his craptastical very good brain to cover what he doesn’t want us to believe about the truth on Twitter and Truth Social, basically for the purpose of continuing to say he is great and we are poop. I do not like myself the way Trump likes himself. I am an old bag of gas that is in pain most of the time, in poor health, and the subject of endless persecution from Bank of America and other money-grubbing machines that are convinced any money I might accidentally have really belongs to them. But this is not a complain-about-crap fest either.
This is a self-examination that attempts to honestly examine where I am in my quest for wisdom and my affliction with being a writer.
If I am being honest about the type of writer I really am, I guess I am most like the Weird Recluse in the bottom corner. I can’t claim to be as good as Kafka or Dickinson, but I am definitely better than some of the crap that gets published and marketed as young adult literature. The business of publishing is more interested in how many books they can sell, rather than literary merit or good writing. Some of the crap that is out there and being made into bad movies (which I have not seen because I don’t go to movies that don’t pass the fiction-source smell test) is actually a form of brain poison that will mold young people into sexual predators and professional poop makers. And people will take poison happily if it has been deviously marketed well. So far, in the money test, I have made only $16.43 dollars as an author (plus whatever I have made from I-Universe that doesn’t cut a check until it reaches at least $25 dollars). Nobody is buying my books because nobody has read them. I have sold a few copies to friends and relatives. Some of those books are just sitting on a shelf somewhere unread. I have a couple of 5-star reviews on Amazon, and that is it. I will die in the near future not having known any measurable success from my books at all.
I have entered novels in writing contests and done well enough to make it into the final round of judging twice. I have not, however, made a big enough splash that anyone really noticed. I have paid reviewers to review my books online. One of those charged me money, and then reviewed a book with the same title by a different author, a book which was nothing like my book, and then, when forced to correct their error, only read the blurb on the back of the book to write the oopsie-I-goofed-last-time review. They were not worth the money I paid them, money that Bank of America could’ve sued me for instead.
The only thing I have done successfully as a writer is, I think, this goofy blog. By writing every day, I have managed to give myself considerable practice at connecting with readers. I have practiced writing humor and written some laughable stuff. I have plumbed my soul for new writing ideas and found a creative artesian well bubbling up with new ideas daily. I can regularly manufacture inspiration. I am never truly without an idea to write about. Even when I write a post about not having an idea to write about, I am lying. Of course, I am a fiction writer, so telling lies is what I do best. I am also a humorist, so that means I can also tell the truth when I have to, because the best humor is the kind where you surprise the reader with a thing that is weirdly true. Like just now.
So, somewhere ages and ages hence, I hope there will be a trove of old books in a cellar somewhere that will include one of mine. And some future kid will pick it up, read it, and laugh. The golden quality of that laughter is the only treasure I have really been searching for. It is the reason I write. It is the reason I continue to be Mickey.
Since I wrote this blog post originally, I have added a few books published on Amazon. You can find information about this random noveliciousness here at this page in my blog. Click on this linkie thingie here.
It is normal for the world we live in to inspire us to draw pictures of it. But architects do the opposite. They imagine a world we could live in, and then build it.
Sometimes, like in the picture above, I draw real people in imaginary places. Other times I draw imaginary people and put them in real places.
Sometimes I put imaginary people in imaginary places. (I photo-shopped this planet myself.)
In fiction, I am re-casting my real past as something fictional, so the places I draw with words in descriptions need to be as real as my amber-colored memory can manage.
When I use photos, though, I have to deal with the fact that over time, places change. The church does not look exactly like it did in the 1980s when this drawing is set.
Drawing things I once saw, and by “drawing” I mean “making pictures,” is how I recreate myself to give my own life meaning.
Filed under artwork, autobiography, collage, commentary, humor, illustrations, imagination, Paffooney, photo paffoonies
I recently learned from the eye doctor that I may be at the doorstep of glaucoma, a disease that darkened my grandmother Beyer’s vision and connection to the light.
I am doing some serious editing now on my completed manuscript, Sing Sad Songs. There is serious foreshadowing going on in this novel. I think I mentioned once or twice before that I only rarely write a comic young adult novel without having some important character dying at the end. Death and dying and going blind are all on my mind.
News on the global warming front is increasingly bleak. Temperatures are rising faster than predicted. The date cited for the end of life on Earth is now 2030 (possibly within the scope of my lifetime if I get luckier than I have been on past health issues). The outlook is bleak and getting bleaker. Soon there has to be an absolutely miraculous technological or cultural revolution to help the optimists prove themselves right, a thing that they are totally not good at.
The government seems increasingly incapable of helping with anything, even though some of us are paying increasingly large tax bills thanks to insane tariff programs, a form of sales tax, which, of course, we can’t afford. (I do realize some of you who are not on a fixed income actually got a small benefit from Republican tax cuts. Did that solve your financial problems?) It increasingly looks like the corrupt clown show currently in charge is blowing themselves up. We stand to get a whole new government soon that is marginally better at best. So, we are, as a society, marching forward into the darkness with neo-fascist, goose-stepping zeal.
I am not saying that I have no hope. My grandmother got help and never went completely blind. There are breakthroughs happening all the time in science and sociology. But the darkness in my personal future is growing ever closer. And I have less and less control over its advance.
Yesterday I posted another maudlin doomsday post. I probably gave you the opinion that all I do with my time is mope around and think about death. And maybe write a little creepy black Gothic poetry. But that’s not me. I am a lover of the humor in stories by Mark Twain, Charles Dickens, and Kurt Vonnegut. I am a former teacher that managed to teach the entire zoological range of possible middle school and high school students in Texas and did it without being convinced to hate them rather than love them. Yes, my heart is full of mirth and love and memories of weird kids and troubled kids and kids that could melt the meanest of hearts.
My passion is writing fictional stories about the kids I have taught, including my own three, and setting it in a fictionalized version of my little town, the place in Iowa where I grew up. And I put them in plots of impossible fantasy and science fiction in a way that can only be explained as surrealism.
Nobody reads my books. So far, at any rate.
But that isn’t the important thing. The important thing is that, despite my illness and deteriorating quality of life, my books now actually exist. I put off being a full-time writer for 33 years as I finished my teaching career. A writer has to have something to write about. So, teaching came first.
Writing novels was always the ultimate goal, however. I am a story-teller. The story itself is in the very center of my heart.
Filed under autobiography, cartoony Paffooney, humor, Iowa, kids, NOVEL WRITING, Paffooney, surrealism, teaching, telling lies, writing
I am about as much of a white-guy WASP-type as you can find in Middle America, having grown up in Iowa and teaching for my entire career in Texas. But I know a thing or two… or three about other cultures. I taught in South Texas for 23 years with students who were over 85% Spanish-speaking. And then, in 1995, I married into the Pinoy culture of the Philippine Islands.
There are some things I have learned about this other culture that you should probably be aware of.
#1. The United States is being invaded and colonized by the Philippines. They are coming here in waves, getting jobs in education and medicine that not enough of home-grown America are willing to take up. My wife came here with a placement company as a teacher. Three of her group of Filipino teachers landed in our little Cotulla school district. When she got here, she was met by her cousin and her cousin’s family. There was a Filipina woman and her young son in the Valley that also took an interest in helping her get settled in Texas. All of these people… and all of their friends and relatives are still a part of our lives. My wife’s sister and her family lived in California where dozens of cousins also lived. They and my wife’s parents have since moved to Texas, along with two other sisters and their families. You get the idea. They are taking over.
#2. As you can see, Filipinos love to take pictures. Above is a picture from class where my niece goes to school back in Floridablanca in the Philippines. People complain about pictures of food on Facebook. My Filipino family puts the Food Network to shame. Sometimes I can’t tell if they are eating another exotic Filipino dish with rice and meat or they’ve been putting firecrackers into fish and exploding them. And the fish eyes are a delicacy. Eeuw! My sisters in Iowa won’t even let me talk about the food at Filipino gatherings. I have to be extremely careful of what I share on Facebook.
#3. To know about Filipino culture, you have to understand what Jollibee is all about. Jollibee is the Filipino MacDonald’s. Of course, it is cheaper… and better tasting. There are a few of them around the country here. California has more than Texas. They are like a giant Filipino magnet. You go there to find the Filipino community in any American city. But other people love the food too. You have to sort the Filipinos from the Hispanics and white folks that are not too proud to eat cheap and delicious.
Well, those are only about three things that you should probably know about Filipinos and Pinoy culture. I haven’t even gotten into the thing about Matrilineal social orders or the evils of Karaoke addiction… but enough is enough for one day. I have no idea how much trouble I am now in for revealing cultural secrets. It could be a long cold night in the dog house.
Filed under autobiography, family, humor, photo paffoonies
“Kaw-Liga”
KAW-LIGA, was a wooden Indian standing by the door
He fell in love with an Indian maid over in the antique store
KAW-LIGA – A, just stood there and never let it show
So she could never answer “YES” or “NO”.
He always wore his Sunday feathers and held a tomahawk
The maiden wore her beads and braids and hoped someday he’d talk
KAW-LIGA – A, too stubborn to ever show a sign
Because his heart was made of knotty pine.
[Chorus:]
Poor ol’ KAW-LIGA, he never got a kiss
Poor ol’ KAW-LIGA, he don’t know what he missed
Is it any wonder that his face is red
KAW-LIGA, that poor ol’ wooden head.
KAW-LIGA, was a lonely Indian never went nowhere
His heart was set on the Indian maiden with the coal black hair
KAW-LIGA – A, just stood there and never let it show
So she could never answer “YES” or “NO”.
Then one day a wealthy customer bought the Indian maid
And took her, oh, so far away, but ol’ KAW-LIGA stayed
KAW-LIGA – A, just stands there as lonely as can be
And wishes he was still an old pine tree.
“The Complete Hank Williams” (1998)
The quirky movie I reviewed, Moonrise Kingdom, reconnected me with a song I loved as a child. It was on an old 45 record that belonged to my mother’s best friend from high school. When the Retleffs sold their farm and tore down their house and barn, they had a huge estate sale. My mother bought the old record player and all the collected records that Aunt Jenny still had. They were the same ones my mother and her friend Edna had listened to over and over. There were two records of singles about Indian love. Running Bear was about an Indian boy who fell in love with little White Dove. They lived on opposite sides of a river. Overcome with love, they both jump into the river, swim to the middle, lock lips, and both drown. Together forever. That song, it turns out, was written by the Big Bopper, and given to Johnny Preston to sing, and released the year after the Big Bopper died in a plane crash along with Buddy Holly and Richie Valens.
Kaw-liga, by Hank Williams, was a wooden Indian sitting in front of a cigar store. His love story is even worse. As you can see from the lyrics above, he never even gets the girl. Dang, Indian love must be heck!
But I have come to realize that these aren’t merely racist songs from a bygone era. They hold within them a plea for something essential. They are a reminder that we need love to be alive.
When I was young and deeply depressed… though also insufferably creative and unable to control the powers of my danged big brain, I knew that I wanted love. There was one girl who went to school with me, lovely Alicia Stewart (I am not brave enough to use her real name), that filled my dreams. We were classmates, and alphabetical seating charts routinely put us near each other. She had a hypnotic sparkle in her eyes whenever she laughed at my jokes. She was so sweet to me… sweet to everyone… that she probably caused my diabetes. I longed to carry her books or hold her hand. I cherished every time she spoke to me, and collected the memories like stamps in a stamp album. But like the stupid cigar store Indian, I never spoke up for myself. I never told her how I felt. I was endlessly like Charlie Brown with the Little Red-Haired Girl. Sometimes you have to screw up your courage and leap into the river, even if it means your undoing. Because love is worth it. Love is necessary. And it comes to everybody in one way or another over time. I look at pictures of her grandchildren posted on Facebook now, and wonder what might have been, if only… if only I had jumped in that stupid river. I did find love. And I probably would’ve drowned had I done it back then. Life has a way of working things out eventually. But there has to be some reason that in the 50’s, when I was born, they just kept singing about Indian love.
Filed under autobiography, finding love, humor, Paffooney
When you spend most of your time writing and thinking with the Sword of Damocles hanging over your head and the hourglass of your life looking more and more like the sands of time are running out, you are tempted to take the curves too fast and make extremely stupid mistakes that make your brain crash into a brick wall of stupidity. You are stuck in a stupor of stupidity that must somehow un-stupid you with downtime and do-nothing brainless activity. I won’t try to explain what I did wrong, because, after all, I am still stupid at the moment and don’t really know what I did wrong.
I bought myself a doll yesterday. I spent some of my birthday money on it. My octogenarian mother sends me birthday money every year to remind me how many years beyond sixty I have aged, especially now that, after more than twenty years spent not celebrating birthdays as a nominal Jehovah’s Witness, I am now no longer associated with prohibitions from God due to the arbitrary rules of religion. It was a stupid act based on the fact that I have been avoiding wasting money on my doll-collecting hoarding disorder for a matter of months. It could be like an alcoholic taking a drink after months of being sober. But the doll is pretty in a magical sort of way and provides me with someone else to talk to when I am brooding about being stupid.
It may seem like, since I am writing this while still stupid, that I am saying that being stupid is, by definition, a bad thing. If I am saying that, it is only because I am currently stupid.
If you look at the smiles on the faces of the gentleman with the brown cap and Scraggles the mouser, you can easily see that being happy is a simple thing. And it is the province of simple people, not complicated and extremely smart people. I can testify from hard experience that being too smart is a barrier to being simply happy. So, I benefit emotionally from being stupid this Sunday.
As to being stupid today and what caused it, well, it may have something to do with the fact that I am currently editing The Baby Werewolf, the most complex and potentially controversial novel I have ever written. Horror stories often mine and expose the author’s own traumas and fundamental fears. And I am trying to publish it as the fourth novel I have published in 2018. Is that biting off more than I can chew with my old teeth? I don’t know the answer. I am currently pretty stupid.
Catch a Falling Star 
My Bookish Journey
My journey as a writer actually began in grade school. I was writing Star Trek-like comics from the time I was in the fourth and fifth grade, ten and eleven years old. I called my comics Zebra Fleet, about the last fleet in the Star League on the distant, far reaches of the Milky Way Galaxy.
I started writing book-length stories in college, at Iowa State University. They weren’t all science fiction. They began to be more and more about the time and place where I grew up, Rowan, Iowa in the 1960s and 1970s They involved the people I knew there and then. My family, my friends, the people of Rowan, and random Iowegians. I based important characters on people I actually knew, mostly those I knew quite well. But I changed and swapped character details to hide their identities a little bit, and I gave them names that were mixed and matched and borrowed from the 1977 Ames, Iowa phone book. Dettbarn, Efram, Sumpter, Bircher, Clarke, MacMillan, White, and Murphy all came from there. Niland came from a famous alumni of the University of Iowa who played for the Dallas Cowboys.
In order to have food to eat and money to spend as an adult, I had to take my BA in English and add to it an MA in Education to get a job as a teacher. I took my closet full of nascent novels and moved to Texas where my dad’s job took my parents before I graduated college. There I added hundreds of characters who were perfect for Young Adult novels as I got to know real kids and learned about their real lives. I changed their names, details, and often cultures as I added them to my stories.
Other than a couple of shots in the dark as submissions of cartoons and manuscripts to publishers, I mostly kept my stories in the closet and focused more on teaching (which, to be fair, is also a form of story-telling.) I put my handful of rejection letters in the closet too.
But then, I got laid off for two years due to health and a wicked witch as a principal, and I spent my non-job-hunting time writing a novel about my science-fiction role-playing games with former students. It was called AeroQuest.
I managed to find a publisher for that book. But it was a bogus sort of experience. They paid me an advance of one dollar. Then they had me sign a seven-year contract in 2007. No editor or proofreader even worked for them. I basically had to edit and format the book myself. All they did is intentionally flub-up some titles and sections of text in the printed form. This was part of the master plan to get me to pay for an extensive fix to the mistakes they made. The only marketing they did was to send a notice for my over-priced paperback to the list of friends and relatives that they required me to make for them. Publish America is no longer in business. They were closed down by a class-action lawsuit from the authors they had tricked into paying them thousands of dollars for totally defective publishing services. Since I didn’t pay them any scam pennies, I didn’t get any of the money from the lawsuit. I only got my publishing rights back.
So, I went back to whole-heartedly teaching. Then, in 2012 I completed another manuscript that I thought was the best work that I had ever done. I submitted it to I-Universe publishers. They read it and loved it. As it turned out, they were in the process of being acquired by Penguin Books. They were the closest thing to a mainstream publisher that would entertain submissions by new and unproven authors like me.
They, of course, were offering a publishing package that included working with real editors and marketing personnel. But I had to go a bit into debt to swing the price. So, I was still paying someone to publish my book correctly. But, as a step in my author’s journey, it was invaluable. I got to work closely with an experienced editor who had previously worked for both MacMillan and Harcourt, two mainstream traditional publishers.
My book was given the stock cover you see here despite the cover requests I made and got approved. My original ask was apparently too expensive to print. There is no girl flying a kite in the story at all, let alone at night. It is a story about incompetent aliens trying to invade a small town in Iowa. I had requested a flying saucer with a kite flying behind it.
That first real publisher, though, made me into a real writer. The I-Universe marketeers got me listed as a winner of the Editor’s Choice Award. And they put that award and the Rising Star award on every paperback copy they printed. Everyone who read the book seemed to really like it. They set me up with this blog, space on their website for my book and bio, and they put me in touch with Barnes and Noble to talk about “meet the author” sessions to promote getting the book on their shelves. But a trip to the hospital with pneumonia and the end of the room on my Discover Card caused me to bring an end to my marketing campaign. I ended up with two five-star reviews and sixteen dollars-worth of royalties.
At this point in the story, temporarily stalled, I must start touting the part two of my essay for today. I should warn you, I have a lot more negative things to say about publishing next time.
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Filed under autobiography, commentary, novel writing, Paffooney, publishing, writing
Tagged as author, books, fiction, publishing, writing