There comes a time when a mind turns inward and begins to learn that self is as complicated and in need of exploration as any African jungle or surface of a distant planet.
The Paffoonies today all come from my sixth grade school notebook. When that school year ended I owned one book of my own, Rudyard Kipling’s First Jungle Book, the paperback version. I kept my colored pencil drawings in my school notebook, and I kept the notebook in my bedroom to continue to fill it with drawings on notebook paper.
As you can see, the notebook is age-worn and falling apart, but I still have it. It still contains my twelve-year-old artistic visions, the beginnings of who I am as a thinking, drawing, story-telling human being.
At one point I even had a package of pink notebook paper.
So I admit it. I was a dorky, weird child. And I drew a lot of weird pictures at twelve. Now you have some of the evidence.
I am fascinated by the darker alleyways in the city of human thought. I love monster movies, those love-story tragedies where the monster is us with one or more of our basic flaws pumped up to the absolute maximum. We are all capable of becoming a monster. There are consequences to every hurtful thing we have ever thought or ever said to other people, especially the people we love.
The monster movies I love most are the old black-and-whites from Universal Studios. But I can also seriously enjoy the monsters of Hammer Films, and even the more recent remakes of Frankenstein, The Mummy, and their silly sequels. I am fascinated by the Creature from the Black Lagoon because it is the story of a total outsider who is so different he can’t really communicate with the others he meets. All he can do is grab the one that attracts him and strike out at those who cause him pain. It occurs to me that I am him when having an argument with my wife. Sometimes I am too intelligent and culturally different to talk to her and be understood. She gets mad at me and lashes out at me because when I am trying to make peace she thinks I am somehow making fun of her. How do you convince someone of anything if they always think your heartfelt apology is actually sarcasm? How do you share what’s in your heart if they are always looking for double meaning in everything you say?
But other people can change into monsters too. I am not the only one. People who are bitter about how their life seems to have turned out can strike out at others like the Mummy. Wrapped in restrictive wrappings of what they think should have been, and denied the eternal rest of satisfaction over the way the past treated them, they attack with intent to injure, even just with hurtful words, because their past sins have animated them with a need to change the past, though the time is long past when they should’ve let their bitterness simply die away.
And we might all of us fall into the trap of Victor Frankenstein’s monster, who never asked to be made. He finds life to be an unmanageable nightmare with others constantly assaulting him with the pitchforks and torches of their fear and rejection.
But the thing about monster movies… at least the good ones, is that you can watch it to the end and see the monster defeated. We realize in the end that the monster never really wins. He can defeat the monstrous qualities within himself and stop himself. Or the antidote to what ails him is discovered (as Luke did with Darth Vader). Or we can see him put to his justifiable end and remember that if we should see those qualities within ourselves, we should do something about it so that we do not suffer the same fate. Or, better yet, we can learn to laugh at the monstrosity that is every-day life. Humor is a panacea for most of life’s ills.
I am aware that nobody who looks at my blog ever clicks on my videos. This one, however, would be very useful if you are really going to read and engage with this essay. This self-reflection came into being as a response to watching this video. The video talks about how most people can’t stand to actually sit alone in a room with only themselves. And it has an impact. I have claimed in the past to being a devotee of the Theodore Roethke maxim, “Being, not doing, is my first love.” But how does one go about becoming truly self-aware? How does one enumerate the concept of “being”? I believe I can do it, but it requires a bit of self-examination. How do I do it?
Let me count the ways…
I put myself down on paper, through drawing or writing in English and look at the way it portrays me.
I find myself in both the written characters I create and the cartoon characters I draw. In Hidden Kingdom, my graphic novel, the Mouse and young Prinz Flute are both me. I can see myself both as the reluctant romantic hero and the snarky child-thing with a dangerous little bit of wisdom.
I learn to know more about my secret heart and what I truly think about the world I live in and react to by writing about what I think and the things that happen to me, both for good and ill. This blog is all about learning about myself, just as your blog is a mirror of who you really are. Consequently, I have no secrets left.
I not only reveal myself in this blog, but I also attempt to sing about myself in much the same way that Walt Whitman did in his poetry.
I live most of my life in my own imagination. It is a silly Willy Wonka world of images, songs, music, and dreams. It can all blow away in a moment when the sun comes out. It can also keep me in a light-obscuring cloud wrapped and safe, well away from the things I fear and the things that worry me. I came to realize I was repressing the memory of being sexually assaulted when I was ten through a dream when I was nineteen, re-living the event in a dream from which I awoke with a blinding flash of realization. I came to grips with the horror that mangled my childhood and young adulthood first by facing the fact that the nightmare had been real, and then by finding ways to overcome it. I became a teacher of young people in large part as a way to protect them and prevent such a thing from ever happening again to someone else.
I use my fictional stories about the girl Valerie Clarke to examine my relationships with my own daughter and a couple of old girlfriends from my youth.
I often worry that I don’t see real people as being real people. I tend to think of them from the first meeting onward as potential book characters, walking collections of details and quirks, conflicts and motivations. But I recognize too that that way of seeing with the author’s eye is not incorrect. People really are those things. There are rules and generalizations that everyone falls under at some point. It is not so much that I see real people as book characters as it is that I realize that book characters are as real as any other purportedly “real” people.
I am myself both the subject of my cartooning and fictionarooning, and the cartoon character of myself as well.
Mickey is not a real person. He is a cartoonist persona, a mask, a fake identity, and the lie I tell myself about who I actually am.
In this essay, I have attempted to explain to you who I think I am spending time with when I am alone in a room with myself. He is not such a terrible person to spend time with, this Mickey. Or else he really is truly awful, and I am lying about me and who I think I am when I am alone with me and have no other options. But probably not. I have been getting to know me for about 562 years, only exaggerating by 500, and I am not finished yet.
A new day dawns. It leaves me wondering. Who am I today? Who will I be tomorrow?
The opportunity to have any sort of control over who and what I am is coming to a close. I don’t really know how much longer I have before pain and illness dissolve me into nothingness. But death is not the end of existence. I may be forgotten totally by the day after next Thursday, but my existence will still have become a permanent fact. Yes, I am one of those dopey-derfy-think-too-much types known as an existentialist.
I am feeling ill again. Any time that happens may be the last time. But that doesn’t worry me.
The important thing is that the dance continues. It doesn’t matter who the dancers are, or who supplies the music.
We can be clowns if we choose to be.
We can safely be fools if we really can’t help it.
An awful lot of awful things go into who and what we are. Those things make us full of awe. They make us awesome. Aw, shucks. What an awful thing to say.
But what is all this stuff and nonsense really about today?
It’s just Mickey being Mickey… Mickey for another day.
It’s not really poetry. It certainly isn’t wisdom. It’s a little bit funny, and only mildly depressing… for a change.
It’s just Mickey being Mickey. And a partially Paffooney gallery.
In order to understand this story, you have to have a little bit of background first… a solid sense of context, in order to avoid anyone feeling that I might be ridiculing someone in an unfair or unloving way. So here’s a bit of context. I was a teacher for 31 years. I was considered a good teacher, in fact, a master teacher by something like 28 different principals and assistant principals, while only 3 felt like I was an incompetent mess, and two of those were eventually fired themselves. I only got fired once. So it can be safely assumed I know what incompetence in teaching is and can reliably identify it in others. Further, incompetence in teaching does not make you a bad person. Far too many people who believe they could be a good teacher have traits that would torpedo their own boat if they actually set sail on the sea of education. So, even though Grandma Frozenfield was a horrible teacher, she was actually a very nice and caring person, and makes a wonderful character for stories that lovingly make fun of bad teaching. And I should remind you, I don’t use real names when talking about people from my past so that their privacy is not violated by whatever my artist’s eye might reveal about them. The portrait I added to this post does not even look like her.
Grandma Frozenfield was a mid-year emergency hire who filled the position of 8th grade math teacher during my first year of teaching. She was already sixty-eight years old when she came to Cotulla, Texas, and she had five years of previous teaching experience in schools up north. How she survived five years in schools more competently run than Texas schools in the 80’s, I will never be able to figure out. She was able to hang on in our school for several years only because we were desperately strapped for warm bodies to teach Math classes in Texas junior high schools. Only idiots and coaches ever took on the job willingly.
Grandma Frozenfield had seventeen dogs and ninety-nine cats at home. That right there tells you something about which stereotype she easily fits into. But she was also a woman of great mystery. Her father had been a famous college professor in Minnesota. She had inherited a number of very valuable books from him, and kept them in random boxes stacked in dusty corners of the old run-down house she bought in town. She was actually quite bright, and though she would have spells of foggy thinking and confusion, she could capably discuss mathematics and physics and other sciences with me. She had a daughter who showed up during her third year of teaching at our school, and the daughter had a cute little son of about seven years old. Neither she nor her daughter had ever been married. In fact, rumor had it the daughter was telling people she was adopted. And her daughter and grandson disappeared from her life about four years after they started living with Grandma.
But the old lady was a spectacularly bad teacher. As bright as she was, she could never talk to kids or relate to kids in ways that kids could understand. She seemed to sincerely hate kids, calling them bad names in the classroom and telling them in detail how they would one day die in prison (a prediction that unfortunately came true for a couple of them). She would come into the teacher’s workroom after class plastered with spitballs on her back and in her hair.
A couple of the sweeter and more pro-active girls in her classes tried to protect her a bit from vandals and explained lessons to others in class to mitigate the chaos a bit.
She did not engage with students. Other than a few of the sweeter girls, she did not talk to them about anything but math. They didn’t understand her, and so they didn’t like her. She did not know how to monitor a classroom, so the infidels were on a rampage all the time in her room. It would definitely have felt like being in Hell to be her, teaching in that classroom. Why she ever wanted to be a teacher, she never said. I know it was in her family history. I know she was a caring, lovely individual. But when she died of throat cancer at 77 it was a lonely and sad thing. She had been forced to teach until two years before the end because of medical bills. She was never happy as a teacher that I observed. But she never missed a day without good reason, either. Good people don’t necessarily make good teachers. But she taught me things far beyond the 8th grade math she tried and failed to teach to students. I don’t think of her often. But I do think of her. She and her 17 dogs and 99 cats are all gone now. But not forgotten.
Yes, this post is a self-examination. Not the kind you see Donald Trump enacting every weekend, where he says any crappy thing that occurs to his craptastical very good brain to cover what he doesn’t want us to believe about the truth on Twitter and Truth Social, basically for the purpose of continuing to say he is great and we are poop. I do not like myself the way Trump likes himself. I am an old bag of gas that is in pain most of the time, in poor health, and the subject of endless persecution from Bank of America and other money-grubbing machines that are convinced any money I might accidentally have really belongs to them. But this is not a complain-about-crap fest either.
This is a self-examination that attempts to honestly examine where I am in my quest for wisdom and my affliction with being a writer.
If I am being honest about the type of writer I really am, I guess I am most like the Weird Recluse in the bottom corner. I can’t claim to be as good as Kafka or Dickinson, but I am definitely better than some of the crap that gets published and marketed as young adult literature. The business of publishing is more interested in how many books they can sell, rather than literary merit or good writing. Some of the crap that is out there and being made into bad movies (which I have not seen because I don’t go to movies that don’t pass the fiction-source smell test) is actually a form of brain poison that will mold young people into sexual predators and professional poop makers. And people will take poison happily if it has been deviously marketed well. So far, in the money test, I have made only $16.43 dollars as an author (plus whatever I have made from I-Universe that doesn’t cut a check until it reaches at least $25 dollars). Nobody is buying my books because nobody has read them. I have sold a few copies to friends and relatives. Some of those books are just sitting on a shelf somewhere unread. I have a couple of 5-star reviews on Amazon, and that is it. I will die in the near future not having known any measurable success from my books at all.
I have entered novels in writing contests and done well enough to make it into the final round of judging twice. I have not, however, made a big enough splash that anyone really noticed. I have paid reviewers to review my books online. One of those charged me money, and then reviewed a book with the same title by a different author, a book which was nothing like my book, and then, when forced to correct their error, only read the blurb on the back of the book to write the oopsie-I-goofed-last-time review. They were not worth the money I paid them, money that Bank of America could’ve sued me for instead.
The only thing I have done successfully as a writer is, I think, this goofy blog. By writing every day, I have managed to give myself considerable practice at connecting with readers. I have practiced writing humor and written some laughable stuff. I have plumbed my soul for new writing ideas and found a creative artesian well bubbling up with new ideas daily. I can regularly manufacture inspiration. I am never truly without an idea to write about. Even when I write a post about not having an idea to write about, I am lying. Of course, I am a fiction writer, so telling lies is what I do best. I am also a humorist, so that means I can also tell the truth when I have to, because the best humor is the kind where you surprise the reader with a thing that is weirdly true. Like just now.
So, somewhere ages and ages hence, I hope there will be a trove of old books in a cellar somewhere that will include one of mine. And some future kid will pick it up, read it, and laugh. The golden quality of that laughter is the only treasure I have really been searching for. It is the reason I write. It is the reason I continue to be Mickey.
Since I wrote this blog post originally, I have added a few books published on Amazon. You can find information about this random noveliciousness here at this page in my blog. Click on this linkie thingie here.
My journey as a writer actually began in grade school. I was writing Star Trek-like comics from the time I was in the fourth and fifth grade, ten and eleven years old. I called my comics Zebra Fleet, about the last fleet in the Star League on the distant, far reaches of the Milky Way Galaxy.
I started writing book-length stories in college, at Iowa State University. They weren’t all science fiction. They began to be more and more about the time and place where I grew up, Rowan, Iowa in the 1960s and 1970s They involved the people I knew there and then. My family, my friends, the people of Rowan, and random Iowegians. I based important characters on people I actually knew, mostly those I knew quite well. But I changed and swapped character details to hide their identities a little bit, and I gave them names that were mixed and matched and borrowed from the 1977 Ames, Iowa phone book. Dettbarn, Efram, Sumpter, Bircher, Clarke, MacMillan, White, and Murphy all came from there. Niland came from a famous alumni of the University of Iowa who played for the Dallas Cowboys.
In order to have food to eat and money to spend as an adult, I had to take my BA in English and add to it an MA in Education to get a job as a teacher. I took my closet full of nascent novels and moved to Texas where my dad’s job took my parents before I graduated college. There I added hundreds of characters who were perfect for Young Adult novels as I got to know real kids and learned about their real lives. I changed their names, details, and often cultures as I added them to my stories.
Other than a couple of shots in the dark as submissions of cartoons and manuscripts to publishers, I mostly kept my stories in the closet and focused more on teaching (which, to be fair, is also a form of story-telling.) I put my handful of rejection letters in the closet too.
But then, I got laid off for two years due to health and a wicked witch as a principal, and I spent my non-job-hunting time writing a novel about my science-fiction role-playing games with former students. It was called AeroQuest.
I managed to find a publisher for that book. But it was a bogus sort of experience. They paid me an advance of one dollar. Then they had me sign a seven-year contract in 2007. No editor or proofreader even worked for them. I basically had to edit and format the book myself. All they did is intentionally flub-up some titles and sections of text in the printed form. This was part of the master plan to get me to pay for an extensive fix to the mistakes they made. The only marketing they did was to send a notice for my over-priced paperback to the list of friends and relatives that they required me to make for them. Publish America is no longer in business. They were closed down by a class-action lawsuit from the authors they had tricked into paying them thousands of dollars for totally defective publishing services. Since I didn’t pay them any scam pennies, I didn’t get any of the money from the lawsuit. I only got my publishing rights back.
So, I went back to whole-heartedly teaching. Then, in 2012 I completed another manuscript that I thought was the best work that I had ever done. I submitted it to I-Universe publishers. They read it and loved it. As it turned out, they were in the process of being acquired by Penguin Books. They were the closest thing to a mainstream publisher that would entertain submissions by new and unproven authors like me.
They, of course, were offering a publishing package that included working with real editors and marketing personnel. But I had to go a bit into debt to swing the price. So, I was still paying someone to publish my book correctly. But, as a step in my author’s journey, it was invaluable. I got to work closely with an experienced editor who had previously worked for both MacMillan and Harcourt, two mainstream traditional publishers.
My book was given the stock cover you see here despite the cover requests I made and got approved. My original ask was apparently too expensive to print. There is no girl flying a kite in the story at all, let alone at night. It is a story about incompetent aliens trying to invade a small town in Iowa. I had requested a flying saucer with a kite flying behind it.
That first real publisher, though, made me into a real writer. The I-Universe marketeers got me listed as a winner of the Editor’s Choice Award. And they put that award and the Rising Star award on every paperback copy they printed. Everyone who read the book seemed to really like it. They set me up with this blog, space on their website for my book and bio, and they put me in touch with Barnes and Noble to talk about “meet the author” sessions to promote getting the book on their shelves. But a trip to the hospital with pneumonia and the end of the room on my Discover Card caused me to bring an end to my marketing campaign. I ended up with two five-star reviews and sixteen dollars-worth of royalties.
At this point in the story, temporarily stalled, I must start touting the part two of my essay for today. I should warn you, I have a lot more negative things to say about publishing next time.
It is normal for the world we live in to inspire us to draw pictures of it. But architects do the opposite. They imagine a world we could live in, and then build it.
David and Me in Cotulla
Sometimes, like in the picture above, I draw real people in imaginary places. Other times I draw imaginary people and put them in real places.
Gyro and Billy on the planet Pan Galactica A
Sometimes I put imaginary people in imaginary places. (I photo-shopped this planet myself.)
Superchicken and Sherry before school
In fiction, I am re-casting my real past as something fictional, so the places I draw with words in descriptions need to be as real as my amber-colored memory can manage.
Valerie and her skateboard in front of the Congregational Church
When I use photos, though, I have to deal with the fact that over time, places change. The church does not look exactly like it did in the 1980s when this drawing is set.
Drawing things I once saw, and by “drawing” I mean “making pictures,” is how I recreate myself to give my own life meaning.
I recently learned from the eye doctor that I may be at the doorstep of glaucoma, a disease that darkened my grandmother Beyer’s vision and connection to the light.
I am doing some serious editing now on my completed manuscript, Sing Sad Songs. There is serious foreshadowing going on in this novel. I think I mentioned once or twice before that I only rarely write a comic young adult novel without having some important character dying at the end. Death and dying and going blind are all on my mind.
News on the global warming front is increasingly bleak. Temperatures are rising faster than predicted. The date cited for the end of life on Earth is now 2030 (possibly within the scope of my lifetime if I get luckier than I have been on past health issues). The outlook is bleak and getting bleaker. Soon there has to be an absolutely miraculous technological or cultural revolution to help the optimists prove themselves right, a thing that they are totally not good at.
I wish I had a Steven Miller cartoon to place here, but he is much scarier and more evil than Stone, so maybe it is for the best that I only have the Stone head cartoon. It’s funnier than Racist Dracula.
The government seems increasingly incapable of helping with anything, even though some of us are paying increasingly large tax bills thanks to insane tariff programs, a form of sales tax, which, of course, we can’t afford. (I do realize some of you who are not on a fixed income actually got a small benefit from Republican tax cuts. Did that solve your financial problems?) It increasingly looks like the corrupt clown show currently in charge is blowing themselves up. We stand to get a whole new government soon that is marginally better at best. So, we are, as a society, marching forward into the darkness with neo-fascist, goose-stepping zeal.
I am not saying that I have no hope. My grandmother got help and never went completely blind. There are breakthroughs happening all the time in science and sociology. But the darkness in my personal future is growing ever closer. And I have less and less control over its advance.
But the thing about monster movies… at least the good ones, is that you can watch it to the end and see the monster defeated. We realize in the end that the monster never really wins. He can defeat the monstrous qualities within himself and stop himself. Or the antidote to what ails him is discovered (as Luke did with Darth Vader). Or we can see him put to his justifiable end and remember that if we should see those qualities within ourselves, we should do something about it so that we do not suffer the same fate. Or, better yet, we can learn to laugh at the monstrosity that is every-day life. Humor is a panacea for most of life’s ills.
Catch a Falling Star 
Mickey Being Mickey
A new day dawns. It leaves me wondering. Who am I today? Who will I be tomorrow?
The opportunity to have any sort of control over who and what I am is coming to a close. I don’t really know how much longer I have before pain and illness dissolve me into nothingness. But death is not the end of existence. I may be forgotten totally by the day after next Thursday, but my existence will still have become a permanent fact. Yes, I am one of those dopey-derfy-think-too-much types known as an existentialist.
I am feeling ill again. Any time that happens may be the last time. But that doesn’t worry me.
The important thing is that the dance continues. It doesn’t matter who the dancers are, or who supplies the music.
We can be clowns if we choose to be.
We can safely be fools if we really can’t help it.
An awful lot of awful things go into who and what we are. Those things make us full of awe. They make us awesome. Aw, shucks. What an awful thing to say.
But what is all this stuff and nonsense really about today?
It’s just Mickey being Mickey… Mickey for another day.
It’s not really poetry. It certainly isn’t wisdom. It’s a little bit funny, and only mildly depressing… for a change.
It’s just Mickey being Mickey. And a partially Paffooney gallery.
…To fill some space today.
And wonder about tomorrow.
And just be Mickey a little bit more.
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Filed under artwork, autobiography, cartoony Paffooney, commentary, goofy thoughts, humor, illness, Paffooney, self portrait, strange and wonderful ideas about life
Tagged as Mussorgsky, Pictures at an Exhibition