My journey as a writer actually began in grade school. I was writing Star Trek-like comics from the time I was in the fourth and fifth grade, ten and eleven years old. I called my comics Zebra Fleet, about the last fleet in the Star League on the distant, far reaches of the Milky Way Galaxy.
I started writing book-length stories in college, at Iowa State University. They weren’t all science fiction. They began to be more and more about the time and place where I grew up, Rowan, Iowa in the 1960s and 1970s They involved the people I knew there and then. My family, my friends, the people of Rowan, and random Iowegians. I based important characters on people I actually knew, mostly those I knew quite well. But I changed and swapped character details to hide their identities a little bit, and I gave them names that were mixed and matched and borrowed from the 1977 Ames, Iowa phone book. Dettbarn, Efram, Sumpter, Bircher, Clarke, MacMillan, White, and Murphy all came from there. Niland came from a famous alumni of the University of Iowa who played for the Dallas Cowboys.
In order to have food to eat and money to spend as an adult, I had to take my BA in English and add to it an MA in Education to get a job as a teacher. I took my closet full of nascent novels and moved to Texas where my dad’s job took my parents before I graduated college. There I added hundreds of characters who were perfect for Young Adult novels as I got to know real kids and learned about their real lives. I changed their names, details, and often cultures as I added them to my stories.
Other than a couple of shots in the dark as submissions of cartoons and manuscripts to publishers, I mostly kept my stories in the closet and focused more on teaching (which, to be fair, is also a form of story-telling.) I put my handful of rejection letters in the closet too.
But then, I got laid off for two years due to health and a wicked witch as a principal, and I spent my non-job-hunting time writing a novel about my science-fiction role-playing games with former students. It was called AeroQuest.
I managed to find a publisher for that book. But it was a bogus sort of experience. They paid me an advance of one dollar. Then they had me sign a seven-year contract in 2007. No editor or proofreader even worked for them. I basically had to edit and format the book myself. All they did is intentionally flub-up some titles and sections of text in the printed form. This was part of the master plan to get me to pay for an extensive fix to the mistakes they made. The only marketing they did was to send a notice for my over-priced paperback to the list of friends and relatives that they required me to make for them. Publish America is no longer in business. They were closed down by a class-action lawsuit from the authors they had tricked into paying them thousands of dollars for totally defective publishing services. Since I didn’t pay them any scam pennies, I didn’t get any of the money from the lawsuit. I only got my publishing rights back.
So, I went back to whole-heartedly teaching. Then, in 2012 I completed another manuscript that I thought was the best work that I had ever done. I submitted it to I-Universe publishers. They read it and loved it. As it turned out, they were in the process of being acquired by Penguin Books. They were the closest thing to a mainstream publisher that would entertain submissions by new and unproven authors like me.
They, of course, were offering a publishing package that included working with real editors and marketing personnel. But I had to go a bit into debt to swing the price. So, I was still paying someone to publish my book correctly. But, as a step in my author’s journey, it was invaluable. I got to work closely with an experienced editor who had previously worked for both MacMillan and Harcourt, two mainstream traditional publishers.
My book was given the stock cover you see here despite the cover requests I made and got approved. My original ask was apparently too expensive to print. There is no girl flying a kite in the story at all, let alone at night. It is a story about incompetent aliens trying to invade a small town in Iowa. I had requested a flying saucer with a kite flying behind it.
That first real publisher, though, made me into a real writer. The I-Universe marketeers got me listed as a winner of the Editor’s Choice Award. And they put that award and the Rising Star award on every paperback copy they printed. Everyone who read the book seemed to really like it. They set me up with this blog, space on their website for my book and bio, and they put me in touch with Barnes and Noble to talk about “meet the author” sessions to promote getting the book on their shelves. But a trip to the hospital with pneumonia and the end of the room on my Discover Card caused me to bring an end to my marketing campaign. I ended up with two five-star reviews and sixteen dollars-worth of royalties.
At this point in the story, temporarily stalled, I must start touting the part two of my essay for today. I should warn you, I have a lot more negative things to say about publishing next time.
It is normal for the world we live in to inspire us to draw pictures of it. But architects do the opposite. They imagine a world we could live in, and then build it.
David and Me in Cotulla
Sometimes, like in the picture above, I draw real people in imaginary places. Other times I draw imaginary people and put them in real places.
Gyro and Billy on the planet Pan Galactica A
Sometimes I put imaginary people in imaginary places. (I photo-shopped this planet myself.)
Superchicken and Sherry before school
In fiction, I am re-casting my real past as something fictional, so the places I draw with words in descriptions need to be as real as my amber-colored memory can manage.
Valerie and her skateboard in front of the Congregational Church
When I use photos, though, I have to deal with the fact that over time, places change. The church does not look exactly like it did in the 1980s when this drawing is set.
Drawing things I once saw, and by “drawing” I mean “making pictures,” is how I recreate myself to give my own life meaning.
I recently learned from the eye doctor that I may be at the doorstep of glaucoma, a disease that darkened my grandmother Beyer’s vision and connection to the light.
I am doing some serious editing now on my completed manuscript, Sing Sad Songs. There is serious foreshadowing going on in this novel. I think I mentioned once or twice before that I only rarely write a comic young adult novel without having some important character dying at the end. Death and dying and going blind are all on my mind.
News on the global warming front is increasingly bleak. Temperatures are rising faster than predicted. The date cited for the end of life on Earth is now 2030 (possibly within the scope of my lifetime if I get luckier than I have been on past health issues). The outlook is bleak and getting bleaker. Soon there has to be an absolutely miraculous technological or cultural revolution to help the optimists prove themselves right, a thing that they are totally not good at.
I wish I had a Steven Miller cartoon to place here, but he is much scarier and more evil than Stone, so maybe it is for the best that I only have the Stone head cartoon. It’s funnier than Racist Dracula.
The government seems increasingly incapable of helping with anything, even though some of us are paying increasingly large tax bills thanks to insane tariff programs, a form of sales tax, which, of course, we can’t afford. (I do realize some of you who are not on a fixed income actually got a small benefit from Republican tax cuts. Did that solve your financial problems?) It increasingly looks like the corrupt clown show currently in charge is blowing themselves up. We stand to get a whole new government soon that is marginally better at best. So, we are, as a society, marching forward into the darkness with neo-fascist, goose-stepping zeal.
I am not saying that I have no hope. My grandmother got help and never went completely blind. There are breakthroughs happening all the time in science and sociology. But the darkness in my personal future is growing ever closer. And I have less and less control over its advance.
Yesterday I posted another maudlin doomsday post. I probably gave you the opinion that all I do with my time is mope around and think about death. And maybe write a little creepy black Gothic poetry. But that’s not me. I am a lover of the humor in stories by Mark Twain, Charles Dickens, and Kurt Vonnegut. I am a former teacher that managed to teach the entire zoological range of possible middle school and high school students in Texas and did it without being convinced to hate them rather than love them. Yes, my heart is full of mirth and love and memories of weird kids and troubled kids and kids that could melt the meanest of hearts.
My passion is writing fictional stories about the kids I have taught, including my own three, and setting it in a fictionalized version of my little town, the place in Iowa where I grew up. And I put them in plots of impossible fantasy and science fiction in a way that can only be explained as surrealism.
Nobody reads my books. So far, at any rate.
But that isn’t the important thing. The important thing is that, despite my illness and deteriorating quality of life, my books now actually exist. I put off being a full-time writer for 33 years as I finished my teaching career. A writer has to have something to write about. So, teaching came first.
Writing novels was always the ultimate goal, however. I am a story-teller. The story itself is in the very center of my heart.
Not everyone pictured in this post is actually a family member by marriage, but my wife has a big family and everyone who is even remotely related to a Filipino family… or even imagines that they are… is family.
I am about as much of a white-guy WASP-type as you can find in Middle America, having grown up in Iowa and teaching for my entire career in Texas. But I know a thing or two… or three about other cultures. I taught in South Texas for 23 years with students who were over 85% Spanish-speaking. And then, in 1995, I married into the Pinoy culture of the Philippine Islands.
Me and my Filipino-American familia… circa 2003.
There are some things I have learned about this other culture that you should probably be aware of.
#1. The United States is being invaded and colonized by the Philippines. They are coming here in waves, getting jobs in education and medicine that not enough of home-grown America are willing to take up. My wife came here with a placement company as a teacher. Three of her group of Filipino teachers landed in our little Cotulla school district. When she got here, she was met by her cousin and her cousin’s family. There was a Filipina woman and her young son in the Valley that also took an interest in helping her get settled in Texas. All of these people… and all of their friends and relatives are still a part of our lives. My wife’s sister and her family lived in California where dozens of cousins also lived. They and my wife’s parents have since moved to Texas, along with two other sisters and their families. You get the idea. They are taking over.
#2. As you can see, Filipinos love to take pictures. Above is a picture from class where my niece goes to school back in Floridablanca in the Philippines. People complain about pictures of food on Facebook. My Filipino family puts the Food Network to shame. Sometimes I can’t tell if they are eating another exotic Filipino dish with rice and meat or they’ve been putting firecrackers into fish and exploding them. And the fish eyes are a delicacy. Eeuw! My sisters in Iowa won’t even let me talk about the food at Filipino gatherings. I have to be extremely careful of what I share on Facebook.
#3. To know about Filipino culture, you have to understand what Jollibee is all about. Jollibee is the Filipino MacDonald’s. Of course, it is cheaper… and better tasting. There are a few of them around the country here. California has more than Texas. They are like a giant Filipino magnet. You go there to find the Filipino community in any American city. But other people love the food too. You have to sort the Filipinos from the Hispanics and white folks that are not too proud to eat cheap and delicious.
Well, those are only about three things that you should probably know about Filipinos and Pinoy culture. I haven’t even gotten into the thing about Matrilineal social orders or the evils of Karaoke addiction… but enough is enough for one day. I have no idea how much trouble I am now in for revealing cultural secrets. It could be a long cold night in the dog house.
“Kaw-Liga” KAW-LIGA, was a wooden Indian standing by the door He fell in love with an Indian maid over in the antique store KAW-LIGA – A, just stood there and never let it show So she could never answer “YES” or “NO”.
He always wore his Sunday feathers and held a tomahawk The maiden wore her beads and braids and hoped someday he’d talk KAW-LIGA – A, too stubborn to ever show a sign Because his heart was made of knotty pine.
[Chorus:] Poor ol’ KAW-LIGA, he never got a kiss Poor ol’ KAW-LIGA, he don’t know what he missed Is it any wonder that his face is red KAW-LIGA, that poor ol’ wooden head.
KAW-LIGA, was a lonely Indian never went nowhere His heart was set on the Indian maiden with the coal black hair KAW-LIGA – A, just stood there and never let it show So she could never answer “YES” or “NO”.
Then one day a wealthy customer bought the Indian maid And took her, oh, so far away, but ol’ KAW-LIGA stayed KAW-LIGA – A, just stands there as lonely as can be And wishes he was still an old pine tree.
The quirky movie I reviewed, Moonrise Kingdom, reconnected me with a song I loved as a child. It was on an old 45 record that belonged to my mother’s best friend from high school. When the Retleffs sold their farm and tore down their house and barn, they had a huge estate sale. My mother bought the old record player and all the collected records that Aunt Jenny still had. They were the same ones my mother and her friend Edna had listened to over and over. There were two records of singles about Indian love. Running Bear was about an Indian boy who fell in love with little White Dove. They lived on opposite sides of a river. Overcome with love, they both jump into the river, swim to the middle, lock lips, and both drown. Together forever. That song, it turns out, was written by the Big Bopper, and given to Johnny Preston to sing, and released the year after the Big Bopper died in a plane crash along with Buddy Holly and Richie Valens.
Kaw-liga, by Hank Williams, was a wooden Indian sitting in front of a cigar store. His love story is even worse. As you can see from the lyrics above, he never even gets the girl. Dang, Indian love must be heck!
But I have come to realize that these aren’t merely racist songs from a bygone era. They hold within them a plea for something essential. They are a reminder that we need love to be alive.
When I was young and deeply depressed… though also insufferably creative and unable to control the powers of my danged big brain, I knew that I wanted love. There was one girl who went to school with me, lovely Alicia Stewart (I am not brave enough to use her real name), that filled my dreams. We were classmates, and alphabetical seating charts routinely put us near each other. She had a hypnotic sparkle in her eyes whenever she laughed at my jokes. She was so sweet to me… sweet to everyone… that she probably caused my diabetes. I longed to carry her books or hold her hand. I cherished every time she spoke to me, and collected the memories like stamps in a stamp album. But like the stupid cigar store Indian, I never spoke up for myself. I never told her how I felt. I was endlessly like Charlie Brown with the Little Red-Haired Girl. Sometimes you have to screw up your courage and leap into the river, even if it means your undoing. Because love is worth it. Love is necessary. And it comes to everybody in one way or another over time. I look at pictures of her grandchildren posted on Facebook now, and wonder what might have been, if only… if only I had jumped in that stupid river. I did find love. And I probably would’ve drowned had I done it back then. Life has a way of working things out eventually. But there has to be some reason that in the 50’s, when I was born, they just kept singing about Indian love.
When you spend most of your time writing and thinking with the Sword of Damocles hanging over your head and the hourglass of your life looking more and more like the sands of time are running out, you are tempted to take the curves too fast and make extremely stupid mistakes that make your brain crash into a brick wall of stupidity. You are stuck in a stupor of stupidity that must somehow un-stupid you with downtime and do-nothing brainless activity. I won’t try to explain what I did wrong, because, after all, I am still stupid at the moment and don’t really know what I did wrong.
A Hermione Harry-Potter doll, which is my birthday present.
I bought myself a doll yesterday. I spent some of my birthday money on it. My octogenarian mother sends me birthday money every year to remind me how many years beyond sixty I have aged, especially now that, after more than twenty years spent not celebrating birthdays as a nominal Jehovah’s Witness, I am now no longer associated with prohibitions from God due to the arbitrary rules of religion. It was a stupid act based on the fact that I have been avoiding wasting money on my doll-collecting hoarding disorder for a matter of months. It could be like an alcoholic taking a drink after months of being sober. But the doll is pretty in a magical sort of way and provides me with someone else to talk to when I am brooding about being stupid.
It may seem like, since I am writing this while still stupid, that I am saying that being stupid is, by definition, a bad thing. If I am saying that, it is only because I am currently stupid.
If you look at the smiles on the faces of the gentleman with the brown cap and Scraggles the mouser, you can easily see that being happy is a simple thing. And it is the province of simple people, not complicated and extremely smart people. I can testify from hard experience that being too smart is a barrier to being simply happy. So, I benefit emotionally from being stupid this Sunday.
As to being stupid today and what caused it, well, it may have something to do with the fact that I am currently editing The Baby Werewolf, the most complex and potentially controversial novel I have ever written. Horror stories often mine and expose the author’s own traumas and fundamental fears. And I am trying to publish it as the fourth novel I have published in 2018. Is that biting off more than I can chew with my old teeth? I don’t know the answer. I am currently pretty stupid.
Candle-lit nightmares become stories and keep me awake late at night.
I am now closing in on the publication of The Baby Werewolf, a novel whose story began with a nightmare in 1978. It was a dream I had about being a monster. I woke up in a cold sweat and realized, to my complete horror, that I had been repressing the memory of being sexually assaulted for twelve years, the thing that almost brought me to suicide in 1973 and that I couldn’t put into words when I talked to counselors and ministers and friends who tried to keep me alive without even knowing that that was what the dark black words were about.
I don’t normally write horror stories. Yes, it is true, a character of some sort dies at the end of practically every novel I have ever written, but those are comedies. I am sort of the anti-Shakespeare in that sense. The Bard wrote comedies that ended with weddings and tragedies that end in death. So, since my comedies all seem to end in death, I guess if I ever write a tragedy, it will have to end with a wedding.
Torrie Brownfield
But writing this horror story is no joke for me, though I admit to using humor in it liberally. It is a necessary act of confession and redemption for me to put all those dark and terrible feelings into words.
The main theme of the story is coming to grips with feeling like you are a monster when it is actually someone else’s fault that you feel that way. Torrie, the main character, is not the real werewolf of the story. He is merely a boy with hypertrichosis, the werewolf-hair disorder. He has been made to feel like a monster because of the psychological and physical abuse heaped upon him by the real werewolf of the story, an unhappy child pornographer and abuser who is enabled by other adults who should know better and who should not be so easily fooled. The basis of the tale is the suffering I myself experienced as a child victim.
It is not easy to write a story like this, draining pain from scars on my own soul to paint a portrait of something that still terrifies me to this day, even though I am more than sixty years old and my abuser is now dead. But as I continue to reread and edit this book, I can’t help but feel like it has been worth the pain and the striving. No one else in the entire world may ever want to read this book, but I am proud of it. It allowed me to put a silver bullet in the heart of a werewolf who has been chasing me for fifty-two years. And that’s how the monster movie in my head is supposed to end, with the monster dead, even though I know the possibility of more monsters in the darkness still exists.
He was one of my all-time favorite students. I know I say that about an awful lot of kids. I can’t help it. Once you get to know them well enough to teach them anything, you tend to be hooked for life. They are your kid. You are their teacher. And that means almost as much as if they were born to you.
I first got to know Johnny on one frightful morning in September of 1984. He was a tiny, frail little seventh-grade boy sitting in the second seat of the second row. And as I was trying to get them to read a short story in the literature book, he kept nodding off, falling asleep. Sleeping is not an effective reading strategy. Three times I tried to wake him up and get him on task. He could have told me then, but he was painfully shy, and the only word I had heard from him was, “Here,” spoken during roll call. So, the fourth time I took him outside the classroom door to ask him what was wrong. He was deathly pale.
“What’s wrong? What do we need to do to make it better?”
He looked towards the boys’ restroom. “I gotta go…”
I told him to go, then followed him down to the restroom because I knew it was something serious. Serious enough to leave my class unattended. But they were deathly quiet, because unlike me, they knew what was wrong. I found him throwing up in the trash can. He told me he was sick in a barely audible voice.
Immediately I went to the office and told the secretary that he was ill.
“They have juice for him in the refrigerator in the ESL room,” Ms. Lawler said. “I’m sorry we haven’t gotten the nurse’s list out to teachers yet. He’s got juvenile diabetes.”
Whoa! I didn’t know much about diabetes then, but I did know it was too deadly of a thing to allow myself not to know everything I needed to know. At the time the school nurse had to take care of all four campuses in the school district, and she was only at the Junior High on Thursdays.
Thankfully, over time, not only did I learn more about handling that disease, but medical science did too. When I would later develop adult-onset diabetes in 2000, treatment for diabetics would become much more effective, rendering the disease far less destructive.
As for Johnny himself, he became a part of the small group of housing-project kids who would come to my apartment on Saturdays, and sometimes after school to hang out, use my computer, and play table-top role-playing games. I made a special effort to engage Johnny in conversations about a little of everything. He was a very bright boy when he felt well. I got to know his seriously diabetic mother too. And his older sister would later become a nurse at the local doctor’s office, so I got to know her as well. Johnny didn’t have a father at the time, which also applied to each of the other boys from the project, except for the Camacho brothers whose father was a seriously depressed Vietnam veteran. I suppose that’s why Johnny became like a son to me, one of five boys who at the time treated me like a second father. I taught him. I entertained him. And occasionally I cooked for him.
One of my two girlfriends at the time that I was mentoring Johnny liked to give him sugar-free candy. She got so accustomed to always having some available at her place that she actually got hooked on it herself.
In school Johnny opened up the way a cactus flower blooms when it gets a little rain. He began to talk to other kids a lot. He made himself into a group leader, and he even went out for high school football. Truthfully, I was amazed by him on the football field. He played defensive back. And he played like a star. I watched him intercept the ball about three times and run it back the other way. The coaches soon felt about him the same way I did. He was part of their family too.
And it turns out that being physically fit practically cures juvenile diabetes.
He got stronger and healthier with each season. He gave me the football portrait not because I had anything to do with his success, but because he loved me. I have hugged that boy three times in my lifetime, and each time is a cherished memory that I hope to carry with me to Xibalba, the Mayan Land of the Dead.
When I developed diabetes myself, Johnny’s older sister kept track of my wellness charts herself. Johnny’s family was experienced with handling diabetes, and they looked after me like a member of their family.
The last time I saw Johnny it was in the hallway at school. It was only a year before I left Cotulla for good. He had come especially to see me. I didn’t even recognize him at first because I hadn’t seen him for a decade. I wanted to talk to him and catch up. But I had to pick up my eldest son that day from second grade as he had been ill. I was not feeling well myself. So, I asked for a rain check. He still had that beautiful smile. And he didn’t tell me that that was the only chance he had to see me before leaving town again. It broke my heart when they told me that later.
But I see him again now as I tell you the story of Sugar-Free Johnny. He was probably the sweetest kid I ever taught. He will always be a part of my story. And apparently I am part of his story too.
This is actually a repost of an older essay since I am ill again and fighting to think in between coughing fits. Where this says I have only been naked once at the nudist park, that is no longer true as I have revisited the same park with my AANR membership.
I do now admit to being a nudist… or naturist if you prefer. To me that means, if given a choice, I would prefer to be naked all the time. Especially in a natural setting outdoors. I have probably spent more time in the company of naked people than you have, even though I was never myself nude in a social setting until my one and only visit to the Bluebonnet Naturist Park in Alvord, Texas. I was a visitor at the clothing-optional apartment complex at Manor Road in Austin a number of times in the 1980s when my girlfriend’s sister was a resident there. They asked me to disrobe a couple of times, but, as a visitor, I exercised my option. And I corresponded with Floridian nudists by letter, email, and subscriptions to nudist publications through the 1990s.
“Nature Walk”
But it is very nearly an ironic notion that I am literally a nudist. My wife is opposed to nakedness for religious reasons. Although members of my family were fine with skinny-dipping in our pool until it developed fatal foundation cracks, we no longer tolerate nudity at home, except in the shower and the bedroom behind closed doors. And being naked outdoors, though it always used to be good for my health, now is a problem with my increased susceptibility to the return of skin cancer, and the fact that my psoriasis sores, in addition to being ghastly to look at, get dry, cracked, and bloody with a chance of infection far easier than they ever used to. And I have more of them.
If I am being honest, I am not really a literal nudist anymore. I don’t get naked much at all anymore. I do correspond via Twitter with other nudists, especially other nudist authors and cartoonists. But that has its down sides too. Twitter followers who are evangelical Christians un-follow me instantly when they actually see a nudist-friendly post or comment from me. Nudists are apparently among the vast multitudes of sinners destined for Hell. And being part of the Twitter-nudist community also seems to attract unwanted attention from those who love pornography, as well as those who wish to exploit the “prurient interests” of others (which, in my humble experience, is not the interests of real nudists.)
So…
I have always found it challenging to be an actual nudist. I do the best I can, but, as I have repeatedly written in other posts about the subject, I was sexually assaulted by an older boy when I was ten. I spent years overcoming an aversion to ever being seen naked by others.
That aversion prevented me from embracing a positive body image of myself for the rest of my childhood and well into my young adulthood. I was deprived of the joys of skinny-dipping in the Iowa River and being comfortable in my own skin. That was a definite drawback when it came to showers in school after P.E. Class, or showers after football, basketball, or track practice. I was robbed of my sense of naked childhood innocence. I felt like I had a terrible secret to keep, and I was secretly a monster for having naked feelings.
So, in order to be more like a valid, real person, Mickey, as a nudist, has committed himself to being a Spiritual Nudist. A Spiritual Nudist doesn’t hide anything by wearing clothing. A Spiritual Nudist is honest, and tells the naked truth. And a Spiritual Nudist doesn’t have to be actually naked to be Spiritually nude.
I may not now fit the definition of an actual, literal nudist anymore. But I can think like a nudist, tell nudist stories, and draw naked people (in a non-pornographic way). And like a real nudist, I no longer worry about what other people think. The naked truth is still the truth. And maybe even more-so than when people wear their clothes as if it were a disguise.
Catch a Falling Star 
My Bookish Journey
My journey as a writer actually began in grade school. I was writing Star Trek-like comics from the time I was in the fourth and fifth grade, ten and eleven years old. I called my comics Zebra Fleet, about the last fleet in the Star League on the distant, far reaches of the Milky Way Galaxy.
I started writing book-length stories in college, at Iowa State University. They weren’t all science fiction. They began to be more and more about the time and place where I grew up, Rowan, Iowa in the 1960s and 1970s They involved the people I knew there and then. My family, my friends, the people of Rowan, and random Iowegians. I based important characters on people I actually knew, mostly those I knew quite well. But I changed and swapped character details to hide their identities a little bit, and I gave them names that were mixed and matched and borrowed from the 1977 Ames, Iowa phone book. Dettbarn, Efram, Sumpter, Bircher, Clarke, MacMillan, White, and Murphy all came from there. Niland came from a famous alumni of the University of Iowa who played for the Dallas Cowboys.
In order to have food to eat and money to spend as an adult, I had to take my BA in English and add to it an MA in Education to get a job as a teacher. I took my closet full of nascent novels and moved to Texas where my dad’s job took my parents before I graduated college. There I added hundreds of characters who were perfect for Young Adult novels as I got to know real kids and learned about their real lives. I changed their names, details, and often cultures as I added them to my stories.
Other than a couple of shots in the dark as submissions of cartoons and manuscripts to publishers, I mostly kept my stories in the closet and focused more on teaching (which, to be fair, is also a form of story-telling.) I put my handful of rejection letters in the closet too.
But then, I got laid off for two years due to health and a wicked witch as a principal, and I spent my non-job-hunting time writing a novel about my science-fiction role-playing games with former students. It was called AeroQuest.
I managed to find a publisher for that book. But it was a bogus sort of experience. They paid me an advance of one dollar. Then they had me sign a seven-year contract in 2007. No editor or proofreader even worked for them. I basically had to edit and format the book myself. All they did is intentionally flub-up some titles and sections of text in the printed form. This was part of the master plan to get me to pay for an extensive fix to the mistakes they made. The only marketing they did was to send a notice for my over-priced paperback to the list of friends and relatives that they required me to make for them. Publish America is no longer in business. They were closed down by a class-action lawsuit from the authors they had tricked into paying them thousands of dollars for totally defective publishing services. Since I didn’t pay them any scam pennies, I didn’t get any of the money from the lawsuit. I only got my publishing rights back.
So, I went back to whole-heartedly teaching. Then, in 2012 I completed another manuscript that I thought was the best work that I had ever done. I submitted it to I-Universe publishers. They read it and loved it. As it turned out, they were in the process of being acquired by Penguin Books. They were the closest thing to a mainstream publisher that would entertain submissions by new and unproven authors like me.
They, of course, were offering a publishing package that included working with real editors and marketing personnel. But I had to go a bit into debt to swing the price. So, I was still paying someone to publish my book correctly. But, as a step in my author’s journey, it was invaluable. I got to work closely with an experienced editor who had previously worked for both MacMillan and Harcourt, two mainstream traditional publishers.
My book was given the stock cover you see here despite the cover requests I made and got approved. My original ask was apparently too expensive to print. There is no girl flying a kite in the story at all, let alone at night. It is a story about incompetent aliens trying to invade a small town in Iowa. I had requested a flying saucer with a kite flying behind it.
That first real publisher, though, made me into a real writer. The I-Universe marketeers got me listed as a winner of the Editor’s Choice Award. And they put that award and the Rising Star award on every paperback copy they printed. Everyone who read the book seemed to really like it. They set me up with this blog, space on their website for my book and bio, and they put me in touch with Barnes and Noble to talk about “meet the author” sessions to promote getting the book on their shelves. But a trip to the hospital with pneumonia and the end of the room on my Discover Card caused me to bring an end to my marketing campaign. I ended up with two five-star reviews and sixteen dollars-worth of royalties.
At this point in the story, temporarily stalled, I must start touting the part two of my essay for today. I should warn you, I have a lot more negative things to say about publishing next time.
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