Category Archives: artwork

Being Ignored

I have never been an attention-seeker. In the Elysian Fields of modern society, I have never really been the honeybee. I have always been the flower. I had a reputation in high school for being the quiet nerd who ends up surprising you immensely in speech class, at the science fair, or at the art show. I was the one they all turned to when everybody in the conversation had already had their chance to strut and pontificate and say dumb things, and they were finally ready to get the solution to the problem being discussed, or the best suggestion on where to begin to find it.

When I became the teacher of the class instead of the student, I had to make major changes. I had to go from being patient, quiet, and shy to being the fearless presenter, forceful, sharp as an imparter of knowledge, and able to be easily understood, even by the kids whom you couldn’t legally call stupid, but were less than smart, and not in a pleasant Forrest Gump sort of way.

Shyness is only ever overcome by determination and practice. The standard advice given is to picture your audience naked so that you are not intimidated by them. But if your audience is seventh graders, you have to be extra careful about that. They are metaphorically naked all the time, ready at a moment’s notice to explode out of any metaphorical clothing they have learned to wear to cover the things that they wish to keep to themselves about themselves. And while you want them to open up and talk to you, you don’t want the emotional nakedness of having them sobbing in front of the entire class, or throwing things at you in the throes of a mega-tantrum over their love-life and the resulting soap operas of betrayal and revenge. And you definitely don’t want any literal nakedness in your classroom. (Please put your sweat pants back on, Keesha. Those shorts are not within the limits of the dress code.) Calling attention to yourself and what you have to say, because you are being paid to do so, is a critical, yet tricky thing to do. You want them looking at you, and actually thinking about what you are saying (preferably without imagining you naked, which they will do at any sort of unintentional slip or accidental prompting.) The ones who ignore you are a problem that has to be remedied individually and can eat up the majority of your teaching time.

I trained myself to be fairly good at commanding the attention of the room.

But now that I am retired, things have changed. I can still command attention in the room, which I proved to myself by being a successful substitute teacher last year. But I no longer have a captive audience that I can speak to five days a week in a classroom. Now my audience is whoever happens to see this blog and is intrigued enough by the title and pictures to read my words.

Now that I am retired and only speaking to the world at large through writing, I am ignored more than ever before. Being ignored is, perhaps, the only thing I do anymore. It is the new definition of Mickey. Mickey means, “He who must be ignored. Not partially, but wholly… and with malice.”

I put my blog posts on Facebook and Twitter where I know for a fact that there are people who know me and would read them and like them if they knew that they were there. But the malevolent algorithms on those social media sites guarantee that none of my dozens of cousins, old school friends, and former students will see them. Only the single ladies from Kazakhstan and members of the Butchers Union of Cleveland see my posts. Why is this? I do not know. Facebook and Twitter ignore me when I ask.

My books, though liked by everybody who has actually read and responded to them, are lost in a vast ocean of self-published books, most of which are not very good and give a black eye to self-published authors in general. I recently got another call from I-Universe/Penguin Books publishers about Catch a Falling Star, the one book I still have with them. They are concerned that my book, which is on their Editor’s Choice list, is not performing as well as their marketing people think it should. But to promote it, I would have to pay four hundred dollars towards the marketing campaign, even though they are already subsidizing it by fifty percent. They tell me they believe in my book. But apparently not enough to pay for 100% of the promotion.

I have decided to invest in a review service that will cost me about twenty dollars a month. But my confidence is not high. The last time I paid somebody to review a book, they reviewed a book with the same title as mine from a different author. That service still owes me money.

But the only reason it is a problem that I am being thoroughly ignored these days is that an author needs to be read to fulfill his purpose in life. Maybe pictures of pretty girls in this post will help. But, even if they don’t, well, I had their attention once upon a time. And since my purpose as a teacher is already fulfilled, perhaps that will be enough for one lifetime.

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Filed under artwork, autobiography, education, humor, Paffooney, publishing, teaching

Saturday Is Art Day… Again

I draw things as illustrations to stories. Take, for example, the protagonist and hero of Catch a Falling Star.

Dorin Dobbs is boy from Iowa. That tells you some terrible things about him right there.

He was ten in 1990.

He hated girls.

He met some pretty green-skinned girls from outer space, amphibianoid frog-girls with fins on their heads. He danced with them to Mickey Mouse Club music while he was their prisoner on a sectet base on the planet Mars. They were dancing naked in the nutrient bath that all Telleron tadpoles use daily.

Brekka and Menolly are two of the Telleron frog girls with fins on their heads. They love Earth music in the 1990’s. They are background characters in Catch a Falling Star. They are main characters in the book Stardusters and Space Lizards, where they help Davalon and Tanith to conquer the dying planet of Galtorr Prime after the Telleron invasion of Earth failed in the previous book.

Tanith and Davalon (the Telleron boy in front)
Sizzahl of Galtorr Prime, Ecologist and Lizard Girl

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”””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””””

Galtorr Prime is undergoing drastic climate change and environmental collapse and ends up being saved by superior Telleron technology and the lizard-girl heroine, Sizzahl, who has a plan for fixing the atmosphere and saving fundamental eco-systems. Of course, this is all science fiction-y stuff based entirely on fantasy and imagination and has nothing to do with the real world we now live in.

Millis, transformed from pet rabbit to near-human

Of course, not all characters I illustrate are people or aliens.

Millis, Tommy Bircher’s pet rabbit, is an ordinary albino bunny who eats a piece of alien technology that evolves him into a talking, walking-on-two-legs, near-human form.

He becomes the chef (who cooks only vegetable dishes) for Norwall, Iowa’s own mad scientist, Orben Wallace, in the book The Bicycle-Wheel Genius.

Orben Wallace, and his favorite bicycle, The Happiness Machine

I think I have now given out far more spoilers for stories than I have any right to do. But the thing about character illustrations is that your get to know the characters at a glance. And to know them is to love them.

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Filed under aliens, artwork, characters, illustrations, NOVEL WRITING, Paffooney

Islands of Identity

Island Girl2z

Who am I?

Why do I do the things that I do?

No man is an island.  John Donne the English poet stated that.  And Ernest Hemingway quoted it… and wove it into his stories as a major theme… and proceeded to try to disprove it.  We need other people.  I married an island girl from the island of Luzon in the Philippines.  She may have actually needed me too, though she will never admit it.

Gilligans Island

When I was a young junior high school teacher in the early eighties, they called me Mr. Gilligan.  My classroom was known as Gilligan’s Island.  This came about because a goofball student in the very first class on the very first day said, “You look like Gilligan’s Island!”  By which he meant I reminded him of Bob Denver, the actor that played Gilligan.  But as he said it, he was actually accusing me of being an island.  And no man is an island.  Thank you, Fabian, you were sorta dumb, but I loved you for it.

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You see, being Gilligan on Gilligan’s Island was not a bad thing to be.  It was who I was as a teacher.  Nerdy, awkward, telling stories about when I was young, and my doofy friends like Skinny Mulligan.  Being a teacher gave me an identity.  And Gilligan was stranded on the Island with two beautiful single women, Mary Ann and Ginger.  Not a bad thing to be.  And I loved teaching and telling stories to kids who would later be the doofy students in new stories.

But we go through life searching for who we are and why we are here.  Now that I am retired, and no longer a teacher… who am I now?  We never really find the answer.  Answers change over time.  And so do I.

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Filed under artwork, being alone, feeling sorry for myself, finding love, humor, insight, Paffooney, strange and wonderful ideas about life

Off-Beat Self-Portraits

This picture was intended to look like it could’ve been my son, so the face came from an old black-and-white photo of me when I was ten.
This is me as a nudist child in my current home’s backyard flanked by two nude Butterfly Children.
This is my purple-mouse avatar.
Eli Tragedy, my red-clad Sorcerer character from Dungeons and Dragons days is also really me.

Me as a happy new nudist
Milt Morgan is a wizard, and also a character who is half me and half the Other Mike from my childhood.
Milt Morgan as a child. Also half me.
Another purple Mickey.
The serious part of Mickey

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Filed under artwork, autobiography, humor, Paffooney, self portrait

Inside Toonerville

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The Toonerville Post Office and Bert Buchanan’s Toy Store.

Toonerville is not only a wonderful cartoon place created by Fontaine Fox in the 1930’s, but the name of the town that inhabited my HO Train Layout when I lived in South Texas and had the Trolley actually running nearly on time.  The train layout has not been restored to working condition for over a decade now.  The buildings which I mostly built from kits or bought as plaster or ceramic sculptures and repainted have been sitting on bookshelves in all that time.  I still have delusions of rebuilding the train set in the garage, but it is becoming increasingly less and less likely as time goes on and my working parts continue to stiffen up and stop working.  So, what will I do with Toonerville?

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Wilma Wortle waits on the station platform for her train at the Toonerville Train station. I built this kit in the 1970’s, hence the accumulations of dust bunnies.

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Loew’s Theater has been awaiting the start of The African Queen for more than twenty years.

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Main Street Toonerville at 2:25 in the afternoon. Or is it three? The courthouse clock is often slow.

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Grandma Wortle who controls all the money in the family likes to park her car near the eggplant house when she visit’s Al’s General Store.

But I may yet have found a way to put Toonerville back together through computer-assisted artsy craftsy endeavors.

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A two-shot of Bill Freen’s house and Slappy Coogan’s place on the photo set to start production.

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Bill Freen’s house lit up with newfangled electricical. (and I do believe that is the way Bill spells it all good and proper.)

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Bill Freen’s house cut out in the paint program.

So I can make composite pictures of Toonerville with realistic photo-shopped backgrounds.  Now, I know only goofy old artsy fartsy geeks like me get excited about doofy little things like this, but my flabber is completely gasted with the possibilities.

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Bill Freen’s house at sunset… (but I don’t get why there’s snow on the roof when the grass is so green?)

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Filed under art editing, artwork, autobiography, farm boy, foolishness, humor, illustrations, photo paffoonies, Toonerville

Follow-Ups

Unfinished Stag

Remember this picture that I said was unfinished?  It was supposed to be a picture called The Stag in Snow.  But I was always reluctant to dab the snowflakes on over top of the picture I basically felt was good the way it was.  So, I have experimented with art editing programs to the point of putting snow flakes into the picture without risking spoiling the original with blobs of white paint.

Unfinished Stag n snow

I successfully added snowflakes to the blue background.  I couldn’t help but feel like it is a starry night in the background rather than snowfall.  And so I saved this product separately before continuing to experiment.

Stag n snow

The final product faithfully carried out my original plan.  And it does look like a rather mechanical snowfall.  But I don’t like it as much as I like the starry background step.  It makes me truly glad that I did not put white paint on the original.  I would be happy to have your opinion in the comments.  Of course that is also a tricky way to make you reveal whether you are actually reading the words of this post or just looking at the pictures.

There is a link above to a book of essays that takes some pains to describe life as a writer, artist, and all-around far-too-creative idiot.

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Filed under art editing, artwork, humor, illustrations, oil painting, old art, Paffooney

Imaginary People

Millis 2

It pretty much goes without saying that, since I am an author of fiction, determined to be a storyteller, I spend most of my time talking to people who exist only inside my goofy old head.  Sure, most of the imaginary people I create to keep me company are at least loosely based on real people that I either once knew, or still know.  You can tell that about Millis, the rabbit-man, pictured here on the right, can’t you?  Sure.  I had a New Zealand White pet rabbit that I raised as a 4-H project.  His name was Ember-eyes… because, well, yeah… red eyes.  It just happens that my goofy old memory transformed him into an evolution-enhanced science experiment in my unpublished novel, The Bicycle-Wheel Genius.  But he was a real person once… ’cause rabbits are people too, right?

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Anita Jones, a character from my unpublished novel, Superchicken, is based on a real person too.  I admit, there was a girl in my class from grades K through 6 that I secretly adored and would’ve done anything to be near, though every significant event I remember from my life that involved an encounter with her, involved red-faced embarrassment for me.  That’s why I remember her as having auburn-colored hair.  Charley Brown’s Little Red-Haired Girl… duh!  I would’ve died sooner than tell her how I really felt, even now, but by making her into one of a multitude of imaginary people who inhabit my life, I can be so close to her that sometimes I am actually inside her mind.  There’s a sort of creepy voyeurism-squared sort of thing.

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Dorin Dobbs, the main human character of my published novel, Catch a Falling Star, is an imaginary character based mostly on my eldest son, though, in fact, I started writing that novel five years before he was born.  Like most of the imaginary people in my life, I talk to Dorin repeatedly even when the real Dorin is half a world away in the Marine Corps.  And even though the Dorin I am talking to is not the real Dorin, he is still constantly using language that is extra-salty far beyond his years, and is often defiant of my fatherly wisdom, and always argues for the exact opposite of any opinion I express.  That’s just how it is to be the father of an imaginary son.

Realistically, I have to admit that even the flesh-and-blood people in my life are imaginary.  No one ever actually inhabits another person’s head except through the magic of imagination.  Even though I am talking to you at this moment, you are only an imaginary person to me.  I don’t even know your name as I write this.  And I am the same to you.  You may have read my writing enough to think you know something about me… but you really only know the Mickey in your mind that I have worked at putting there with my words.  And I really have no idea what that imaginary Mickey you have in your head is like.  He is probably really the opposite of who I think I am.

mANDY

I am, after all, married to this girl panda, Mandy Panda from the Pandalore Islands, and my three children are all Halfasian part-panda-people.  Yes, this is the imaginary person who is my real-life wife.  The secret is, we only ever know the imaginary people we have in our goofy little heads.  We don’t know the real person behind anyone in our lives, because it is simply not possible to really know how anybody else thinks or feels, even if they write out their lengthy treatise about how all people are imaginary people.  That stuff is just too goofy-dippy to be real.

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Filed under artwork, autobiography, characters, goofiness, humor, imagination, Paffooney, rabbit people, strange and wonderful ideas about life

Portraits in Pen and Ink

Simple, clean lines and basic, well-defined shapes go together in black and white.  They are in the basic nature of being a cartoonist.  You translate what you see into line drawings where a few simple lines become a complex and meaningful image.

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My one-legged Batman is an exercise in  foreshortening and trying to burst through the two-dimensional confines of the page to grab the viewer.  I learned this trick from comic book artist Jim Lee.

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His sidekick is rendered as a static portrait where the computer monitor in front of him lights up Robin’s intense and thoughtful face.

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She was an excellent teacher and former nun… she was a mentor to me, taught me a lot about life and love and great beauty.  How do you adequately portray the wisdom and the patience in those highly magnified eyes?  I drew from memory only.  She never considered herself beautiful.  But she was.  And it hurts not to be able to capture it correctly.

Not every portrait is literal.  Sometimes you exaggerate facial characteristics and behavioral quirks are emphasized to create humor in the portrait.

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When I was first married I did a double portrait of us as a knight and his lady fair.  I know, I know… it is so sickeningly sweet that it punches me right in the diabetes.  But, hey, it doesn’t really look like me anyway.   It is more of a portrait of Porky Pig in glasses and hair.

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There is an art to pen and ink that cuts right to the heart of who you are and who you want to be.  Simple lines in black and white… there is no more incisive tool for putting my goofy old mind down on paper.

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Filed under artwork, cartoons, goofy thoughts, humor, pen and ink

Something Creative Goes Here

Not Alone

Sometimes the creative brain gets a little too hot and needs time to cool.  That means I need a meaningless filler post to maintain my every-day posting.  So, I give you a picture of Mike Murphy carrying his girlfriend, Blueberry Bates’ books home from the bus stop on a country road in Iowa.  And, of course, they happen to meet an alien named George Jetson, whose father named him after a character on his favorite Earther TV show from the 60’s.  It is a strange thing to have your brain over-heat from too many creative neurons firing at the same time.  But it can lead to notions of intergalactic peace and cultural exchange… or racist comments like, “Tellerons have heads that look like giant boogers!”  But I should be able think more rationally tomorrow.  I hope that turns out to be a good thing.

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Filed under aliens, artwork, blog posting, conspiracy theory, goofiness, Paffooney, self pity

Free to Be Naked

I managed to finally return to Bluebonnet Nudist Park on Saturday. It was a Memorial Day weekend crowd, so I got to meet a lot of naked people. Of course, I only saw one kid the whole time I was there, and he looked to be high-school-aged. So, don’t let the first picture in this post fool you. Most nudists at the park were closer to my age than the girls in the picture.

But it was freeing of spirit to actually gather around a swimming pool and have an all-you-can-eat hot-dog lunch with 50-plus other naked people. I can’t explain why that strange alchemy can work. But it does.

Having been around nudists at different times for the majority of my life, I can honestly say I have observed nudists to be happier people than the rest of us. Of course, that is a generalization, and not true of every individual nudist. But they are comfortable in their own skin and connected to the natural world the way most of us are not. I found that most of these people knew they were nudists since childhood. Like me, if their families did not already embrace being nudists, they sneaked off to the woods when they could to get naked in nature.

Am I alone in thinking that this is not a mental aberration, but rather, a natural instinct that was trained out of us (or in my case, almost trained out of us,) in childhood?

I don’t have any pictures from the nudist park to post, so I use the usual collection of innocent-seeming illustrations and pictures to add a sense of beauty and youthfulness to the idea of going to a nudist park for recreation. You know its not really the way the pictures show it. I am not the exhibitionist-sort of nudist whose whole desire is to be seen by the world naked. I, for the most part, am a solitary nudist. Not too proud of my lumpy, wrinkled, and sore-covered carcass so that I am obsessed with others seeing me, but also not ashamed of my corporeal self to the point of not allowing myself to be seen nude by other like-minded nude people. Most of my nudism occurs when I am alone in private places where only peeping Toms and computer-camera hackers can see me. I am, however, proud that I have now been to Bluebonnet twice and have a membership in AANR (American Association for Nude Recreation.)

While I was there, a journalist who writes books on American culture used in sociology research at the college level, was there taking pictures and interviewing folks. He spoke to us, confessing that it was the first time speaking to a group of naked people, and also his first time speaking to a group while naked. He explained that he was recording and documenting interesting and important social organizations in an area only 100 miles wide, but stretching from the Mexican border to the Canadian border through the middle of the US. He felt that there were important things to learn about American life from the Bluebonnet Nudist Park just as there were to learn from the Dallas Police Department which he had scheduled for the upcoming week (and he specified he would be wearing clothes for that next part.) Even though I was there for his research, I did not get asked to sign any consent forms for photographs or interviews, so I will not be in that book of his in any way.

I am definitely more confident now in identifying myself as a nudist. I never embraced the idea of actually being one while I was a school teacher in Texas. Texans are suspicious of even letting a Democrat be a public school teacher, let alone someone who purposely goes to a public place with no pants on. I know I have lost Twitter followers and Facebook friends who found out I was actually a nudist. And I feel like I may have lost some of my WordPress followers over it as well. They can’t take seriously someone who walks around with no clothes on.

But my answer to that is… Who in the heck takes Mickey seriously anyway? Get real!

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