
When you spend most of your time writing and thinking with the Sword of Damocles hanging over your head and the hourglass of your life looking more and more like the sands of time are running out, you are tempted to take the curves too fast and make extremely stupid mistakes that make your brain crash into a brick wall of stupidity. You are stuck in a stupor of stupidity that must somehow un-stupid you with downtime and do-nothing brainless activity. I won’t try to explain what I did wrong, because, after all, I am still stupid at the moment and don’t really know what I did wrong.

I bought myself a doll yesterday. I spent some of my birthday money on it. My octogenarian mother sends me birthday money every year to remind me how many years beyond sixty I have aged, especially now that, after more than twenty years spent not celebrating birthdays as a nominal Jehovah’s Witness, I am now no longer associated with prohibitions from God due to the arbitrary rules of religion. It was a stupid act based on the fact that I have been avoiding wasting money on my doll-collecting hoarding disorder for a matter of months. It could be like an alcoholic taking a drink after months of being sober. But the doll is pretty in a magical sort of way and provides me with someone else to talk to when I am brooding about being stupid.

It may seem like, since I am writing this while still stupid, that I am saying that being stupid is, by definition, a bad thing. If I am saying that, it is only because I am currently stupid.
If you look at the smiles on the faces of the gentleman with the brown cap and Scraggles the mouser, you can easily see that being happy is a simple thing. And it is the province of simple people, not complicated and extremely smart people. I can testify from hard experience that being too smart is a barrier to being simply happy. So, I benefit emotionally from being stupid this Sunday.
As to being stupid today and what caused it, well, it may have something to do with the fact that I am currently editing The Baby Werewolf, the most complex and potentially controversial novel I have ever written. Horror stories often mine and expose the author’s own traumas and fundamental fears. And I am trying to publish it as the fourth novel I have published in 2018. Is that biting off more than I can chew with my old teeth? I don’t know the answer. I am currently pretty stupid.

























The baseball player in the upstairs sitting room where nobody sits, once spent an entire winter at the bottom of the swimming pool. That’s why his blue uniform turned a bit putrid green. He stays in this room with my Wish-nik Troll from 1967 and the Winkie Soldier from Oz, who is naturally green in the face and never took a swim.










Milt Caniff
My 1967 Captain Action Steve Canyon action figure.
I have always been a deeply devoted fan of the Sunday funnies. And one of the reasons I read the comics religiously was the work of Milt Caniff. His comic strips, Terry and the Pirates, Male Call, and Steve Canyon set a standard for the age of action comics and adventure strips.
I read his comics in the 1960’s and 1970’s and always it was Steve Canyon. But this, of course, was not his first strip. I would discover in my college years the wonders of Terry and the Pirates. When Caniff started the strip before World War II, he set it in China, but actually knew nothing about China. So he did research. He learned about people who became oriental hereditary pirate families and organizations. He learned to draw authentic Chinese settings. His comedy relief characters, Connie and the Big Stoop, were rather racist parodies of Chinamen and were among the reasons that the original strip had to mature into his later work in Steve Canyon. But perhaps the most enduring character from the strip was the mysterious pirate leader known as the Dragon Lady.
Steve Canyon is a fascinating study in the comic arts. When he left the Terry and the Pirates strip in 1946, it went on without him. It was owned by the Chicago Tribune-New York Daily News distribution syndicate, not Caniff himself. Steve Canyon would change that. He created it and owned it himself, making Caniff one of only two or three comics artists who actually owned their own creations. Canyon started out as a civilian pilot, but enlisted in the Air Force for the Korean War and would remain in the Air Force for the remainder of the strip. Some of the characters in the strip were based on real people. His long-time friend Charlie Russhon, a former photographer and Lieutenant in the Air Force who went on to be a technical adviser for James Bond films was the model for the character Charlie Vanilla, the man with the ice cream cone. Madame Lynx was based on the femme fatale spy character played by Illona Massey in the 1949 Marx Brothers’ movie Love Happy. Caniff designed Pipper the Piper after John Kennedy and Miss Mizzou after Marilyn Monroe.
I am not the only cartoonist who was taken with the work of Milt Caniff. The effects of his ground-breaking work can be seen to influence the works of comic artists like Jack Kirby, Bob Kane, John Romita Sr., and Doug Wildey. If you are anything like the comic book nut I am, than you are impressed by that list, even more so if I listed everyone he influenced. Milt Caniff was a cartoonists’ cartoonist. He was one of the founders of the National Cartoonists’ Society and served two terms as its president in 1948 and 1949. He is also a member of the Will Eisner Comic Book Hall of Fame.
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Tagged as art, books, comic art, comic strips, comics, Milt Caniff, movies, Steve Canyon, Terry and the Pirates