
I have published my eighth novel in the last six years. (This is, of course, a re-post of an old essay.) Sure, it is through mostly self-publishing of novels that no one but me has ever read. Catch a Falling Star and Snow Babies both had a professional editor, one who had worked for Harcourt and one who worked for PDMI. Magical Miss Morgan has had a proofreader who made numerous stupid mistake errors that I had to change back to the original meticulously by hand. But all three of those novels won an award or were finalists in a young adult novel contest. I do have reason to believe I am a competent writer and better even than some who have achieved commercial success.
But what is the real reason that I am so intent on producing the maximum amount of creative work possible in this decade? Well, to be coldly objective, I am a diabetic who cannot currently afford insulin. I have been betrayed by the for-profit healthcare system that treats me as a source of unending profit. I am like a laying hen in the chicken house, giving my eggs of effort away to a farmer who means to eat my very children if time and circumstance allows. I am the victim of six incurable diseases and conditions that I got most likely as a result of exposure to toxic farm chemicals in the early 70’s. I am also a cancer survivor from a malignant melanoma in 1983, and for three years now I have not been able to get the preventative cancer tests I am supposed to be receiving every year for the rest of my life. My prostate could very well be cancerous as I write this. If that is so, it will kill me unawares, because I don’t even want to know about having a disease I can’t possibly afford to fight all over again.’

So, the basic reason I am going through the most productive and creative period of my entire life is because I have a great rage to create before I die and I could be dying as soon as tonight. All of the countless stories in my head clamoring to be written down before it is too late cry out to me desperately for my immediate attention.
I will, then, continue to write stories and draw cartoons and other Paffoonies for as long as I am still able, and possibly even afterward. I have, after all, threatened repeatedly to become a ghostwriter after I die. And, yes, I understand when you scream at my essay that that is not what a ghostwriter is. But if a woman can channel the ghost of Franz Schubert and finish his unfinished symphony…(https://en.wikipedia.org/wiki/Rosemary_Brown_(spiritualist))
—then I should also be able to tell my stories from beyond the grave. I have been percolating them in my head and writing and drawing them in whole or in part since 1974. I have too much time and too many daydreams wrapped up in them to let it all just evaporate into the ether. In summation, I am claiming stupidly that my novels, crack-brained and wacky as they are, are somehow destined to exist, either because of me or in spite of me. So just be happy that I write what I write, for there is an art to being Mickey, and I am the one artist and writer who is the best Mickey possible if truly there ever was a real Mickey.










During my middle-school teaching years I also bought and read copies of The Prince and the Pauper, Roughing It, and Life on the Mississippi. I would later use a selection from Roughing It as part of a thematic unit on Mark Twain where I used Will Vinton’s glorious claymation movie, The Adventures of Mark Twain as a way to painlessly introduce my kids to the notion that Mark Twain was funny and complex and wise.













My Bookish Journey (Finale)
Like every real, honest-to-God writer, I am on a journey. Like all the good ones and the great ones, I am compelled to find it…
“What is it?” you ask.
“I don’t know,” I answer. “But I’ll know it when I see it.”
“The answer?” you ask. “The secret to everything? Life, the universe, and everything? The equation that unifies all the theories that physicists instinctively know are all one thing? The treasure that pays for everything?”
Yes. That. The subject of the next book. The next idea. Life after death. The most important answer.
And I honestly believe that once found, then you die. Life is over. You have your meaning and purpose. You are fulfilled. Basically, I am writing and thinking and philosophizing to find the justification I need to accept the end of everything.
And you know what? The scariest thing about this post is that I never intended to write these particular words when I started typing. I was going to complain about the book-review process. It makes me think that, perhaps, I will type one more sentence and then drop dead. But maybe not. I don’t think I’ve found it yet.
The thing I am looking for, however, is not an evil thing. It is merely the end of the story. The need no longer to tell another tale.
When a book closes, it doesn’t cease to exist. My life is like that. It will end. Heck, the entire universe may come to an end, though not in our time. And it will still exist beyond that time. The story will just be over. And other stories that were being told will continue. And new ones by new authors will begin. That is how infinity happens.
I think, though, that the ultimate end of the Bookish Journey lies with the one that receives the tale, the listener, the reader, or the mind that is also pursuing the goal and thinks that what I have to say about it might prove useful to his or her own quest.
I was going to complain about the book reviewer I hired for Catch a Falling Star who wrote a book review for a book by that name that was written by a lady author who was not even remotely me. And I didn’t get my money back on that one. Instead I got a hastily re-done review composed from details on the book jacket so the reviewer didn’t have to actually read my book to make up for his mistake. I was also going to complain about Pubby who only give reviewers four days to read a book, no matter how long or short it is, and how some reviewers don’t actually read the book. They only look at the other reviews on Amazon and compose something from there. Or the review I just got today, where the reviewer didn’t bother to read or buy the book as he was contracted to do, and then gave me a tepid review on a book with no other reviews to go by, and the Amazon sales report proves no one bought a book. So, it is definitely a middling review on a book that the reviewer didn’t read. Those are things I had intended to talk about today.
But, in the course of this essay, I have discovered that I don’t need to talk about those tedious and unimportant things. What matters really depends on what you, Dear Reader, got from this post. The ultimate McGuffin is in your hands. Be careful what you do with it. I believe neither of us is really ready to drop dead.
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