
We have across the street from our house an extensive green-belt park. It meanders through the city along a controlled and, often, brick-walled creek. It is really a portion of the city’s drainage system that prevents more of the horrible flooding that occurred in Texas cities in the 1980’s and 1990’s, As you can see, if you need to exercise for your heart-and-joint health, it is a perfect spot for a nice, long walk and think. So, today I am thinking about what I walked and thought about.
Mini-Wizards
I started my walk thinking about my current work in progress. It is called The Necromancer’s Apprentice. And it is a story about a fairy society filled with tiny, three-inch-tall magical people. They live in a castle-city made from a living, hollow willow tree. The city is under attack by an evil Necromancer (a death-wizard) who wants something unknown from the wizards in the city. Eli Tragedy is a sorcerer representing the good guys. He has two apprentices already, quiet Bob and chaotic Mickey the were-rat. And he captures the necromancer’s apprentice, and instead of killing her like his superiors want, he makes her into his own third apprentice. He’s a good wizard because he helps students learn and values them as people. The bad guy is the opposite. He is evil because he’s focussed on his own power and wealth, and he’s wasteful of the lives and suffering of others. So, in many ways, he is like a Republican politician in the real world.
The Great Books You Have Read Make You Who You Are

This recognized classic book of fiction supporting a selfish philosophy is the reason why we have things like Reaganomics, Trump tax cuts, and border walls. The perfect explanation to certain readers of, “All the reasons why I should turn to evil.” It obviously is a book read and loved by not only Paul Ryan, but other important weasels in charge of everything like Senator Ted “Cancun” Cruz, Senator Mitch “Turtle Man” McConnell, and former Presidential Advisor Steve “The Human Sweat-stain” Bannon.

A good wizard (or Sorcerer) would have read and been influenced more probably by some of the great books of Uncle Boz, um, I mean, Charles Dickens. His is a much gentler and more generous philosophy which finds value in forlorn and mislaid individuals like Sydney Carton, Oliver Twist, Nicholas Nickleby, or Tiny Tim. I know these books of magic are the ones I choose to battle evil wizards in my own life.
So, if great books made me, perhaps I can write my great book with heroes influenced by Dickens and villains influenced by Ayn Rand.
The Final Turn of the Park’s Sidewalk

As I head homeward from my walk in the park, I have two things gained from the exercise. My legs and back are very tired. And my head is boiling over with things I need to write.down.






During my middle-school teaching years I also bought and read copies of The Prince and the Pauper, Roughing It, and Life on the Mississippi. I would later use a selection from Roughing It as part of a thematic unit on Mark Twain where I used Will Vinton’s glorious claymation movie, The Adventures of Mark Twain as a way to painlessly introduce my kids to the notion that Mark Twain was funny and complex and wise.















The Art of Being Mickey
I have published my eighth novel in the last six years. (This is, of course, a re-post of an old essay.) Sure, it is through mostly self-publishing of novels that no one but me has ever read. Catch a Falling Star and Snow Babies both had a professional editor, one who had worked for Harcourt and one who worked for PDMI. Magical Miss Morgan has had a proofreader who made numerous stupid mistake errors that I had to change back to the original meticulously by hand. But all three of those novels won an award or were finalists in a young adult novel contest. I do have reason to believe I am a competent writer and better even than some who have achieved commercial success.
But what is the real reason that I am so intent on producing the maximum amount of creative work possible in this decade? Well, to be coldly objective, I am a diabetic who cannot currently afford insulin. I have been betrayed by the for-profit healthcare system that treats me as a source of unending profit. I am like a laying hen in the chicken house, giving my eggs of effort away to a farmer who means to eat my very children if time and circumstance allows. I am the victim of six incurable diseases and conditions that I got most likely as a result of exposure to toxic farm chemicals in the early 70’s. I am also a cancer survivor from a malignant melanoma in 1983, and for three years now I have not been able to get the preventative cancer tests I am supposed to be receiving every year for the rest of my life. My prostate could very well be cancerous as I write this. If that is so, it will kill me unawares, because I don’t even want to know about having a disease I can’t possibly afford to fight all over again.’
So, the basic reason I am going through the most productive and creative period of my entire life is because I have a great rage to create before I die and I could be dying as soon as tonight. All of the countless stories in my head clamoring to be written down before it is too late cry out to me desperately for my immediate attention.
I will, then, continue to write stories and draw cartoons and other Paffoonies for as long as I am still able, and possibly even afterward. I have, after all, threatened repeatedly to become a ghostwriter after I die. And, yes, I understand when you scream at my essay that that is not what a ghostwriter is. But if a woman can channel the ghost of Franz Schubert and finish his unfinished symphony…(https://en.wikipedia.org/wiki/Rosemary_Brown_(spiritualist))
—then I should also be able to tell my stories from beyond the grave. I have been percolating them in my head and writing and drawing them in whole or in part since 1974. I have too much time and too many daydreams wrapped up in them to let it all just evaporate into the ether. In summation, I am claiming stupidly that my novels, crack-brained and wacky as they are, are somehow destined to exist, either because of me or in spite of me. So just be happy that I write what I write, for there is an art to being Mickey, and I am the one artist and writer who is the best Mickey possible if truly there ever was a real Mickey.
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