Still being under the weather and filled with sinus head-pain, I decided to go back to a subject I love so much that the post will simply write itself. You know I love Norman Rockwell and his art, and I fervently believe that kind of mass media oil-painting does not put him in a lesser category than Rembrandt or Michelangelo or Raphael or any other painter with a ninja turtle namesake. He is a genius, and though he is not a realist in so many ways, his work is more truthful than practically any other kind of painting. If you are taken by surprise and didn’t know I had this passionate obsession, maybe you should go back and look at this post; Norman Rockwell
Now that I got that out of my system, here is another Saturday Evening Post artist that is often confused with Rockwell. His name is Amos Sewell.
Sewell was an amateur tennis player who was talented enough to win tournaments. He was an employee of Wells Fargo who was headed towards anything but an art career until he decided to make a leap of faith in 1930. He started as an illustrator for Street and Smith pulp fiction, and soon caught the notice of the big-time magazine markets for his art. He published art for Saturday Evening Post, Country Gentlemen Magazine, and Women’s Day.
Like Rockwell, he was able to find the funny in everyday scenes, like the dance party to the right. That young man at center stage is trying so hard not to step on the feet of the red-headed girl, that you want to laugh, but can’t because it’s obvious how embarrassed he would be, and the charm of the picture leads you to shun the thought of interrupting. The scene is so real the boy would hear you laughing as you looked at the Post cover.
More expert on this kind of art than I am is the Facebook site that I first got turned on to Sewell by. Children in Art History
They can also be found on WordPress. Children in Art History (WordPress)
There is no doubt that Amos Sewell belongs in the same pantheon of artists as Norman Rockwell, Thomas Kinkade, or Paul Detlafsen. They are all artists who achieve in their work exactly what I have always striven for. I want to be able to hold the mirror up to our world the way they did. I want to capture both the fantasy and the reality in the subject of everyday family life. I also want to share this work with you because I cannot stand the idea that such artistic ambrosia could one day be forgotten in archives where no one ever looks at it and feels the message in their heart.
Of course, authors create characters. Even autobiographers create characters. Carl Sandburg could no more make his words into Lincoln than a bird can make its tweets into a cat. Sandburg can, however, help us to understand Lincoln as Carl Sandburg understands the words that are Lincoln.
I, too, have not lived a particularly happy life. But I was always the “teacher with a sense of humor” in the classroom, and students loved me for it. Funny people are often not happy people. But they make themselves out of funny words because laughter heals pain, and jokes are effective medicine. And so I choose to write comedy novels. Novels that are funny even though they are about hard things like freezing to death, losing loved ones, being humiliated, being molested, and fear of death. Magical purple words can bring light to any darkness. I am the words I choose to write in my own story. The words not only reveal me, they make me who I am. And it is up to me to write those words. Other people might wish to do it for me. But they really can’t. The words are for me alone to write.
And so it is imperative that I write my words in the form of my novels, my essays, and this goofy blog post. I am writing myself to life, even if no one ever reads my writing.
Catch a Falling Star 
True Treasures Take Time
I now have six good books and one embarrassing one published. They represent stories I have been crafting, revising, telling, and retelling for over 40 years. They represent things that happened to me in real life and people I have known and loved in real life that have all been transformed in the wizard’s crucible and witch’s cauldrons of my bizarre imagination. They contain some of my best magic spells and some of my most worthwhile wordsmithing, by which I mean writing in ways that give the spellchecker fits.
I tried to tell you this story about telling stories yesterday, but my computer glitched and burped and spontaneously deleted more than half of what I wrote just as I was finishing it to publish it. So the complex part I had planned to explain this Paffooney was lost and the resulting tantrum I threw kept me from remembering and rewriting.
But it was fortunate that I delayed the repair of this post until today. Because last night my daughter finished her end-of-the-year art project for school, and the snafu-demons have inadvertently given me the opportunity to include it here.
It is a soft sculpture dragon made of felt and hand-sewn. She didn’t tell me what his name is, or even that it is a him, but one can imagine that it must be something like Rumple-Tum Sneezer, or something equally awkwardly foolish like that. One can imagine it because one has a slightly off-kilter and Disney-demented imagination. But the whole project took a boatload of time, and you can see she crafted it with great care and skill.
Treasure takes time to create. We who attempt to create it in the red-hot forges of our stupid little creative heads put all the skill we have acquired over time into it. And the endeavor renders something of value almost every time. Time… time… time… Treasure takes time. And now I need to hurry and publish this before the computer tries to fart it all away again.
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