Tag Archives: humor

Imaginary People

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It pretty much goes without saying that, since I am an author of fiction, determined to be a storyteller, I spend most of my time talking to people who exist only inside my goofy old head.  Sure, most of the imaginary people I create to keep me company are at least loosely based on real people that I either once knew, or still know.  You can tell that about Millis, the rabbit-man, pictured here on the right, can’t you?  Sure.  I had a New Zealand White pet rabbit that I raised as a 4-H project.  His name was Ember-eyes… because, well, yeah… red eyes.  It just happens that my goofy old memory transformed him into an evolution-enhanced science experiment in my unpublished novel, The Bicycle-Wheel Genius.  But he was a real person once… ’cause rabbits are people too, right?

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Anita Jones, a character from my unpublished novel, Superchicken, is based on a real person too.  I admit, there was a girl in my class from grades K through 6 that I secretly adored and would’ve done anything to be near, though every significant event I remember from my life that involved an encounter with her, involved red-faced embarrassment for me.  That’s why I remember her as having auburn-colored hair.  Charley Brown’s Little Red-Haired Girl… duh!  I would’ve died sooner than tell her how I really felt, even now, but by making her into one of a multitude of imaginary people who inhabit my life, I can be so close to her that sometimes I am actually inside her mind.  There’s a sort of creepy voyeurism-squared sort of thing.

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Dorin Dobbs, the main human character of my published novel, Catch a Falling Star, is an imaginary character based mostly on my eldest son, though, in fact, I started writing that novel five years before he was born.  Like most of the imaginary people in my life, I talk to Dorin repeatedly even when the real Dorin is half a world away in the Marine Corps.  And even though the Dorin I am talking to is not the real Dorin, he is still constantly using language that is extra-salty far beyond his years, and is often defiant of my fatherly wisdom, and always argues for the exact opposite of any opinion I express.  That’s just how it is to be the father of an imaginary son.

Realistically, I have to admit that even the flesh-and-blood people in my life are imaginary.  No one ever actually inhabits another person’s head except through the magic of imagination.  Even though I am talking to you at this moment, you are only an imaginary person to me.  I don’t even know your name as I write this.  And I am the same to you.  You may have read my writing enough to think you know something about me… but you really only know the Mickey in your mind that I have worked at putting there with my words.  And I really have no idea what that imaginary Mickey you have in your head is like.  He is probably really the opposite of who I think I am.

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I am, after all, married to this girl panda, Mandy Panda from the Pandalore Islands, and my three children are all Halfasian part-panda-people.  Yes, this is the imaginary person who is my real-life wife.  The secret is, we only ever know the imaginary people we have in our goofy little heads.  We don’t know the real person behind anyone in our lives, because it is simply not possible to really know how anybody else thinks or feels, even if they write out their lengthy treatise about how all people are imaginary people.  That stuff is just too goofy-dippy to be real.

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Portraits in Pen and Ink

Simple, clean lines and basic, well-defined shapes go together in black and white.  They are in the basic nature of being a cartoonist.  You translate what you see into line drawings where a few simple lines become a complex and meaningful image.

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My one-legged Batman is an exercise in  foreshortening and trying to burst through the two-dimensional confines of the page to grab the viewer.  I learned this trick from comic book artist Jim Lee.

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His sidekick is rendered as a static portrait where the computer monitor in front of him lights up Robin’s intense and thoughtful face.

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She was an excellent teacher and former nun… she was a mentor to me, taught me a lot about life and love and great beauty.  How do you adequately portray the wisdom and the patience in those highly magnified eyes?  I drew from memory only.  She never considered herself beautiful.  But she was.  And it hurts not to be able to capture it correctly.

Not every portrait is literal.  Sometimes you exaggerate facial characteristics and behavioral quirks are emphasized to create humor in the portrait.

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When I was first married I did a double portrait of us as a knight and his lady fair.  I know, I know… it is so sickeningly sweet that it punches me right in the diabetes.  But, hey, it doesn’t really look like me anyway.   It is more of a portrait of Porky Pig in glasses and hair.

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There is an art to pen and ink that cuts right to the heart of who you are and who you want to be.  Simple lines in black and white… there is no more incisive tool for putting my goofy old mind down on paper.

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Islands of Identity

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Who am I?

Why do I do the things that I do?

No man is an island.  John Donne the English poet stated that.  And Ernest Hemingway quoted it… and wove it into his stories as a major theme… and proceeded to try to disprove it.  We need other people.  I married an island girl from the island of Luzon in the Philippines.  She may have actually needed me too, though she will never admit it.

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When I was a young junior high school teacher in the early eighties, they called me Mr. Gilligan.  My classroom was known as Gilligan’s Island.  This came about because a goofball student in the very first class on the very first day said, “You look like Gilligan’s Island!”  By which he meant I reminded him of Bob Denver, the actor that played Gilligan.  But as he said it, he was actually accusing me of being an island.  And no man is an island.  Thank you, Fabian, you were sorta dumb, but I loved you for it.

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You see, being Gilligan on Gilligan’s Island was not a bad thing to be.  It was who I was as a teacher.  Nerdy, awkward, telling stories about when I was young, and my doofy friends like Skinny Mulligan.  Being a teacher gave me an identity.  And Gilligan was stranded on the Island with two beautiful single women, Mary Ann and Ginger.  Not a bad thing to be.  And I loved teaching and telling stories to kids who would later be the doofy students in new stories.

But we go through life searching for who we are and why we are here.  Now that I am retired, and no longer a teacher… who am I now?  We never really find the answer.  Answers change over time.  And so do I.

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Something Creative Goes Here

Not Alone

Sometimes the creative brain gets a little too hot and needs time to cool.  That means I need a meaningless filler post to maintain my every-day posting.  So, I give you a picture of Mike Murphy carrying his girlfriend, Blueberry Bates’ books home from the bus stop on a country road in Iowa.  And, of course, they happen to meet an alien named George Jetson, whose father named him after a character on his favorite Earther TV show from the 60’s.  It is a strange thing to have your brain over-heat from too many creative neurons firing at the same time.  But it can lead to notions of intergalactic peace and cultural exchange… or racist comments like, “Tellerons have heads that look like giant boogers!”  But I should be able think more rationally tomorrow.  I hope that turns out to be a good thing.

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Notes From the Archangel Michael

I was born and raised a Methodist.  But I married into the Jehovah’s Witness faith.  Yes, those annoying little people who come knocking at your door offering free Bible studies and wanting to talk to you about the “good news from God’s Word the Bible”.  I was one of them for the better part of 20 years.  And I want to tell you from the outset that I have been guilty of knocking on doors.  I have been threatened to have the dogs sicked on me.  I have been threatened with guns by Winchuks, Hickenloopers, and other rednecks.  Laughingboy Larry, a seventh and eighth grade former student of mine even begged me to come to his door so he could throw a pie in my face.  I requested lemon meringue pie because… mmm, lemon meringue!  Jehovah’s Witnesses are not bad people.  They are real honest-to-God Christians who believe and teach the essential lessons of Christianity, Love and Forgiveness.  Some of the finest people I have ever met are self-sacrificing, hard-working Jehovah’s Witnesses.  I would never speak against them.  But this post has to explain why I no longer am one of them.

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I have always been a reader of the Bible.  I began seriously reading it in my youth when I was a victim of sexual assault and the life-threatening depression that can cause.  A very thoughtful and loving Methodist minister, the father of my best friend, taught me how to use the Bible to seek answers and find comfort.  As a Jehovah’s Witness, I have read the entire Bible cover to cover twice.

But I have also always been a Christian Existentialist, even before I knew what that was.  I believe that existence precedes essence.  There has to be a real, observable rock in front of me before I grant faith in the existence of a rock.  I don’t accept “rock-ness” as something that is real because other people tell me that “rock” exists.  If God is going to be the rock upon which I build my faith, then I have to observe that God is real.  I need proof.  Superstition is acceptance of something without proof.  As far as I can tell, almost all religions… organized religions… are based on superstitions.  “How do you know that Jesus loves me?”  “Because the Bible tells me so.”  “Why must I believe I go to Heaven when I die?”   “Because your father and his father before him believed it.”  “Can I accept these as real reasons… as evidence?”  “Of course not.  These things follow the patterns of superstition.”

“Kill the infidel! Die a hero’s death, and you will be granted 99 virgins in paradise.”  “How do you know this to be true?”  “Allah has told me in a dream.”

 

So, if you follow any of this (undoubtedly due to the same curse of relentless intelligence that plagues me), you are probably wondering why I don’t just come out and claim to be an atheist like Richard Dawkins or Christopher Hitchens?  Well, because I believe in God.  I have seen the proof.  When I talk to God, he answers me.  When I ask him to guide me, he sends signs and leads me to the answers I seek.  He comforts me, even though it is only by helping me to find comfort in my own mind… my own self.  He helps me find the power within me to do what is right and overcome what is wrong.  Why, then, am I not still a Jehovah’s Witness?  Why am I not still knocking on doors?

The truth, as I see it, is… each of us must find God for ourselves.  Each of us must obtain the certainty we seek with our own efforts, or be satisfied with a perpetual state of not knowing all the answers.  Either result is perfectly acceptable.  Jehovah’s Witnesses will tell you that you can’t obtain eternal life unless you believe what they believe, do what they do, and accept everything just as they interpret it from their magic book.  Personally, I believe there is no eternal life.  I am made of star stuff (as Carl Sagan used to say, because science has mathematically proven it is true).  When I die, the configuration of star stuff that is me will simply be no more.  But I have existed.  And my atoms will go through a large number of processes that disperse them and turn them into something else.  My individual consciousness will be disbanded, but the overall consciousness of the universe will remain.  The universe is greater than I am.  In fact, the whole human race could wink out of existence in a massive fireball that consumes planet Earth, and the whole still remains.  I don’t have to worry about any of it.  I am the author of my own story.  I am responsible for its content, both good and bad.  And I am not sorry for any of it.

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Most of the angels used in this post are by William-Adolphe Bouguereau…and one is by me.

Now you know the awful truth.  Mickey is a humanist.  He thinks for himself about everything… even matters of religion.  How horrible!

“Tell me, oh great and powerful, Vishnu, will I be offered 99 virgins in paradise if I kill him for you?”

“No, Singh-Rama O’Malley.  You are simply being stupid and superstitious.  And besides, that particular superstition doesn’t belong to my religion.  You are mixing things up.”

“Oh, sorry, Lord Vishnu.  But is it okay if I don’t kill myself for my error?”

“Singh-Rama, you are a child of the universe… no less than the trees and the stars, you have a right to be here.  And whether or not it is clear to you, the universe is unfolding… as it should.”  (Note; These last words are the words of the poet Max Ehrmann in his wise poem, Desiderata.)

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Braindrain With a Side-Order of Lethargy

Because of weather, depression, and dealing with a wounded automobile, I have been having trouble getting writing done lately.  I mean, me, the goof who writes every day and claims to never have writer’s block, is having trouble with being motivated enough the write things.

It is entirely possible that it is due to an improper diet.  I mean, I haven’t been eating well this week.  Having to squeeze the food budget to be able to pay all the bills this month is a part of the problem.  The effect intermittent rain and heat have on my appetite could also be at least partly to blame.  I stress eat, and am not always smart enough to depend on peanuts and peanut butter to get me through the problem.

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I realize I need to eat protein to aid my brain, and fruits and vegetables so that my diabetes will slow itself down in the process of eating my brain.  That process can make you a bit stupid.

I am also quite aware that eating food that has eyeballs and mouths and occasionally cat ears is also a bad idea for dietary propriety.  Especially if it can also talk to me.  Do non-cartoonists also have this problem?

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Eating right with Ramen noodles as seen in the movie Ponyo.

All right, I admit it.  My writing problems probably don’t stem from eating cartoon food.  Or eating food in a cartoon for that matter, a thing I haven’t tried in real life.  But the whole cartoon food allusion has gotten me halfway to 500 words today.  So it is worth something.  And the real solution to the problem has been to just sit down and clack away at the keyboard, even if the only thing it yields is foofy nonsense.  (And I know “foofy” isn’t even a real word, but WordPress counted it anyway.)  I managed to write today simply by doing it.

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K.I.S.S.

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When learning to write, you have to learn the rules.  And then you start writing, and you learn that you have to break all the rules to do it well.  But what do I know?  You have to be pretty desperate to get your writing advice from a Mickey.  After all, it’s not like Mickey was a writing teacher for over thirty years… oh, wait a minute… yes, he was.

Okay, so I decided to write today about the K.I.S.S. rule of writing.  That’s right, Keep It Simple, Stupid.  Other writing teachers tell me it should be, Keep It Simple, Sweetie, because you can’t say “stupid” to a kid.  Okay, that’s mostly true.  But I use “stupid” when I use the rule myself.  I’m talking to Mickey after all.

So, I better stop “bird-walking” in the middle of this essay, because “bird-walking”, drifting off topic for no purpose, is the opposite of keeping it simple.

I try to write posts of no more than 500 words.  I write an introduction that says something stupid or inane that speaks to the theme I want to talk about.  Then I pile in a few sentences that talk more about the theme and do a good job of irritating the reader to the point that they can’t wait to get to the conclusion.  Finally I finish up with a really pithy and wonderful bit of wisdom to tie a knot in the bow of my essay.  I save that bit for the end as a sort of revenge for all the readers who don’t read all the way to the end, even on a short post like this one.  Of course, I could be wrong about how wonderful and pithy it is.  What does “pithy” even mean?  It can be like the soup in the bottom of the chili pot, thicker and spicier than what came before… or possibly overcooked with burned beans.

That was another bit of “bird-walking”, wasn’t it?  See, you have to break the rules to make it work better.

So, in order to keep it simple, I guess I need to end here for today.  Simple can be the same thing as short, but more often you are trying to achieve “simple and elegant” and pack a lot of meaning and resonance into a few lines.  And I, of course, am totally incapable of doing that with my purple paisley prose.  And there’s the knot in that bow.

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Crayon Addictions

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A simple, black-and-white drawing done in pen and ink.  Elegant. Easy to understand.  At least, if you can get past the weird little kid inside a birdhouse who has apparently saddled a mutant pigeon-sparrow. The black and white is the essential underpinning.  The bones of the idea.

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So, adding color makes things a little more complex.  I started with the girl’s face. Here is where I establish the basic color-theme.  And give more character to the surprised face peering through the portal of the bird house.

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Much of the work in coloring this little articus projecticus is a matter of pattern.  I like doing wood-grain patterns in colored pencil.  It looks good when it’s finished.  But it also takes time to do line after line.

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The last step is to color the bird-riding fairy-kid. Here I am completing the color-echoes and the pattern-making.  More lines.  More care with giving the shapes volume by using light and shadow.  And now we are at the final destination.  The picture is complete.

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Lessons From Tchaikovsky

I used to be a classroom storyteller.  As an English teacher for middle school kids, I often would give brief biographical insights into famous people we were talking about at the time.  I told them about Crazy Horse of the Sioux tribe, Roger Bacon the alchemist and inventor of chemistry as a science, Mark Twain in Gold Rush California, and many other people I have found fascinating through my life as a reader and writer of English.

One bright boy in my gifted class remarked, “Mr. B, you always tell us these stories about people who did something amazing, and then you end it with they eventually died a horrible death.”

Yep.  That’s about right.  In its simplest form life consists of, “You are born, stuff happens, and then you die.”  And it does often seem to me that true genius and great heroism are punished terribly in the end.  Achilles destroys Hector, but his heel is his undoing.  Socrates taught Plato, and was forced to drink poison for being too good at teaching.  Custer was a vain imbecile and got what he deserved at the Battle of the Little Bighorn, but Crazy Horse, who made it happen, was pursued for the rest of his short life for it until he was finally captured and murdered.  Roger Bacon contributed immensely to science by experimenting with chemicals, but because he blew up his lab too often, and because one of his students blew himself up in a duel with another student, he ended his days in prison for practicing sorcery.

But if you have listened to any of the music I have added to this post, the music of Pyotr Ilyich Tchaikovsky, then you recognized it, unless you have lived your whole life under a rock in Nomusikvetchistan.  And why is that?  Because even though it is all classical music written in the 1800’s, it’s basic genius and appeal is immortal.  It will outlive all of us.  Some of it, having been placed on a record on the Voyager space craft may get played and appreciated a million years from now in the vicinity of Betelgeuse.  It will still be a work of pure genius.

And, of course, the horrible life and terrible death thing is a part of it too.  Tchaikovsky’s work took an incredibly difficult path to success.  He was criticized by Russians for being too Western and not Russian enough.  He was criticized in the West for being too exotic and basically “too Russian”.  He railed against critics and suffered horribly at their hands.  Then, too, his private life was far less private than it had any right to be.  He was a bachelor most of his life, except for a two year marriage of pure misery that ended in divorce.  And everybody, with the possibility of Pyotr himself, knew it was because he was a homosexual.  He probably did have that orientation, but in a time and a career where it was deemed an illegal abomination.  So whether he ever practiced the lifestyle at great risk to himself, or he repressed it his entire life, we will never know for sure.

But the music is immortal.  And by being immortal, the music makes Tchaikovsky immortal too.  Despite the fact that he died tragically at the age of 53, possibly by suicide.

So, this is the great lesson of Tchaikovsky.  The higher you fly, the farther you fall, and you will fall… guaranteed, but that will never make the actual flight not worth taking.  Some things in life are more important than life itself.  As I near the end myself, I cling to that truth daily.

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A Night at the Symphony

Last night my wife took us to the Dallas Symphony Orchestra for a performance of Gustav Mahler’s Das Klagende Lied (The Song of Lamentation).  So, you can bet we were in for a happy night just based on the title of the piece.  As you might’ve detected from the post title’s similarity to the Marx Brother’s movie A Night at the Opera, I took along my wacky mental versions of the Marx Brothers… whom I call the Snarcks Brothers.  They are Scarpigo, Cinco, and Zero Snarcks. Think Groucho, Chico, and Harpo, and then my mental fartgas won’t prevent you from understanding quite as easily.

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Jaap Van Zweden, conductor of the DSO, and aspiring impersonator of Grumpy from the Seven Dwarfs

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Scarpigo, Cinco, and Zero Snarcs… so to speak…

Now, don’t get me wrong, I love classical music and I like Mahler okay.  But his music tends to be depressing and sad.  I don’t mean merely depressing and sad, but deep down at the bottom of the canyon with hill giants tossing boulders at your head in the midst of a thunderstorm symphonic sort of depressing and sad.  It could really bum me out, so I was prepared to have Scarpigo lean over the balcony rail numerous times to shout “Booga-booga!” at the concert goers.  And the Blues lost to the Sharks in the Stanley Cup playoffs already this past week.

Fortunately the DSO often adopts the old movie theater tactic of cartoon shorts before the feature film… the same way Pixar does for Disney now.  They chose Aaron Copland’s Clarinet Concerto as the cartoon short.  Now this is also supposed to be sad music, a single clarinet, a single harp, and a single piano… surrounded by violins, the gushing tears of every symphony orchestra.  But it is Copland, my fourth favorite composer of all time, behind only DeBussy, Motzart, and Beethoven.  As a synesthete, I can tell you that Copland’s music is always no bluer than silver, and tends to be more vermilion, rosy pink, yellow-orange and carmine red… more happy and passionate than depressing.  Then too, Cinco Snarcks whispered in my ear that since I have this Van Zweden/ Grumpy thing going on already in my head, I should look carefully at the clarinet soloist.  Yep, bald head, white hair and slight white beard and glasses… Doc!  And the pianist, bald head and big ears… Dopey!  The night would be Gustav Mahler and the Seven Dwarfs.  Zero Snarcks was thinking about squeezing off a toot or three from his little horn and maybe using light cords hanging from the ceiling for an impromptu trapeze act, but he took one look at the elegant, swan-like harpist  and fell too much in love to interrupt.

The main show, however, was everything I thought it was going to be, and worse.  They had a translator screen hung from the cords Zero wanted to go for a swing on, that took all the incomprehensible choir-crooned lyrics and translated them from German into English.  The story of Das Klagende Lied is taken from the Grimm Fairy Tale, The Bone Flute.  It tells the tale of two knightly brothers, one good and one evil, who set out to win the hand of a very self-centered but beautiful queen.  She can only be won by the finding of a special red flower that grows under a willow tree.  The knights agree to split up and search the enchanted forest for the flower.  Naturally, the good knight finds it and plucks it, putting it in the band of his hat.  And just as naturally, the good knight flops down stupidly under the willow tree to take a nap.  The evil brother finds his brother sleeping and sees the flower in his hat.  So, like any evil knight would, he kills his brother and takes the flower.

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Scarpigo’s comment on this particular story.

The evil brother then rushes off to the queen’s castle.  A minstrel wanders past the willow tree, finds a gleaming leg bone, and immediately thinks, “I have to make that into a flute!”  And when he does, the only song the flute will play is the lament about how the evil brother made meat pie out of his good brother and stole the flower.  Then, naturally enough, the flute forces the minstrel to go play at the wedding.

I’m sure you know how it goes from there.  The queen hears the bone flute’s enchanted song and flops down dead, apparently a heart-attack from shock.  And if the queen dies, then the castle has to magically fall down on the new king, the minstrel. and all the wedding guests.  A gruesome, terrible time is had by all.

So, I had a good time after all.  Scarpigo leans over to whisper to me, “That was more fun than a barrel of monkeys smoking crack, wasn’t it?”  Yes, purple, blue, blue-violet, and indigo music, and I am left depressed as hell. But when my wife asked how I liked it, I put on a happy face and said, “That’s the silliest thing I ever heard!”

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