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Fantasia

Mickey

I learned a lot of what I know about cartooning by copying Disney characters.  Now, I know that this post could potentially get me into trouble, because  I am posting on a blog I use for marketing, an imitation Disney character, a very famous and very copyrighted character.  Disney has been known to sue school districts for showing Disney movies in class without expressed written permission.  They have become cruelly litigious since transforming from Uncle Walt’s Wonderful World of Color into an evil multi-national corporate media empire whose spokesperson is a mouse.  So I beg you to pardon my transgressions due to love and debt I have to the work in the title of this piece.  Consider this fan art, like the pictures I posted of the Phantom and Captain America (who is also now owned by Disney).

Fantasia is for me the Book of Life.

The movie starts with Bach’s masterpiece, Toccata and Fugue in D Minor This amazing piece reminds me of earliest childhood memories.  It begins with sound and the instruments that make it, becoming shapes and lines and movements and, eventually cloud forms.  It is the beginning of perception, like modern art itself, the raw energy and emerging forms that I began to perceive as an infant, but could not define or distinguish clearly.

Next comes  Nutcracker Suite by Pyotr Ilyich Tchaikovsky.  This is the explorations of nature and the magic of existence as a mere child.  It uses Tchaikovsky’s sugar-plum ballet music to depict hours of play and learning and investigation and wonder.  In it I see myself as a young child, viewing all the color and beauty through wide eyes.

Then comes The Sorcerer’s Apprentice by Paul Dukas.  In this piece, the child in me, like Mickey the apprentice, for the first time bites off more than I could chew.  I overstep my protective boundaries and get myself into a serious fix that has to be undone by the parent stepping in at the end, and not only fixing it, but delivering the consequences to my ignorant behind with a broom.  Of course, we all know I will do it again.  Every child does.  But next time I will get it right.

This is followed by Rite of Spring by Igor Stravinsky.  Here the child is child no longer.  I watch the amoeba become dinosaurs to harsh and dissonant music.  I learn about the world, growing and evolving, finding out that life is full of hard lessons.  Life and Death play out there struggle, and the learning concludes when you reached the parched and hopeless climax, the realization that everything, no matter how big or powerful, ends in death and failure.  Dust returns to dust.

The film then blossoms into The Pastoral Symphony by Ludwig van Beethoven.  This mythical landscape of cute cherubs and satyrs, bare-breasted centaurettes, and Greek Gods rendered in pastel hues represents the blooming of romance, lust, and love.  There is celebration, complete with Dionysus and his invention, wine.  There is courtship, attraction, and bonding.  When the cherubs pull the curtain closed on the centaur couple, we also know what is happening behind the curtain even if it weren’t for the cherub whose butt becomes a red heart.  And, of course, there is a great storm that comes along, both in the pastoral music and the action of the cartoon, representing the volatility and strife that occurs when we dare to love another.  It does, however, subside for life to continue refreshed.

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The next piece is  Dance of the Hours by Amilcare Ponchielli.  This comedy of ballerina ostriches and hippos, bubble-dancing elephants, and aggressively dancing gators, is the domestic, married life.  It is a comedy of graceful awkwardness, beauty and humor rolled into the same cake and cooked with irony and wit.  And, of course, just like real life, everything is eventually carried away by the wind… until the next dance.

And finally, Night on Bald Mountain by Modest Mussorgsky and Ave Maria by Franz Schubert is the end of life.  First comes the pain and suffering of death, ruled over by Chernabog the Devil.  He commands the torture and heartless ritual that I am subject to even now, in the twilight of life.  The flesh and the bones yield to his trans-formative whims.  We must all dance to his music until the striking of dawn.  Then he is defeated and the spirit soars, free of body and definable form to the rousing strains of Ave Maria.  We journey through the cathedral forest towards the everlasting light, and the movie, like my life, will be done.  But I do not despair, because life, like the movie itself, can be endlessly replayed and is eternal.

I was not able to see this movie for the first time until college, attending a screening at Iowa State.  When it came out on VHS in the 80’s, I bought two, one to keep and store safely, unopened, and one to watch until it fell apart.  I also bought the DVD when it came out with Fantasia 2000.  I cannot count how many times I have seen this movie.  I even showed it to my classes as I was about to retire, and didn’t secure written permission.  But it was only this week, feeling ill and terribly mortal again that I realized… Fantasia tells the story of my life.

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Monkey Mathematics

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(colored pencil, pen, & ink – entitled “Math Monkey” – by Leah Cim Reyeb (my name backwards))

It has been said that if you have an infinite number of monkeys with an infinite number of typewriters, and unlimited time, they will reproduce all the works of William Shakespeare.  Not only that, they will produce every other work of literature in every language on Earth that has ever been written… and that ever will be written, for all time.  Not only that, but every version of Hamlet that has one misspelled word, two misspelled words, three misspelled words… and so on to infinity.

I was having an argument recently with a boy from Brazil who insisted there was no God and Creator.  He claims to be an agnostic, but argues like an atheist.  He was trying to “save” me from my erroneous belief that there is an underlying intelligence and purpose to all of creation.  His intentions were good, but he failed to convince me before sailing off back to Sao Paulo.  Alas, I am unrelentingly still convinced that I am not wrong, as he apparently believed all school teachers are by definition.  Yes, it is written that way in the teenager’s guide to life, the universe, and everything.  “Teachers are clueless and only teach you the wrong stuff” – page two hundred and three, in Chapter Twelve, Adults are Always Wrong.  And, of course, I’m blaming it on the monkeys.  It’s always those danged monkeys and their typewriters.

I tried to explain that the whole infinite-monkeys thing is based on flawed math.  After all, math was invented by enraged Greeks who danced around naked in caves worshiping circles, squares, and right triangles.  Pythagoras must’ve really hated school kids.  He gave them all this froo-frah to learn about whole numbers, integers, algebra, and geometry and stuff, and then threw in theorems and equations to give them something to mind-numbingly practice at their desks in Math classes until they were no different from infinite-monkey typists. 

If you take a pile of bricks up to the top of a mountain and then throw them off, even if you throw them an infinite number of times, how often will they actually land in the configuration of the Parthenon?  …And the Parthenon with one brick out of place, and then two bricks, and …wasn’t the gol-danged Parthenon carved out of marble, not bricks?  If you believe all of reality is based on random chance, then you obviously are figuring that out with infinite-monkey math.  I’m not saying the Theory of Evolution is wrong.  That is ordered and principled in ways that fit Occam’s Razor and is probably just as correct as the Theory of Gravity (which we don’t fully understand, either, yet we don’t go flying off into space with each rotation of the Earth).

“Wait a minute!” screams the head monkey.  “Are you saying you believe in Evolution, or in Creation?”   (I am constantly hearing nearly-infinite monkeys screaming that nowadays.)

Shoot, I think both things are true.  You can’t deny what science offers proof for, fact or theory.  Yet, God speaks to me and comforts me, even though he doesn’t actually answer prayers.  The evidence of God is in all that he created, including the process of evolution, the monkeys, the typewriters (well… man-made is made by God too if he created man with inventive capabilities, right?), and even the voices in my silly head that I interpret as God talking.  Am I guilty of Infinite-monkey math?  I try not to be.  But I also try not to argue with Brazilian teenage agnostics about the existence of God.  Oh, well… can’t win ‘em all.

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Teacher! Ooh-Ooh! Teacher!

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I have the privilege of being a public school teacher.  Or maybe I should use the word “cursed”.   It is no easy thing to be a teacher in the modern world.  Regressive State governments like Texas mandate that teachers do more with less.  We have to have bigger classes.  We have to show higher gains on State tests.  We have to do more for special populations based on race, disability, language-learner status, and socio-economic status.  Of course, we give money to private schools to be “fair” to all, so a majority of the well-funded and advantaged students are removed from the public school system, even though studies show that their presence in classes benefits everyone.  When the majority of students are low-income in a single classroom, even the gifted minority perform less well.  When higher-income students are at least fifty per-cent of the class, then even the low-income and learning disabled make higher gains than the minority gifted in the first example class.  So, there’s my triple-downer bummer for this post.  You might think that I would agree with Republicans in this State that the lower classes are not worth investing in.  Nothing could be further from the truth.

The fact is, my fondest memories from thirty-one years as a public school teacher come from the downtrodden masses, the poor, the oddballs, the disadvantaged, and even the truly weird.

Okay, so here’s the funny and heart-warming part.  I have a Hispanic English Language Learner right now who looks at the beard I have grown and calls me, “my friend Jesus”.  I have to constantly remind him that, “If I were the son of God, my son, then I would be using lightning bolts for discipline a little more often.”  He grins at me and answers, “Yes, my Jesus.”  He’s a sneaky sort, more dedicated to games and messages on his i-phone than learning.  He is more into working with the girls in small groups so that he can come out appearing much smarter without putting out very much actual work.

I remember one particularly challenged boy who didn’t talk in class at all.  He could make sounds, however.  Constantly during classes with this student in them, there would be numerous “meows” and birdcalls.  Grunts and groans and whistles would fill the air.  Most of the noises came from him.  The ones that didn’t, came from those who imitated him.  It reached a point that I was having to teach a classroom full of Harpo Marxes .  When asked about it, he claimed he had a sore throat all the time and just couldn’t talk.  Many of his teachers thought he was merely sabotaging class so he wouldn’t have to do any work.  But just like when you put a harp in front of Harpo, this boy had hidden talents, and just was not being engaged on his own level.  He was really quite bright if you could learn to communicate with him in Harpo Marxian.

I had another student who read all the existing Harry Potter books forward and backwards, and inside out.  He even looked like the actor who played Harry in the movies, glasses and all.  He was treated like a radioactive being by his classmates, and although he was charming and funny and had a natural talent for manga-style drawings of people, nobody seemed to treat him like a friend. (The paffooney picture I drew for this post was inspired by him.)    He was a jovial loner.  I was able to tap into his natural abilities for the Odyssey of the Mind creativity contests we participated in during the early 2000’s.  I helped him find nerd friends who also knew all the words to the Spongebob Squarepants theme. 

I have a Chinese girl in class who shared the Spongebob boy’s fascination with manga-style art.  She’s a different bird all together.  She gets my jokes and thinks I am funny.  But she never laughs.  She never even cracks a smile.  She is so careful and complete in every assignment that it is very nearly painful to watch.  Grades are serious matters to her.  If her grade drops from 100 to 98, she wants to audit the teacher’s grade book to find out why.  She does everything in class in beautifully crafted Chinese writing, and then translates it all word-for-word into English.

I owe my teaching career to kids like these.  When I started my career in 1981 for $11,000 per year, I was employed by a school that had total disciplinary meltdown the year before.  I had to deal with hostility, impossible behavior-modification tasks, fire crackers in the classroom, student fights, bullying, and a language/cultural gap wider than the Grand Canyon.  That first year, I was planning to resign at the end of the year and try to figure out what else I could do with my life when a small Hispanic boy with a Scottish family name came up beside me on the playground one March day and said, “Mr. Beyer, I hope you know you are my favorite teacher.  You are the reason I liked school this year.”

I didn’t let him see that there were tears in my eyes.  I told him something about him being my favorite student.  And I gave up thoughts about giving up.  I lived the next thirty years of my career for him.

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Things You Probably Ought to Know about Mickey

As Mickey’s go, the one who is writing this is a moderately interesting example of the breed.  Still, there are things you probably ought to be made aware of.  A sort of precautionary thing…

First of all, this particular Mickey is an Iowegian.  That means he comes from Iowa, the State where the tall corn grows.  It is a prime reason why his jokes are corny and his ears have been popped (oh, and he does actually have two, unlike the picture Paffooney where only one is showing).  His fur is not actually purple.  If anything now, it is mostly silver-gray.  But the Paffooney is a magical portrait, and purple is the color of magic.  He has a goofy, and sometimes fatal grin.  You may not be able to prove that he has ever actually grinned someone to death, but it is likely he could always dig somebody up.

Another irrefutable fact about this Mickey, unlike many many Mickeys, is that he used to actually be a public school teacher.  He taught the little buggers for thirty-one years, plus two years as a substitute teacher.  He did twenty-four of those years in middle school… twenty-three of those in one school in South Texas.  His mostly Hispanic students managed to teach him every bad word in Spanglish… err, Texican… err, Tex-Mex… or is it Taco Bell?  Anyway, they taught him every bad word except for the word for cooties… you know, piojos.  He learned that word from an old girl friend.

A despicable thing about him… (you know despicable, right?  It’s that word that Sylvester the cat always uses) is that he actually likes kids.  That’s just not normal for someone who teaches them.  Teachers are supposed to hate kids, aren’t they?  But he never did.  It is true that he yelled at them sometimes, but he never did that because he hated them.  He did that only for fun.  And he actually apologized to kids sometimes when they got into behavioral trouble, because he said it was the teacher’s fault if kids are bad, and, besides, the kids are so surprised by that, that they forget all about the behavior and can be flammoozled into acting good.

The last and most wicked thing you need to know about Mickey is that he cartoons up a storm sometimes.  He loves to draw everything that is wacky and weird.  He has more goofball colored pencil tricks than a Charles Shultz and a Dr. Seuss rolled together in a sticky lump with a George Herriman stuck on top in place of a cherry.  He steals ideas and techniques from other artists and steals jokes from comedians, undertakers, and random juvenile delinquents.  He also puts together lists of wacky oddball details that don’t quite fit together and weaves it into purple paisley prose (somewhere in this whole messy blog thing he has also defined purple paisley prose and how to make it… in case you were curious.)

So there you have it.  The Truth about Mickey.  The sordid, simpering, solitary facts about Mickey.  The straight poop.  (wait a minnit!  How did poop get there?  Not again!  I thought I had cured that!)

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Goodbye, Sweet Gene

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I’m going to miss him.  I’m really going to miss him.  I know he suffered from Alzheimer’s and hadn’t really done anything new and exciting in a while, but still, I always knew that he was still there.  He was still Gene Wilder.  Not only that, he was still Willy Wonka, still the Waco Kid from Blazing Saddles, still Dr. Frankenstein from Young Frankenstein, which he not only starred in, but wrote.

He was also Gilda Radner’s husband.  The great love of his life, gone too as a victim of cancer back in 1989.

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The first time I ever saw him on screen was in college, in film class.  We watched Mel Brooks’ The Producers on the classroom projector.

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We studied the movie in class as evidence that comedy films are difficult to make, but have a potential to be truly great film achievements.  That same year, both Blazing Saddles and Young Frankenstein hit the big screens in Ames, Iowa.   I saw and loved them both.  Of course, I had watched the televised version of Willy Wonka and the Chocolate Factory on Grandma Beyer’s color TV sometime before that.

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Gene Wilder helped me see that I could live in a world of pure imagination.  And that I could be whatever I truly wished to be.

I’m definitely going to miss that man.

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Skyscapes of the Cloudy Mind

I admit it.  Even though I collect pictures of sunrises to glory in the fact that I still have another day of life in this world, I rarely snap a picture of the cloudless sunrise.  It is very possible that this has something to do with what ultimately gives life value and makes it worthwhile to live one more day.

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If there is no pattern, no color-changes, no contrast, no variation… then why bother?  And this doesn’t only apply to living your life.  It applies to taking pictures of the sky too.  Solid blue or solid yellow are about as interesting as a minimalist painting.  (Have you ever seen the big beige squares and red squares that fill entire walls of the Dallas Art Museum?  Like a picture of a polar bear in a fierce blizzard or an extreme close-up of the side of a tomato.)

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Yes, sunshine and happiness are all well and good… but you don’t get a satisfactory skyscape without some clouds in it.  In fact, rain clouds provide the most fascinating patterns and colors.  What would the picture be without a little drama splashed here and there to make a center of interest or a counterpoint to the happy ending?  They say that variety is the spice of life.  And when they say that they probably mean cayenne pepper rather than parsley or oregano.  If that’s not what they mean, then why the hell did we bring food into the discussion?

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So, I am thinking, there have to be clouds.  (Notice, I said “clouds”, not “clowns”, because… according to the song, there “ought to be clowns”, not “have to be clowns”.)

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It is true that clouds can mean sadness… that the rain is coming, that your vision is obscured, that something has come between you and God’s eye.  But without clouds, the sky would be plain and boring.  Better to burn bright and explode in a short amount of time than to linger over a plain pale blue.

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K.I.S.S.

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When learning to write, you have to learn the rules.  And then you start writing, and you learn that you have to break all the rules to do it well.  But what do I know?  You have to be pretty desperate to get your writing advice from a Mickey.  After all, it’s not like Mickey was a writing teacher for over thirty years… oh, wait a minute… yes, he was.

Okay, so I decided to write today about the K.I.S.S. rule of writing.  That’s right, Keep It Simple, Stupid.  Other writing teachers tell me it should be, Keep It Simple, Sweetie, because you can’t say “stupid” to a kid.  Okay, that’s mostly true.  But I use “stupid” when I use the rule myself.  I’m talking to Mickey after all.

So, I better stop “bird-walking” in the middle of this essay, because “bird-walking”, drifting off topic for no purpose, is the opposite of keeping it simple.

I try to write posts of no more than 500 words.  I write an introduction that says something stupid or inane that speaks to the theme I want to talk about.  Then I pile in a few sentences that talk more about the theme and do a good job of irritating the reader to the point that they can’t wait to get to the conclusion.  Finally I finish up with a really pithy and wonderful bit of wisdom to tie a knot in the bow of my essay.  I save that bit for the end as a sort of revenge for all the readers who don’t read all the way to the end, even on a short post like this one.  Of course, I could be wrong about how wonderful and pithy it is.  What does “pithy” even mean?  It can be like the soup in the bottom of the chili pot, thicker and spicier than what came before… or possibly overcooked with burned beans.

That was another bit of “bird-walking”, wasn’t it?  See, you have to break the rules to make it work better.

So, in order to keep it simple, I guess I need to end here for today.  Simple can be the same thing as short, but more often you are trying to achieve “simple and elegant” and pack a lot of meaning and resonance into a few lines.  And I, of course, am totally incapable of doing that with my purple paisley prose.  And there’s the knot in that bow.

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Dvorák’s Scherzo in the Nude

Another opportunity to visit the nudist park has passed without me being able to seize the day and do what I really wanted to do this weekend.  It was, however, a different set of reasons than last time.  Last time I was determined to go on a Saturday when more nudists would actually be present.  I got sick and it rained that Saturday.  So I set my sights on Labor Day weekend.

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This weekend the hurricane that ravaged Houston changed my plans.  You see, the storm also ravaged Port Arthur and the distribution points that local gas stations rely on for new shipments on a weekly basis.  I did not see the gas shortage coming in time.  The lines at gas stations and two hour waits for gas mostly all happened before I was ready to cope with it.  So I was not prepared to make the trip when the time came.  Gas stations are limited to selling chewing gum and promising that more gas would be available by the middle of next week.

If you haven’t realized it yet from these details that could only have happened in the past (2017,) this is a repost of one of my more popular posts from the past.  But it is still relevant in that I cannot go to the nudist park again this summer for health reasons and the fact that my car is taking longer than normal to be repaired.

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Yes, the boy in the picture is me naked as I might’ve been in a more sylvan youth than the one I actually had.

So I am left to sit here in my bedroom studio in the nude writing this and listening to Dvorák’s Scherzo Capriccioso on YouTube.

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A scherzo is, perhaps, the perfect metaphor for an essay like this one.  Most of what I write are really scherziplay (or scherzi if I hadn’t goofed on that typo in the definition) if you analyze them closely.  Sprightly and humorous idea flows (at least, they make me laugh) that wax thoughtful and slightly serious at certain points.  This one, the capriccioso, the capricious and mercurial idea that I have somehow turned into a nudist, is my attempt to make sense of the nonsensical, the whims and flimsy that led me to be a naked old man.

You may have noticed in my artwork a tendency to associate nudity with childlike innocence.  (At least, you should have noticed if I have any ability at all as a writer and artist to guide your perceptions.)   There is no sense at the nudist park that it is about sexuality and impending orgies.  Those things are completely against the rules and have no place among actual nudists.  You go to a nudist park and it is just you and your towel for sitting on talking to a bunch of naked people who are just as fat and old and saggy and baggy as you are, each with their own towels for sitting on.  Nobody uses more than their first names and more than that is not necessary.  Nudists are more open and honest than most people you meet in social situations.  They literally are not hiding anything.  And I have discovered that I fit right in there.  It seems like the most natural thing in the world.  I really enjoyed my brief time nude amongst the nudists.

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Once I got past the initial embarrassment that anyone would feel in that new-nudist situation, I came to the conclusion that I have always been a nudist.  Having been born a nudist, my parents and grandparents trained me not to be one, and being sexually assaulted at ten gave added horror to being naked around others that it took a lifetime to overcome.  But naked is how we were created.  There is a reason that Adam and Eve didn’t wear clothes in Eden.

I didn’t get to go back to the nudist park this holiday weekend.  I will never convince my wife and kids to go with me either.  In fact, I myself may never have another opportunity to go back there.  But listening to Dvorak’s Scherzo has confirmed in me that I am a nudist and always have been.  Sorry if I have frightened you with my naked ideas, but maybe you should listen to a scherzo naked and test whether you are one too.

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D & D Sidekicks

Why did Batman have Robin the Boy Wonder?  Not only that, but why Bucky and Captain America?  Green Arrow and Speedy?  Aquaman and Aqualad?  Superman and Krypto the Super Dog?  Fredric Wertham, the Seduction of the Innocents and the Comics Code guy, would have you believe that they were there to make young boys turn gay and violent.  But that was nonsense, wasn’t it?  Better change Krypto for photographer Jimmy Olsen just in case.

But if that was merely nonsense, why was it such a part of the formula?

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As a D & D dungeon master, I have my own theory about sidekicks and their function in story-telling.

Young sidekicks were an important part of the stories I told as a game master because the players in my games were mostly adolescent boys themselves.  It was the same as the primary readers of Batman comics in the 1950’s of Wertham’s Comics Code.  The young hero or adventurer character, most often in the form of a non-player character, was someone they could relate to because of age.  They had more in common with the sidekick than the lead hero.  It helped to draw them into the story and make it relevant.

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As a story-telling device, you often find the young apprentice character in novels written for younger audiences.  Think of David Eddings’ Belgariad, or Lloyd Alexander’s  Chronicles of Prydain, or Treasure Island by Robert Louis Stevenson.  The characters of Garion the youngster in the Belgariad,  Taran the young protagonist of Prydain, and certainly Jim Hawkins of Treasure Island.  

So, with that realization, I incorporated youthful characters, both boys and girls, as apprentices and student-adventurers.

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Initially it proved to be a hard thing.   Wizards and sorcerers, according to D & D rules, can take an apprentice once they reach level three.  But first level characters as apprentices are vulnerable because damage done by third level monsters wipes out the meager hit point reserves of a beginner character.  After several traumatic deaths of beloved sidekicks, the player characters begin to take steps to protect them better in combat, or quickly learn where to find priests with resurrection spells who work really cheap.

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Of course, these characters are useful for more than just creating combat complications.  They are really useful for comic relief.  The missteps, mistakes, and total botch-jobs that these inexperienced younger characters create can make us laugh, make us sweat a little to correct it, and move the plot forward in interesting ways that I, as the game master, wouldn’t have otherwise planned.

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So, hopefully, Mr. Wertham’s ghost isn’t hovering over my D & D game thinking it is all a plot to create a generation of violent, gay youths.  Hopefully he can see that it is all a part of a well-established story-telling literary device that actually helps to educate and deepen the understanding of youths.  But it is swiftly becoming irrelevant what Wertham’s ghost thinks anyway.  I haven’t played D & D for a while now.  My sons and daughter now have their own groups of friends, playing under different dungeon masters with different dice.  But hopefully, the need for youthful sidekicks will remain.

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Why School Should Be Cool

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I was a school teacher for thirty-one years, and in spite of the immense amount of brain damage that builds up over time, especially as a middle-school teacher, I think I know what we’ve been doing wrong.

We need to take a look at an education system where things are working better than they are here.

Now, I know you probably didn’t click on the boring video about school.  Heck, you probably aren’t even reading this sentence.  But I can summarize it and put it in easy-to-understand words.  Finland does not have to educate as many poor and disadvantaged kids as this country does.  The video gives five ways that Finland does it better, but all of them boil down to the basic notion that the country is more homogeneous and uniformly middle-class than ours is.  Still, we can learn things from them.

The first of the five ways that Finland does it better is a difference in government.  While U.S. governmental safety-net programs blame people who need food stamps for being lazy (even though some of them work 40-hour work weeks in minimum-wage jobs), Finland gives a huge package to parents of everything they might need as soon as their child is born.  As long as the child is in school, the government does many things to support the family’s efforts to educate them.  Imagine what we could accomplish here if we invested some of the vast fortune we give to corporations in subsidies into educating poor black and Hispanic children instead.  Children have a hard time learning in school when they come to school hungry.  If we could only feed them better, the way the Fins do, we would revolutionize our classrooms.

The second point the video makes is the biggest suds-maker every time I get on my teacher’s soap box.  They don’t give kids homework and they only give them one standardized test when they leave high school.  I have recently covered this topic more thoroughly in a post in which I was able to ridicule Florida governor Rick “Skeletor” Scott.  (Boy, did I enjoy doing that.)  But I won’t go into all of that again here.

The third thing is respecting teachers.  In Finland they treat teachers with the kind of respect that they give to doctors and lawyers.  How cool is that?  In Texas, calling someone a teacher is an epithet.  If a teacher is liked or even loved by their students, administrators are encouraged to keep a closer eye on them to figure out what’s wrong.  Students are supposed to hate their teachers and sit all day filling out mind-numbing test-preparation worksheets.  Imagine what it could be like if teachers weren’t the scum of the earth.  They might actually have students convinced that learning goes on in their classrooms.

The fourth point is that Finland does not try to cram more and more memorized details into young brains so they can spit it all back out on a test.  They take students thoroughly into the subject of study, and at a slower, easier pace.  They dive deep into the river of learning instead of wade through the wide and shallow parts.  All questions get answered.  And by that, I mean, student questions, not teacher questions.  The learning is student-centered.

Finally, the video states that Finland simply has fewer social ills in their country to get in the way of good quality education.  But even though the work is harder in this country, the potential is really there to go far beyond what Finland is capable of.  We have a natural resource that is totally untapped in this nation.  We don’t develop the minds of a majority of our children in any meaningful way.  And I can tell you from having done it, you can teach a poor or disadvantaged child to think.  You can give them the tools for academic, economic, and personal success.  You can make them into valuable human beings.  But you should never forget, they are already precious beyond measure.  We just ignore and trash that inherent value.  So, the information is out there about how to do a better job of educating our children.  We need to follow through.

Here endeth the lesson.

 

 

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