I slept in this morning. Spent another late night doing nothing but watching monster movies. I recently got myself a DVD collection of Hammer Films monster movies from the sixties. I found it in the $5 bargain bin at Walmart, a place I regularly shop for movies.

When I was a boy, back in the 60’s, there always used to be a midnight monster movie feature called Gravesend Manor on Channel 5, WOI TV in Ames, Iowa. It started at 11:00 pm and ran til 1:00 am. I, of course, being a weird little monster-obsessed kid, would sneak downstairs in my PJ’s when everyone else was asleep and I would laugh at the antics of the goofy butler, possibly gay vampire duke, and the other guy who was supposedly made in the master’s laboratory. And when the movie started, I was often scared witless by the black-and-white monster B-movie like Scream of Fear!, or Curse of the Mummy’s Tomb, or Eyes of the Gorgon. It was always the reason I could rarely get up in time for church and Sunday school the next morning without complaints and bleary-eyed stumbling through breakfast. I never knew if my parents figured it out or not, but they probably did and were just too tired to care.
It was my source for critical monster-knowledge that would aid me greatly when I grew up to be a fireman/cowboy hero. Because battling monsters was… you know, a hero prerequisite. And I intended to be the greatest one there ever was. Even better than Wyatt Earp or Sherlock Holmes or Jungle Jim.
Boris Karloff, Bela Lugosi, Peter Lorre, Peter Cushing, Vincent Price, and the immortal Christopher Lee were my tutors in the ways of combating the darkness. When I started watching a really creepy monster movie, I always had to stick it out to the end to see the monster defeated and the pretty girl saved. And they didn’t always end in ways that allowed me to sleep soundly after Gravesend Manor had signed off the airways for the night. Some movies were tragedies. Sometimes the hero didn’t win. Sometimes it was really more of a romance than a monster movie, and the monster was the one you were rooting for by the end. I remember how the original Mighty Joe Young made me cry. And sometimes you had to contemplate more than tragedy. You had to face the facts of death… sometimes grisly, painful, and filled with fear. You had to walk in the shoes of that luckless victim who never looked over his shoulder at the right moment, or walked down the wrong dark alley, or opened the wrong door. The future was filled with terrifying possibilities.
Now, at the end of a long life, when I am supposed to be more mature and sensible, I find myself watching midnight monster movies again. What’s wrong with me? Am in my second childhood already? Am I just a goofy old coot with limited decision-making capabilities? Of course I am. And I intend to enjoy every horrifying moment of it.



But the thing about monster movies… at least the good ones, is that you can watch it to the end and see the monster defeated. We realize in the end that the monster never really wins. He can defeat the monstrous qualities within himself and stop himself. Or the antidote to what ails him is discovered (as Luke did with Darth Vader). Or we can see him put to his justifiable end and remember that if we should see those qualities within ourselves, we should do something about it so that we do not suffer the same fate. Or, better yet, we can learn to laugh at the monstrosity that is every-day life. Humor is a panacea for most of life’s ills.

























Living in the Spider Kingdom
Life seems to be getting harder and harder. And I realize that a big part of that perception is the fact that my health is deteriorating quickly. This is a humor blog, but it has been getting more and more serious and more and more grim as the grim reaper becomes more and more a central character in my own personal story.
My perception of reality, however, is best explained by a passage in a novel that spoke to me in college. It comes from the novel, the Bildungsroman by Thomas Mann called Der Zauberberg, in English, The Magic Mountain. In the scene, Hans Castorp is possibly freezing to death, and he hallucinates a pastoral mountainside scene where children are happily playing in the sunshine. Possibly Heaven? But maybe not. As he goes into a stone building and finds a passage down into the ground, he sees wrinkled, ugly, horrible hags gathered around a child’s corpse, eating it. And this vision explains the duality at the center of the meaning of life.
For every good thing, there is an equal and opposite bad thing that balances it out. There is no understanding what perfection and goodness mean without knowing profanity and evil. Just as you can’t understand hot without cold nor light without darkness. And you don’t get to overturn the way it is. You try your hardest to stay on the heads side of the coin knowing that half the time life falls to tails.
So, what good does it do me to think about and write about things like this? Well, it makes for me a sort of philosophical gyroscope that spins and dances and helps me keep my balance in the stormy sea of daily life. I deal with hard things with humor and a sense of literary irony. I make complex metaphors that help me throw a rope around the things that hurt me.
We are living now in the Spider Kingdom. Hard times are here again. The corrupt and corpulent corporate spiders are spinning the many webs we are trapped in. As metaphorical as it is, we wouldn’t have the government we currently have and be suffering the way we are if that weren’t true.
But no bad thing nor no good thing lasts forever. The wheel goes round and round. The top of the wheel reaches the bottom just as often as the bottom returns to the top. So, it will all pass if we can only hold out long enough.
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